Exhibition History Alberto Rey
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Discovering the Contemporary
of formalist distance upon which modernists had relied for understanding the world. Critics increasingly pointed to a correspondence between the formal properties of 1960s art and the nature of the radically changing world that sur- rounded them. In fact formalism, the commitment to prior- itizing formal qualities of a work of art over its content, was being transformed in these years into a means of discovering content. Leo Steinberg described Rauschenberg’s work as “flat- bed painting,” one of the lasting critical metaphors invented 1 in response to the art of the immediate post-World War II Discovering the Contemporary period.5 The collisions across the surface of Rosenquist’s painting and the collection of materials on Rauschenberg’s surfaces were being viewed as models for a new form of realism, one that captured the relationships between people and things in the world outside the studio. The lesson that formal analysis could lead back into, rather than away from, content, often with very specific social significance, would be central to the creation and reception of late-twentieth- century art. 1.2 Roy Lichtenstein, Golf Ball, 1962. Oil on canvas, 32 32" (81.3 1.1 James Rosenquist, F-111, 1964–65. Oil on canvas with aluminum, 10 86' (3.04 26.21 m). The Museum of Modern Art, New York. 81.3 cm). Courtesy The Estate of Roy Lichtenstein. New Movements and New Metaphors Purchase Gift of Mr. and Mrs. Alex L. Hillman and Lillie P. Bliss Bequest (both by exchange). Acc. n.: 473.1996.a-w. Artists all over the world shared U.S. -
Ali Banisadr / MATRIX 185 at the Wadsworth Marks Artist's First Solo
FOR IMMEDIATE RELEASE Media Contact: Kim Hugo, (860) 838-4082 [email protected] Image files to accompany publicity of this exhibition will be available for download at http://press.thewadsworth.org. Email to request login credentials. Ali Banisadr / MATRIX 185 at the Wadsworth Marks Artist’s First Solo Museum Exhibition in the U.S. Hartford, Conn. (September 15, 2020)—Ali Banisadr draws freely from an encyclopedic knowledge of the history of painting to create a distinctive visual language, resulting in works that explore a “between space,” like those of hallucinations and dreams. Ali Banisadr / MATRIX 185 at the Wadsworth Atheneum Museum of Art is the artist’s first solo museum exhibition in the U.S. Ten paintings and two prints by Banisadr join a selection of works from the Wadsworth collection chosen by the artist, as well as a video collage that Banisadr created to show additional inspiration works from the museum’s collection. The exhibition opens October 22, 2020 and will be on view through February 14, 2021. “Banisadr’s depictions of abstracted masses feel especially relevant right now,” says Patricia Hickson, Emily Hall Tremaine Curator of Contemporary Art at the Wadsworth. “His compositions echo the disquiet we are witnessing across the world today, including political rallies, protest marches, and street riots. And yet, as timely as they are, they are equally timeless.” Banisadr’s process has been related to synesthesia as sounds instruct the energy and rhythm in his painterly compositions. His perception of sound as inextricably linked to color and form began in his native Tehran, Iran during the Iran-Iraq War (1980–1988)— the artist recalls drawing while sheltering at home. -
About the Exhibition the Year 2020 Is a Historic One for the Evansville Museum’S Biennial Mid-States Art Exhibition, As It Marks Its Jubilee Anniversary
About the Exhibition The year 2020 is a historic one for the Evansville Museum’s biennial Mid-States Art Exhibition, as it marks its Jubilee Anniversary. The biennial exhibition provides recognition for emerging artists and the opportunity to receive a purchase or merit award. Selected for this retrospective are top award- winning works spanning sixty years which provide a unique overview of the development in trends and techniques of artists in the Midwest. The annual juried competition was organized in 1948 by the Museum’s Director, Charles Bogg; Registrar, Florita Eichel; and Museum Trustee William A. Gumberts. Originally named the Tri- State Art Exhibition, the competition accepted paintings, drawings, prints, sculpture, and crafts for consideration by a jury of two or three art professionals. In the first decade, the number of entries steadily grew; and, in 1960, the Museum organized a separate regional juried exhibition devoted to craft. The Mid- State Craft Exhibition and the Mid-States Art Exhibition were presented annually until 1994 when the decision was made to offer one regional juried competition each year and the two competitions became biennials. The competition is open to artists residing in the six Midwestern states of Indiana, Illinois, Kentucky, Tennessee, Ohio and Missouri. In the exhibition’s sixty-year history, the purchase and merit awards donated by local individuals, businesses, corporations, and philanthropic organizations have allowed the Evansville Museum to purchase 326 works for the Mid-States Art Collection. On this Jubilee Anniversary, we congratulate all the artists who have participated in the Mid-States Art Exhibition and thank the many generous patrons whose gifts have made the acquisition of this important collection possible. -
Ana Menéndez and Alberto Rey
College of the Holy Cross CrossWorks Spanish Department Faculty Scholarship Spanish Department 5-2009 The Memories of Others: Ana Menéndez and Alberto Rey Isabel Alvarez-Borland College of the Holy Cross, [email protected] Follow this and additional works at: https://crossworks.holycross.edu/span_fac_scholarship Part of the Modern Languages Commons, and the Spanish and Portuguese Language and Literature Commons Required Citation Alvarez-Borland, Isabel. "The Memories of Others: Ana Menéndez and Alberto Rey." Review: Literature and Arts of the Americas 42.1 (2009) : 11-20. This Article is brought to you for free and open access by the Spanish Department at CrossWorks. It has been accepted for inclusion in Spanish Department Faculty Scholarship by an authorized administrator of CrossWorks. THE MEMORIES of OTHERS: ANA MENÉNDEZ AND ALBERTO REY Isabel Alvarez Borland “I live between two worlds, like a photograph that is always developing, never finishing, always in transition or perhaps translation, between past and present, English and Spanish, Cuba and the United States, the invisible and the visible, truths and lies.” María de los Angeles Lemus 1 How are the discourses of memory produced, conveyed, and negotiated within particular communities such as heritage Cuban American artists? A literature born of exile is a literature that by force relies on memory and imagination since the cultural reality that inspires it is no longer available to fuel the artists’ creativity. This is especially true of U.S. Cuban heritage writers who are twice -
Finding Aid to the DC Art Association Records, 1969
D.C. Art Association Finding Aid to the D.C. Art Association Records, 1969– 1991, Anacostia Community Museum Archives by Tonijala D. Penn May 2007 Contact Information Anacostia Community Museum Archives Smithsonian Institution 1901 Fort Place, SE Washington. D.C. 20020 202.633.4853 (phone) 202.287.2422 (fax) www.ACMarchives.si.edu Table of Contents Collection Overview......................................................................................................... 1 Administrative Information ............................................................................................... 1 Biographical Note ............................................................................................................ 2 Scope and Content Note ................................................................................................. 2 Subjects .......................................................................................................................... 3 Related or Complementary Material ................................................................................ 3 Series Description/Container List .................................................................................... 3 Series I: Administrative ................................................................................................ 3 Series II: Correspondence ........................................................................................... 4 Series III: Exhibitions .................................................................................................. -
The Complexities of Water Biological Regionalism: Bagmati River, Kathmandu Valley, Nepal
Kathmandu Valley, Nepal Valley, Kathmandu River, Biological Regionalism: Bagmati The Complexities of Water The Complexities of Water Biological Regionalism: Bagmati River, Kathmandu Valley, Nepal Alberto Rey Jason Dilworth The Complexities of Water Biological Regionalism: Bagmati River, Kathmandu Valley, Nepal Alberto Rey Jason Dilworth The Complexities of Water Biological Regionalism: Bagmati River, Kathmandu Valley, Nepal Alberto Rey Jason Dilworth This marigold chain was strung around a shrine between Pashupatinath and Guheswori Temples in Kathmandu. Marigolds symbolize trust in the Gods and their power to overcome obstacles and evils. The strong odor also keeps flies from the offerings. www.BagmatiRiverArtProject.com Dedicated to the Nepali People g]kfnL hgtfk|lt ;dlk{t Published by: Canadaway Press Fredonia, New York 14063 © 2016 Alberto Rey Charts and figures taken from the Bagmati River Expedition 2015. Nepal River Conservation Trust & Biosphere Association. Translation from English to Nepali by Prashant Das Project made possible with the support of the Kathmandu Contemporary Art Centre, Kathmandu, Nepal Text and Images unless otherwise noted: Alberto Rey Printed in China Onthemark LLC 75-5660 Kopiko St #C7 – 105 Kailua-Kona, HI 96740 ISBN: 978-0-9979644-0-0 Contents Project background Water, Water, Everywhere, 4 Nor Any Drop to Drink 114 Land of Contradictions Moving forward 18 129 Nepal and Kathmandu Valley Project Timeline 27 150 The Bagmati River in Kathmandu Valley Project Leaders 38 161 Bagmati River Expedition 2015 References 57 165 Detailed View of Four Sites from the Bagmati River Expedition 72 The Bagmati River Art Project could not have happened without the the Siddhartha Gallery in Kathmandu, Nepal. -
The Native American Fine Art Movement: a Resource Guide by Margaret Archuleta Michelle Meyers Susan Shaffer Nahmias Jo Ann Woodsum Jonathan Yorba
2301 North Central Avenue, Phoenix, Arizona 85004-1323 www.heard.org The Native American Fine Art Movement: A Resource Guide By Margaret Archuleta Michelle Meyers Susan Shaffer Nahmias Jo Ann Woodsum Jonathan Yorba HEARD MUSEUM PHOENIX, ARIZONA ©1994 Development of this resource guide was funded by the Nathan Cummings Foundation. This resource guide focuses on painting and sculpture produced by Native Americans in the continental United States since 1900. The emphasis on artists from the Southwest and Oklahoma is an indication of the importance of those regions to the on-going development of Native American art in this century and the reality of academic study. TABLE OF CONTENTS ● Acknowledgements and Credits ● A Note to Educators ● Introduction ● Chapter One: Early Narrative Genre Painting ● Chapter Two: San Ildefonso Watercolor Movement ● Chapter Three: Painting in the Southwest: "The Studio" ● Chapter Four: Native American Art in Oklahoma: The Kiowa and Bacone Artists ● Chapter Five: Five Civilized Tribes ● Chapter Six: Recent Narrative Genre Painting ● Chapter Seven: New Indian Painting ● Chapter Eight: Recent Native American Art ● Conclusion ● Native American History Timeline ● Key Points ● Review and Study Questions ● Discussion Questions and Activities ● Glossary of Art History Terms ● Annotated Suggested Reading ● Illustrations ● Looking at the Artworks: Points to Highlight or Recall Acknowledgements and Credits Authors: Margaret Archuleta Michelle Meyers Susan Shaffer Nahmias Jo Ann Woodsum Jonathan Yorba Special thanks to: Ann Marshall, Director of Research Lisa MacCollum, Exhibits and Graphics Coordinator Angelina Holmes, Curatorial Administrative Assistant Tatiana Slock, Intern Carrie Heinonen, Research Associate Funding for development provided by the Nathan Cummings Foundation. Copyright Notice All artworks reproduced with permission. -
Inclusive Curatorial Practices: Facilitating Team Exhibition Planning in the Art Mueum Using Evaluative Inquiry for Learning in Organizations Ann Rowson Love
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2013 Inclusive Curatorial Practices: Facilitating Team Exhibition Planning in the Art Mueum Using Evaluative Inquiry for Learning in Organizations Ann Rowson Love Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORDIA STATE UNIVERSITY COLLEGE OF VISUAL ARTS, THEATRE, & DANCE INCLUSIVE CURATORIAL PRACTICES: FACILITATING TEAM EXHIBITION PLANNING IN THE ART MUEUM USING EVALUATIVE INQUIRY FOR LEARNING IN ORGANIZATIONS BY ANN ROWSON LOVE A Dissertation submitted to the Department of Art Education in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Summer Semester, 2013 Ann Rowson Love defended this dissertation on May 2, 2013. Members of the supervisory committee were: Pat Villeneuve Professor Directing Dissertation Paul Marty University Representative Tom Anderson Committee Member Jeff Broome Committee Member Linda Schrader Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the dissertation has been approved in accordance with university requirements. ii DEDICATION To my parents Joseph and Sandra Rowson iii ACKNOWLEDGMENTS I want to thank Pat Villeneuve for her guidance and for supervising this project as my advisor. In the weeks following Hurricane Katrina, Pat welcomed my family into her home and into the doctoral program that led me to this work. I thank all of my committee members for their participation and thoughtful comments throughout this process; thank you to Tom Anderson, Jeff Broome, Paul Marty, and Linda Schrader. To my husband, Eric, who made the move to Tallahassee and supported me throughout my studies and writing. -
Public Art Exhibition Curator
REQUEST FOR PROPOSALS CITY OF WEST HOLLYWOOD ARTS DIVISION PUBLIC ART EXHIBITION CURATOR Date Released: September 7, 2017 Deadline to Apply: October 11, 2017 City of West Hollywood ART ON THE OUTSIDE REQUEST FOR PROPOSALS (RFP) Public Art Exhibition Curator Santa Monica Boulevard at Doheny Drive Sculpture Park RFQ released: September 7, 2017 Deadline to apply: October 11, 2017 PROJECT DESCRIPTION The City of West Hollywood’s Art on the Outside Program is seeking an arts professional to curate a temporary public art exhibition for the Santa Monica Boulevard at Doheny Drive Sculpture Park. Independent curators and curators representing non-profit art organizations, art centers, galleries and/or museums are invited to develop proposals for an engaging temporary public art exhibition for the City’s primary outdoor exhibition space. Qualified curators will have experience and capability to perform the tasks described in the Scope of Work. Proposals may be artistic, cultural, or popular in nature and may (but are not required to) feature themes related to the City’s unique history. Artworks included in the exhibition proposal should be able to withstand the natural elements and be ready to install in a public setting. Delicate artworks that may be vulnerable to the elements and/or public interaction are not advisable for this setting. The term of the exhibition is expected to begin in February 2018 and conclude in February 2019. ELIGIBILITY This is an open call to arts professionals. Proposals submitted by arts professionals, non-profit art organizations, art centers, galleries, and/or museums for exhibitions of emerging and established artists will be considered. -
ECONOMÍA POLÍTICA ARGENTINA Cómo Revertir La Decadencia Argentina
SU PROHIBIDA REPRODUCCIÓN ECONOMÍA POLÍTICA ARGENTINA Cómo revertir la decadencia argentina SU PROHIBIDA REPRODUCCIÓN Conesa, Eduardo Economía Política Argentina / Eduardo Conesa; Luis Alberto Rey. - 1a ed. - Ciudad Autónoma de Buenos Aires: Prosa y Poesía Amerian Editores, 2020. 828 p.; 23 x 15 cm. ISBN 978-987-729-570-2 1. Economía Política Argentina. 2. Historia Económica Argentina. I. Rey, Luis Alberto. II. Título. CDD 338.982 SU PROHIBIDA www.eduardoconesa.com.ar www.diputadoconesa.com Twitter: edconesa Facebook: eduardo.conesa.144 REPRODUCCIÓN PROSA Editores, 2020 Uruguay 1371 - C.A.Bs.As. Tel: 4815-6031 / 0448 [email protected] www.prosaeditores.com.ar ISBN Nro: 978-987-729-570-2 Hecho el depósito que marca la ley 11.723 Reservados todos los derechos. Prohibida su reproducción total o parcial por cualquier medio o procedimiento sin permiso escrito del autor. ECONOMÍA POLÍTICA ARGENTINA Cómo revertir la decadencia argentina POR EDUARDO R. CONESA Y LUIS A. REY Con la colaboración SUde Gustavo Zunino PROHIBIDA REPRODUCCIÓN SU PROHIBIDA REPRODUCCIÓN ÍNDICE PRÓLOGO 11 INTRODUCCIÓN 19 La Economía Política de la Revolución de Mayo CAPÍTULO I 47 El modelo clásico de la Economía Política CAPÍTULO II 77 La falencia de la Economía Política clásica ante los tipos de cambio fijos con patrón oro entre 1923 y 1944 CAPÍTULO III 93 El tipo de cambio real como variable político-estratégica crucial para el desarrollo económico CAPÍTULO IV SU 109 La Argentina liberalPROHIBIDA desarrollista de 1860-1943: tipo de cambio competitivo, educación, exportación y creci- miento económico CAPÍTULO V 141 El amiguismo de los nombramientosREPRODUCCIÓN en el Estado y la decadencia argentina CAPÍTULO VI 161 La revolución keynesiana, la función del consumo y sus cuatro multiplicadores de la actividad económica. -
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International Conference on Education, E-learning and Management Technology (EEMT 2016) Analysis on the Present Situation of the Printmaking Art in Jilin Province of China Fu Liu1, a, Bing Liu1, b, * 1 Academy of Fine Arts, Northeast Normal University, Changchun130024, China a [email protected], b [email protected] Keywords: Printmaking art; Jilin Province; National printmaking art exhibition; Living environment; Creative level; Current situation of education. Abstract. In order to promote the development of printmaking art in Jilin Province, analysis and research with living environment, team situation, institute printmaking teaching scale and awards situation, and carries on the statistics and study of the data. The results show that: In Jilin Province, woodcut print and copper plate print outstanding creation level, but there is a certain gap between the overall development of Zhejiang, Yunnan, Heilongjiang and other provinces, these data statistics and theoretical thinking, for the development of printmaking art in Jilin Province to provide digital support. 1. Analysis of the Present Situation of Living Environment From the perspective of the development history of Chinese printmaking art, three changes have happened. For the first time, from 30s to 1949, this is the revolutionary war period, from the beginning of the new woodcut movement initiated by Mr. Lu Xun, woodcut prints to the creation of conditions is simple, economic cost, making fast, for publication and presentation characteristics has been widely attention and use. A variety of newspapers and magazines that are actively published woodcut art works, in order to make the woodcut art in China gradually popular, has played a huge role in the publicity, with its revolutionary and combat, the art of engraving has made brilliant achievements. -
Official Catalogue of Mini Print 2020 (PDF)
19TH LESSEDRA WORLD ART PRINT ANNUAL 2020 CONTEMPORARY ART PROJECTS 19th LESSEDRA WORLD ART PRINT ANNUAL – MINI PRINT The Catalogue presents Artists 200 – 38 Countries The exhibition is held September 25th 2020 – January 22nd 2021 Lessedra Gallery 25, Milin Kamak Street, Lozenetz 1164 Sofia, Bulgaria Argentina – 2 Australia – 3 Austria – 6 Belgium – 6 Brazil – 1 Bulgaria – 17 Canada – 9 Chile – 1 China – 1 Croatia – 1 Denmark – 5 England – 9 Estonia – 1 Finland – 6 France – 9 Germany – 11 Hungary – 1 Ireland – 9 Israel – 1 Japan – 23 Korea – 1 Liechtenstein -2 Mexico – 5 The Netherlands – 14 Norway – 1 Poland – 19 Puerto Rico – 1 Romania – 3 Scotland – 1 Slovenia – 1 South Africa – 1 Sweden – 3 Switzerland – 6 Taiwan – 1 Thailand – 1 Ukraine – 2 U. S. A. – 15 Venezuela – 1 Wales – 1 With Special Thanks for the cooperation to: The project is presented on the web www.lessedra.com ALICJA SNOCH – PAWLOWSKA link Annual Associate Professor Dean of The Faculty of Arts Maria Curie Skłodowska University, Lublin, Poland for the Special Presentation of artists – students from the University Publisher: Book cover design: Atanas Vassilev LESSEDRA Gallery & Contemporary Art Projects Concept for the book: Georgi Kolev 25, Milin Kamak Street, Lozenetz and Christophor Krustev 1164 Sofia, Bulgaria Tel.: (++359 2) 865 04 28, (++359 2) 866 38 57 e-mail: [email protected] Pre - press: Christophor Krustev©2018 [email protected] www.lessedra.com Print: Stovi©2019 2020© Lessedra 2 2020 this year no visiting artists no international jury no