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Song Artist 25 Or 6 to 4 Chicago 5 Years Time Noah and the Whale A
A B 1 Song Artist 2 25 or 6 to 4 Chicago 3 5 Years Time Noah and the Whale 4 A Horse with No Name America 5 Achy Breaky Heart Billy Ray Cyrus 6 Adelaide Old 97's 7 Adelaide 8 Africa Bamba Santana 9 Against the Wind Bob Seeger 10 Ain't to Proud to Beg The Temptations 11 All Along the W…. Dylan/ Hendrix 12 Back in Black ACDC 13 Bad Leroy Brown Jim Croce 14 Bad Moon Risin' CCR 15 Bad to the Bone George Thorogood 16 Bamboleo Gipsy Kings 17 Black Horse and… KT Tunstall 18 Born to be Wild Steelers Wheels 19 Brain Stew Green Day 20 Brown Eyed Girl Van Morrison 21 Chasing Cars Snow Patrol 22 Cheesburger in Para… Jimmy Buffett 23 Clocks Coldplay 24 Close to You JLS 25 Close to You 26 Come as you Are Nirvana 27 Dead Flowers Rolling Stones 28 Down on the Corner CCR 29 Drift Away Dobie Gray 30 Duende Gipsy Kings 31 Dust in the Wind Kansas 32 El Condor Pasa Simon and Garfunkle 33 Every Breath You Take Sting 34 Evil Ways Santana 35 Fire Bruce Springsteen Pointer Sis.. 36 Fire and Rain James Taylor A B 37 Firework Katy Perry 38 For What it's Worth Buffalo Springfield 39 Forgiveness Collective Soul 40 Free Bird Lynyrd Skynyrd 41 Free Fallin Tom Petty 42 Give me One Reason Tracy Chapman 43 Gloria Van Morrison 44 Good Riddance Green Day 45 Have You Ever Seen… CCR 46 Heaven Los Lonely Boys 47 Hey Joe Hendrix 48 Hey Ya! Outcast 49 Honkytonk Woman Rolling Stones 50 Hotel California Eagles 51 Hotel California 52 Hotel California Eagles 53 Hotel California 54 I Won't Back Down Tom Petty 55 I'll Be Missing You Puff Daddy 56 Iko Iko Dr. -
A High School Tradition for 84 Years Volume 84, Number 6 Salem Senior High School March 14,1997
A High School Tradition for 84 Years Volume 84, Number 6 Salem Senior High School March 14,1997 In this issue Erica Godfrey, Connie Morris, and Stephanie Schmid look at the dangers ofsmoking. Smoke and choke Pay for your crime by Stephanie Schmid Smoking at Salem McShane, have asked juve hard-core smokers has also High School is a continu nile court judge Ashley decreased in contrast to the ing problem. The Pike to support them in al increasing number of stu restrooms have become a lowing them to cite smok dents sharing cigarettes. haven for smokers; the ers to court. This would The first time a most popular being in Se then become a legal matter student is caught smoking nior Hall. Even though vari in which smokers would be or possessing a tobacco ous staff members monitor punished with fines for un product, the punishment is the restrooms between derage possession of a to three days of in- school classes, it is still possible bacco product and smoking suspension. The second for students to ·smoke dur in a public building. time is five days and the ing classes. The rate of SHS third time is ten days of in Some public smokers fluctuates. The school suspension. If two buildings are fining smok overall number of smokers or more students are ers $50 if they are caught has decreased in the men's caught in the same stall, all smoking in places such as restrooms whereas in the are punished with four the restrooms. The princi women's restrooms it is on night detention. -
Kook Issue 1
Issue 1 KooK All hail the bad ass - Donita Sparks Join our campaign: Bring back the hand! Who the hell is Mandy Flombay? FREE Welcome to KooK In a recent dazed moment, an idea came to me: I should write my own zine! I could write about anything I like and perhaps even meet some like-minded people as a result. Obviously it would be great if people read it, but if it happens to end up on the floor of old Barry the budgerigar’s cage, then so be it. So here it is, the very first issue of KooK! Hopefully KooK will put a smile on your dial whilst introducing you to some of the people, places and things I love. I write about extremely dull technical things by day, and this project stops me from going postal! I’m not trying to make any grand statements or tell anyone what they should think … I’m also definitely not a graphic designer, so be kind! In this first issue, you’ll meet my good mate Mandy Flombay. She reckons she’ll buy me a case of beer if I flog her book so she obviously gets a double page spread. There’s also a feature on our first ever cover girl Donita Sparks. Feel free to send fan mail to [email protected] X Ed (definitely not Mr …) The KooK office hard at work Contents Page 2 Where are they now? L7’s Donita Sparks Page 3-4 Who the hell is Mandy Flombay? Page 5-6 The Inaugural KooK Music Player Challenge Page 7 Bring back the hand! Where Are They Now? Donita Sparks In 2000, L7 announced to the world that they were taking an ‘indefinite hiatus’, much to the disappointment of their many dedicated fans around the world. -
BO DIDDLEY's UNCONVENTIONAL 1950'S SOUND and ITS
BO DIDDLEY’S UNCONVENTIONAL 1950’s SOUND AND ITS ANTICIPATION OF HIP HOP OVERVIEW ESSENTIAL QUESTION How were Bo Diddley’s recordings an anomaly in relation to 1950s Pop music, and how is his rhythm-driven sound and self-presentation a precursor to Hip Hop style? OVERVIEW From his first appearance on the Billboard R&B chart in 1955 and continuing over his five- decade career, Bo Diddley has been celebrated for the rhythm-driven, percussive sound of his ensemble, at the center of which was Diddley’s guitar playing. If by the Rock era the guitar solo became a symbolic centerpiece in recordings and performances, Diddley’s emphasis was always on the rhythm guitar. His approach didn’t revolve around the single- and double-note leads that came to dominate the music. Instead, Bo Diddley pioneered a sound that involved every member of his combo playing with a percussive sensibility. Rhythm was emphasized over melody, with a vocal style that often approximated Rap set against that rhythmic backdrop. Earlier even than James Brown, Diddley inadvertently pointed to a Hip Hop future. His best-known rhythm guitar pattern (three strokes/rest/two strokes, or “shave and a haircut, two bits”) influenced many. The “Bo Diddley beat,” as it came to be known, appeared on records by Buddy Holly, the Rolling Stones, Bruce Springsteen, U2, rapper B.o.B., and many others. In Bo Diddley’s own songs, the “Bo Diddley beat” was often combined with remarkably simple chord changes, as can be heard on his self-titled debut single, “Bo Diddley.” Throughout that single-chord song, which went to No. -
“Bo Diddley” and “I'm a Man” (1955)
“Bo Diddley” and “I’m a Man” (1955) Added to the National Registry: 2011 Essay by Ed Komara (guest post)* Bo Diddley While waiting in Bo Diddley’s house to conduct an interview for the February 12, 1987 issue of “Rolling Stone,” journalist Kurt Loder noticed a poster. “If You Think Rock and Roll Started With Elvis,” it proclaimed, “You Don’t Know Diddley.” This statement seems exaggerated, but upon listening to Diddley’s April 1955 debut 78 on Checker 814, “Bo Diddley” backed with “I’m A Man,” it becomes apt, perhaps even understated. Bo Diddley (1928-2008) described his own place in music history to Loder. “People wouldn’t even bother with no stuff like ‘Bo Diddley’ and ‘I’m A Man’ and stuff like that ten years earlier [circa 1945] or even a year earlier [1954]. Then Leonard and Phil Chess decided to take a chance, and suddenly a whole different scene, a different kind of music, came in. And that was the beginning of rock and roll.” The composer credit for Checker 814 reads “E. McDaniels,” and there begins the tale. Bo Diddley was born Ellas Otha Bates in McComb, Mississippi on December 30, 1928 to a teenage mother and her local boyfriend. He was raised, however, by his maternal first cousin, Gussie McDaniel, to whom he was taken to Chicago, and given her surname McDaniel. He grew up on the South Side of the city, where he learned violin, trombone and, at age 12, the guitar. Before long, he was playing for change on the local streets. -
Blues CD Reviews
In This Issue... April Blues Bash: Son Jack, Jr. KBA Photographer Suzanne Swanson Dawn Tyler Watson (IBC First Place Band) (Photo by Daniel Sheehan) (Photo by Paul Brown) (Photo by Paul Brown) Letter from the President 2 Remembering James Cotton 6 Membership Opportunities 14 Letter from the Editor 3 April Blues Bash Preview 11 B Sharp Coffee House 15 Officers and Directors 4 Memphis Memo 12 Extended CD Review 16 On the Cover 4 New Venue: Cask & Trotter 14 Hawkeye Herman in Spokane! 17 Letter from Washington Blues Society President Tony Frederickson Kevin Sutton & the Blue Monday Band opening American Indian Chief and several bidders really Hi Blues Fans, the show and getting the crowd in a fevered pitch went to work on this item and provided as much that never let up the whole evening. We had many excitement as the music we had already heard. The This past month the Washington Blues Society, special guests throughout the show and the Blue silent auction closed and almost every item had Lee Oskar Harmonicas, and Anacortes Brewery Monday Band invited Jimmy Fadden to sit in multiple bids and displayed the generosity of those (H2O & Rockfish) sponsored the first of what we with them which raised the bar even higher. After in attendance. Our last special guest of the evening hope will be an annual fundraising event for the a brief break for a set change and live auction, was Mark Dufresne who led the Lee Oskar band Washington Blues Society’s Musician Relief Fund Bobby Holland & the Breadline took the stage with a few songs in memory of James Cotton, who at the Historic Everett Theater. -
Learning Activities: Song #11 ~~ Don't-Be-Moody-Do-Yo
LEARNING ACTIVITIES: ©GayeAdegbalola SONG #11 ~~ DON'T-BE-MOODY-DO-YO'-DUTY SONG FLAVOR: BO DIDDLEY BEAT • Maracas are musical instruments that sound likearattle. Many Bo Diddleysongs featurethesoundof maracas. (Don't know Bo? See below.) You can makeyour own maracas from recycled materials. Take 2 plastic water bottles. Make sure they are dry. Fill about 1/4 full of dried beans. Seal the lidswith tape. Getto shakin'! • This song is full ofopposites: open&close, down & up,on&off,right&wrong, borrow & return. Can you thinkofother opposites? Try to come up withatleast 10. Now try to makethem "action" wordslikedropping down &picking up or opening and closing. • When we try to think of ideas, an easy waytodo so is by brainstorming. Itis a way to solve problems bycomingup withas many ideas as possible. Youare encouraged to come up withnew, creative ideas without judgingwhether they are goodor bad, realistic or not. For example, think of 10 uses for anempty plastic bottle. Of course,weknow it can be used for holdingliquids, butitcan also be cut so that it can be used as a shovel, or for making maracas, or as a noise maker. Thelonger we think,usually the more interesting our ideas become. Here'sagood brainstorming exercise: Comeup with50uses forapaper clip. •Inthis song,we are singing about how to respondto a problem. Sometimespeople behave inunacceptable ways. For example, sometimes it is hard to ask people topick up somethingthey've droppedonthe ground. Many newspapers have an advice column. In this column,people write in toask advice about how to handle certain situations. Someofthese are about personal relations. -
Contradictionary Lies: a Play Not About Kurt Cobain Katie
CONTRADICTIONARY LIES: A PLAY NOT ABOUT KURT COBAIN KATIE WALLACE Bachelor of Arts in English/Dramatic Arts Cleveland State University May 2012 Master of Arts in English Cleveland State University May 2015 submitted in partial fulfillment of requirements for the degree MASTER OF FINE ARTS IN CREATIVE WRITING at the NORTHEAST OHIO MFA and CLEVELAND STATE UNIVERSITY May 2018 We hereby approve this thesis For KATIE WALLACE Candidate for the MASTER OF FINE ARTS IN CREATIVE WRITING degree For the department of English, the Northeast Ohio MFA Program And CLEVELAND STATE UNIVERSITY’S College of Graduate Studies by ________________________________________________________________ Thesis Chairperson, Imad Rahman ____________________________________________________ Department and date _________________________________________________________________ Eric Wasserman _____________________________________________________ Department and date ________________________________________________________________ Michael Geither ____________________________________________________ Department and date Student’s date of defense April 19, 2018 CONTRADICTIONARY LIES: A PLAY NOT ABOUT KURT COBAIN KATIE WALLACE ABSTRACT Contradictionary Lies: A Play Not About Kurt Cobain is a one-act play that follows failed rocker Jimbo as he deals with aging, his divorce, and disappointment. As he and his estranged wife Kelly divvy up their belongings and ultimately their memories, Jimbo is visited by his guardian angel, the ghost of dead rock star Kurt Cobain. Part dark comedy, -
A Distributed Music Information System
A Distributed Music Information System Thesis submitted in partial fulfilment of the requirements of the University of London for the Degree of Doctor of Philosophy Yves Raimond Submitted: November 2008 Department of Electronic Engineering, Queen Mary, University of London I certify that this thesis, and the research to which it refers, are the product of my own work, and that any ideas or quotations from the work of other people, published or otherwise, are fully acknowledged in accordance with the standard referencing practices of the discipline. I acknowledge the helpful guidance and support of my supervisor, Prof Mark Sandler. 2 Abstract Information management is an important part of music technologies today, covering the man- agement of public and personal collections, the construction of large editorial databases and the storage of music analysis results. The information management solutions that have emerged for these use-cases are still isolated from each other. The information one of these solutions manages does not benefit from the information another holds. In this thesis, we develop a distributed music information system that aims at gathering music- related information held by multiple databases or applications. To this end, we use Semantic Web technologies to create a unified information environment. Web identifiers correspond to any items in the music domain: performance, artist, musical work, etc. These web identifiers have structured representations permitting sophisticated reuse by applications, and these representations can quote other web identifiers leading to more information. We develop a formal ontology for the music domain. This ontology allows us to publish and interlink a wide range of structured music-related data on the Web. -
Completeandleft
MEN WOMEN 1. JA Jason Aldean=American singer=188,534=33 Julia Alexandratou=Model, singer and actress=129,945=69 Jin Akanishi=Singer-songwriter, actor, voice actor, Julie Anne+San+Jose=Filipino actress and radio host=31,926=197 singer=67,087=129 John Abraham=Film actor=118,346=54 Julie Andrews=Actress, singer, author=55,954=162 Jensen Ackles=American actor=453,578=10 Julie Adams=American actress=54,598=166 Jonas Armstrong=Irish, Actor=20,732=288 Jenny Agutter=British film and television actress=72,810=122 COMPLETEandLEFT Jessica Alba=actress=893,599=3 JA,Jack Anderson Jaimie Alexander=Actress=59,371=151 JA,James Agee June Allyson=Actress=28,006=290 JA,James Arness Jennifer Aniston=American actress=1,005,243=2 JA,Jane Austen Julia Ann=American pornographic actress=47,874=184 JA,Jean Arthur Judy Ann+Santos=Filipino, Actress=39,619=212 JA,Jennifer Aniston Jean Arthur=Actress=45,356=192 JA,Jessica Alba JA,Joan Van Ark Jane Asher=Actress, author=53,663=168 …….. JA,Joan of Arc José González JA,John Adams Janelle Monáe JA,John Amos Joseph Arthur JA,John Astin James Arthur JA,John James Audubon Jann Arden JA,John Quincy Adams Jessica Andrews JA,Jon Anderson John Anderson JA,Julie Andrews Jefferson Airplane JA,June Allyson Jane's Addiction Jacob ,Abbott ,Author ,Franconia Stories Jim ,Abbott ,Baseball ,One-handed MLB pitcher John ,Abbott ,Actor ,The Woman in White John ,Abbott ,Head of State ,Prime Minister of Canada, 1891-93 James ,Abdnor ,Politician ,US Senator from South Dakota, 1981-87 John ,Abizaid ,Military ,C-in-C, US Central Command, 2003- -
The WLBS: Women of Whimsy Rachel Ellen Banka University of Mississippi
University of Mississippi eGrove Honors College (Sally McDonnell Barksdale Honors Theses Honors College) 2015 The WLBS: Women of Whimsy Rachel Ellen Banka University of Mississippi. Sally McDonnell Barksdale Honors College Follow this and additional works at: https://egrove.olemiss.edu/hon_thesis Part of the Creative Writing Commons Recommended Citation Banka, Rachel Ellen, "The WLBS: Women of Whimsy" (2015). Honors Theses. 769. https://egrove.olemiss.edu/hon_thesis/769 This Undergraduate Thesis is brought to you for free and open access by the Honors College (Sally McDonnell Barksdale Honors College) at eGrove. It has been accepted for inclusion in Honors Theses by an authorized administrator of eGrove. For more information, please contact [email protected]. THE WLBS: WOMEN OF WHIMSY by Rachel Ellen Banka A thesis submitted to the faculty of The University of Mississippi in partial fulfillment of the requirements of the Sally McDonnell Barksdale Honors College. Oxford May 2015 Approved by ____________________________________ Advisor: Professor Tom Franklin ____________________________________ Reader: Professor Annette Trefzer ____________________________________ Reader: Professor Nancy Wicker © 2015 Rachel Ellen Banka ALL RIGHTS RESERVED ii Dedicated to: Michael and Paula Banka. You have loved, supported, challenged, and guided me unceasingly. Thank you. iii ACKNOWLEDGEMENTS I have been fortunate enough to know and enjoy the support of many wonderful people in my twenty-one years. All of them contributed in some way to my academic success and to this novel and thus deserve my thanks. In all things, I owe my first debt of gratitude to my amazing and peculiar family, who built me up into the person I am today. Michael and Paula Banka, Amy Banka, Margie and Chuck Sorbom, Kate Benoist, and all the rest: Thank you for everything you have done, are doing, or will do for me. -
Popular Music and Gays, Lesbians, Bisexuals, and Transgender People: an Annotated Bibliography and Discography
Page 1 of 35 Popular Music and Gays, Lesbians, Bisexuals, and Transgender People: An Annotated Bibliography and Discography. Compiled by Walt “Cat” Walker. Approved by the GLBTRT Resources Committee. Last revised January 12, 2017. TABLE OF CONTENTS Introduction 2 I. General Nonfiction 3 II. Memoirs & Biographies 9 III. Fiction 32 IV. Drama 33 V. Children & Teens 34 VI. DVDs 35 Page 2 of 35 Introduction Gays, lesbians, bisexuals, and transgender people have always participated in creating popular music. In recent years, the visibility of LGBTQ people in the music world has increased, and more popular music has been created that openly describes the LGBTQ experience. There has also been an increase in books and films related to LGBTQ visibility in popular music, both in fiction and nonfiction. This bibliography includes resources about gay men, lesbians, bisexuals, and transgender persons involved in the popular music field. The books have all been published in print, and many of them may also be found as e-books. Separate sections contain memoirs, novels, plays, and children’s and teen books. Several LGBT popular music-related DVDs are also listed. Each book and DVD has a link to the OCLC WorldCat record (when available) where you can see which libraries hold the item. Most of this resource is comprised of a discography of popular music recordings by LGBTQ artists. It is not meant to be complete, but many recordings still available in CD format for each artist are listed, and several are annotated. Many of these performers’ songs can now also be found on streaming music services and online digital music websites.