DOCSLIB.ORG

The Shire Brandywine Bridge Bree Yes 50 23 Brandywine Bridge Far Downs No 120

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Shire Brandywine Bridge Bree Yes 50 23 Brandywine Bridge Far Downs No 120 Last updated: August 6, 2007 Middle-earth Distances Table Made by Ardamir Distances in Middle-earth taken from Tolkien’s texts rather than from maps Approx. Along Starting point Destination distance in roads? miles Bree-land and surroundings 1 Bree Brandywine Bridge yes 50 2 Bree Osgiliath yes 1176 3 Bree Rivendell yes 348 4 Bree Eastgate Last Inn (Forsaken Inn) yes 20 5 Bree Eastgate Weathertop yes 100 Last Inn (Forsaken Inn) Bree Eastgate yes 20 6 Last Inn (Forsaken Inn) Weathertop yes 80 Gondor Osgiliath Bree yes 1176 no 7 Osgiliath Rivendell at least 924 (mostly) 8 Osgiliath Rivendell yes 1523 Rhudaur Last Bridge (Bridge of 9 Ford of Bruinen yes 80 Mitheithel) point along the East Road 10 Ford of Bruinen yes 60 where trolls were (III 2941-) 11 Ford of Bruinen Rivendell, entrance to yes 22 point along the East Road high bank above the East 12 where there were trolls (III yes “a few” Road, top of 2941-) Last Bridge (Bridge of Ford of Bruinen yes 80 Mitheithel) Last Bridge (Bridge of narrow ravine to the North of 13 no 1 Mitheithel) the East Road point along the East Road Last Bridge (Bridge of 14 where there were trolls (III yes 20 Mitheithel) 2941-) Last Bridge (Bridge of 15 Weathertop yes 110 Mitheithel) Last Bridge (Bridge of 16 Weathertop, eastern side of yes 109 Mitheithel) Approx. Along Starting point Destination distance in roads? miles Rhudaur Last Bridge (Bridge of 17 Weathertop, western side of yes 111 Mitheithel) narrow ravine to the north Last Bridge (Bridge of no 1 of the East Road Mitheithel) point along the East Road where there were trolls (III Ford of Bruinen yes 60 2941-) point along the East Road high bank above the East where there were trolls (III yes “a few” Road, top of 2941-) point along the Road Last Bridge (Bridge of where there were trolls (III yes 20 Mitheithel) 2941-) Weathertop Last Inn (Forsaken Inn) yes 80 Weathertop Bree Eastgate yes 100 Last Bridge (Bridge of Weathertop yes 110 Mitheithel) Weathertop, eastern side Last Bridge (Bridge of yes 109 of Mitheithel) Weathertop, western side Last Bridge (Bridge of yes 111 of Mitheithel) Rivendell Rivendell Bree yes 348 18 Rivendell Cave of Goblins yes > 100 no Rivendell Osgiliath at least 924 (mostly) Rivendell Osgiliath yes 1523 19 Rivendell, entrance to Bywater yes 412 Rivendell, entrance to Ford of Bruinen yes 22 Rhovanion Cave of Goblins Rivendell yes > 100 20 Enchanted River Forest Gate yes 150 21 Enchanted River Thranduil’s Halls yes 150 Forest Gate Enchanted River yes 150 22 Mirkwood, edge of Thranduil’s Halls no ”some” Thranduil’s Halls Enchanted River yes 150 Thranduil’s Halls Mirkwood, edge of no ”some” The Shire Brandywine Bridge Bree yes 50 23 Brandywine Bridge Far Downs no 120 Approx. Along Starting point Destination distance in roads? miles The Shire Hobbiton, roadjunction to the 24 Brandywine Bridge yes 50 south of 25 Brandywine Bridge Whitfurrows yes 12 Bywater Rivendell, entrance to yes 412 26 Bywater, last houses Hobbiton bridge yes at most 1.25 Hobbiton, to the right of the 27 Bywater, last houses yes at most 1 roadjunction to the south of Crickhollow, house nearest Crickhollow, Frodo’s 28 to Frodo’s house at (from the no > 1 house at back) Far Downs Brandywine Bridge no 120 Hobbiton bridge Bywater, first houses yes at most 1.25 Hobbiton, roadjunction to Brandywine Bridge yes 50 the south of Hobbiton, to the right of the roadjunction to the Bywater, first houses yes at most 1 south of 29 marshes in the south North Moors no 150 Crickhollow, house Crickhollow, Frodo’s house nearest to Frodo’s house no > 1 at at (from the back) North Moors marshes in the south no 150 Whitfurrows Brandywine Bridge yes 12 Other points of interest In the ”A Part of the Shire” map Bywater and its pool is somewhat too far east.30 16 miles a day by ponies is slow.31 The Road through Mirkwood is only 175 miles long in the Wilderland map but should be 300.32 Sources used The History of The Hobbit (HarperCollins hardback edition 2007, abbrev. HotH) – ‘The 1960 Hobbit’ The Hobbit The Lord of the Rings (abbrev. LR) - Prologue ‘A Long-expected Party’ ‘A Knife in the Dark’ ‘Flight to the Ford’ Unfinished Tales (abbrev. UT) – ‘The Disaster of the Gladden Fields’ References and notes 1 league = 3 miles 1 HotH p. 815. Note also: “called (L.R. I. 162 ‘not much [further] than a day’s riding’ but that refers to quick <journeys> on <unhampered> mounts.” [HotH p. 815], and “…this was at Bree and in the Chetwood that lay round about, some forty miles east of the Shire.” [LR, Prologue] However, I believe that this distance is as the crow flies, not along the East-West Road. 2 “These roads crossed at a point [Bree] west of Amon Sûl (Weathertop), by Númenórean road- measurements three hundred and ninety-two leagues from Osgiliath …” [UT, ‘The Distaster of the Gladden Fields’, note 4] Note that leagues here are by Númenórean linear measures (see ‘Númenórean Linear Measures’); one Númenórean league, a lár, is 5277 yards, two feet and four inches, not 5280 yards, as our league is. However, this affects the distance converted to miles very little. 3 “…by Númenórean road-measurements three hundred and ninety-two leagues from Osgiliath, and then east to Imladris one hundred and sixteen…” [UT, ‘The Distaster of the Gladden Fields’, note 4] See also note 2 above regarding the Númenórean league. 4 HotH p. 815 5 HotH p. 815 6 HotH p. 815 7 “He therefore determined to make his way north from Osgiliath up the Vales of Anduin to Cirith Forn en Andrath, the high-climbing pass of the North, that led down to Imladris.” [UT, ‘The Disaster of the Gladden Fields’] and “The journey was probably at least three hundred and eight leagues as marched...” [UT, ‘The Disaster of the Gladden Fields’, note 9] See also note 2 above regarding the Númenórean league. 8 “…the only Númenórean roads were the great road linking Gondor and Arnor, through Calenardhon, then north over the Gwathló at Tharbad, and so at last to Fornost; and the East- West Road from the Grey Havens to Imladris. … five hundred and eight leagues in all.” [UT, ‘The Disaster of the Gladden Fields’, note 4] See also note 2 above regarding the Númenórean league. 9 HotH p. 815 10 HotH p. 815 11 HotH p. 815; however, 20 miles according to p. 826 and 833. 12 “[Strider and the Hobbits] were probably following the very track that Gandalf, Bilbo, and the dwarves had used many years before. After a few miles they came out on the top of a high bank above the Road.” [LR, ‘Flight to the Ford’] 13 “[Strider and the Hobbits] crossed the [Last] Bridge in safety, hearing no sound but the water swirling against its three great arches. A mile further on they came to a narrow ravine that led away northwards through the steep lands on the left of the Road.” [LR, ‘Flight to the Ford’] 14 HotH p. 815 15 HotH p. 815 16 HotH p. 816 17 May be deduced from the distances given above and below in the table. 18 HotH p. 821 19 HotH p. 815; however, according to p. 826 412 miles is the distance between Hobbiton and Rivendell. 20 HotH p. 821-2 21 HotH p. 821-2 22 “In a great cave some miles within the edge of Mirkwood on its eastern side there lived at this time their greatest king.” [The Hobbit] 23 “Forty leagues it [the Shire] stretched from the Far Downs to the Brandywine Bridge…” [LR, Prologue] Note also: “As first published this passage read: 'Fifty leagues it stretched from the Westmarch under the Tower Hills to the Brandywine Bridge…' … Its revision in the second edition (1965) has at least two possible explanations (or both): because the Westmarch was not added to the Shire until after the events of the story (though its addition must predate the Prologue); or because on the scale of the 1954 general map of Middle-earth, 50 leagues (150 miles) from the Brandywine Bridge extends beyond Westmarch, even beyond the Tower Hills, and it was easier to alter the text than to redraw the map.” [The Lord of the Rings – A Reader’s Companion] 24 HotH p. 815 25 HotH p. 816 26 It was not more than a mile and a quarter from the footbridge just south of the Mill to the first houses of Bywater, among which was the ‘Green Dragon’ Inn. [HotH p. 814] 27 “At the time of L.R. (‘Scouring of the Shire’) there should be a small block of ‘new houses’ to the right of the roadjunction, ‘a mile beyond Bywater’” [HotH p. 814] 28 “And run [Fatty Bolger] did, out of the back door, through the garden, and over the fields. When he reached the nearest house, more than a mile away…” [LR, ‘A Knife in the Dark’] 29 ”Forty leagues it [the Shire] stretched from the Far Downs to the Brandywine Bridge, and fifty from the northern moors to the marshes in the south.” [LR, Prologue] Note also: “As first published this passage read: '…nearly fifty from the northern moors to the marshes in the south.' … Tolkien had wished to retain 'and nearly fifty' for the north-south dimension, but it was wrongly typeset in the Ballantine Books edition (1965) and the error was continued in the Allen & Unwin second edition (1966).
Load more

Recommended publications
  • LOTR and Beowulf: I Need a Hero
    Jestice/English 4 Lord of the Rings and Beowulf: I need a hero! (100 points) Directions: 1. On your own paper, and as you watch the selected scenes, answer the following questions by comparing and contrasting the heroism of Frodo Baggins to that of Beowulf. (The scene numbers are from the extended version; however, the scene titles are consistent with the regular edition.) 2. Use short answer but complete sentences. Fellowship of the Ring Scene 10: The Shadow of the Past Gandalf already has shown Frodo the One Ring and has told Frodo he must keep it hidden and safe. Frodo obliges. But when Gandalf tells him the story of the ring and that Frodo must take it out of the Shire, Frodo’s reaction is different. 1. Explain why Frodo reacts the way he does. Is this behavior fitting for a hero? Why or why not? Is Frodo a hero at this point of the story? 2. How does this differ from Beowulf’s call to adventure? Scene 27: The Council of Elrond Leaders from across Middle Earth have gathered in the Elvish capital of Rivendell to discuss the fate of the One Ring. Frodo has taken the ring to Rivendell for safekeeping. Having already tried unsuccessfully to destroy the ring, the leaders argue about who should take it to be consumed in the fires of Mordor. Frodo steps forward and accepts the challenge. 1. Frodo’s physical stature makes this journey seem impossible. What kinds of traits apparent so far in the story will help him overcome this deficiency? 2.
    [Show full text]
  • The Roots of Middle-Earth: William Morris's Influence Upon J. R. R. Tolkien
    University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 12-2007 The Roots of Middle-Earth: William Morris's Influence upon J. R. R. Tolkien Kelvin Lee Massey University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Literature in English, British Isles Commons Recommended Citation Massey, Kelvin Lee, "The Roots of Middle-Earth: William Morris's Influence upon J. R. R. olkien.T " PhD diss., University of Tennessee, 2007. https://trace.tennessee.edu/utk_graddiss/238 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Kelvin Lee Massey entitled "The Roots of Middle-Earth: William Morris's Influence upon J. R. R. olkien.T " I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in English. David F. Goslee, Major Professor We have read this dissertation and recommend its acceptance: Thomas Heffernan, Michael Lofaro, Robert Bast Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a dissertation written by Kelvin Lee Massey entitled “The Roots of Middle-earth: William Morris’s Influence upon J.
    [Show full text]
  • Middle-Earth: the Wizards Characters(Hero) Resources(Hero
    Middle-earth: The Wizards Card-list (484 cards) Sold in starters and boosters (no cards from other sets needed to play). A booster (15 cards, 36 boosters per display) holds 1 rare, 3 uncommons, and 11 commons. A starter holds a fixed set (at random), 3 rares, 9 uncommons, and 40 commons. R: rare; U: uncommon; CA1: once on general common sheet; CA2: twice on general common sheet; CB1: once on booster-only common sheet; CB2: twice on booster-only common sheet; F#: in # different fixed sets (out of 5). Look at the Fixed pack specs to see what cards are in in which fixed set. Characters (hero) Thorin II R Gwaihir R Risky Blow CA Thranduil F1 Halfling Stealth CB2 Roäc the Raven R Adrazar F1 Vôteli CB Halfling Strength CB2 Sacrifice of Form R Alatar F2 Vygavril R Hauberk of Bright Mail CA Sapling of the White Tree U Anborn U Wacho U Healing Herbs CA2 Scroll of Isildur U Annalena F2 Hiding R Secret Entrance R Aragorn II F1 Resources (hero) Hillmen U Secret Passage CA Arinmîr U A Chance Meeting CB Hobbits R Shadowfax R Arwen R A Friend or Three CB2 Horn of Anor CB Shield of Iron-bound Ash CA2 Balin U Align Palantir U Horses CA Skinbark R Bard Bowman F2 Anduin River CB2 Iron Hill Dwarves F1 Southrons R Barliman Butterbur U Anduril R Kindling of the Spirit CA Star-glass U Beorn F1 Army of the Dead R Knights of Dol Amroth U Stars U Beregond F1 Ash Mountains CB Lapse of Will U Stealth CA Beretar U Athelas U Leaflock U Sting U Bergil U Beautiful Gold Ring CA2 Lesser Ring U Stone of Erech R Bifur CB Beornings F1 Lordly Presence CB2 Sun U Bilbo R Bill
    [Show full text]
  • The Comforts: the Image of Home in <I>The Hobbit</I>
    Volume 14 Number 1 Article 6 Fall 10-15-1987 All the Comforts: The Image of Home in The Hobbit & The Lord of the Rings Wayne G. Hammond Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Hammond, Wayne G. (1987) "All the Comforts: The Image of Home in The Hobbit & The Lord of the Rings," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 14 : No. 1 , Article 6. Available at: https://dc.swosu.edu/mythlore/vol14/iss1/6 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Examines the importance of home, especially the Shire, as metaphor in The Hobbit and The Lord of the Rings. Relates it to the importance of change vs. permanence as a recurring theme in both works.
    [Show full text]
  • Why Is the Only Good Orc a Dead Orc Anderson Rearick Mount Vernon Nazarene University
    Inklings Forever Volume 4 A Collection of Essays Presented at the Fourth Frances White Ewbank Colloquium on C.S. Article 10 Lewis & Friends 3-2004 Why Is the Only Good Orc a Dead Orc Anderson Rearick Mount Vernon Nazarene University Follow this and additional works at: https://pillars.taylor.edu/inklings_forever Part of the English Language and Literature Commons, History Commons, Philosophy Commons, and the Religion Commons Recommended Citation Rearick, Anderson (2004) "Why Is the Only Good Orc a Dead Orc," Inklings Forever: Vol. 4 , Article 10. Available at: https://pillars.taylor.edu/inklings_forever/vol4/iss1/10 This Essay is brought to you for free and open access by the Center for the Study of C.S. Lewis & Friends at Pillars at Taylor University. It has been accepted for inclusion in Inklings Forever by an authorized editor of Pillars at Taylor University. For more information, please contact [email protected]. INKLINGS FOREVER, Volume IV A Collection of Essays Presented at The Fourth FRANCES WHITE EWBANK COLLOQUIUM ON C.S. LEWIS & FRIENDS Taylor University 2004 Upland, Indiana Why Is the Only Good Orc a Dead Orc? Anderson Rearick, III Mount Vernon Nazarene University Rearick, Anderson. “Why Is the Only Good Orc a Dead Orc?” Inklings Forever 4 (2004) www.taylor.edu/cslewis 1 Why is the Only Good Orc a Dead Orc? Anderson M. Rearick, III The Dark Face of Racism Examined in Tolkien’s themselves out of sync with most of their peers, thus World1 underscoring the fact that Tolkien’s work has up until recently been the private domain of a select audience, In Jonathan Coe’s novel, The Rotters’ Club, a an audience who by their very nature may have confrontation takes place between two characters over inhibited serious critical examinations of Tolkien’s what one sees as racist elements in Tolkien’s Lord of work.
    [Show full text]
  • Tolkien's Creative Technique: <I>Beowulf</I> and <I>The Hobbit</I>
    Volume 15 Number 3 Article 1 Spring 3-15-1989 Tolkien's Creative Technique: Beowulf and The Hobbit Bonniejean Christensen Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Christensen, Bonniejean (1989) "Tolkien's Creative Technique: Beowulf and The Hobbit," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 15 : No. 3 , Article 1. Available at: https://dc.swosu.edu/mythlore/vol15/iss3/1 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Asserts that “The Hobbit, differing greatly in tone, is nonetheless a retelling of the incidents that comprise the plot and the digressions in both parts of Beowulf.” However, his retelling is from a Christian point of view. Additional Keywords Beowulf—Influence on The Hobbit; olkien,T J.R.R.
    [Show full text]
  • Small Renaissances Engendered in JRR Tolkien's Legendarium
    Eastern Michigan University DigitalCommons@EMU Senior Honors Theses Honors College 2017 'A Merrier World:' Small Renaissances Engendered in J. R. R. Tolkien's Legendarium Dominic DiCarlo Meo Follow this and additional works at: http://commons.emich.edu/honors Part of the Children's and Young Adult Literature Commons Recommended Citation Meo, Dominic DiCarlo, "'A Merrier World:' Small Renaissances Engendered in J. R. R. Tolkien's Legendarium" (2017). Senior Honors Theses. 555. http://commons.emich.edu/honors/555 This Open Access Senior Honors Thesis is brought to you for free and open access by the Honors College at DigitalCommons@EMU. It has been accepted for inclusion in Senior Honors Theses by an authorized administrator of DigitalCommons@EMU. For more information, please contact lib- [email protected]. 'A Merrier World:' Small Renaissances Engendered in J. R. R. Tolkien's Legendarium Abstract After surviving the trenches of World War I when many of his friends did not, Tolkien continued as the rest of the world did: moving, growing, and developing, putting the darkness of war behind. He had children, taught at the collegiate level, wrote, researched. Then another Great War knocked on the global door. His sons marched off, and Britain was again consumed. The "War to End All Wars" was repeating itself and nothing was for certain. In such extended dark times, J. R. R. Tolkien drew on what he knew-language, philology, myth, and human rights-peering back in history to the mythologies and legends of old while igniting small movements in modern thought. Arthurian, Beowulfian, African, and Egyptian myths all formed a bedrock for his Legendarium, and fantasy-fiction as we now know it was rejuvenated.Just like the artists, authors, and thinkers from the Late Medieval period, Tolkien summoned old thoughts to craft new creations that would cement themselves in history forever.
    [Show full text]
  • Gandalf: One Wizard to Lead Them, One to Find Them, One to Bring Them And, Despite the Darkness, Unite Them
    Mythmoot III: Ever On Proceedings of the 3rd Mythgard Institute Mythmoot BWI Marriott, Linthicum, Maryland January 10-11, 2015 Gandalf: One Wizard to lead them, one to find them, one to bring them and, despite the darkness, unite them. Alex Gunn Middle Earth is a wonderful but strangely familiar place. The Hobbits, Elves, Men and other peoples who live in caves, forests, mountain ranges and stone cities, are all combined by Tolkien to create a fantasy world which is full of wonder, beauty and magic. However, looking past these fantastical elements, we can see that Middle Earth has many similarities to the society in which we live. The different races of Middle Earth have distinct and deep differences and often keep themselves separate from one another because of mutual distrust or dislike. Due to these divisions, only one person, one who does not belong to any particular race or people, can unite them for the coming war: Gandalf the Wizard who embodies the qualities needed to be an effective leader in our world. As Sue Kim points out in her book Beyond black and White: Race and Postmodernism in Lord of the Rings, Tolkien himself declared that, “the desire to converse with other living things is one of the great allurements of fantasy” (Kim 555). Given this belief, it is no surprise that Tolkien,‘fills his imagined worlds with a plethora of intelligent non human races and exotic ethnicities, all changing over time: Elves, Dwarves, Men, Hobbits, Ents, Trolls, Orcs, Wild Men, talking beasts and embodied spirits’ (Kim 555). This plethora, as Kim puts it, makes Gandalf an important literary tool for Tolkien because to believe that such a varied mix of people, creatures, races and ethnicities live in complete harmony would feel false and perhaps too convenient.
    [Show full text]
  • Myth, Fantasy and Fairy-Story in Tolkien's Middle-Earth Buveneswary
    MYTH, FANTASY AND FAIRY-STORY IN TOLKIEN’S MIDDLE-EARTH Malaya BUVENESWARY VATHEMURTHYof DEPARTMENT OF ENGLISH FACULTY OF ARTS & SOCIAL SCIENCES UNIVERSITY MALAYA University2016 MYTH, FANTASY AND FAIRY-STORY IN TOLKIEN’S MIDDLE-EARTH BUVENESWARY VATHEMURTHYMalaya of DISSERTATION SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTERS OF ARTS FACULTY OF ARTS AND SOCIAL SCIENCES UNIVERSITY MALAYA KUALA LUMPUR University2016 Abstract This dissertation explores J.R.R. Tolkien’s ideas and beliefs on myth, fantasy and fairy story and their roles in portraying good and evil in his famous works. Indeed, many authors and critics such as Bradley J. Birzer, Patrick Curry, Joseph Pearce, Ursula Le Guin, and Jay Richards have researched Tolkien based on this connection. They have worked on the nature of good and evil in his stories, the relevance of Tolkien in contemporary society, and the importance of myth and fantasy. However, my original contribution would be to examine the pivotal roles of myth, fantasy and fairy story as a combined whole and to demonstrate that they depend on one another to convey truths about good and evil. This research is aimed at showing that Middle-earth evolves from a combination of these three genres. This is made evident by the way Tolkien crafted his lecture On Fairy Stories for a presentation at the AndrewMalaya Lang lecture at the University of St Andrews in 1939. This dissertation then examines Tolkien’s own definitions of myth, fantasy and fairy stories and his extensiveof research on these “old-fashioned” or forgotten genres. He believed they could provide a cure for the moral and human degradation triggered by modernism.
    [Show full text]
  • Med20 Character Creation Rules
    MIDDLE -EARTH D20 CHARACTER CREATION RULES To create characters for this campaign, o +4 racial bonus on any Craft skill of the players will use 25 points to purchase abilities player's choice — it should be noted that according to the Purchase rules on pages 15-16 Ñoldor were legendary for their work with of the Pathfinder Roleplaying Game Core precious metals and jewelry. Rulebook . Then, character creation proceeds as o +2 racial bonus on any Perform (Sing) described in the Pathfinder Roleplaying Game checks. Core Rulebook . Additionally, players will create o +2 racial bonus on saves vs. fire. a 2 nd -level character, but the 1 st -level must be a o +2 racial bonus on saves vs. poison. basic NPC class ! Players may use the Pathfinder o Immune to Aging: Ñoldor Elves are Roleplaying Game Advanced Player’s Guide , immortal unless killed. Pathfinder Roleplaying Game Ultimate Combat , o Ñoldor Elves do not sleep, meditating and Pathfinder Roleplaying Game Ultimate Magic instead for about three hours every day. to create their characters. For all sources, use o Immune to natural cold. the following rules modifications. In addition, o Immune to disease, mundane or magical. the Variant Rules for Armor as Damage o Immune to scarring. Reduction, Called Shots, Piecemeal Armor, o Movement unimpeded by snow or wooded and Wounds and Vigor from Pathfinder terrain. Roleplaying Game Ultimate Combat (pp. 191-207) o Immune to any fear effects caused by are being utilized. Please note that these rules undead. are subject to change at any time without prior o Cannot be turned into undead.
    [Show full text]
  • News from Bree 27
    NewsNewsNews fromfromfrom BreeBreeBree MEPBM Newsletter: Issue 27, February '05 "Strange as News Updating the Game from Bree..." by Greg Shaffer The Lord of the Rings, chapter 9 MEPBM is a great game (credit to its original Dragon Flea Market. Also in 1650, we have the most inventors!) and has become a bit out of focus with rare and intelligent and powerful and selfish, its original intent, original game balance, and the idiosyncratic, temperamental creatures in Middle Earth Talk at the flavor of Tolkien’s world given growth in player called DRAGONS. Yet any character can waltz up to knowledge and playing style. The buyout of one of these mythic creatures (and the locations are MEPBM will allow the game moderators to make predictable) and sign them up at will to destroy 'Prancing'Prancing changes to update the game and allow the GSI folks numerous enemy armies simply by giving a stock to continue doing what they enjoy most – inventing response that everyone knows and doesn’t change from Pony... great new games. Here are the top 10 reasons we turn to turn or game to game. Again, in the original should be glad our game moderators to have the version noone knew the “one correct response per ability to update the game: dragon” but now everyone knows. This makes Bilbo’s Updating the Game fated encounter with Smaug look like a couple of Hobbit Welcome to my capital, here’s the keys. maidens getting together for afternoon tea. Tweak Your Nation Currently it is a piece of cake for dark servants to waltz into Lothlorien or granite-enclosed Moria Ineffectual Nations.
    [Show full text]
  • The Implied Reader and the Recovery of Childhood: a Study of J.R.R
    American University in Cairo AUC Knowledge Fountain Theses and Dissertations 2-1-2019 The Implied Reader and the Recovery of Childhood: A Study of J.R.R. Tolkien’s The Hobbit Georgette Talaat Rizk Follow this and additional works at: https://fount.aucegypt.edu/etds Recommended Citation APA Citation Rizk, G. (2019).The Implied Reader and the Recovery of Childhood: A Study of J.R.R. Tolkien’s The Hobbit [Master’s thesis, the American University in Cairo]. AUC Knowledge Fountain. https://fount.aucegypt.edu/etds/734 MLA Citation Rizk, Georgette Talaat. The Implied Reader and the Recovery of Childhood: A Study of J.R.R. Tolkien’s The Hobbit. 2019. American University in Cairo, Master's thesis. AUC Knowledge Fountain. https://fount.aucegypt.edu/etds/734 This Thesis is brought to you for free and open access by AUC Knowledge Fountain. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of AUC Knowledge Fountain. For more information, please contact [email protected]. The American University in Cairo School of Humanities and Social Sciences The Implied Reader and the Recovery of Childhood: A Study of J.R.R. Tolkien’s The Hobbit A Thesis Submitted to the Department of English and Comparative Literature In Partial Fulfillment of the Requirements For the Degree of Master of Arts Georgette Rizk Under the supervision of Dr. William Melaney October 2018 The American University in Cairo The Implied Reader and the Recovery of Childhood: A Study of J.R.R. Tolkien’s The Hobbit A Thesis Submitted by Georgette Rizk To the Department of English and Comparative Literature October 2018 In partial fulfillment of the requirements for The degree of Master of Arts Has been approved by Dr.
    [Show full text]