Logarithmic Spiral Tilings of Triangles
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Claus Kahlert and Otto E. Rössler Institute for Physical and Theoretical Chemistry, University of Tübingen Z. Naturforsch
Chaos as a Limit in a Boundary Value Problem Claus Kahlert and Otto E. Rössler Institute for Physical and Theoretical Chemistry, University of Tübingen Z. Naturforsch. 39a, 1200- 1203 (1984); received November 8, 1984 A piecewise-linear. 3-variable autonomous O.D.E. of C° type, known to describe constant- shape travelling waves in one-dimensional reaction-diffusion media of Rinzel-Keller type, is numerically shown to possess a chaotic attractor in state space. An analytical method proving the possibility of chaos is outlined and a set of parameters yielding Shil'nikov chaos indicated. A symbolic dynamics technique can be used to show how the limiting chaos dominates the behavior even of the finite boundary value problem. Reaction-diffusion equations occur in many dis boundary conditions are assumed. This result was ciplines [1, 2], Piecewise-linear systems are especially obtained by an analytical matching method. The amenable to analysis. A variant to the Rinzel-Keller connection to chaos theory (Smale [6] basic sets) equation of nerve conduction [3] can be written as was not evident at the time. In the following, even the possibility of manifest chaos will be demon 9 ö2 — u u + p [- u + r - ß + e (ii - Ö)], strated. o t oa~ In Fig. 1, a chaotic attractor of (2) is presented. Ö The flow can be classified as an example of "screw- — r = - e u + r , (1) 0/ type-chaos" (cf. [7]). A second example of a chaotic attractor is shown in Fig. 2. A 1-D projection of a where 0(a) =1 if a > 0 and zero otherwise; d is the 2-D cross section through the chaotic flow in a threshold parameter. -
Fibonacci Number
Fibonacci number From Wikipedia, the free encyclopedia • Have questions? Find out how to ask questions and get answers. • • Learn more about citing Wikipedia • Jump to: navigation, search A tiling with squares whose sides are successive Fibonacci numbers in length A Fibonacci spiral, created by drawing arcs connecting the opposite corners of squares in the Fibonacci tiling shown above – see golden spiral In mathematics, the Fibonacci numbers form a sequence defined by the following recurrence relation: That is, after two starting values, each number is the sum of the two preceding numbers. The first Fibonacci numbers (sequence A000045 in OEIS), also denoted as Fn, for n = 0, 1, … , are: 0, 1, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144, 233, 377, 610, 987, 1597, 2584, 4181, 6765, 10946, 17711, 28657, 46368, 75025, 121393, ... (Sometimes this sequence is considered to start at F1 = 1, but in this article it is regarded as beginning with F0=0.) The Fibonacci numbers are named after Leonardo of Pisa, known as Fibonacci, although they had been described earlier in India. [1] [2] • [edit] Origins The Fibonacci numbers first appeared, under the name mātrāmeru (mountain of cadence), in the work of the Sanskrit grammarian Pingala (Chandah-shāstra, the Art of Prosody, 450 or 200 BC). Prosody was important in ancient Indian ritual because of an emphasis on the purity of utterance. The Indian mathematician Virahanka (6th century AD) showed how the Fibonacci sequence arose in the analysis of metres with long and short syllables. Subsequently, the Jain philosopher Hemachandra (c.1150) composed a well-known text on these. -
Thesis Final Copy V11
“VIENS A LA MAISON" MOROCCAN HOSPITALITY, A CONTEMPORARY VIEW by Anita Schwartz A Thesis Submitted to the Faculty of The Dorothy F. Schmidt College of Arts & Letters in Partial Fulfillment of the Requirements for the Degree of Master of Art in Teaching Art Florida Atlantic University Boca Raton, Florida May 2011 "VIENS A LA MAlSO " MOROCCAN HOSPITALITY, A CONTEMPORARY VIEW by Anita Schwartz This thesis was prepared under the direction of the candidate's thesis advisor, Angela Dieosola, Department of Visual Arts and Art History, and has been approved by the members of her supervisory committee. It was submitted to the faculty ofthc Dorothy F. Schmidt College of Arts and Letters and was accepted in partial fulfillment of the requirements for the degree ofMaster ofArts in Teaching Art. SUPERVISORY COMMIITEE: • ~~ Angela Dicosola, M.F.A. Thesis Advisor 13nw..Le~ Bonnie Seeman, M.F.A. !lu.oa.twJ4..,;" ffi.wrv Susannah Louise Brown, Ph.D. Linda Johnson, M.F.A. Chair, Department of Visual Arts and Art History .-dJh; -ZLQ_~ Manjunath Pendakur, Ph.D. Dean, Dorothy F. Schmidt College ofArts & Letters 4"jz.v" 'ZP// Date Dean. Graduate Collcj;Ze ii ACKNOWLEDGEMENTS I would like to thank the members of my committee, Professor John McCoy, Dr. Susannah Louise Brown, Professor Bonnie Seeman, and a special thanks to my committee chair, Professor Angela Dicosola. Your tireless support and wise counsel was invaluable in the realization of this thesis documentation. Thank you for your guidance, inspiration, motivation, support, and friendship throughout this process. To Karen Feller, Dr. Stephen E. Thompson, Helena Levine and my colleagues at Donna Klein Jewish Academy High School for providing support, encouragement and for always inspiring me to be the best art teacher I could be. -
D'arcy Wentworth Thompson
D’ARCY WENTWORTH THOMPSON Mathematically trained maverick zoologist D’Arcy Wentworth Thompson (May 2, 1860 –June 21, 1948) was among the first to cross the frontier between mathematics and the biological world and as such became the first true biomathematician. A polymath with unbounded energy, he saw mathematical patterns in everything – the mysterious spiral forms that appear in the curve of a seashell, the swirl of water boiling in a pan, the sweep of faraway nebulae, the thickness of stripes along a zebra’s flanks, the floret of a flower, etc. His premise was that “everything is the way it is because it got that way… the form of an object is a ‘diagram of forces’, in this sense, at least, that from it we can judge of or deduce the forces that are acting or have acted upon it.” He asserted that one must not merely study finished forms but also the forces that mold them. He sought to describe the mathematical origins of shapes and structures in the natural world, writing: “Cell and tissue, shell and bone, leaf and flower, are so many portions of matter and it is in obedience to the laws of physics that their particles have been moved, molded and conformed. There are no exceptions to the rule that God always geometrizes.” Thompson was born in Edinburgh, Scotland, the son of a Professor of Greek. At ten he entered Edinburgh Academy, winning prizes for Classics, Greek Testament, Mathematics and Modern Languages. At seventeen he went to the University of Edinburgh to study medicine, but two years later he won a scholarship to Trinity College, Cambridge, where he concentrated on zoology and natural science. -
A Method of Constructing Phyllotaxically Arranged Modular Models by Partitioning the Interior of a Cylinder Or a Cone
A method of constructing phyllotaxically arranged modular models by partitioning the interior of a cylinder or a cone Cezary St¸epie´n Institute of Computer Science, Warsaw University of Technology, Poland [email protected] Abstract. The paper describes a method of partitioning a cylinder space into three-dimensional sub- spaces, congruent to each other, as well as partitioning a cone space into subspaces similar to each other. The way of partitioning is of such a nature that the intersection of any two subspaces is the empty set. Subspaces are arranged with regard to phyllotaxis. Phyllotaxis lets us distinguish privileged directions and observe parastichies trending these directions. The subspaces are created by sweeping a changing cross-section along a given path, which enables us to obtain not only simple shapes but also complicated ones. Having created these subspaces, we can put modules inside them, which do not need to be obligatorily congruent or similar. The method ensures that any module does not intersect another one. An example of plant model is given, consisting of modules phyllotaxically arranged inside a cylinder or a cone. Key words: computer graphics; modeling; modular model; phyllotaxis; cylinder partitioning; cone partitioning; genetic helix; parastichy. 1. Introduction Phyllotaxis is the manner of how leaves are arranged on a plant stem. The regularity of leaves arrangement, known for a long time, still absorbs the attention of researchers in the fields of botany, mathematics and computer graphics. Various methods have been used to describe phyllotaxis. A historical review of problems referring to phyllotaxis is given in [7]. Its connections with number sequences, e.g. -
Art and Engineering Inspired by Swarm Robotics
RICE UNIVERSITY Art and Engineering Inspired by Swarm Robotics by Yu Zhou A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Approved, Thesis Committee: Ronald Goldman, Chair Professor of Computer Science Joe Warren Professor of Computer Science Marcia O'Malley Professor of Mechanical Engineering Houston, Texas April, 2017 ABSTRACT Art and Engineering Inspired by Swarm Robotics by Yu Zhou Swarm robotics has the potential to combine the power of the hive with the sen- sibility of the individual to solve non-traditional problems in mechanical, industrial, and architectural engineering and to develop exquisite art beyond the ken of most contemporary painters, sculptors, and architects. The goal of this thesis is to apply swarm robotics to the sublime and the quotidian to achieve this synergy between art and engineering. The potential applications of collective behaviors, manipulation, and self-assembly are quite extensive. We will concentrate our research on three topics: fractals, stabil- ity analysis, and building an enhanced multi-robot simulator. Self-assembly of swarm robots into fractal shapes can be used both for artistic purposes (fractal sculptures) and in engineering applications (fractal antennas). Stability analysis studies whether distributed swarm algorithms are stable and robust either to sensing or to numerical errors, and tries to provide solutions to avoid unstable robot configurations. Our enhanced multi-robot simulator supports this research by providing real-time simula- tions with customized parameters, and can become as well a platform for educating a new generation of artists and engineers. The goal of this thesis is to use techniques inspired by swarm robotics to develop a computational framework accessible to and suitable for both artists and engineers. -
Morphology and Mathematics. by D'arcy Wentworth Thompson. The
( 857 ) XXVII.—Morphology and Mathematics. By D'Arcy Wentworth Thompson. (Read December 7, 1914. MS. received February 1, 1915. Issued separately June 22, 1915.) The study of Organic Form, which we call by GOETHE'S name of Morphology, is but a portion of that wider Science of Form which deals with the forms assumed by matter under all aspects and conditions, and, in a still wider sense, with Forms which are theoretically imaginable. The study of Form may be descriptive merely, or it may become analytical. We begin by describing the shape of an object in the simple words of common speech : we end by denning it in the precise language of mathematics ; and the one method tends to follow the other in strict scientific order and historical continuity. Thus, fer instance, the form of the earth, of a raindrop or a rainbow, the shape of the hanging chain, or the path of a stone thrown up into the air, may all be described, however inadequately, in common words ; but when we have learned to comprehend and to define the sphere, the catenary, or the parabola, we have made a wonderful and perhaps a manifold advance. The mathematical definition of a "form" has a quality of precision which was quite lacking in our earlier stage of mere description ; it is expressed in few words, or in still briefer symbols, and these words or symbols are so pregnant with meaning that thought itself is economised ; we are brought by means of it in touch with GALILEO'S aphorism, that " the Book of Nature is written in characters of Geometry." Next, we soon reach through mathematical analysis to mathematical synthesis ; we discover homologies or identities which were not obvious before, and which our descriptions obscured rather than revealed : as, for instance, when we learn that, however we hold our chain, or however we fire our bullet, the contour of the one or the path of the other is always mathematically homologous. -
(12) United States Patent (10) Patent No.: US 6,948,910 B2 Polacsek (45) Date of Patent: Sep
USOO694891 OB2 (12) United States Patent (10) Patent No.: US 6,948,910 B2 PolacSek (45) Date of Patent: Sep. 27, 2005 (54) SPIRAL-BASED AXIAL FLOW DEVICES William C. Elmore, Mark A. Heald- “Physics of Waves” (C) 1969 PP 5–35, 203–205, 234-235, ISBN-0486 64926–1, (76) Inventor: Ronald R. Polacsek, 73373 Joshua Dover Publ., Canada. Tree St., Palm Desert, CA (US) 92260 A.A. Andronov, AA. Viti, “Theory of Oscillators.” (C) 1966, (*) Notice: Subject to any disclaimer, the term of this pp. 56–58, 199-200, ISBDN-0486-65508–3, Dover Pub patent is extended or adjusted under 35 lishing, Canada. U.S.C. 154(b) by 375 days. Erik Anderson et al., Journal of Experimental Biology, “The Boundary Layer of Swimming Fish' pp 81-102 (C) Dec. 5, (21) Appl. No.: 10/194,386 2000, (C) The Company of Biologists, Great Britain. Stephen Strogatz, “Nonlinear Dynamics and Chaos” (C) 1994 (22) Filed: Jul. 12, 2002 pp. 262-279, ISBDN 0-7382-0453–6 (C) Perseus Books, (65) Prior Publication Data USA. US 2004/0009063 A1 Jan. 15, 2004 (Continued) (51) Int. Cl. ................................................ B64C 11/18 (52) U.S. Cl. ........................................ 416/1; 416/227 R Primary Examiner Edward K. Look (58) Field of Search ................................. 416/1, 227 R, Assistant Examiner Richard Edgar 416/227A, 223 R, 223 A (57) ABSTRACT (56) References Cited Axial flow devices using rigid spiral band profiled blade U.S. PATENT DOCUMENTS catenaries attached variably along and around an axially elongated profiled hub, of axially oriented profile Section 547,210 A 10/1895 Haussmann 1864,848 A 6/1932 Munk .................... -
Towards Van Der Laan's Plastic Number in the Plane
Journal for Geometry and Graphics Volume 13 (2009), No. 2, 163–175. Towards van der Laan’s Plastic Number in the Plane Vera W. de Spinadel1, Antonia Redondo Buitrago2 1Laboratorio de Matem´atica y Dise˜no, Universidad de Buenos Aires Buenos Aires, Argentina email: vspinadel@fibertel.com.ar 2Departamento de Matem´atica, I.E.S. Bachiller Sabuco Avenida de Espa˜na 9, 02002 Albacete, Espa˜na email: [email protected] Abstract. In 1960 D.H. van der Laan, architect and member of the Benedic- tine order, introduced what he calls the “Plastic Number” ψ, as an ideal ratio for a geometric scale of spatial objects. It is the real solution of the cubic equation x3 x 1 = 0. This equation may be seen as example of a family of trinomials − − xn x 1=0, n =2, 3,... Considering the real positive roots of these equations we− define− these roots as members of a “Plastic Numbers Family” (PNF) com- prising the well known Golden Mean φ = 1, 618..., the most prominent member of the Metallic Means Family [12] and van der Laan’s Number ψ = 1, 324... Similar to the occurrence of φ in art and nature one can use ψ for defining special 2D- and 3D-objects (rectangles, trapezoids, ellipses, ovals, ovoids, spirals and even 3D-boxes) and look for natural representations of this special number. Laan’s Number ψ and the Golden Number φ are the only “Morphic Numbers” in the sense of Aarts et al. [1], who define such a number as the common solution of two somehow dual trinomials. -
Examples of the Golden Ratio You Can Find in Nature
Examples Of The Golden Ratio You Can Find In Nature It is often said that math contains the answers to most of universe’s questions. Math manifests itself everywhere. One such example is the Golden Ratio. This famous Fibonacci sequence has fascinated mathematicians, scientist and artists for many hundreds of years. The Golden Ratio manifests itself in many places across the universe, including right here on Earth, it is part of Earth’s nature and it is part of us. In mathematics, the Fibonacci sequence is the ordering of numbers in the following integer sequence: 0, 1, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144… and so on forever. Each number is the sum of the two numbers that precede it. The Fibonacci sequence is seen all around us. Let’s explore how your body and various items, like seashells and flowers, demonstrate the sequence in the real world. As you probably know by now, the Fibonacci sequence shows up in the most unexpected places. Here are some of them: 1. Flower petals number of petals in a flower is often one of the following numbers: 3, 5, 8, 13, 21, 34 or 55. For example, the lily has three petals, buttercups have five of them, the chicory has 21 of them, the daisy has often 34 or 55 petals, etc. 2. Faces Faces, both human and nonhuman, abound with examples of the Golden Ratio. The mouth and nose are each positioned at golden sections of the distance between the eyes and the bottom of the chin. -
Analysis of Spiral Curves in Traditional Cultures
Forum _______________________________________________________________ Forma, 22, 133–139, 2007 Analysis of Spiral Curves in Traditional Cultures Ryuji TAKAKI1 and Nobutaka UEDA2 1Kobe Design University, Nishi-ku, Kobe, Hyogo 651-2196, Japan 2Hiroshima-Gakuin, Nishi-ku, Hiroshima, Hiroshima 733-0875, Japan *E-mail address: [email protected] *E-mail address: [email protected] (Received November 3, 2006; Accepted August 10, 2007) Keywords: Spiral, Curvature, Logarithmic Spiral, Archimedean Spiral, Vortex Abstract. A method is proposed to characterize and classify shapes of plane spirals, and it is applied to some spiral patterns from historical monuments and vortices observed in an experiment. The method is based on a relation between the length variable along a curve and the radius of its local curvature. Examples treated in this paper seem to be classified into four types, i.e. those of the Archimedean spiral, the logarithmic spiral, the elliptic vortex and the hyperbolic spiral. 1. Introduction Spiral patterns are seen in many cultures in the world from ancient ages. They give us a strong impression and remind us of energy of the nature. Human beings have been familiar to natural phenomena and natural objects with spiral motions or spiral shapes, such as swirling water flows, swirling winds, winding stems of vines and winding snakes. It is easy to imagine that powerfulness of these phenomena and objects gave people a motivation to design spiral shapes in monuments, patterns of cloths and crafts after spiral shapes observed in their daily lives. Therefore, it would be reasonable to expect that spiral patterns in different cultures have the same geometrical properties, or at least are classified into a small number of common types. -
From Natural Numbers to Numbers and Curves in Nature - II
GENERAL I ARTICLE From Natural Numbers to Numbers and Curves in Nature - II A K Mallik In this second part of the article we discuss how simple growth models based on Fibbonachi numbers, golden sec tion, logarithmic spirals, etc. can explain frequently occuring numbers and curves in living objects. Such mathematical modelling techniques are becoming quite popular in the study of pattern formation in nature. A K Mallik is a Professor Fibonacci Sequence and Logarithmic Spiral as of Mechanical Engineer ing at Indian Institute of Dynamic (Growth) Model Technology, Kanpur. His research interest includes Fibonacci invented his sequence with relation to a problem about kinematics, vibration the growth of rabbit population. It was not, of course, a very engineering. He partici realistic model for this particular problem. However, this model pates in physics and may be applied to the cell growth ofliving organisms. Let us think mathematics education at the high-school level. of the point C, (see Part I Figure 1), as the starting point. Then a line grows from C towards both left and right. Suppose at every step (after a fixed time interval), the length increases so as to make the total length follow the Fibonacci sequence. Further, assume that due to some imbalance, the growth towards the right starts lPartl. Resonance. Vo1.9. No.9. one step later than that towards the left. pp.29-37.2004. If the growth stops after a large number of steps to generate tp.e line AB, then ACIAB = tp (the Golden Section). Even if we model the growth rate such that instead of the total length, the increase in length at every step follows the Fibonacci sequence, we again get (under the same starting imbalance) AC/AB = tp.