146407-Sample.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

146407-Sample.Pdf Sample file MYTHOS Contents A World of Epic Deeds......................6 Triumph of Bronze...............................41 Primeval Darkness.................................7 Weapons...................................................42 Uranus and Gaia in Love......................7 Melee Weapons Table........................44 Castration of Uranus.............................7 Ranged Weapons Table.....................45 Titans Seize Power.................................8 Armor........................................................45 Golden Age of Cronus............................8 Hellenic Armor Standards................45 Titanomachy.............................................9 Shields.......................................................47 Silver Age of the Olympians............10 Assembling Armor...............................48 Prometheus Creates a New Metal Armor Properties....................48 Mankind from Clay..............................11 Armor Table...........................................49 Rise of Atlantis......................................11 Mundane Items......................................50 Pandora and the Plagues of Basic Goods.............................................50 Mankind...................................................13 Clothing....................................................50 Fall of Atlantis.......................................13 Dyes...........................................................51 Violent Bronze Age..............................14 Tools and Kits........................................52 Gigantomachy........................................14 Animals and Mounts...........................52 Mighty Typhon......................................15 Vehicles and Transport.....................53 The Flood.................................................15 Services....................................................54 Dawn of the Heroic Age.....................16 Food and Drink.....................................54 Dionysus Enters the Pantheon.......16 Mundane Items Table........................55 Olympians Rise Up..............................17 Transportation Table.........................57 Heavenly Contest and the Birth of The Threads of Fate.......................59 the Mysteria...........................................17 Fate Points...............................................59 A Brief Account of Some of the Doomchaining........................................60 Heroic Deeds..........................................18 Doomchaining Strength Table........61 The Dynasty Wars...............................19 Predestined Roles.................................62 Present Day............................................19 Sample Roles..........................................62 Timeline....................................................20 Veneration...............................................65 How Heroes are Born....................23 Fate’s Effect.............................................65 Character Overview.............................23 The Gods...........................................67 Heroic Concepts....................................24 Patron Deities.........................................67 Tweaking and Mixing Concepts.....27 The Pantheon.........................................68 Backgrounds...........................................28 Changing Patron Deity.......................68 Patron Deity............................................28 Deity Profiles.........................................68 Skills...........................................................29 List of Patron Deities...........................72 Crafting.....................................................29 Zeus............................................................72 Firearms...................................................30 Aphrodite................................................73 Knowledge..............................................30 Apollo........................................................75 Language..................................................30 Ares............................................................77 Lore............................................................30 Artemis.....................................................78 Operating.................................................30 Athena.......................................................80 Performing..............................................31 Demeter...................................................81 Science......................................................31 Dionysus..................................................82 Equipment...............................................31 Hades.........................................................84 SampleQualities....................................................32 Hephaestus............................................. file86 Sample Qualities...................................32 Hera...........................................................87 Optional Quality...................................35 Hermes.....................................................89 Divine Qualities.....................................35 Poseidon..................................................90 Mystery Cult Qualities........................38 Votive Deeds...........................................92 Outfitting Heroes............................41 Creative Works.....................................93 Currency...................................................41 Reward.....................................................94 2 CONTENTS Failure to Perform...............................95 Argos.......................................................142 Group Votive Deeds............................95 Athens....................................................143 Epic Games..............................................95 Corinth...................................................144 Divine Attitude.......................................95 Mycenae................................................144 Divine Attitude Scale..........................96 Phthia.....................................................145 Favored....................................................96 Sparta.....................................................145 Beloved.....................................................96 Thebes....................................................146 Disfavored...............................................97 Tiryns.....................................................147 Despised...................................................97 Royal Houses........................................147 Punished..................................................97 Royal House of Atreus.....................149 Wrath........................................................21 Royal House of Cadmus..................150 Earning Disfavor and Despise........98 Royal House of Heracles.................151 Divine Reaction Table........................99 Royal House of Lacedaemon........151 Sacrifices..................................................99 Royal House of Proetus..................152 Propitiation............................................99 Landmarks............................................153 How to Sacrifice.................................101 The Argonauts’ Treasure...............153 How Much Do the Gods Demand? The Calydonian Howling Forest. 153 ...................................................................102 Delphi’s Oracle and Festivals.......154 Stealing Offerings..............................103 The Eleusinian Mysteries of Atonement............................................103 Immortality..........................................155 Regaining Favor.................................105 The Lake of Stymphalia..................156 Divine Items.........................................105 Mount Olympus..................................156 Divine Items List................................106 Mount Pelion: Home of the Centaurs Secret of the Mystery Cults........110 ...................................................................157 Mystery Cults.......................................110 Nemea’s Roaring Cave and the Gnosis Ranks.......................................111 Nemean Games...................................157 Membership........................................112 The Olympian Games.......................158 Initiates..................................................114 The Swamp of Lerna........................159 Weird Properties...............................114 Taenarum: The “No Return Mystery Cult Talents........................114 Promontory”........................................160 Talent Properties...............................115 Epic Deeds......................................162 Mystery Cults List..............................116 The Epic Mood.....................................163 Adonis....................................................116 Setting Features..................................165 Aegis........................................................118 Prophecies............................................166 Agon........................................................119 Prophecy Generator.........................166 Algos.......................................................120 Omens.....................................................167 Asclepius...............................................122 The Omen’s Origin............................167 Erebus....................................................123 The Omen’s
Recommended publications
  • Chapter 4. Hatred in Hesiod
    This electronic thesis or dissertation has been downloaded from Explore Bristol Research, http://research-information.bristol.ac.uk Author: Kilgallon, Silvie Title: Hatred in Hesiod General rights Access to the thesis is subject to the Creative Commons Attribution - NonCommercial-No Derivatives 4.0 International Public License. A copy of this may be found at https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode This license sets out your rights and the restrictions that apply to your access to the thesis so it is important you read this before proceeding. Take down policy Some pages of this thesis may have been removed for copyright restrictions prior to having it been deposited in Explore Bristol Research. However, if you have discovered material within the thesis that you consider to be unlawful e.g. breaches of copyright (either yours or that of a third party) or any other law, including but not limited to those relating to patent, trademark, confidentiality, data protection, obscenity, defamation, libel, then please contact [email protected] and include the following information in your message: •Your contact details •Bibliographic details for the item, including a URL •An outline nature of the complaint Your claim will be investigated and, where appropriate, the item in question will be removed from public view as soon as possible. Hatred in Hesiod Silvie Kilgallon A dissertation submitted to the University of Bristol in accordance with the requirements for award of the degree of Doctor of Philosophy in the Faculty of Arts, January 2019. Word Count: 75,322. 2 Abstract: This thesis examines the conception and role of hatred in the Theogony and Works and Days of Hesiod.
    [Show full text]
  • Comments on Comparative Mythology 7, Finding a Cure for the Anger of Hērā
    Comments on Comparative Mythology 7, Finding a Cure for the Anger of Hērā The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Nagy, Gregory. 2020, April 3. Comments on Comparative Mythology 7, Finding a Cure for the Anger of Hērā. Classical Inquiries. Published Version https://classical-inquiries.chs.harvard.edu/comments-on- comparative-mythology-7-finding-a-cure-for-the-anger-of-hera/ Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:42660032 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Classical Inquiries Editors: Angelia Hanhardt and Keith Stone Consultant for Images: Jill Curry Robbins Online Consultant: Noel Spencer About Classical Inquiries (CI ) is an online, rapid-publication project of Harvard’s Center for Hellenic Studies, devoted to sharing some of the latest thinking on the ancient world with researchers and the general public. While articles archived in DASH represent the original Classical Inquiries posts, CI is intended to be an evolving project, providing a platform for public dialogue between authors and readers. Please visit http://nrs.harvard.edu/urn-3:hul.eresource:Classical_Inquiries for the latest version of this article, which may include corrections, updates, or comments and author responses. Additionally, many of the studies published in CI will be incorporated into future CHS pub- lications. Please visit http://nrs.harvard.edu/urn-3:hul.eresource:CHS.Online_Publishing for a complete and continually expanding list of open access publications by CHS.
    [Show full text]
  • Epigraphic Bulletin for Greek Religion 1998
    Kernos Revue internationale et pluridisciplinaire de religion grecque antique 14 | 2001 Varia Epigraphic Bulletin for Greek Religion 1998 Angelos Chaniotis and Joannis Mylonopoulos Electronic version URL: http://journals.openedition.org/kernos/779 DOI: 10.4000/kernos.779 ISSN: 2034-7871 Publisher Centre international d'étude de la religion grecque antique Printed version Date of publication: 1 January 2001 Number of pages: 147-231 ISSN: 0776-3824 Electronic reference Angelos Chaniotis and Joannis Mylonopoulos, « Epigraphic Bulletin for Greek Religion 1998 », Kernos [Online], 14 | 2001, Online since 14 April 2011, connection on 16 September 2020. URL : http:// journals.openedition.org/kernos/779 Kernos Kernos, 14 (2001), p. 147-231. Epigraphie Bulletin for Greek Religion 1998 (EBGR 1998) In this issue we have covered a large part of the publications of 1998, making several additions to previous issues; we still have a long list of articles we should like to present (e.g., from the journal Horos), but this would have delayed the journal's publication substantially. A generous grant from the GISELA UND REINHOLD HXCKER STIFTUNG for our editorial work in 2001 will enable us in EBGR 1999 to close most of the gaps left in this and in earlier issues. In EBGR 1998 we have focused on new epigraphic finds, new interpretations of inscriptions, and epigraphic corpora, but we have also summarized a few archaeological studies which make extensive use of the epigraphic material; for the significant contribu­ tion of archaeology to the study of Greek religion the reader should consuIt the Chronique archéologique in Kernos. As in earlier issues we have not limited ourselves to epigraphy but have included a few references to important papyro­ logical sources (nOS 29, 134, 168, 181, 280, 300) and to the evidence provided by the documents in Linear B (nO 50).
    [Show full text]
  • Frequently Used Stems
    FREQUENTLY USED STEMS The following list includes those Greek and Latin words Greek and a Latin word are given. Presence of a dash before occurring most frequently in this Dictionary, arranged or after such an element indicates that it does not occur as alphabetically under their English combining forms as an independent word in the original language. Information rubrics. The dash appended to a combining form indicates necessary to the understanding of the form appears next in that it is not a complete word and, if the dash precedes the parentheses. Then the meaning or meanings of the word combining form, that it commonly appears as the terminal are given, followed where appropriate by reference to a element of a compound. Infrequently a combining form is synonymous combining form. Finally, an example is given both preceded and followed by a dash, showing that it to illustrate use of the combining form in a compound usually appears between two other elements. Closely English derivative. related forms are shown in one entry by the use of If this list is used in close conjunction with the parentheses: thus carbo(n)-, showing it may be either etymological information given in the body of the carbo-, as in carbohydrate, or carbon-, as in carbonuria. Dictionary, no confusion should be caused by the similarity Following each combining form the first item of of elements in such words as melalgia, melancholia, and information is the Greek or Latin word, identified by melicera, where the similarity is only apparent and the [Gr.] or [L.], from which it is derived.
    [Show full text]
  • The Gospel of Hellas 
    the gospel of hellas THE GOSPEL OF HELLAS The Mission of Ancient Greece and The Advent of Christ the gospel of hellas eneral view of side, W. view ofeneral side, G Athens: Acropolis Acropolis Athens: THE GOSPEL OF HELLAS The Mission of Ancient Greece and The Advent of Christ by F R E D E R I C K H I E B E L We must not follow those who advise us mortals to think of mortal things, but we must, so far as we can, make ourselves immortal. – aristotle (Nikomachean Ethics) 1949 ANTHROPOSOPHIC PRESS new york 2008 Research InstitUte for Waldorf EDUcation Wilton, NH the gospel of hellas The electronic publication was funded by the Waldorf Curriculum Fund © Research Institute for Waldorf Education, 2008 Editor: David Mitchell Scanning and Copyediting: Ann Erwin Cover design: Scribner Ames Antrhrposophic Press, 1943 ISBN: None Preface Out of print reference books are often difficult to locate. Through the foresight and support of the Waldorf Curriculum Fund, this title has been resurrected and is now available gratis in an electronic version on www.waldorflibrary.org, one of the websites of the Research Institute for Waldorf Education. We hope you will find this resource valuable. Please contact us if you have other books that you would like to see posted. – David Mitchell Research Institute for Waldorf Education Boulder, CO August 2008 the gospel of hellas To my dear wife Beulah Emmet Hiebel By the same author: shakespeare and the awakening of modern consciousness TABLE OF CONTENTS preface ........................................................................................................11 introduction: A New View of Hellenic Culture ....................................13 chapter I: The Hellenic Consciousness ....................................................18 1.
    [Show full text]
  • Limos Açlik Tanriçasi Dike Adalet Tanriçasi Semele
    LİMOS AÇLIK TANRIÇASI DİKE ADALET TANRIÇASI SEMELE AHİRET TANRIÇASI HESTİA AİLE FAZİLETLERİ TANRIÇASI MOMOS ALAY VE HİCİV TANRIÇASI ARTEMİS ANA TANRIÇA ARİSTALOS ARICILIK TANRISI EROS AŞK TANRISI AFRODİT AŞK VE GÜZELLİK TANRIÇASI ATALANTE AVCI KIZ BENDİS AY TANRIÇASI EİRENE BARIŞ TANRIÇASI MİNEMOSYNE BELLEK TANRIÇASI HERMES BELAGAT TANRISI CERES BEREKET TANRIÇASI POROS BEREKET TANRISI OKEANOS BÜTÜN IRMAKLARIN BABASI SAYILAN TANRI KİRKE BÜYÜCÜ TANRIÇA AMPHİTRİTE DENİZ DİBİ TANRIÇASI THETİS DENİZ TANRIÇASI POSEİDON DENİZ TANRISI SENTİNUS DUYGU TANRISI EİLEİTHHYİA DOĞUMLARDA KADINLARA YARDIM EDEN TANRIÇA FORNAKS FIRINLARIN TANRISI ADONİS ERKEKLİK VE BEREKET TANRISI HERA EVLİLİK TANRIÇASI PHANTASO FANTEZİ TANRISI KAİROS FIRSAT TANRISI THYPHON FIRTINA TANRISI NYKS GECE TANRIÇASI HEBE GENÇLİK TANRIÇASI HYMENALOS GENÇLİK VE EVLENDİRME TANRISI ANDROGEO MİNOS'UN OĞLU URANOS GÖK TANRIÇASI HELİOS GÜNEŞ TANRISI APOLLON GÜZEL SANATLAR TANRISI ENYALİOS HARP TANRISI ATE HATA VE GÜNAH TANRIÇASI HYBRİS HAYASIZLIK TANRISI KLOTHO HAYAT İPLİĞİNİ BÜKEN TANRIÇA HERMAPHRODİTOS HEM ERKEK HEM DİŞİLİĞİ OLAN TANRISAL YARATIK FURİNA HIRSIZLARIN TANRISI METİS HİKMET VE TEDBİRLİLİK TANRIÇASI FRAUDE HİLE TANRIÇASI ASOPOS IRMAK TANRISI AİGİNA IRMAK TANRISININ KIZI ALGOS IZDIRAP TANRISI PENTHOS KEDER TANRISI ARTEMİS İFFET TANRIÇASI SENİUS İHTİYARLIK TANRISI NEMESİS İNTİKAM TANRIÇASI POİNE CEZA VE İNTİKAM TANRIÇASI MOİRALAR KADER TANRIÇALARI KRONOS KAİNATIN HAKİMİ PİTHO KANDIRMA TANRIÇASI THEMİS KANUN VE ADALET TANRIÇASI ERESBOS KARANLIK TANRISI FONS KAYNAKLAR TANRIÇASI
    [Show full text]
  • There Was Only Chaos in the Beginning As a Primeval State of Existence
    We learn from Hesiod's Theogony regarding the creation of the world that… “there was only Chaos in the beginning as a primeval state of existence. It was dark, silent, stationary and without any trace of life to infinity. Then out of silent void Gaea (the earth) and Tartarus (the sunless and terrible region beneath Gaea) appeared. They were not the only ones who appeared out of the void. Hesiod also talks about the deathless gods who hold the peaks of Olympus and Eros (the desire to re-produce) being the fairest among them. About the same time or soon after, out of Chaos, Erebus (the place of unknown where the death dwells) and Nyx (the night) were born. Erebus and Nyx, in order to restore the balance, gave birth to their opposites, Aether (the upper atmosphere just below heaven) and Hemera (the day). Meanwhile Gaea gave birth to Ourea (the mountains), Pontus (the sea) and Uranus (the heavens), with whom she had been secretly meeting in the edge place of Aether. They became a couple and gave birth to three Cyclopes, three Hecatoncheries and twelve Titans. -(Greek-gods.org) Elucidating on their imposing presence, the website adds… “The mighty Titans were a powerful race that ruled the world before Olympians, in a time of the Golden Age of men. They were immortal giants of incredible strength and knowledge of old religion rituals and magic. They are also known as the Elder Gods and their dwelling place was at Mount Othrys. In Greek culture they were interpreted as personifications of the earth (Gaea) and the sky or heavens (Uranus).” Strong, large, knowledgeable, immortal gods that personify the heavens and the earth! Wow! And, during the Golden Age of Man.
    [Show full text]
  • Hesiod, the Poems and Fragments (8Thc Bc)
    Hesiod_0606 10/14/2005 05:13 PM THE ONLINE LIBRARY OF LIBERTY © Liberty Fund, Inc. 2005 http://oll.libertyfund.org/Home3/index.php HESIOD, THE POEMS AND FRAGMENTS (8THC BC) URL of this E-Book: http://oll.libertyfund.org/EBooks/Hesiod_0606.pdf URL of original HTML file: http://oll.libertyfund.org/Home3/HTML.php?recordID=0606 ABOUT THE AUTHOR The early Greek poet Hesiod is credited with the invention of didactic poetry around 700 B.C. His surviving works are the Theogony, relating to the stories of the gods, and the Works and Days, relating to peasant life. Hesiod’s poetry includes passages critical of those aristoi who support themselves on the labors of others rather than through their own exertions. ABOUT THE BOOK A collection of Hesiod’s poems and fragments, including Theogony which are stories of the gods, and the Works and Days which deals with peasant life. THE EDITION USED The Poems and Fragments done into English Prose with Introduction and Appendices by A.W. Mair M.A. (Oxford: Clarendon Press, 1908). COPYRIGHT INFORMATION The text of this edition is in the public domain. FAIR USE STATEMENT This material is put online to further the educational goals of Liberty Fund, Inc. Unless otherwise stated in the Copyright Information section above, this material may be used freely for educational and academic purposes. It may not be used in any way for profit. http://oll.libertyfund.org/Home3/EBook.php?recordID=0606 Page 1 of 163 Hesiod_0606 10/14/2005 05:13 PM _______________________________________________________ TABLE OF CONTENTS PREFACE INTRODUCTION I.
    [Show full text]
  • Misremember Me
    MISREMEMBER ME by Alex Kiesig A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Creative Writing Boise State University December 2013 © 2013 Alex Kiesig ALL RIGHTS RESERVED BOISE STATE UNIVERSITY GRADUATE COLLEGE DEFENSE COMMITTEE AND FINAL READING APPROVALS of the thesis submitted by Alex Kiesig Thesis Title: Misremember Me Date of Final Oral Examination: 15 October 2013 The following individuals read and discussed the thesis submitted by student Alex Kiesig, and they evaluated his presentation and response to questions during the final oral examination. They found that the student passed the final oral examination. Mitch Wieland, M.F.A. Chair, Supervisory Committee Martin Corless-Smith, Ph.D., M.F.A Member, Supervisory Committee Brady Udall, M.F.A. Member, Supervisory Committee The final reading approval of the thesis was granted by Mitch Wieland, M.F.A., Chair of the Supervisory Committee. The thesis was approved for the Graduate College by John R. Pelton, Ph.D., Dean of the Graduate College. DEDICATION For Vicki and for Molly. iv ACKNOWLEDGEMENTS Many people read many versions of the story and were kind, patient, and helpful over the years, but without Mitch Wieland, this would not be a book but a wishful idea. v ABSTRACT An American travels to Crete with his English ex-girlfriend in Misremember Me, a modern novel in the tradition of the Lost Generation. vi TABLE OF CONTENTS DEDICATION........................................................................................................................
    [Show full text]
  • Hesiod the Poems and Fragments
    HESIOD THE POEMS AND FRAGMENTS DONE INTO ENGLISH PROSE WITH INTRODUCTION AND APPENDICES BY A. W. MAIR, M.A. (ABE_. Er CA_TAB.) PROFESSOR OF GRF.RK IN EDINBURGH UNIVERSITY SOMRTIMR FBLLOW OF GONVILLE AND CAIUS COLLRGE CAMBRIDGE OXFORD AT THE CLARENDON PRESS x9o8 HENRY FROWDEj M.A. PUBLISHER TO THE UNIVERSITY OF OXFORD LONDON_ EDINBURGH_ NEW YORK TORONTO AND MELBOURNE _.IN'TED IN ENGL/t.NO, '_i__ PREFACE No apology seems needed for a new English trans- lation of Hesiod. I shall be glad if the present rendering lead to a more general study of an author who, if only for his antiquity, must always possess a particular interest. In some few cases of great doubt and difllcuky I have consciously given a merely provisional version. These need not be specified here, and I hope to have an opportunity elsewhere of a fuU discussion. The Introduction aims at no more than supplying a certain amount of information, within definite limits, about the Hesiodic epos and the traditional Hesiod. A critical introduction was clearly beyond the scope of this book. In the Addenda I have given a preliminary and necessarily slight discussion of a few selected topics from the tVork_ and Days. The vexed question of the spdling of Greek proper names is particularly troublesome in Hesiod, since, as Quintilian says, 'magna pars eius in nomini- bus est occupata.' I have preferred some approxima- tion to the Gre& spelling rather than the Romanized forms, but I have not troubled about a too laborious ,J consistency. a2 iv Preface ! have had the privilege o[ consulting my colleague the Astronomer Royal for Scotland (Professor Dyson) on some astronomical matters, and several of my brothers have given me the benefit of their criticism on various points of scholarship.
    [Show full text]
  • Reading Quintus Reading Homer Intertextual Engagement in Quintus Smyrnaeus' Posthomerica Calum A. Maciver Phd Thesis Classics
    Reading Quintus Reading Homer Intertextual Engagement in Quintus Smyrnaeus’ Posthomerica Calum A. Maciver PhD Thesis Classics University of Edinburgh 2008 C Maciver PhD Thesis i Thesis Abstract Reading Quintus Reading Homer Thesis Abstract This thesis is a study of Quintus Smyrnaeus’ Posthomerica , a Greek epic of the third century C.E. written in Greek hexameters in Homeric diction and in a Homeric style and about the post-Iliadic events of the Trojan War. My thesis deals with intertextuality, that is, the relationship between the Posthomerica and the Homeric texts. The Posthomerica has been called a hyper-Homeric text, which has been viewed as a negative trait of the poem. I analyse this Homeric-emulative tendency and discuss the interaction between the cultural and literary influences contemporary to the Posthomerica , and the poem’s overwhelmingly Homeric intertextuality. I assess how Quintus, as a Late Antique reader, reads Homer, and I focus in on the originality and Late Antique interpretative bias of Quintus in his readings and emulation of Homer. Intertextuality points to resemblances and differences, and indicates how a poem that can be called “Homeric” is in fact neo-Homeric in its updating of Homeric ethics, ideologies and poetics. I also discuss throughout the thesis how the Posthomerica is Alexandrian in its indebtedness to Homer. The Posthomerica is a learned text where application of intertextuality by the reader activates and vivifies a poem that has otherwise been dismissed as second-rate. There are four sections in my thesis, all dealing specifically with three separate aspects of poetics. The first section is a study of similes in the Posthomerica .
    [Show full text]
  • The Voices of Jocasta
    1 Princeton/Stanford Working Papers in Classics The Voices of Jocasta May 2005 Richard P. Martin Stanford University The poem contained in the Lille Stesichorus papyrus presents several features that can be usefully compared with aspects of characterization and theme in the Oedipus Tyrannos of Sophocles. If we assume that an Athenian audience in the later 5th century knew the Stesichorean composition, the dramatic choices made by Sophocles take on new meaning. This paper is forthcoming in the proceedings of the International Conference on Ancient Drama held at Delphi, Greece (July 2002). © [email protected] 2 The Voices of Jocasta Richard P. Martin Stanford University, USA For the past quarter-century, one of the most fruitful projects within literary study, around the globe, has been the recovery, re-reading, and renewed appreciation of the voices of women. Even the notoriously conservative tribe of Classical philologists has become highly conscious of the crucial rhetorical and psychological differences that can be refracted and stylized through the medium of gender. This new perspective has energized and improved our understanding of a number of ancient texts, whether epic, lyric, or dramatic.1 Given this scholarly milieu, it is somewhat surprising that one ancient female voice has received a good deal less attention than it deserves. Ironically, it is a rather recent ancient voice, recovered from obscurity at exactly the time when feminist-inspired philology first began to make an impact. It occurs in an intriguing poetic text that is, at one and the same time, epic, lyric, and dramatic in structure and quality. Finally, as I shall argue in this short paper, it is a voice that must have had a significant (yet quite neglected) influence on one of the most famous dramatizations of the myths concerning the Delphi conference topic of Thebes—namely, the Oedipus Tyrannos of Sophocles.
    [Show full text]