DOCSLIB.ORG

Adventures 'Frstar Pirate Battles the Murder Monsters of Mercury P L a N E T

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

No 4 $4.50 , Toles of Scientif iction Adventures 'frStar Pirate battles the murder monsters of Mercury P l a n e t A \ s v Monorail to Eternity by Carl Jacobi Number Four Agril 1988 CONTENTS The Control Room 2 Monorail to Eternity................... Carl Jacobi 3 Condemned by the Rulers of an alien world to endless, aimless flight beneath the planet's surface! Planet in Peril Lin Carter 27 Star Pirate battles the murder monsters of Mer c u r y ! Zeppelins of the V o i d .............. Jason Rainbow 43 Can even galactic vigilante Solar Smith de­ feat the pernicious pirates of space? What Hath M e ? ........................ Henry Kuttner 55 He felt the lifeblood being sucked out of him— deeper stabbled the gelid cold . then the voice came, "Crush the heart!" Ethergrams........................................... 77 We've got quite a crew assembled some years back for the ill-starred here for our latest madcap mission pulp Spicy Zeppelin Stories before into make-believe mayhem! Me, I'm that mag folded. Alas! Finally, Captain Astro, and my trusty crew our terrific "Tales from the Time- of raygun-slingers are just itching Warp" features Henry Kuttner's "What to see some extraterrestrial action. Hath Me?," a neglected classic from Let me introduce you. First off, Planet Stories. Thanks to space- there's Carl Jacobi, veteral of pulps hounds Robert Weinberg who suggested from Startling Stories to Comet Sci­ this one and Dan Gobbett who dredged ence Fiction, bringing you this time up a copy for us! With a team like another atom-smashing epic from his this, I'm sure you'll agree that old space-trunk, "Monorail to Eter­ Astro-Adventures #4 is just the sec­ nity." Then galactic goodguy Lin ret weapon we need to save the uni­ Carter fires off another swashbuckle verse from the clutches of scheming starring Star Pirate, today's man aliens and plotting mad scientist of tomorrow, this one called "Planet masterminds! Will you join us? in Peril." Rollicking rocketeer Jason Rainbow contributes "Zeppelins of the Void," a tale first written Captain A s t r o MONORAIL TO ETERNITY by Carl Jacobi Condemned by the Rulers of an alien world to end­ less , aimless flight beneath the planet's surface! My Lord Chancellor was a pitiless The Chancellor languidly brushed man, hawkfaced, with little gimlet his lips with a plum-colored ker­ eyes that gazed upon me with bored chief. complacency. He took a pinch of "I sentence you to thirty years azaf in his high gilded box over­ on the monorail, and may the horrors looking the Royal Mercurian Court of The Core lead you to repentance and waved me forward. A moment later for your crime." I stood on the dais for the con­ Thirty years! What mockery of demned as a hush fell over the court­ trial was this that could condemn room. a man for something he did not under­ "Prisoner, you have been tried stand, let alone commit? Blind rage and found guilty of treason against seized me. I gripped the rail and the Oligarchy of Mercury. Have you shook my fist. "I'm innocent!" I anything to say?" shouted. "Innocent, do you hear?" Tense, dry-lipped, I looked up The Chancellor regarded me emo- into that bland face in silence. tionlessly and nodded again. Hands 3 4 / Astro-Adventures gripped my arms. Two saffon—clad a bachelor. I lived alone in guards dragged me out of the court­ third-tier apartment in the capita room, now a babel of confusion, down city of Umbra, and my only entertain­ a corridor and into a narrow cubile ment was my books. at the far end. One of the guards Up until that time I had nursed said, a promise that as soon as my savings "You leave in an hour. If you were sufficient I would quit Mercury have any last messages to write, take passage on one of the liners do it now." and begin anew on Mars or Venus where The door thudded shut, and an freedom still prevailed. But in overhead light went on, bathing the 3437 the Residence Manifesto was cubicle in a merciless violet glare. proclaimed, forbidding any citizen I slumped down on the bare settee to leave the planet, and I realized and buried my head in my hands. Thir­ my future was sealed. ty years . ! This then was my life until twen­ It wasn't possible. All this ty-six days ago. must be some wild dream from whose In the Bureau of Standards it phantasmagoria I would awake pres­ was my work to correlate the daily ently to laugh at my fears. But reports of the various utility organ­ no, the bare fibrex walls, the glar­ izations throughout the city. One ing light attested only too well morning as I was laboriously going to reality. Nervous reaction came through a stack of registries I came then, and I sat there in a kind of upon a square sheet of blue paper. stupor, conscious only of the hammer­ In the upper left corner was the ing of my heart. printed design of a comet against At the end of half an hour I got the background of a double circle. up, drank a cup of water from the And across the middle of the sheet urn on the table and took hold of was written: M. DAINLEY, YOUR APPLI­ myself. In slow deliberate retros­ CATION HAS BEEN' ACCEPTED. STAND pection I went over each detail of BY FOR ORDERS. this passing chain of events, vainly Though I must confess to having seeking an answer to it all. paid little attention to the visi reports during recent months, the My name is Mark Dainley. I was significance of that design suddenly born on Earth of Earth parentage, struck me hard. It was the emblem but moved at an early age to this for the Club of Revolt, a vague and planet nearer the sun. My father shadowy society dedicated in some was a Salvage-Ratio clerk, class uncertain way to the overthrow of 3, which is to say he had advanced the Oligarchy. Who were its leaders as far as he could in the complicated or members, no one knew, but the social strata of this shadow-belt government had issued stern warnings civilization. In 3412 my father against anyone possessing or distrib­ died, and being the eldest son, I uting its literature. followed custom and took over his And yet this paper bore my name. position in the governmental Bureau What did it mean? of Standards. A fellow clerk came forward then, For ten years I worked in this and I thrust the paper aside. But manner, and although I had once vowed on the morrow, hidden as before in I would never be shackled by the a stack of reports was a second mes“ monotony which the Mercurian over­ sage. Here again I saw my name and lords imposed on their citizens, read: PROCEED ACCORDING TO PLAN AND I gradually found myself settling ADVISE US ACCORDINGLY. down into my accepted social groove. It is strange what a man, con At the age of thirty-five I was still fronted by something he d o e s n ' t un Monorail to Eternity / 5 derstand, will do. By all manner vealing an iron cage suspended from of logic I should have reported the a cable. matter to the Chief Technician. Or We took our places, and with a failing that, I should have destroyed lurch the cage began to descend, the papers. I did neither. I placed slowly at first, then with breath­ them in an envelope and hid that taking speed. Blood pounded at my envelope in an inner drawer of my temples and my stomach reeled with desk. nausea. Enclosed lifts with hydro- In this fashion six different auricular stabilizers were of course communications made their appearance. common to Umbra, but no such luxur­ It was as I was reading the last ies were afforded the prisoners. that a shadow fell over my desk, An hour— a nightmare hour— passed and I looked up to face the accusing before the cage jarred to a stand­ eye of the Chief Technician. still before a lighted platform. The rest is confusion. I remember In a chained-off area were some two but vaguely the details of my arrest. dozen prisoners, prisoners like my­ All my denials were sneered at, and self guilty of offenses against the when in stubborn defiance I refused government. The majority were second to procure a defense-pleader, one and third class Earthmen, but a few was appointed for me by the state. were Venusians, and three were wafer­ That trial ran the gamut of hys­ headed high-caste Martians. Each terical oratory. The six messages bore the look of despair and resig­ were exhibited as evidence. But nation that I knew must be mirrored more than that— and here I could by my own face. Saffron-clad drag­ only close my eyes and wonder— wit­ oons looked on stoically. ness after witness came forward to But the thing that caught my gaze verify treasonable remarks which was the long tube-shaped monster the inquisitors put in my mouth. drawn up at the edge of the platform Now at length it was over with — the monorail in which I was to a single detail clear in my mind. make endless circumnavigations of I was but a key in a larger plan Mercury fifty miles beneath its still shrouded in secrecy.
Recommended publications
  • Note to Users

    Note to Users

    NOTE TO USERS Page(s) not included in the original manuscript are unavailable from the author or university. The manuscript was microfilmed as received 88-91 This reproduction is the best copy available. UMI INFORMATION TO USERS The most advanced technology has been used to photo­ graph and reproduce this manuscript from the microfilm master. UMI films the original text directly from the copy submitted. Thus, some dissertation copies are in typewriter face, while others may be from a computer printer. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyrighted material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re­ produced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each oversize page is available as one exposure on a standard 35 mm slide or as a 17" x 23" black and white photographic print for an additional charge. Photographs included in the original manuscript have been reproduced xerographically in this copy. 35 mm slides or 6" X 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. AccessinglUMI the World’s Information since 1938 300 North Zeeb Road, Ann Arbor, Mi 48106-1346 USA Order Number 8820263 Leigh Brackett: American science fiction writer—her life and work Carr, John Leonard, Ph.D.
  • Fact Sheet Number 14

    Fact Sheet Number 14

    FACT SHEET No. #4 DEEP TIME AND DRAGON DREAMING: THE SUSTAINABLE ABORIGINAL SPIRITUALITY OF THE SONG LINES, FROM CELEBRATION TO DREAMING John Croft update 28th March 2014 This Factsheet by John Croft is licensed under a Creative Commons Attribution-ShareAlike 3.0 Unported License. Permissions beyond the scope of this license may be available at [email protected]. ABSTRACT: It is suggested that in a culture that is suicidal, to get a better understanding of what authentic sustainability is about requires us to see through the spectrum of a different culture. Australian Aboriginal cultures, sustainable for arguably 70,000 years, provide one such useful lens. TABLE OF CONTENTS INTRODUCTION .............................................................................................................................2 AN INTRODUCTION TO ABORIGINAL CULTURE ............................................................................... 4 THE UNSUSTAINABILITY OF CIVILISED CULTURES ........................................................................... 6 DREAMING: AN ALTERNATIVE VIEW OF TIME? ............................................................................. 10 ABORIGINAL DREAMING, DEEP ECOLOGY AND THE ECOLOGICAL SELF ....................................... 17 DREAMING AND SUSTAINABILITY ................................................................................................. 21 DISCOVERING YOUR OWN PERSONAL SONGLINE ......................................................................... 24 _____________________________________________________________________________________D
  • Watershed Modeling in the Tyrrhena Terra Region of Mars Scott C

    Watershed Modeling in the Tyrrhena Terra Region of Mars Scott C

    JOURNAL OF GEOPHYSICAL RESEARCH, VOL. 115, E09001, doi:10.1029/2009JE003429, 2010 Watershed modeling in the Tyrrhena Terra region of Mars Scott C. Mest,1,2 David A. Crown,1 and William Harbert3 Received 9 May 2009; revised 13 December 2009; accepted 29 January 2010; published 1 September 2010. [1] Watershed analyses from high‐resolution image (Viking, Mars Orbiter Camera, and Thermal Emission Imaging System) and topographic (Mars Orbiter Laser Altimeter [MOLA]) data are used to qualitatively and quantitatively characterize highland fluvial systems and analyze the role of water in the evolution of Tyrrhena Terra (13°S–30°S, 265°W–280°W), Mars. In this study, Geographical Information System software is used in conjunction with MOLA Digital Elevation Models to delineate drainage basin divides, extract valley networks, and derive basin and network morphometric parameters (e.g., drainage density, stream order, bifurcation ratio, and relief morphometry) useful in characterizing the geologic and climatic conditions of watershed formation, as well as for evaluating basin “maturity” and processes of watershed development. Model‐predicted valley networks and watershed boundaries, which are dependent on the degree to which pixel sinks are filled in the topographic data set and a channelization threshold, are evaluated against image and topographic data, slope maps, and detailed maps of valley segments from photogeologic analyses. Valley morphologies, crater/valley relationships, and impact crater distributions show that valleys in Tyrrhena Terra are ancient. Based on geologic properties of the incised materials, valley and network morphologies, morphometric parameters, and the presence of many gullies heading at or near‐crater rim crests, surface runoff, derived from rainfall or snowmelt, was the dominant erosional process; sapping may have only played a secondary role in valley formation in Tyrrhena Terra.
  • THE MARS 2020 ROVER ENGINEERING CAMERAS. J. N. Maki1, C

    THE MARS 2020 ROVER ENGINEERING CAMERAS. J. N. Maki1, C

    51st Lunar and Planetary Science Conference (2020) 2663.pdf THE MARS 2020 ROVER ENGINEERING CAMERAS. J. N. Maki1, C. M. McKinney1, R. G. Willson1, R. G. Sellar1, D. S. Copley-Woods1, M. Valvo1, T. Goodsall1, J. McGuire1, K. Singh1, T. E. Litwin1, R. G. Deen1, A. Cul- ver1, N. Ruoff1, D. Petrizzo1, 1Jet Propulsion Laboratory, California Institute of Technology (4800 Oak Grove Drive, Pasadena, CA 91109, [email protected]). Introduction: The Mars 2020 Rover is equipped pairs (the Cachecam, a monoscopic camera, is an ex- with a neXt-generation engineering camera imaging ception). The Mars 2020 engineering cameras are system that represents a significant upgrade over the packaged into a single, compact camera head (see fig- previous Navcam/Hazcam cameras flown on MER and ure 1). MSL [1,2]. The Mars 2020 engineering cameras ac- quire color images with wider fields of view and high- er angular/spatial resolution than previous rover engi- neering cameras. Additionally, the Mars 2020 rover will carry a new camera type dedicated to sample op- erations: the Cachecam. History: The previous generation of Navcams and Hazcams, known collectively as the engineering cam- eras, were designed in the early 2000s as part of the Mars Exploration Rover (MER) program. A total of Figure 1. Flight Navcam (left), Flight Hazcam (middle), 36 individual MER-style cameras have flown to Mars and flight Cachecam (right). The Cachecam optical assem- on five separate NASA spacecraft (3 rovers and 2 bly includes an illuminator and fold mirror. landers) [1-6]. The MER/MSL cameras were built in two separate production runs: the original MER run Each of the Mars 2020 engineering cameras utilize a (2003) and a second, build-to-print run for the Mars 20 megapixel OnSemi (CMOSIS) CMOS sensor Science Laboratory (MSL) mission in 2008.
  • Science Fiction Films of the 1950S Bonnie Noonan Louisiana State University and Agricultural and Mechanical College, Bnoonan@Lsu.Edu

    Science Fiction Films of the 1950S Bonnie Noonan Louisiana State University and Agricultural and Mechanical College, [email protected]

    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 "Science in skirts": representations of women in science in the "B" science fiction films of the 1950s Bonnie Noonan Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Noonan, Bonnie, ""Science in skirts": representations of women in science in the "B" science fiction films of the 1950s" (2003). LSU Doctoral Dissertations. 3653. https://digitalcommons.lsu.edu/gradschool_dissertations/3653 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. “SCIENCE IN SKIRTS”: REPRESENTATIONS OF WOMEN IN SCIENCE IN THE “B” SCIENCE FICTION FILMS OF THE 1950S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English By Bonnie Noonan B.G.S., University of New Orleans, 1984 M.A., University of New Orleans, 1991 May 2003 Copyright 2003 Bonnie Noonan All rights reserved ii This dissertation is “one small step” for my cousin Timm Madden iii Acknowledgements Thank you to my dissertation director Elsie Michie, who was as demanding as she was supportive. Thank you to my brilliant committee: Carl Freedman, John May, Gerilyn Tandberg, and Sharon Weltman.
  • Eng 4936 Syllabus

    Eng 4936 Syllabus

    ENG 4936 (Honors Seminar): Reading Science Fiction: The Pulps Professor Terry Harpold Spring 2019, Section 7449 Time: MWF, per. 5 (11:45 AM–12:35 PM) Location: Little Hall (LIT) 0117 office hours: M, 4–6 PM & by appt. (TUR 4105) email: [email protected] home page for Terry Harpold: http://users.clas.ufl.edu/tharpold/ e-Learning (Canvas) site for ENG 4936 (registered students only): http://elearning.ufl.edu Course description The “pulps” were illustrated fiction magazines published between the late 1890s and the late 1950s. Named for the inexpensive wood pulp paper on which they were printed, they varied widely as to genre, including aviation fiction, fantasy, horror and weird fiction, detective and crime fiction, railroad fiction, romance, science fiction, sports stories, war fiction, and western fiction. In the pulps’ heyday a bookshop or newsstand might offer dozens of different magazines on these subjects, often from the same publishers and featuring work by the same writers, with lurid, striking cover and interior art by the same artists. The magazines are, moreover, chock-full of period advertising targeted at an emerging readership, mostly – but not exclusively – male and subject to predictable The first issue of Amazing Stories, April 1926. Editor Hugo Gernsback worries and aspirations during the Depression and Pre- promises “a new sort of magazine,” WWII eras. (“Be a Radio Expert! Many Make $30 $50 $75 featuring the new genre of a Week!” “Get into Aviation by Training at Home!” “scientifiction.” “Listerine Ends Husband’s Dandruff in 3 Weeks!” “I’ll Prove that YOU, too, can be a NEW MAN! – Charles Atlas.”) The business end of the pulps was notoriously inconstant and sometimes shady; magazines came into and went out of publication with little fanfare; they often changed genres or titles without advance notice.
  • The Mars Science Laboratory Engineering Cameras

    The Mars Science Laboratory Engineering Cameras

    Space Sci Rev DOI 10.1007/s11214-012-9882-4 The Mars Science Laboratory Engineering Cameras J. Maki · D. Thiessen · A. Pourangi · P. Kobzeff · T. Litwin · L. Scherr · S. Elliott · A. Dingizian · M. Maimone Received: 21 December 2011 / Accepted: 5 April 2012 © Springer Science+Business Media B.V. 2012 Abstract NASA’s Mars Science Laboratory (MSL) Rover is equipped with a set of 12 en- gineering cameras. These cameras are build-to-print copies of the Mars Exploration Rover cameras described in Maki et al. (J. Geophys. Res. 108(E12): 8071, 2003). Images returned from the engineering cameras will be used to navigate the rover on the Martian surface, de- ploy the rover robotic arm, and ingest samples into the rover sample processing system. The Navigation cameras (Navcams) are mounted to a pan/tilt mast and have a 45-degree square field of view (FOV) with a pixel scale of 0.82 mrad/pixel. The Hazard Avoidance Cameras (Hazcams) are body-mounted to the rover chassis in the front and rear of the vehicle and have a 124-degree square FOV with a pixel scale of 2.1 mrad/pixel. All of the cameras uti- lize a 1024 × 1024 pixel detector and red/near IR bandpass filters centered at 650 nm. The MSL engineering cameras are grouped into two sets of six: one set of cameras is connected to rover computer “A” and the other set is connected to rover computer “B”. The Navcams and Front Hazcams each provide similar views from either computer. The Rear Hazcams provide different views from the two computers due to the different mounting locations of the “A” and “B” Rear Hazcams.
  • Universal Grammar Is Dead 7

    Universal Grammar Is Dead 7

    BEHAVIORAL AND BRAIN SCIENCES (2009) 32, 429–492 doi:10.1017/S0140525X0999094X The myth of language universals: Language diversity and its importance for cognitive science Nicholas Evans Department of Linguistics, Research School of Asian and Pacific Studies, Australian National University, ACT 0200, Australia [email protected] http://rspas.anu.edu.au/people/personal/evann_ling.php Stephen C. Levinson Max Planck Institute for Psycholinguistics, Wundtlaan 1, NL-6525 XD Nijmegen, The Netherlands; and Radboud University, Department of Linguistics, Nijmegen, The Netherlands [email protected] http://www.mpi.nl/Members/StephenLevinson Abstract: Talk of linguistic universals has given cognitive scientists the impression that languages are all built to a common pattern. In fact, there are vanishingly few universals of language in the direct sense that all languages exhibit them. Instead, diversity can be found at almost every level of linguistic organization. This fundamentally changes the object of enquiry from a cognitive science perspective. This target article summarizes decades of cross-linguistic work by typologists and descriptive linguists, showing just how few and unprofound the universal characteristics of language are, once we honestly confront the diversity offered to us by the world’s 6,000 to 8,000 languages. After surveying the various uses of “universal,” we illustrate the ways languages vary radically in sound, meaning, and syntactic organization, and then we examine in more detail the core grammatical machinery of recursion, constituency, and grammatical relations. Although there are significant recurrent patterns in organization, these are better explained as stable engineering solutions satisfying multiple design constraints, reflecting both cultural-historical factors and the constraints of human cognition.
  • The Inventory of the Evan Hunter Collection #377

    The Inventory of the Evan Hunter Collection #377

    The Inventory of the Evan Hunter Collection #377 Howard Gotlieb Archival Research Center "'•\; RESTRICTION: Letters of ... ~. -..:::.~~- / / 12/20/67 & 1/11/68 HlJN'.J.lER, EVAN ( 112 items (mags. ) ) (167 items (short stories)) I. IV:ag-a.zines with E .H. stories ( arranged according to magazine and with dates of issues.) 11 Box 1 1. Ten Sports Stories, Hunt Collins ( pseua.~ "let the Gods Decide , '7 /52 2. Supe:c Sports, Hunt Collins (pseud.) "Fury on First" 12/51 3. Gunsmoke, "Snowblind''; 8/53 "The Killing at Triple Tree" 6/53 oi'l31 nal nllrnt:,, l1.. Famous viestej:n, S .A. Lambino ~tltt.7 11 The Little Nan' 10/52; 11 Smell the Blood of an J:!!nglishman" 5. War Stories, Hunt Collins (pseud.) 11 P-A-~~-R-O-L 11 11/52 1 ' Tempest in a Tin Can" 9/52 6. Universe, "Terwilliger and the War Ivi3,chine" 9 / 9+ 7. Fantastic J\dvantures Ted •raine (1,seud,) "Woman's World" 3/53 8. '.l'hrilling Wonder Stories, "Robert 11 ~-/53 "End as a Robot", Richard M,trsten ( pseud. ) Surrrrner /54 9, Vortex, S ,A. Lambino "Dea.le rs Choice 11 '53 .10. Cosmos, unic1entified story 9/53 "Outside in the Sand 11 11/53 11 11. If, "Welcome 1'/artians , S. A. J..Dmb ino w-1 5/ 52; unidentified story 11/ 52 "The Guinea Pigs", :3 .A. Lomb ino V,) '7 / 53; tmic1entified story ll/53 "rv,:alice in Wonderland", E.H. 1/54 -12. Imagination, "First Captive" 12/53; "The Plagiarist from Rigel IV, 3/5l1.; "The Miracle of Dan O I Shaugnessy" 12/5l~.
  • Nelson Slade Bond Collection, 1920-2006

    Nelson Slade Bond Collection, 1920-2006

    Marshall University Marshall Digital Scholar Guides to Manuscript Collections Search Our Collections 2006 0749: Nelson Slade Bond Collection, 1920-2006 Marshall University Special Collections Follow this and additional works at: https://mds.marshall.edu/sc_finding_aids Part of the Fiction Commons, Intellectual History Commons, Playwriting Commons, and the Social History Commons Recommended Citation Nelson Slade Bond Collection, 1920-2006, Accession No. 2006/04.0749, Special Collections Department, Marshall University, Huntington, WV. This Finding Aid is brought to you for free and open access by the Search Our Collections at Marshall Digital Scholar. It has been accepted for inclusion in Guides to Manuscript Collections by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected], [email protected]. 0 REGISTER OF THE NELSON SLADE BOND COLLECTION Accession Number: 2006/04.749 Special Collections Department James E. Morrow Library Marshall University Huntington, West Virginia 2007 1 Special Collections Department James E. Morrow Library Marshall University Huntington, WV 25755-2060 Finding Aid for the Nelson Slade Bond Collection, ca.1920-2006 Accession Number: 2006/04.749 Processor: Gabe McKee Date Completed: February 2008 Location: Special Collections Department, Morrow Library, Room 217 and Nelson Bond Room Corporate Name: N/A Date: ca.1920-2006, bulk of content: 1935-1965 Extent: 54 linear ft. System of Arrangement: File arrangement is the original order imposed by Nelson Bond with small variations noted in the finding aid. The collection was a gift from Nelson S. Bond and his family in April of 2006 with other materials forwarded in May, September, and November of 2007.
  • Mars Science Laboratory Navcam/Hazcam Early Results

    Mars Science Laboratory Navcam/Hazcam Early Results

    Geophysical Research Abstracts Vol. 15, EGU2013-12775, 2013 EGU General Assembly 2013 © Author(s) 2013. CC Attribution 3.0 License. Mars Science Laboratory Navcam/Hazcam Early Results Justin Maki, Amy Culver, Oleg Pariser, Mark Powell, Nick Ruoff, Robert Murdock, and The MSL Science Team Jet Propulsion Laboratory, California Institute of Technology, Pasadena, CA, United States ([email protected]) On August 6th, 2012 (UTC), the Mars Science Laboratory (MSL) Curiosity rover successfully touched down onto the surface of Mars and began sending back Hazcam images within 30 seconds of touchdown on Mars. Front/Rear Hazcam images were acquired with the transparent covers in the closed position and show dust/soil adhesion on the front surface of the covers, indicating that dust and soil were elevated to height of at least 0.8 meters above the ground by the landing thruster exhaust. Additionally, both the left and right Rear Hazcam images showed a dark plume on the horizon at a local azimuth of approximately 300 degrees (north-westward). The direction of this plume is consistent with the location of the descent stage impact site approximately 650 meters away. The plume is approximately 6 degrees high by 6 degrees wide, which corresponds to a height of approximately 65 meters high by 65 meters wide. The plume is not visible in Rear Hazcam images acquired 45 minutes later. After the camera covers were opened, a set of full-resolution Hazcam images were acquired and showed the terrain in more detail, including Mt. Sharp at a local azimuth of approximately 130 degrees (southeastward).
  • The Chessmen of Mars

    The Chessmen of Mars

    THE CHESSMEN OF MARS Edgar Rice Burroughs This public-domain (U.S.) text was prepared by Judy Boss, Omaha, NE. The Project Gutenberg edition (“cmars12”) was subse- quently converted to LATEX using Guten- Mark software and re-edited (for formatting only) by Ron Burkey. Report problems to [email protected]. Revision C1 differs from C in that “—-” has everywhere been replaced by “—”. Revision: C1 Date: 01/27/2008 Contents PRELUDE. JOHN CARTER COMES TO EARTH 1 CHAPTER I. TARA IN A TANTRUM 5 CHAPTER II. AT THE GALE’S MERCY 21 CHAPTER III. THE HEADLESS HUMANS 37 CHAPTER IV. CAPTURED 55 CHAPTER V. THE PERFECT BRAIN 73 CHAPTER VI. IN THE TOILS OF HORROR 87 CHAPTER VII. A REPELLENT SIGHT 105 CHAPTER VIII. CLOSE WORK 123 i ii CHAPTER IX. ADRIFT OVER STRANGE REGIONS 137 CHAPTER X. ENTRAPPED 153 CHAPTER XI. THE CHOICE OF TARA 167 CHAPTER XII. GHEK PLAYS PRANKS 183 CHAPTER XIII. A DESPERATE DEED 197 CHAPTER XIV. AT GHEKS COMMAND 213 CHAPTER XV. THE OLD MAN OF THE PITS 229 CHAPTER XVI. ANOTHER CHANGE OF NAME 245 CHAPTER XVII. A PLAY TO THE DEATH 261 CHAPTER XVIII. A TASK FOR LOYALTY 277 CHAPTER XIX. THE MENACE OF THE DEAD 295 CHAPTER XX. THE CHARGE OF COWARDICE 309 CHAPTER XXI. A RISK FOR LOVE 325 iii CHAPTER XXII. AT THE MOMENT OF MARRIAGE 339 JETAN, OR MARTIAN CHESS 357 iv PRELUDE. JOHN CARTER COMES TO EARTH Shea had just beaten me at chess, as usual, and, also as usual, I had gleaned what questionable satisfaction I might by twitting him with this indication of failing mental- ity by calling his attention to the nth time to that theory, propounded by certain sci- entists, which is based upon the assertion that phenomenal chess players are always found to be from the ranks of children un- der twelve, adults over seventy-two or the mentally defective—a theory that is lightly ig- nored upon those rare occasions that I win.