THE ARTS AND

ENTERTAINMENT

SECTION OF THE

DAILY NEXUS | F o r The Wee k o f January 3 0 , 1 9 9 2]

The W ork of Artist Patrick Angus Could Be Overshadowed by Its Effects. Nineteen Explicit Paintings, “Protective” W alls Around the Campus Exhibit, and Protests From Gay Rights Organizations Have Placed the UCSB Graduate at the Center of Controversy. 2 A Thursday, January 30,1992 his week, there’s or costumes. Performances “Much Ado” in are also set for Thursday, Campbell Hall, Feb. 8 at 2 p.m. and 8 p.m. T jazz takes Center Tickets are $15, $13 and Stage, and a bit of histoiy is $10, with a $2 discount for available at your local students. bookstore. Film: Music: event. So it’s free, right? ensemble. Tickets are $5 at Laurence Olivier’s screen The Battle of the Bands “Jazz at Center Stage,” a the door. version of Shakespeare’s will spotlight local talent on spring series of concert jazz, Stage: Richard III will be shown Tuesday, Feb. 4 at 6:30 p.m. kicks off Saturday, Feb. 1 Performance artist David tonight at 8 p.m. in Camp­ in The Pub. Participants in­ with pianist Dorothy Done- MacLean will present his bell Hall. The film was pro­ clude Cinderblock, Circus gan at the Center Stage in one-man show, “Quaran­ duced in 1955, and tells the Frequency, Circus Life, Evil the Paseo Nuevo mall. tine of the Mind,” tonight at story of the deformed tyrant Farmer, Indica, No One Donegan is known for her 8 p.m. at the Center Stage king. Tickets are $5, $3 for You Know, Rogue Cheddar unpredictable personality, Theatre. The show is a students at the door. and Sleepwalkers. It is ad­ which often transcends to multimedia pièce using slide Books: vised that audience mem­ her music. The concert is projections and a series of Author Justin M. Rouge bers arrive on time, as the preceded at 7 p.m. by a vignettes designed , to pre­ has compiled a 210-page performance order will be “Meet the Composer” sent his experiences as a gay history of Goleta, complete drawn randomly that night. session. man in the ’90s. Tickets are with 81 illustrations. Look­ The winner will go to com­ The Schubertians, $10 general, $8 for students. ing Back is a history of pete in an MTV-sponsored UCSB’s premier male The popular Actors from Goleta’s famous structures national competition. Tick­ chamber choir, will present the London Stage will per­ and the people who built ets are only $1, and atten­ a concert on Sunday, Feb. 2 form a complete version of them. The cost is $9, and the dees receive a coupon good at 4 p.m. in Lotte Lehmann Shakespeare's “Much Ado book is available through for $1 off any future Pub Concert Hall. The highlight About Nothing” on Tues­ special order at Chaucer’s, will be a song cycle written day, Feb. 4 at 8 p.m. in Printed Word, Andromeda, for The Schubertians by Campbell Hall. The catch is the Goleta Chamber of their founder, Carl Zv- that there are only five ac­ Commerce, the Historical towski. Professor Zytowski A scene from Olivier’s R ich ard N , w hich, tors, each of whom per­ Society Country Store and will conduct the chamber contrary to popular opinion, is not a sequel. forms without benefit of sets the UCen.

Restaurant & Nightclub Under the Influence of the Blues Excellent Food, Catering & Great M usic Legendary Mentor Brings Riffs to Anaconda Theatre EVERY THURSDAY IS COLLEGE NIGHT hat do , Buddy Doors, Bob Seger and Santana— had a hit off of Begins at 9pm Holly, , , Eric Clapton “Who Do You Love?” If mainstream rock audi­ JAN 3 0 » CAUTION and die Rolling Stones all have in ences had no knowledge of Bo Diddley’s impor­ Free cover & W common? tance and influence, rock artists did and still do. Drink Specials They have all had hits that stemmed from the Bo Diddley (real name Ellas McDaniel) was Fri Jan 31st 9pm “Bo Diddley Beat.” Songs like “Not Fade Away,” bom in Mississippi, just like John Lee Hooker, IRIE “Desire,” “She’s the One,” and “How Soon is Muddy Waters and Robert Johnson. He and his ITES Now” all would have been impossible if Bo Did­ family moved to Chicago when he was eight Sat Feb 1st 9pm dley had not developed his riff—bop-na-bop — There, the children made up songs on a.one­ KEITHYAND bop-bop — in songs like “Bo Diddley,” “Mona” stringed instrument — a diddley bow — that is and “Wno Do You Love.” Besides that beat, Did­ played in bottle-neck slide style. Thus the name THE 101 BAND dley featured tremoloed guitars, wicked percus­ (although Bo contends it came from a girl). LIVE AID DIRECT FROM JAMAICA sion — he’s stated that he wanted the maraca Bo Diddley is more than an inventor of a Sun Feb 2nd 6pm player in his band to sound like a freight train rhythmic pattern—he is a great singer and song­ starting out of die station — and attitude to writer. His voice can go frpm Howlin’ Wolf to SOUL BONZ spare. So much to spare, in fact, that many of his Ray Charles in one song. His songs are funny, songs became hits for just about every English sexual, passionate and sometimes frightening. Sun Feb 9th 9pm Band of note during the British invasion. The Bo Diddley combines the “sanctified” sounds of W V W W W P g Stones covered “Mona,” covered gospel and the rhythmic sensibility of African BOP HARVEY “Road Runner,” and almost everyone took a stab music. Students who go to the Anaconda tomor­ W /SPEC. GUEST at “I’m a Man.” row will have the opportunity to see one of the T H E S P E C S More recently, Eric Clapton and Robert Cray innovators of modem American music. cut a version of “” for Bo Diddley will perform at the Anaconda W W W ^ W W ^ Clapton’s Journeyman (Credence cov­ Theater on Friday, January 31. Call 685-3112 Sat Feb 15th 9pm ered it on Cosmos Factory) and George Thoro- for more information. Bo Diddley: Funny, passionate, COMMON SENSE good, following the lead of The Band, The —Tom Cahill sexual, and som etim es frightening. Caribbean Cuisine 5838 H ollister Ave. 9 6 7 - 7 2 6 5 ☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆ HEY UCSB! Contributors For the Record ENCORE staff Pat Breitenbach The guitar art which appeared in ROCK Tom Cahill last week’s Local Assistant Editor______Band Issue was Charles Hornberger drawn by Pat Pax Wassermann Stull. Due to an Editor Christian Lincoln editing error, his B#IVU name was EVERY Brian Banks J. Christaan Whalen omitted. F M F U A I D ' Presents... FREE MEMBERSHIP THURSDAY CALVIN $1.00 OFF WrTH ANY RENTAL 6545 Pardall Rd. ' & HOBBES w/this comic MIGHT Is la Vista, CA 968-6059 By Bill Watterson void w/other offer V 9:30 pm - Midnight CAN I HELP TQURSEAE. EVE GOT APRSTf IT STARTED QUE AS A w m . TEAM,TM REAL WAVE SOME THIS S W S GOOD BOWL OR PHANTOM & T , BUT AT SORT THWS V0N PlEASED WITH • All you can Bowl for $10/person CLM? IMfQ&SABLE. scucirne GOING OF SQUASHED, SO NOW GOOD. AT. • KTYD DJ Plays Rock Videos TOWQRKWHH. HERE I THINK \TS A BOWL. • Prizes from

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ORCH/D BOWL = • 5925 Calle Real • Hwy 101 at Fairview In Boleta » 967-0128 VKIRQM MM»« ricore Thursday, January 30,1992 3 A ■MUSIC REVIEWS Not Just a Novelty All-Female L7 Rocks By Any Standard pletely on its punk attitude. “Deathwish” L7 features some very credible work by guitar­ P e v e n ts Records ists and . And hunky, blistering and ultimately what would “Packin’ a Rod” be without pissed off, Smell the Magic just Dee Plakas’ rumbling drum beat? Rather may be the soundtrack to the out of time, one might think. C middle finger. The vocals, split between Gardner, L7 — the all-female band that made its Sparks and bassist , give first local appearance (in The Pub) just ab­ each cut an added depth, with a grungier BATTLE OF THE out a year ago — delivers an lead on “Shove” and “Fast honest, no-frills punk effort and Frightening,” and a har­ on their 1991 release. Forget monized chorus on “Ameri­ # BANDS the “all-girls” novelty, L7 can Society” that proves in­ would rock if they were a deed the girls can sing. CINDERBLOCK INDICA pack of armadillos playing So give your Nirvana al­ CIRCUS FREQUENCY NO ONE YOU KNOW the spoons. bum a rest, and throw on There’s nothing stun­ L7. Word is, they’ve got a CIRCUS LIFE ROGUE CHEDDAR ningly complex in their song new album due out soon on EVIL FARMER SLEEPWALKERS structures (it seems Geddy Slash. If Smell the Magic is Lee wasn’t available), and any indication, that’ll be SHOW STARTS AT 6:30 PM no particularly brilliant guitar work in their worth checking out as well. BE THERE ON TIME - ANY BAND COULD OPEN solos. But that's not what they’re about L7 will be at the Anaconda Theater Sunday, Feb. 2 (call 685-3112 for more (Order of appearance will be drawn randomly that night) This is the kind of band that feeds on adre­ AADMISSION D M ISSIO N COST: $1.00 nalin—ours or their own—and it's on this info). Take a break, and come hear the LESS $1 COUPON: THAT MEANS., premise that Sm ell rises. middle finger. (good off any future Pub avant) -$1.00 CDCCI That’s not to say the album relies com­ —Pax Wassermann COST: Y O U R N E T C O ST : $0.00 r n C C ! One Talking Paradox " V , Magic and Loss it or dragging the verse out into the middle of the next chorus. Ifs because he’ll cry Sire Records “Take it, Lou!” and then turn in one of the f ■ ^ he worst thing about Lou Reed’s worst guitar solos you have ever heard. Ifs I cloaky new album, Magic and because he’ll present a song as a poignant Loss, is that it’s really bad. The life piece and then recite some of the worst best thing about it is that it's really philosophy you’ve heard outside of a fresh­ good, which is pretty ironic when you man dormitory comer lounge. think about it. If you can suffer through it Unfortunately, Lou’s unbeatable once, you’ll probably end personality is forced to carry up suffering through it many Magic and Loss. Even times over. though it gets much better Thankfully, a paradox of after repeated listenings, the this kind is one of Reed’s music is not as catchy, the main attractions. His music lyrics not as warmly steeped — the three chords, the in rock iconography and the casual off-hand singing, the major hooks not as upscale matter-of-fact lyrics — is as Lou’s best solo work or music that could concei­ his worst Velvet Under­ vably be made by anyone ground records. We have to with a guitar, four weeks of rely on Lou saying, in the ■ 1 1 lessons and 10 minutes to middle of a fairly tight narra­ write a tune. The songs are tive song, “Who can forget a so simple, the chord phras- one-eyed pilot who’s a con­ ings so amateurish it starts to get ridicul­ cert pianisf,” for no reason at all. ous: you can play 75 percent of The Velvet As for all that exploring-the-death-of-a- Underground and Nico with the same two friend-compared-with-the-existential- chords. Anybody could make this music, magic-we-hope-for that this semi-concept but only Lou Reed could pull it off. album is supposed to be about, well, I 2 / 1 1 COm E C Y N I G H i Wanna know why? It’s because he’ll think Lou’s got all those big league rock rhyme “taunts” with “warrior king.” If s be­ critics fooled. He’s not as serious as he’s cause he is unable to sing a verse without acting. He’s not into Sartre-rock. I.V. W ED., FEB. 1 2 ; cramming all the lyrics into the first half of — J. Christaan Whalen v l y D i n n e r | New W riters W anted... w i t h A n d r e .. ... like talcum powder for a nasty rash, like hair for an ink well, d ire c te d b y M a |Je like sap for a pine tree, like sap for an epistle of love, like a cream soda... S h o w in g s at 8 & 10:30 PM cets: $3 students $5 general reason, »imply bring

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s, e, . te works. the ... sex, ism, consumer­ American society applications— universal had strictly gay was existence, subterranean but happened what people are concerned with subject matter only. matter subject with They people aren’t are concerned have to see your work as they pass by, they find it offensive. this of ramifications The society. whole a into pluggedI nesadpol h r ofne ym anig. I paintings. my by offended are who people understand even in interested the quality of the Iwork. to don’t pretend and I’ll do i t ... People forget painting’s power to express to power painting’s forget ... People t I’ll i do and have always I’m to be a and wanted great now ask­ painter, feelings if they are overly concerned with subject matter. matter. subject with concerned overly are feelingsif they me to is open Anything greatness?” ing,I“Haveachieved god, this might effect my $90,000-a-year job.” And I can can I And job.” my $90,000-a-year effect might this god, gay and I like men." I haven’t seen serious work of this this of work genre. serious seen haven’t I men." like I gay and ’60s Hockney’s even close — the before.stuff came in but nude the I’vecrossed that is believe and to I’m starting naked, what and nude between difference the about talks I’ve just been wallowing in feelings of freedom and and freedom of feelings in expression. wallowing been just I’ve Wenner, but I think when Wenner, saw he I but my when think said, he “Oh work my that was that subtle. I’m first the case: the state to blatantly “I’m I line.... I’vethink made “gay art” that hasn’t and done been to build another will and I could put my drawings on it I’d myI put could and drawings it on will to build another see mythey’ll (gallery)the work have through doors—then hasn’t (Wenner) if surprised very I’dbe and idea, bad a tures of looking homosexuals at other. each This (wall) was him. tell to trust can he anybody isn’t there that is he doesn’t though, what’s art and seem about sad know anything to Apparently, that. of protective being understand artists? gay cularly ie o hw l m work. my all show to like come They to realize are it going to realize you that can still ain n hs salary. his and tation the male body. Ihe’s think the school’s worried about repu­ homosexuality, with if phobia, (Wenner)is uncomfortable if it’s know Idon’t homo­ So buttons.... panic allthe it hits and censorship word the hear You overreacted. people all other Ithese this. think about art-talk and sit and down E lysek loudly. speaks ally I’mwhat trying to Ido. just wish he’d take greater care with tra purposes? itarian his But narrative. was he re­ he a smart, chose that medium Idaho Exhi t Butt ng g in w o h S e th t u B it. ib h x E t s r i F Angus: Well, fine, they don’t have to look at it. Some it. at look to have don’t they fine, Well, Angus: ENCORE: Angus: Angus: ENCORE: Angus: I don’t know (Creative Studies Provost Adrian) Provost (Creative Studies Iknow don’t Angus: Angus: How can I know? The man has never seen pic­ seen never has man The know? I can How Angus: Angus: Encore: UCSB, Back k c a B e m a C d n a , B S C U m o r F ENCORE: Angus: Yes. (Director/writer) Gus Van Sant is doing doing is Sant Van Gus (Director/writer) Yes. Angus: ENCORE:Then ENCORE: udi a Stir. S a d e s u a C s a H s ie d tu S o o Open s is H n e p O to l o o h c S e h t to Colege of i e tiv a e r C f o e g lle o C e h t t a ? Angus ed d te a u d a r G s u g n A k c i r t a P NCORE: painting? about a facet of gay culture. I thought it was a a was it thought I culture. gay of facet a about Interview by Christian Lincoln Christian by Interview Yes — I don’t see why we can’t be gentlemanly gentlemanly can’t be we Yes why see don’t — I kdad h Nude N the and aked N Is this wall bad precedence for artists and parti­ for and Isartists this wall precedence bad Angus: IAngus: clubs first curious into burlesque went Some people have said they don’t want to to want don’t they said have people Some Wa’ te us about? fuss the What’s Ws t hmpoi reaction? homophobic a it Was i yu e te film, the see you Did How did you come to this style of of style this to come you did How you can all sidetrack the fuss for the util­ (by Sir Kenneth Clark) Kenneth Sir (by y w Private Own My

Anot rOn tes t ( ) 5 8 9 (1 st” u D e h T s e it B ne O er th o n 'A lucore lucore waver 3ver Äory Thursday, January 30,1992 5 A

DAVID ROSEN/Daily Nexus as (above, left). W alls W ere Constructed So That CCS Passerbys W ould Not be Subjected to the Homo-Erotic Art Against Their W ill. But That Has Created M ore Controversy. Review by Christian Lincoln atrick Angus’ decision to paint the scenes of gay community was not a premeditated device to spur social awareness as much as it was sheer intrigue P for a mysterious underworld. The New York-based artist, a former UCSB student, has been hailed as “the Toulouse-Lautrec of Broadway” by playwright Robert Patrick for his depictions of gay bur­ lesque. His most recent work, now on exhibit at the College of Creative Studies Art Gallery, is a 19-piece collection of his best figurative paintings. The show found its way to campus with about as much facility as a gay rights bill finds its way past Gov. Pete Wil­ son’s desk. It has been die center of heated debate among a variety of groups, including the art studio department (which curated the show), the CCS Provost Office (who tended the gallery) and the AIDS Task Force (which, after a long dialectic about whether or not to sponsor Angus, sup­ ported him). Most of the sponsorship, however, came from

“In 7 Get Weak/ one feels less inter­ PRESERVE ested in the ... merely sexual ... than the fanfare of WILDLIFE entertainment (surrounding it)”

artist David Hockney, who iowns a number of Angus’ paintings. Angus’ work dares to be naked. In a world dominated by modernist and post-modernist abstraction, his narrative scenes of men gathered together do indeed refresh and re­ mind one of Toulouse-Lautrec’s knack for capturing $29° DAIUf SPECIALS $29° purely gendered, backstage, in-the-wings, working girl lives. \ MON KALAHARI KOOLER With honest response, Angus puts the beauty of outcast society to canvas. His focus travels from loosely painted vit­ TUES SERENGETTI SUNRISE alized strip artists as in “The Grand Finale,” to near-realism in “I Get Weak.” WED In “I Get Weak,” one of his more linear compositions, E-BAR LEMONADE one feels less interested in the primaiy mood (which is merely sexual) than in some of the others, tyhich are cen­ THURS LONG ISLAND TEA tered around a fanfare of entertainment in addition to the merely sexual. FRI MARGARITA There is a disquieting, somber, sticky haze floating in many of the burlesque club paintings. The heavy red, blue SAT and green spotlights infuse the stage of unfrocked perfor­ COCO LOCO mers, accentuating their forms, corrupting them. The clien­ tele —heavily cloaked—sit intent, their red cigarette ashes SUN M A I TAI emerging out of the darker alcoves. Angus has a fairly strong technical footing, but often opts for more loosely construed compositions that for the most part entreat and fascinate. In paintings like “The Grand Fi­ nale” and “Chain Reaction,” he hits on the successful ba­ lance of craft and mood. RESTAURANT There is a feeling of experimentalism in this balance that 521 Firestone Road, Santa Barbara, CA • 964-0779 dares the viewer to get closer, to explore an aspect of society rarely seen. 6A Thursday, January 30,1992 m ore Interview

TONIGHT JAN. 30, 8:30™

W a / u k k j w v f â u i h i r i z y

Goleta 5838 HOLDSTER The members of Soundgarden, including drummer Matt Cameron (far Ä pacopda right), won’t flip their 935 Embarcadero Del Norte 665*3112 hair and do choreography for no l/30 THURSDAY one. So go see their show at the Ventura CIRCUS LIFE Theatre tonight and 1/31 FRIDAY give them a reason to BO DIDDLEY continue these physically sound 2/1 SATURDAY LED ZEPAGAIN p r a c tic e s. 2/2 SUNDAY nas is like playing a big vac­ uum in a lot of cities. But when we get good crowds MSI Soundgarden Sounding Seattle it’s real pleasing, because UEAPHEAP normally when you’re open­ 2/5 WEDNESDAY Interview by Charles Hornberger ing arena shows it’s kind of NRBQ creaming comes garden’s music thumps and why they shouldn’t be com­ rock journalists. I think they a drag because people throw wails like a bastard son. The pared to Led Zeppelin. He basically hear Chris’ vocals, shit at you and boo and 2/6 THURSDAY across the sky. It has happened be­ combination of singer Chris also used the word “trippy” and it's guitar riffed, bassed stuff. But the nights when EDDIE MONEY S fore, but there is Cornell’s high-winding a lot music, so it’s the first thing we get our crowds in there w/Dave Sharp nothing to compare it to voice, guitarist Kim Thayil’s ENCORE: There’s this that they can make a con­ cheering, that makes it all (of the Alarm) now .” corkscrewing riffs, bassist whole scene coming out of nection with.... Yeah, we’ve better. ‘Student Discount Show Thomas Pynchon Ben Shepherd’s plunging Seattle now, of course, been compared to them a ENCORE: How do jrou bass lines and drummer which I’m sure eveiyone lot, unfortunately. see the two bands working 2/7 FRIDAY The stiff-faced and oh-so- Matt Cameron’s forthright asks you about eveiy time ENCORE: What else together on stage? photogenic men of Sound- rhythms (not to mention they talk to you. Where did would you compare your Cameron: Well, it just de­ INFECTIOUS garden may be “looking Ca­ more than a few distortion this all come from? music to? Is there anything pends on each city, really. lifornia and feeling Minne­ boxes and some stunningly Cameron: Well, it came else you associate it with There’s been some cities GROOVES sota,” as their lead singer good producing) make from a pretty tight scene that mentally? where, when we play, it’s 2/8 SATURDAY croons on the band’s latest Badmotorfinger the over­ was up there around the Cam eron: I’d say it’s been really a pretty out­ PSYCHEDELIC FURS album, Badmotorfinger, grown son whose father no mid-’80s, and it grew into a pretty trippy. I mean, if you standing reaction. And 2/13 THURSDAY but they’re sounding all one knows. scene that got recognized get down to it and you listen that’s when the dynamic Seattle. They’ve been cultivating internationally, and it’s al­ to the record in a certain seems to work the best, be­ Mighty, Mighty, Which is a good thing that sound since the ways been there. We’ve al­ frame of mind, after maybe a cause we’re a pretty sensi­ Bosstones these days, when you’re mid-’80s in Seattle, where ways had a pretty tight-knit couple beers or whatever.... tive band. It’s like, if there looking to sell a lot of they were based while play­ community up there. But, It can be a record, and we isn’t anything coming back records. ing clubs and doing van you know, now it’s like all can be a band that can kind from the audience, we’re 2/14 FRIDAY Among the Seattle tours before getting signed these bands are getting of transport people in that not gonna, like, go out there BELA FLECK crowd, the comparisons are by A&M in 1988. Nowa­ signed and touring — you one element of our sound, and flip our hair and do cho­ and the FLECKTONES almost too easy to make. days, a lot of those Seattle know, all that goes with get­ which is kind of a psy­ reography for no one. I m 2/15 SATURDAY They’ve got the clean distor­ bands are doing the same ting successful. So it’s kind chedelic element. mean, we’ll just kind of tion of Nirvana, the band thing, busting that expan­ of grown into more of an in­ ENCORE: Touring with stand there and get pissed. ^ S L A N G ^ that put the northwestern sive sound out of its north­ ternational trip right now. Guns ’N Roses. How is that So, it works best when WfórmerIvliRWte metropolis on the Top-40 western confines. ENCORE: Are you aware for you? there’s some feedback com­ SCARED STRAIGHT map with their first major Soundgarden is currendy of how many times Sound- Cameron: We’d been of­ ing back from the crowd, w /m Repute release late last year. And touring with Guns N’ Roses, garden has been compared fered to do some shows with ’cause we’re used to small 3/4 W EDNESDAY they cany the more refined and tonight, the foursome to an eight-cylinder engine them a long time ago, and it places where you can actu­ melodies of Pearl Jam, will make every attempt to in record reviews? just never worked out. So ally see people and watch PUBLIC ENEMY another product of the city cram their cyclopean, Cameron: Well, I think we knew that they had liked ’em sweat. 'limited tickets avail most often mistaken for the fatherless soundchild into that’s better than Led us and stuff, and we knew I don’t know, we’re no­ 4/12 SUNDAY capital of Washington. the Ventura Theater. Zeppelin. that the potential for a tour thing like Guns ’N Roses, BaS RELIGION So how come these guys Cameron, the man who ENCORE:Does that hap­ was there, and we wanted to Soundgarden will be ap­ are churning out nails down the band’s bal­ pen often? keep it open because it was pearing with Eleven at the TICKET INFO: 685-5901 that seems to smother eveiy- looning sound each night, Cameron: Yeah, that’s really big exposure. But it’s Ventura Concert Theatre thing else in its class? spoke with ENCORE about the mighty comparison that not completely satisfying, tonight at 8 p.m. Call Plain and simple, Sound- Seattle, being sensitive, and we get most of the time from because playing the big are- 648-1888 for more info. Two 12” Cheese Pizzas for only $ Q 9 9 y + tax Additional Toppings Extra presents... w ith this ad

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Interviews by Joe Gaucho CAMPUS CONSENSUS Photos by Alan Ritari What's the best reason you've heard for buying a La Cumbre Yearbook?

If you buy two, they Because the picture Itwouldprobablydo It's something to Because that Greek Those voices in my make great matching of me pissing in a heavy damage if I read during that god who I had a one head told me to buy bookends! bush on D.P. last threw it at my boy- earthshattering night stand with last it... Saturday night is in friend's head. dump. quarter is on page it. 234.

Elisa Smith Mike Gunter Gwen Kuhns H.B. Mok Jennifer Stewart Ken Quach junior, english senior, biology junior, women's studies senior, env. studies senior, psychology 5* yr. sr., undeclared n n n n n n

Buy Your La Cumbre Yearbook TODAY Over 5,000 books have been sold!! We are running out, so get yours today before the price rises! A 1992 La Cumbre Yearbook is only $20 until January 31, 1992 and $25 after January 31th. Pay by BARC now because after January 31th, we will only accept checks or cash. Remember your epic stay here at UCSB with this award-winning 632 page book!!!

SEXUAL AWARENESS HEEH Today .... FranPeavey: 0 Shallow Pool of Time: One

Homan's Stories of RIDS 8pm, UCen Pavilion In 1984, Fran Peavey began chronicling the AIDS epidemic as it crept across San Francisco and through her friendship network. In 1988,shetestedHIV positive. The author of Heart Politics and A Shallow Pool ofTime, Peavey is appreciated as well for her intelligent, compassionate performances as "The Atomic Comic." She will describe her quest to comprehend the physical, emotional, spiritual and political aspects o f the AIDS epidemic. FREE

co-sponsored by Art Studio, Arts & Lectures, Associated Students Program Board, Associated Students, Burroughs Wdlcome, Campus Activities Center, Counseling & Career Services, Critical Issues, Dean of Students, IV/UCSB Community Services Center, News and Communications, Public Affairs, Publications, R.L Cupid’s Ice Cream, Residence Halls Association, Student AIDS Project, Student Health Services, UCen Programming Committee, UCSB AIDS Task Force, UCSB Bookstore, UCSB Dining Services, Women’s Center

_* _ t j tr *. -C kJ X

SA Thursday, January 30,1992 Daily Nexus

It will be here soon... That Day of Romance

And what could be more romantic than a Daily Nexus Valentine?

Pick the size & the border that pleases you most, and let your creative juices flow!

It’s Fun It’s Inexpensive / It’s even in your own writing!! /

Jt More borders

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