One Hundred and Twelfth Season

1992-93

SYMPHONY ORCHESTRA

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SEIJI OZAWA, MUSIC DIRECTOR THE ART OF SEIKO

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One Hundred and Twelfth Season, 1992-93

Trustees of the Boston Symphony Orchestra, Inc.

J. P. Barger, Chairman George H. Kidder, President Mrs. Lewis S. Dabney, Vice-Chairman Nicholas T. Zervas, Vice-Chairman

Mrs. John H. Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer

David B. Arnold, Jr. Nina L. Doggett R. Willis Leith, Jr. Peter A. Brooke Dean Freed Mrs. August R. Meyer

James F. Cleary AvramJ. Goldberg Molly Beals Millman

John F. Cogan, Jr. Thelma E. Goldberg Mrs. Robert B. Newman Julian Cohen Julian T. Houston Peter C. Read

William F. Connell Mrs. BelaT. Kalman Richard A. Smith

William M. Crozier, Jr. Allen Z. Kluchman Ray Stata Deborah B. Davis Harvey Chet Krentzman Trustees Emeriti Vernon R. Alden Archie C. Epps Irving W. Rabb Philip K. Allen Mrs. Harris Fahnestock Mrs. George R. Rowland Allen G. Barry Mrs. John L. Grandin Mrs. George Lee Sargent

Leo L. Beranek Mrs. George I. Kaplan Sidney Stoneman Mrs. John M. Bradley Albert L. Nickerson John Hoyt Stookey

AbramT. Collier Thomas D. Perry, Jr. John L. Thorndike

Nelson J. Darling, Jr. Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Michael G. McDonough, Assistant Treasurer Daniel R. Gustin, Clerk

Administration

Kenneth Haas, Managing Director Daniel R. Gustin, Assistant Managing Director and Manager ofTanglewood

Michael G. McDonough, Director ofFinance and Business Affairs Evans Mirageas, Artistic Administrator Caroline Smedvig, Director ofPublic Relations and Marketing Josiah Stevenson, Director ofDevelopment Ray F. Wellbaum, Orchestra Manager

Robert Bell, Manager ofInformation Systems Marc Mandel, Publications Coordinator Madelyne Cuddeback, Director of John C. Marksbury, Director of Corporate Sponsorships Foundation and Government Support Patricia Forbes Halligan, Director ofPersonnel Richard Ortner, Administrator of Services Tanglewood Music Center

Sarah J. Harrington, Budget Manager Myran Parker-Brass, Coordinator ofYouth Activities Margaret Hillyard-Lazenby, Director of Marie B. Pettibone, Director of Corporate Volunteers Development Scott Schillin, Assistant Russell M. Hodsdon, Manager ofBox Office Manager, Bernadette M. Horgan, Public Relations Pops and Youth Activities Coordinator Joyce M. Serwitz, Associate Director of Craig R. Kaplan, Controller Development!Director ofMajor Gifts Nancy A. Kay, Director ofSales & Cheryl L. Silvia, Function Manager Marketing Manager Michelle Leonard Techier, Media and Production Susan E. Kinney, Assistant Director of Manager, Boston Symphony Orchestra Development/Director ofBoston Symphony Julie Miner White, Manager ofFund Reporting Annual Fund Robin J. Yorks, Director ofTanglewood Steven Ledbetter, Musicologist & Development Program Annotator

Programs copyright ©1993 Boston Symphony Orchestra, Inc.

Cover by Jaycole Advertising, Inc. I Photo by Steve J. Sherman Board of Overseers of the Boston Symphony Orchestra, Inc.

Thelma E. Goldberg, Chairman

Robert P. O'Block, Vice-Chairman Jordan L. Golding, Secretary

Mrs. Herbert B. Abelow John P. Hamill Catalina B. Montes

Amanda Barbour Amis Ellen T. Harris Richard P. Morse Harlan E. Anderson Daphne P. Hatsopoulos E. James Morton Caroline Dwight Bain Bayard Henry David G. Mugar

Mrs. David Bakalar Joe M. Henson Robert J. Murray Mrs. Leo L. Beranek Glen H. Hiner David S. Nelson Lynda Schubert Bodman Mrs. Marilyn Brachman Hoffman Mrs. Hiroshi H. Nishino

Donald C. Bowersock, Jr. Lola Jaffe Paul C. O'Brien William L. Boyan Anna Faith Jones Vincent M. O'Reilly Mrs. Levin H. Campbell Susan B. Kaplan Andrall E. Pearson Earle M. Chiles Mrs. S. Charles Kasdon John A. Perkins

Gwendolyn Cochran Hadden Richard L. Kaye Millard H. Pryor, Jr. William H. Congleton Frances Demoulas Kettenbach Robert E. Remis William E Connell Robert D. King William D. Roddy

John M. Connors, Jr. Mrs. Gordon F. Kingsley John Ex Rodgers Joan P. Curhan Koji Kobayashi Keizo Saji Phyllis Curtin Mrs. Carl Koch Roger A. Saunders

Nader E Darehshori David I. Kosowsky Mrs. Carl Shapiro JoAnne Dickinson George Krupp Malcolm L. Sherman Harry Ellis Dickson John R. Laird Mrs. Donald B. Sinclair

Hugh Downs Mrs. William D. Larkin, Jr. L. Scott Singleton Goetz B. Eaton Thomas H. Lee Micho E Spring Harriett M. Eckstein Laurence Lesser Ira Stepanian

Deborah A. England Stephen R. Levy Vondal M. Taylor, Jr.

Katherine Fanning Diane H. Lupean William F. Thompson

J. Richard Fennell Mrs. Charles P. Lyman Robert A. Wells Eugene M. Freedman Mrs. Harry L. Marks Mrs. Thomas H.R Whitney Mrs. James G. Garivaltis William F. Meagher Margaret Williams-DeCelles

Mark R. Goldweitz Nathan R. Miller Mrs. John J. Wilson

Overseers Emeriti

Mrs. Weston W. Adams Leonard Kaplan Mrs. Peter van S. Rice Bruce A. Beal Robert K. Kraft Mrs. Jerome Rosenfeld Mrs. Richard Bennink Benjamin H. Lacy Mrs. William C. Rousseau

Mary Louise Cabot Mrs. James F. Lawrence Angelica L. Russell Johns H. Congdon C. Charles Marran Francis P. Sears, Jr.

Peter H.B. Frelinghuysen Hanae Mori W. Davis Sohier, Jr.

Mrs. Thomas J. Galligan Mrs. Stephen V. C. Morris Ralph Z. Sorenson Mrs. Haskell R. Gordon Mrs. Thomas Spurr Morse Mrs. Edward S. Stimpson

Mrs. Richard D. Hill Stephen Paine, Sr. Mrs. Arthur I. Strang Susan M. Hilles David R. Pokross Luise Vosgerchian

Mrs. Louis I. Kane Daphne Brooks Prout Mrs. Donald B. Wilson

Symphony Hall Operations

Robert L. Gleason, Facilities Manager James E. Whitaker, House Manager

Cleveland Morrison, Stage Manager Wilmoth A. Griffiths, Assistant Supervisor ofHouse Crew William D. McDonnell, ChiefSteward H.R. Costa, Lighting Officers of the Boston Symphony Association of Volunteers

Molly B. Millman, President Florence T. Whitney, Executive Vice-President Patricia L. Tambone, Treasurer Arline Ziner, Secretary Susan D. Robinson, Nominating Chairman

Mce-Presidents

Kathryn Bray, Public Relations Paul S. Green, Resources Development Ileen S. Cohen, Tanglewood Association Kathleen G. Keith, Adult Education Helen A. Doyle, Symphony Shop Ann E. Macdonald, Youth Activities Elizabeth B. Eaton, Hall Services Carole G. Siegel, Tanglewood Association Joan W. Erhard, Membership Barbara Steiner, Fundraising Una Fleischmann, Development

Business and Professional Leadership Association Board of Directors

Harvey Chet Krentzman, Chairman Emeritus James F. Cleary, Chairman

William F. Connell, President Members

J. P. Barger Francis A. Doyle William D. Roddy Leo L. Beranek George H. Kidder Malcolm L. Sherman William L. Boyan William F Meagher Ray Stata

Nader F. Darehshori Robert J. Murray Stephen J. Sweeney

Nelson J. Darling, Jr. Robert P. O'Block

Boston Symphony Orchestra concerts are funded in part by the National Endowment for the Arts and the Massachusetts Cultural Council, a state agency.

New, Yet Old: Recent Gifts to the Archives

Since the establishment of a full-time archives program and the construction of a climate- conditioned space in Symphony Hall, the Boston Symphony Archives has acquired many gifts of documents, photographs, recordings, and other memorabilia, all bearing on the history of the BSO and its many facets. Gifts have come from staff members, Trustees, retired and cur- rent orchestra members and their families, and BSO enthusiasts. A selection representing the variety of these acquisitions is currently on exhibit in the display cases in the Cohen Wing lobby. Shown above is former BSO violinist (1920-78) Rolland Tapley as conductor of the New Hampshire Philharmonic, 1960-61. The photograph was a gift to the Archives from his wife, Augusta Tapley. An Outstanding Performance

Is Always The Result OfA Harmonious Effort.

BayBank applauds the continuing success of the Boston Symphony Orchestra. We congratulate all the performers and those behind the scenes for working in perfect harmony to create music loved around the world. Ba/Bank

i BSO Arts, will enable us to complete our campaign with matching donor contributions. Attractive "Salute to Symphony" 1993 commemorative gift opportunities and recog- Raises $183,025 nition benefits are available. To learn more

"Salute to Symphony," the Boston Symphony about the new Concert Hall, please contact Orchestra's largest fundraiser and community Joyce Serwitz, the BSO's Director of Major outreach event, raised $183,025 this year Gifts, at (617) 638-9273. for the Boston Symphony and Boston Pops orchestras. For the fifth consecutive year, Boston Symphony Chamber Players NYNEX was the corporate sponsor of "Salute," at Jordan Hall, which took place March 26 through 28 and Thursday, May 6, 1993, at 8 p.m. included daily broadcasts on WCRB 102.5 FM, a kick-off event at South Station, a Sym- The Boston Symphony Chamber Players phony Hall Open House, and a ninety-minute concert of March 14, which was postponed gala concert telecast on WCVB-TV Channel 5. due to the snowstorm, has been rescheduled The Open House, which included perform- for Thursday, May 6, at 8 p.m. Tickets for ances throughout Symphony Hall, tours, and March 14 will be honored on the new date. opportunities to meet musicians associated The program for this final concert of the with the BSO, drew a crowd of nearly 8,000 Chamber Players' three-concert series at people. The orchestra extends its thanks to Jordan Hall at the New England Conservatory all those who made pledges, to the many remains unchanged, and will include Mozart's volunteers who donated their time and talents, Duo in B-flat for violin and viola, K.424, and to WCRB, WCVB, and NYNEX, for Samuel Barber's Summer Musicfor Woodwind helping to make "Salute to Symphony" a Quintet, Opus 31, and Schubert's Trio No. 1 great success. in B-flat for piano, violin, and cello, with pianist Gilbert Kalish. Single tickets at $17, $13, and $11 are available through Symphony- Building a New Concert Hall Charge at (617) 266-1200, or at the Symphony at Tanglewood Hall box office. On the day of the concert, For the first time in more than fifty years, the tickets are available at the Jordan Hall box Boston Symphony Orchestra is building a office. new concert hall. Located at Tanglewood on the former Highwood estate that is now part Twelfth Annual of the Tanglewood grounds, the new Hall will "Presidents at Pops" provide a performance home for the Tangle- Slated for June 2 wood Music Center and for Tanglewood's distinguished series of solo and chamber The BSO salutes business at the twelfth music recitals. The new building will replace annual "Presidents at Pops" on Wednesday, the existing Theatre-Concert Hall, which is June 2, 1993. Chairman John P. Hamill, located to the right of the Main Gate as you President of Fleet Bank, will serve as host enter the Tanglewood grounds, at the far side to more than 100 leading New England of the lawn opposite the Koussevitzky Music businesses as they gather to support the BSO Shed. Designed to harmonize with the sylvan and salute John Williams in his final season character of Tanglewood, the new Concert as conductor of the Boston Pops Orchestra. Hall will offer superior acoustic conditions Advertising space in the commemorative and state-of-the-art performance facilities. It program book is still available and will reach promises to set a standard for excellence in a distinguished audience of 2,400 corporate the vibrant summer music festival tradition. executives and their guests. A limited number Our fundraising goal for the new Hall is of sponsorship packages are available for $10.7 million dollars; we happily report more $6,000; each package includes twenty tickets than $9.4 million raised to date. A Kresge to the event, cocktails, a gourmet picnic Foundation Challenge Grant, as well as a supper, and a special Boston Pops concert. grant from the National Endowment for the The senior executive of each sponsoring The Sun Setting Is No Less Beautiful Than The Sun Rising.

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. company will also receive an invitation for including the overture to // re pastore, the two to the elegant Leadership Dinner in Piano Concerto No. 25 in C, K.503, with September, a magical evening of dinner, soloist Monique Duphil, the Symphony No. music, and dancing. For further information 36, Linz, and the Contredanses, K.267, on about how your company can participate in Wednesday, April 28, and Friday, April 30, "Presidents at Pops," please contact Marie at 8 p.m. at Faneuil Hall. Tickets are $27, Pettibone, Director of Corporate Develop- $23, and $15 ($5 discount for students and ment, at (617) 638-9278. seniors). For more information, call (617) 426-2387.

BSO Members in Concert Art Exhibits in the Cabot-Cahners Room BSO members Tatiana Dimitriades, violin, and Jerome Rosen, piano, conclude their For the nineteenth year, a variety of Boston- Beethoven violin sonata cycle on Sunday, area galleries, museums, schools, and non- April 18, at 3 p.m. at the First and Second profit artists' organizations are exhibiting Church, 66 Marlborough Street in Boston. their work in the Cabot-Cahners Room on The program includes the sonatas in G, Opus the first-balcony level of Symphony Hall. 30, No. 3; E-flat, Opus 12, No. 3; and the On display through May 3 is an exhibit by Kreutzer Sonata in A minor, Opus 47. Admis- Boston-based photographer Allan Penn, sion is $5. For more information, call (617) whose portraits have been featured in such 876-7855. publications as Yankee magazine, Boston BSO members Victor Romanul, violin, and magazine, World Report, and the magazines Edward Gazouleas, viola, are among the of the Boston Globe and the New York Times. performers in a Boston Conservatory Chamber This will be followed by an exhibit of works Ensemble concert on Friday, April 23, at 8 on paper by contemporary French and Bosto- p.m. at the First and Second Church, 66 nian artists from Boston's Galerie Mourlot Marlborough Street. The program includes (May 3-June 14). Exhibiting French artists Beethoven's Four Irish Songs, Brahms'sTwo include Roger Muhl, Bernard Cathelin, and Songs with viola and piano, Chopin's G minor Andre Brasilier; Boston artists include James cello sonata, and the world premiere of John Stroud, Aaron Fink, and James Hansen. Clement Adams's piano trio. Tickets are $10 These exhibits are sponsored by the Boston ($7 students and seniors). For more informa- Symphony Association of Volunteers, and a tion, call (617) 536-3063. portion of each sale benefits the orchestra. BSO acting principal flute Leone Buyse Please contact the Volunteer Office at (617) performs at the Gardner Museum on Sunday, 638-9390, for further information. April 25, at 1:30 p.m. with fellow New En- gland Conservatory faculty member Paula Robison. During this gala event featuring music for multiple flutes, they will be joined by NEC students in works of Boismortier and Kuhlau, and will also perform solos and * Debut Season * duos, including music by Doppler and Dohnanyi. Three Monday BSO assistant principal cellist Martha boston Evenings Babcock and BSO assistant conductor Robert at 8 p.m. Spano, pianist, perform cello sonatas of players Tsai Performance Ctr. Bach, Beethoven, Britten, and Debussy, and 685 Commonwealth Jonathan Shames, Artistic Director at Boston the world premiere of James Yannatos's In University memoriam—Stephen Albert, on Sunday, APRIL 26 April 25, at 3 p.m. at Dunster House Library CHAMBER AND VOCAL WORKS OF SCHUMANN, BRITTEN, STRAVINSKY, and BRAHMS at Harvard University. Admission is free. Harry Ellis Dickson conducts the Boston MAY 10 DEBUSSY SONATAS and TCHAI KOVSKY TRIO Classical Orchestra in an all-Mozart program "Prelude Conversations" at 1 p.m. Tickets available at the Tsai Performance Center Box Office (617) 353-8724 or (617) 353-8725 and at All Ticket-Pro Outlets $10 per concert; $5 students and senior citizens SEIJI OZAWA

Now in his twentieth year as music director of the Boston Symphony Orchestra, Seiji Ozawa became the BSO's thirteenth music director in 1973, after a year as music adviser. His many tours with the orchestra have included four visits to Japan, an eight-city North American tour in the spring of 1991, and a seven-city European tour to Greece, Austria, Germany, France, and England following the 1991 Tanglewood season. His previous tours with the orchestra have included an historic visit to China in March 1979 for coaching, study, and dis- cussion sessions with Chinese musicians, as well as concert performances, marking the first visit to China by an American performing ensemble follow- ing the establishment of diplomatic relations; the orchestra's first tour devoted exclusively to appearances at the major European music festivals, also in 1979; and, to celebrate the orchestra's centennial in 1981, a fourteen- city American tour and an international tour to Japan, France, Germany, Austria, and England. In October 1992 he led the orchestra in its first tour to South America, in- cluding eight concerts in Sao Paulo, Buenos Aires, and Caracas.

Mr. Ozawa pursues an active international career, appearing regularly with the Berlin Philharmonic, the French National Orchestra, the New Japan Philharmonic, the Orchestre de Paris, the Philharmonia of London, and the Vienna Philharmonic. Recent appearances conducting opera have included the Paris Opera, La Scala, Salzburg, and the Vienna Staatsoper. He has also conducted the Royal Opera at Covent Garden, and made his Metropolitan Opera debut in December 1992, with Tchaikovsky's Eugene Onegin. In addition to his many Boston Symphony recordings, Mr. Ozawa has recorded with the Berlin Philharmonic, the Chicago Symphony, the London Philhar- monic, the Orchestre National, the Orchestre de Paris, the Philharmonia of London, the Saito Kinen Orchestra, the San Francisco Orchestra, and the Toronto Symphony, among others. His recordings appear on the Deutsche Grammophon, EMI/Angel, Erato, Hyperion, New World, Philips, RCA, Sony Classical/CBS Masterworks, and Telarc labels. In September 1992 Mr. Ozawa founded the Saito Kinen Festival in Matsumoto, Japan, in memory of his teacher Hideo Saito, a central figure in the culti- vation of Western music and musical technique in Japan, and a co-founder of theToho Gakuen School of Music in Tokyo.

Born in 1935 in Shenyang, China, to Japanese parents, Seiji Ozawa studied Western music as a child and later graduated with first prizes in composition and conducting from Tokyo's Toho School of Music, where he was a student of Hideo Saito. In 1959 he won first prize at the International Competition of Orchestra Conductors held in Besan- gon, France, and was invited to Tanglewood by Charles Munch, then music director of the Boston Symphony Orchestra and a judge at the competition. In 1960 he won the Tanglewood Music Center's highest honor, the Koussevitzky Prize for outstanding student conductor.

While a student of Herbert von Karajan in West Berlin, Mr. Ozawa came to the atten- tion of Leonard Bernstein. He accompanied Mr. Bernstein on the New York Philhar- monic's 1961 tour of Japan and was an assistant conductor of that orchestra for the 1961-62 season. Mr. Ozawa made his first professional concert appearance in North America in January 1962, with the San Francisco Symphony. He was music director of the Chicago Symphony Orchestra's Ravinia Festival for five summers beginning in 1964, music director of the Toronto Symphony Orchestra from 1965 to 1969, and music director of the San Francisco Symphony from 1970 to 1976, followed by a year as that

8 orchestra's music adviser. He conducted the Boston Symphony Orchestra for the first time in 1964, atTanglewood, and made his first Symphony Hall appearance with the orchestra in 1968. In 1970 he was named an artistic director of the Tanglewood Festival.

Mr. Ozawa holds honorary doctor of music degrees from the University of Massa- chusetts, the New England Conservatory of Music, and Wheaton College in Norton, Massachusetts. He won an Emmy award for the Boston Symphony Orchestra's "Evening at Symphony" PBS television series.

Mr. Ozawa's compact discs with the Boston Symphony Orchestra include, on Philips, Mahler's First, Second, Fourth, Fifth, Seventh, Eighth, and Ninth sym- phonies, Mahler's Kindertotenlieder with Jessye Norman, Richard Strauss's Elektra with Hildegard Behrens in the title role, and Schoenberg's Gurrelieder, with Jessye Norman, James McCracken, and Tatiana Troyanos. Recordings on Deutsche Grammophon include Tchaikovsky's complete Nutcracker and the suite from Sleeping Beauty; Poulenc's Gloria and Stabat mater with Kathleen Battle and the Tanglewood Festival Chorus; Liszt's two piano concertos and Totentanz with Krystian Zimerman; Prokofiev's complete Romeo and Juliet; and Berlioz's Romeo et Juliette and Damnation ofFaust. Other recordings by Seiji Ozawa and the Boston Symphony Orchestra include Tchai- kovsky's opera Pique Dame with Mirella Freni, Maureen Forrester, and Vladimir Atlan- tov, on RCA Red Seal; Beethoven's five piano concertos and Choral Fantasy with Rudolf Serkin, onTelarc; and, on Sony Classical/CBS Masterworks, Strauss's Don Quixote with Yo-Yo Ma, Mendelssohn's Violin Concerto with Isaac Stern, and Berlioz's Les Nuits d'ete and Debussy's La Damoiselle elue with Frederica von Stade. First Violins Violas Malcolm Lowe Burton Fine Coneertmaster Principal Charles Munch chair Charles S. Dana chair Tamara Smirnova-Sajfar Patricia McCarty Associate Coneertmaster Assistant Principal Helen Horner Mclntyre chair Anne Stoneman chair, fullyfunded in perpetuity Assistant Coneertmaster Ronald Wilkison Robert L. Beal, and Lois and Harlan Anderson chair EnidL. and Bruce A. Beal chair Robert Barnes Laura Park Joseph Pietropaolo Assistant Coneertmaster Michael Zaretsky Edward and Bertha C. Rose chair Music Directorship endowed by Bo Youp Hwang Marc Jeanneret John Moors Cabot Acting Assistant Coneertmaster *Mark Ludwig John and Dorothy Wilson chair, * Rachel Fagerburg fullyfunded in perpetuity BOSTON SYMPHONY * Edward Gazouleas Lucia Lin ORCHESTRA Forrest Foster Collier chair *Kazuko Matsusaka 1992-93 Fredy Ostrovsky Dorothy Q. and David B. Arnold, Jr., Cellos chair, fullyfunded in perpetuity Jules Eskin Gottfried Wilfinger Principal Leo Panasevich Philip R. Allen chair Carolyn and George Rowland chair Martha Babcock Alfred Schneider Assistant Principal Muriel C. Kasdon and Vernon and Marion Alden chair Marjorie C. Paley chair Sato Knudsen Raymond Sird Esther S. and Joseph M. Shapiro chair Ruth and Carl Shapiro chair Joel Moerschel Ikuko Mizuno Sandra and David Bakalar chair Amnon Levy * Robert Ripley Theodore W. and Evelyn Berenson Richard C. and Ellen E. Paine chair, Family chair fullyfunded in perpetuity Luis Leguia Robert Bradford Newman chair Carol Procter Second Violins Lillian and Nathan R. Miller chair Marylou Speaker Churchill * Ronald Feldman Principal Charles and JoAnne Dickinson chair Fahnestock chair *Jerome Patterson Vyacheslav Uritsky * Jonathan Miller Assistant Principal *Owen Young Charlotte and Irving W. Rabb chair Ronald Knudsen Edgar and Shirley Grossman chair Basses Joseph McGauley Edwin Barker Leonard Moss Principal *Harvey Seigel Harold D. Hodgkinson chair Lawrence ^Jerome Rosen W)lfe Assistant Principal *Sheila Fiekowsky Maria Nistazos Stata chair, Ronan Lefkowitz fullyfunded in perpetuity * Nancy Bracken Joseph Hearne Leith Family chair *Jennie Shames Bela Wurtzler *Aza Raykhtsaum Joseph and Jan Brett Hearne * Valeria Vilker Kuchment chair *Bonnie Bewick John Salkowski *Tatiana Dimitriades * Robert Olson *James Cooke *James Orleans *Si-Jing Huang *Todd Seeber *Victor Romanul *John Stovall

* Participating in a system of rotated seating within each string section %On sabbatical leave

10 Flutes Bassoons Tuba Richard Svoboda Chester Schmitz Principal Margaret and William C. Walter Piston chair Edward A. Taft chair Rousseau chair Leone Buyse Roland Small Acting Principal Flute Marian Gray Lewis chair Richard Ranti Timpani Fenwick Smith Associate Principal Everett Firth Sylvia Shippen Wells chair Acting Assistant Principal Myra and Robert Kraft chair Contrabassoon Gregg Henegar Percussion Helen Rand Thayer chair Piccolo Peter Andrew Lurie chair Geralyn Coticone Horns Assistant Timpani Evelyn and C. Charles Marran Kavalovski Thomas Gauger chair ^Charles Principal Peter and Anne Brooke chair Helen SagojfSlosberg chair Frank Epstein

Oboes Richard Sebring J. William Hudgins Alfred Genovese Associate Principal Margaret Andersen Congleton chair Principal Harps Mildred B. Remis chair Daniel Katzen Ann Hobson Pilot Elizabeth B. Storer chair Wayne Rapier Principal Jay Wadenpfuhl Keisuke Wakao Willona Henderson Sinclair chair Assistant Principal Richard Mackey Sarah Schuster Ericsson Jonathan Menkis Librarians English Horn Trumpets Laurence Thorstenberg Marshall Burlingame Charles Schlueter Beranek chair, Principal Principal fullyfunded in perpetuity William Shisler Roger Louis Voisin chair Peter Chapman James Harper Clarinets Ford H. Cooper chair Harold Wright Timothy Morrison Assistant Conductors Associate Principal Principal Grant Llewellyn Thomas Rolfs Ann S.M. Banks chair Robert Spano William Hudgins Trombones Thomas Martin Personnel Managers Assistant Principal Ronald Barron Lynn Larsen E-flat clarinet Principal J. P. and Mary B. Barger chair, Bruce M. Creditor fullyfunded in perpetuity Bass Clarinet Norman Bolter Stage Manager Craig Nordstrom Position endowed by Farla and Harvey Chet Bass Trombone Angelica L. Russell Krentzman chair Douglas Yeo Peter Riley Pfitzinger Martha's Vineyard, Massachusetts Seal Harbor, Maine EDGARTOWN - STARBUCK NECK MT. DESERT ISLAND CRAIG KNOWE ESTATE Offered for the 1st time in 50 years, this Grande This majestic c.1900 5-bedroom cottage estate Dame has presided over the harbor entrance for graces the crest of "The Hill" & offers warm & more than 100 years. Situated on over an acre spacious living with 6 fireplaces, graceful with a spectacular panoramic view, the house architectural detail & commanding views of the includes 6 bedrooms & offers good water views Atlantic. Wonderful covered porch overlooking from every room. Rare opportunity. $2,250,000 sun-swathed garden landscapes, the ocean & Call DAVID THOMPSON/LANDVEST 508/627-4400 Cranberry Isles. $L465,000

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12 BOSTON SYMPHONY ORCHESTRA

Seiji Ozawa, Music Director Grant Llewellyn and Robert Spano, Assistant Conductors One Hundred and Twelfth Season, 1992-93

Thursday, April 15, at 8 Friday, April 16, at 2

Saturday, April 17, at 8 Tuesday, April 20, at 8

SEIJI OZAWA conducting

HAYDN Symphony No. 67 in F

Presto Adagio Menuetto; Trio Finale: Allegro di molto

GOEHR Colossos or Panic, Symphonic Fragment after Goya, Opus 55 (world premiere; commissioned by the Boston Symphony Orchestra and the Koussevitzky Music Foundation)

•h = 88

Maestoso. «h = 52

INTERMISSION

RIMSKY-KORSAKOV Scheherazade, Symphonic suite, Opus 35

Largo e maestoso — Allegro non troppo Lento — Andantino — Allegro molto — Vivace scherzando — Allegro molto ed animato Andantino quasi allegretto Allegro molto e frenetico — Vivo — Spiritoso — Allegro non troppo maestoso

MALCOLM LOWE, solo violin

Please note that pianist Mitsuko Uchida is recovering from recent surgery and has had to cancel her appearances at these concerts.

The evening concerts will end about 10:05 and the afternoon concert about 4:05.

RCA, Deutsche Grammophon, Philips, Telarc, Sony Classical/CBS Masterworks, EMI/Angel, New World, Erato, and Hyperion records Baldwin piano

The program books for the Friday series are given in loving memory of Mrs. Hugh Bancroft by her daughters Mrs. A. Werk Cook and the late Mrs. William C. Cox.

13 Week 23 I...-, i ./ ''^wL.

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FIDUCIARY TRUST COMPANY 175 Federal Street, Boston, MA 02110 Joseph Haydn Symphony No. 67 in F

Franz Joseph Haydn was born in Rohrau, Lower Austria, on March 31, 1732, and died in Vienna on May 31, 1809. We know almost nothing about the dates ofcomposition and performance of the sym- phony conventionally numbered 67, though it seems to have been composed about 1775 or 1776, and it would certainly have been performed almost at once at Eszterhdza; the work was published in 1779. The American premiere was almost certainly the perform- ance given by the New Friends ofMusic in New York in the 1939-40 season under the direction ofFritz Stiedry. These are the first Boston Symphony perform- ances. The score calls for oboes, bassoons, and horns in pairs, plus strings and basso continuo.

The more we hear of Haydn's music, the more we must stand in awe at his boundless imagination. The symphony in F that bears the number 67 (a number only vaguely related to the order of composition) comes from a period in which Haydn was eagerly exploring the possibilities of symphonic form and expression, writing one work after another for performance in the household of his patron, Prince Nikolaus Esterhazy. The decade from 1766 to 1775 had seen the cre- ation of three to four new symphonies a year, a rate of composition that declined some- what during the following decade because Haydn became heavily caught up in opera- tic composition and performances at Eszterhaza. But in the early years, with long stretches of time away from Vienna and a music-loving prince eager to hear his newest composition, he found himself, as he said, "forced to become original."

As one of my professors — a specialist on the eighteenth-century symphony—used to remark, there is scarcely an orchestral device or a formal surprise that cannot be found somewhere in Haydn's work. Symphony No. 67 is an extraordinarily rich exam- ple of the overflowing wellsprings of his imagination, with both formal ingenuities and striking ideas of instrumentation, while still full of that bubbling good humor that is so often a hallmark of his style, yet not neglecting touchingly expressive passages either.

The opening movement is in a rollicking 6/8 meter, unusual for this period, when it was normally reserved for the lighter finale of a symphony (though Haydn himself was to use 6/8 again in the brilliant first movement of his Clock Symphony, No. 101, nearly twenty years later). The first theme bounces along in sunny mood in staccato eighth- notes, quietly in the strings alone, with the lightest possible texture. The full orchestra enters to begin the modulation to the new key in a stormier mood, with hints of the minor mode, before the clouds part. Oboes and violins present the secondary theme, still flowing in eighth-notes, but now played legato. The extended development section plays with variations of texture, bits of contrapuntal imitation, and effective chromatic touches to set off the return to the recapitulation.

The first bars of the Adagio provide a wonderful foil for the energy of the first move- ment. Haydn's theme makes effective use of rests — silence —within the phrase. This is the beginning of a full sonata-form movement, of which the second theme is a sus- tained, lyric melody in the oboes over a running figure in the violins. The development begins with strings alone, which are eventually reduced just to the two violin sections playing a little game of imitative counterpoint; the wind instruments return to bring back the dominant of the home key and prepare for the recapitulation. This begins even more softly than at the opening of the movement. At the very end the winds

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The main section of the Menuetto is built on a theme closely related to that of the opening movement, outlining the main triad of the basic harmony with a series of repeated notes, then a move away and a move back. The Trio is one of the most as- tonishing such passages in any Haydn symphony. In the second movement, Haydn had highlighted the first and second violins as a whole, with a passage of counterpoint unaccompanied by any other instruments; here two violin solos, both muted, perform the entire Trio! The first violin plays a country-dance sort of tune entirely (as the com- poser specifies) on a single string, the violin's top E-string. Meanwhile the second violin has had to tune the bottom G-string down a step to F, which serves as a drone for the entire passage, while also playing an inner part on another string. In all 104 Haydn symphonies, there is hardly another passage as surprising as this.

But more surprises lie ahead. The finale begins in the expected fashion, with a robust and rhythmic theme filled with energetic flashes of unison arpeggios in the strings, followed by a modulation to the dominant and a sturdy cadence therein, lead- ing us to expect a new theme. Sure enough, it comes, in the expected key, pianissimo, but building to a strong close at the end of the exposition. So far, everything is quite in order. But now? Instead of a dramatic development section based on these two themes, tossing them back and forth, playing harmonic or orchestral tricks with them, as every- thing in the movement so far might lead us to expect, Haydn fills the whole center of the movement with another piece entirely! Shifting gears dramatically from the Allegro di molto in cut time of the opening, he begins a gentle, lyrically evocative passage in 3/8 time, Adagio e cantabile for string trio (two violins and cello)! Once again he high- lights solo members of the orchestra to the exclusion of all the rest for an extended passage. Eventually the others get to be a part of the discussion, though mostly for the purpose of emphasizing the close. But this central passage is not complete in itself; it ends poised on the dominant, awaiting conclusion, and that conclusion is nothing other than the recapitulation of the Allegro di molto, which brings Haydn's gloriously eccentric symphony to its end, with one final unusual touch—a long written-out trill in the first violins, running for eight measures as the other instruments offer brief clos- ing gestures.

It is worth recalling, when we encounter a symphony with so many unusual touches as this one, that performances by Haydn's orchestra at Eszterhaza were given before a highly musical prince and his court, and guests (many of whom, at least, were also very musical), without the benefit of printed programs and program notes. They had no advance warning of Haydn's surprises; the composer simply expected his listeners to follow the music —based on their familiarity with what was becoming standard prac- tice in the creation of symphonies—and to respond appropriately when he set up expectations and then purposely smashed them for humorous or expressive effect. I would love to have been present at the first performance of many Haydn symphonies, but in this case I would particularly like to have seen the prince's face as one delicious Haydnesque surprise after another made itself apparent to the delighted patron.

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COPLEY PLACE In Boston's Back Bay Alexander Goehr Colossos or Panic, Symphonic Fragment after Goya, Opus 55

Alexander Goehr was born in Berlin on August 10, 1932, but moved with his family to England the following year and currently lives in Cambridge, England. This summer he will be the composer-in- residence at the Tanglewood Music Center. Goehr composed the first movement of Colossos or Panic in 1991 -92; the second movement was completed in January 1993. Co-commissioned by the Boston Symphony Orchestra and the Koussevitzky Music Foundation, the work is dedicated to the memory of Serge and Natalie Koussevitzky. These are the first performances of the piece, and the first ofany music by Goehr in the concerts of the Boston Symphony Orchestra. The score calls for three flutes, two oboes and English horn, E-flat clarinet, two B-fiat clarinets, and bass clarinet, three bassoons, four horns, three trumpets, three trombones and tuba, percussion (bass drum, tambour basque, four tom-toms, struck cymbal, sus- pended cymbal, two temple blocks, triangle, tam-tam, large Chinese gong, xylophone,

, xylomarimba, vibraphone, tubular bells) , piano harp, and strings.

Alexander Goehr's new work draws its inspiration from a remarkable late painting by Francisco Goya (1746-1828), executed during the period of Napoleon's Peninsular War (1808-1814) — an ill-disguised excuse to seize the Spanish throne. Though he was already sixty-two, deaf, and aging when the fighting between Frenchman and Spaniard began, Goya produced an extraordinary collection of searing images displaying man's inhumanity to man. In such paintings as his dramatic depiction of the events of May 3, 1808, when the French rounded up every Spaniard believed to have been involved in any way with a minor uprising the day before and coldly executed the lot of them with- out even the pretense of a trial, and in his series of etchings published posthumously as The Disasters of War, Goya showed the foul and sordid reality of war, in which both sides raped, pillaged, tortured, mutilated the dead, and in general committed every conceivable act of butchery.

At some time during this horrendous war, though the precise date is in doubt (though before 1812), Goya painted a mysterious image of a huge nude male figure towering over a darkling plain on which crowds of tiny people and horses and mules and carriages are racing about helter-skelter in terror— all except for a single donkey standing calmly motionless.

Goya evidently thought very highly of the work, since he kept it in his own posses- sion until his death. The meaning of this piece, generally known as The Colossus, has been much discussed. Does the colossal figure represent Napoleon, whose effect on the Spanish people is only too apparent? Perhaps he is a symbolic or mythological figure, a representation of War itself? Some critics have suggested that the work ought to be called "Panic." But is the painter making fun of the crowd's evident terror? Or does he consider it to be the only sensible response to the circumstances (after all, the only motionless figure is an animal that conventionally represents stupidity)? There are some, too, who interpret the colossus as a protective figure, looking away from the frightened populace as if to face an unseen enemy approaching from over the horizon.

Whatever interpretation one may choose, it is clear that Goya had become appalled by the carnage of the seemingly endless fighting, and one response was this haunting image, made in both grand strokes, smeared on with the palette knife, and tiny ones, applied by means of a split reed. And this perplexing painting lies behind Alexander

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20 Goehr's tone poem.

If Goya's painting had a fairly overt political connotation, this would not be the first time that Goehr has written music dealing with the oppressed and downtrodden, the underdogs of the world. When discussing the American premiere of his three music- theater pieces joined as Triptych at the Manhattan School of Music last year, Goehr commented, "All my texts speak of a human condition within hostile or destructive environments." Perhaps he is particularly sensitive to such environments owing to the circumstances of his birth in Berlin only months before Adolf Hitler came to power as Chancellor. His father, the conductor Walter Goehr (who had been a student of Schoen- berg's), brought the family to England when the infant Alexander, or Sandy, as he is known to his friends, was but a few months old.

Alexander Goehr thus grew up in an England darkened by portents of the war that broke out while he was still a child, but greatly enriched by the artistic activities of his parents. His mother, a concert pianist who had trained in Kiev, and later a contempo- rary of Claudio Arrau in the master class at the Berlin Hochschule, played the roman- tic repertory. His father conducted operetta as well as the newest works of Schoenberg, Bartok, and Stravinsky, which brought very diverse kinds of music to his attention. "Schoenberg and Duke Ellington rubbed shoulders in our home," he told Bayan North- cott, "but I did not know too much about Mozart and Haydn; they were not in my father's repertory in those years."

Goyas "The Colossus," c. 1811

21 Week 23 He began composing slight piano pieces and other works from the age of six or seven, but, even though he had lessons in piano, violin, and clarinet at various times, he kept his musical activity private, not showing any of his first works to his father or friends at school with musical interests. Finally at the age of eighteen he announced his desire to study music. "Of course, by that time I was very far behind— I just did not have the necessary equipment." Almost the only encouragement he had came from Michael Tippett, who looked at some of his early pieces.

He was the first person who told me the rather English thing that the best reason for doing something was because you wanted to do it; whereas my father's more German approach was that the best reason for doing something was because you were good at

it. I was manifestly not good at it, so I was very pleased to be told that I should try all the same.

He took some private instruction for a short time, but then had to complete his Nation- al Service, which, as a conscientious objector, he took working in mental hospitals and on the land. This took him to the city of Manchester, where he had the good for- tune to stumble upon a fine teacher and a remarkable group of fellow students.

The teacher was Richard Hall, at the Royal Manchester College; Hall was willing to go far beyond conventional harmony exercises to talk about "real things." And the

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22 fellow students included three brilliant figures who, with Goehr, became known as "the Manchester group": Peter Maxwell Davies, Harrison Birtwistle, and the late John Ogdon. With these and other friends, he found the early '50s a particularly stimulating time, which also included an acquaintance with Olivier Messiaen and his wife Yvonne Loriod when they came to London for the British premiere of Messiaen's Turangalila under the direction of Walter Goehr. Later he attended Messiaen's master class in Paris and had informal sessions with Pierre Boulez.

After a first success with The Deluge for soprano and alto soloists and eight instru- ments, in a performance conducted by his father in 1957, Goehr was hailed as the leading young progressive British composer. But the complexities of his cantata Sut- ter's Gold in 1960 led to an unsatisfactory performance and, moreover, left his audi- ence behind; a crisis of confidence was resolved through sympathetic advice from Hanns Eisler, who told him, after listening to one piece, "Very nice, very sensitive and all that, but real composers write pieces which are in big arcs and you must at- tempt something like a sonata form." He took this advice to heart, while concerning himself with the musical issues that were burning in the early '60s, particularly com- binatorial serialism.

Goehr wanted to integrate the various techniques of the day into a "generative gram- mar" of pitch relationships, to develop ways of connecting notes and chords that seem inevitable and logical. His Little Symphony, Opus 15, is regarded as the first charac- teristic composition of his maturity. Since then he has produced a number of theater works, including ballet, opera, and music-theater pieces of an overtly political charac- ter, particularly because of his interest, noted above, in observing the actions of characters placed "within hostile or destructive environments."

In addition to composing in all the other genres, orchestra, vocal, and chamber, Goehr has been active as a teacher, having held appointments at the New England Conservatory (1968-69). and Yale (1969-70). He was appointed professor at Leeds in 1971, and took one of the most important chairs in composition in England when he became professor of music at Cambridge in 1976. He was a guest composer at Tangle- wood in 1987, when several of his compositions were performed as part of the Festival of Contemporary Music, and he will return this summer as composer-in-residence.

As a preliminary guide to Colossos or Panic, Alexander Goehr offered his own verbal reading of Goya's painting; this has now been incorporated into his program note for the piece, printed below. Goehr's interest in the reactions of human beings in difficult situations seems evident even in this purely instrumental work, and even his title, Colossos or Panic, explicitly raises the question of how the painting is to be under- stood. What is not immediately evident, though possibly related to his division of the description into two paragraphs, is that the main part of the work is cast in a binary structure, of which he has drawn a specific comparison to Brahms's Tragic Overture. Following the completion of this structure, the composer later chose to add a second movement, Maestoso. The full work runs about twenty- five minutes.

— S.L.

The composer has provided thefollowing program note.

Colossos or Panic is a picture by Francesco Goya which hangs in the Prado at Madrid. It made a profound impression upon me; I remembered a small canvas entirely domi- nated by a huge figure. This impression, however, was inaccurate as it is not in fact all that small.

Many years ago I made a setting of a prose description of an imaginary or real (but not known now) portrayal of the Deluge, which Leonardo da Yinci had written and

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24 which the Soviet film director, S.M. Eisenstein, had described as a transference of a spatial into a temporal concept. Following Leonardo, I wrote a short prose text describ- ing Goya's painting:

Uncertain light: dark above, bright below. The colossal figure of a man half turned away; swarthy head, arms with one clenched fist clearly visible; the lower part of the body, buttocks and legs vanishing behind a skyline. Below, tiny figures, animals and men, scurry about, rushing this way and that, panic-stricken. The figure again: his face, neither threatening nor benevolent, nor seemingly aware of the effect of his unexpected appearance. If at anything, he gazes at his own powerful arm and fist. The figures below seem to be travellers, or refugees. They seem to be moving in one direction, though a herd of cattle are going the opposite way. A solitary ass stands alone, seemingly unaware of the turmoil surrounding him. Though the tiny figures are obviously moving at great speed, they nonetheless form part of a scene which is as if frozen in time. White clouds, lit by a weak sun, bunch up against the massive torso. We may imagine that, like a rainbow, it will of a sudden be gone; all will be as before

In this text three appearances of the Colossos are each succeeded by descriptions of the tiny figures of people and animals portraying panic. Furthermore, there are brief

descriptions of the sky, the strange light and finally, as I imagined, the vision fading,

as it were, like a rainbow.

My description forms the basis for a symphonic fragment, organised temporally as a sequence of brief musical sections, each of a minute's duration. But this scheme is not adhered to rigidly; at some points the invention will not cease when its allotted space has been completed; there is consequently some tension between musical ideas and scheme.

I intended the vision to simply fade away, following it only with a short coda repre- senting a restoration of order and calm, as occurs, for example, at the end of Mussorg-

sky's Night on the Bare Mountain. I thought to have finished here; but subsequently after some weeks the musical ideas came alive again and in the space of only a few days I added a second and substantial maestoso movement. I am not certain how this relates dramatically to the original conception, other than that it begins (literally) where the symphonic fragment ends.

The composition, completed in January of this year, was commissioned by the Bos- ton Symphony Orchestra and the Koussevitzky Music Foundation in memory of Serge and Natalie Koussevitzky. But I would like to add a further dedication to Helen and Elliott Carter.

—Alexander Goehr

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26 Nikolai Rimsky-Korsakov Scheherazade, Symphonic suite, Opus 35

Nikolai Audrey evich Rimsky-Korsakov was born in Tikhvin, Novgorod government, on March 18, 1844, and died in Lyubensk, St. Petersburg government, on June 21, 1908. He composed Scheherazade dur- ing the summer of 1888; it was first performed under the composer's direction on October 28 that year, in St. Petersburg. Emil Paur led the Boston Symphony

Orchestra in the first American performances on April 16 and 17, 1897, though the piece had originally been scheduledfor one month earlier. On the occa- sion of the premiere, the critic for the "Daily Adver- tiser" wrote: "Long deferred because of its many difficulties, the Rimsky-KorsakoffSuite was per- formed on Saturday to the amazement of every con- certgoer who had been brought up in the paths of Bach and righteousness. Yet no one dare say that the mountain brought forth a mouse; it was rather a white elephant that emerged. The Suite 'Scheherazade* introduced us to a new Berlioz, a Russian Berlioz, who had been nurtured on augmented seconds, cradled in triplets, and had imbibed chromatics from his boyhood." Since the United States premiere, BSO performances ofScheherazade have also been led byWilhelm Gericke, Max Fiedler, Karl Muck, Henri Rabaud, Pierre Monteux, Serge Koussevitzky, Richard Burgin, Charles Wilson, Seiji Ozawa, Andre Previn, Charles Dutoit (the most recent subscription performances, in November 1982), Yuri Temirkanov, and John Nelson (the most recent Tanglewood performance, in August 1992). The work is scoredfor piccolo, two flutes, two oboes (second doubling English horn), two clarinets, two bassoons, four horns, two trumpets, three trombones and tuba, timpani, triangle, tambourine, side drum, cymbals, bass drum, tam-tam, harp, and strings.

During the winter of 1887-88, Rimsky-Korsakov was engaged in one of his many generous acts of pious devotion to a deceased Russian master: he was orchestrating the opera Prince Igor, left unfinished at the death of its composer, Alexander Borodin. A few excerpts played in concert—among them the overture and the famous Polovtsian Dances—demonstrated the effectiveness of the work. He had to put off original com- position while engaged in this labor of love, but he did manage to conceive two new orchestral pieces, the working out of which was to be left to the following summer, spent on an estate in Nyezhgovitzy, near Looga. Both of them turned out to be among his best-known compositions. One was based on episodes from The Arabian Nights, the other on themes from the obikhod, a collection of the most frequently used can- ticles of the Russian Orthodox Church. Both were finished that summer: the first was Scheherazade, Opus 35, and the second was the overture Svetliy prazdnik (The bright

holiday), generally known in English as the Russian Easter Overture. As it happens, they were very nearly the last purely orchestral works Rimsky was to write; for the remaining two decades of his life he devoted his attentions almost totally to operatic composition. Moreover they are the last works that he composed with virtually no Wagnerian influence. There was a sudden dramatic change in Rimsky s style the follow- ing winter, when he was bowled over by a performance of Der Ring des Nibelungen given in St. Petersburg by a German company under the direction of Karl Muck (later to be music director of the Boston Symphony Orchestra), and Rimsky s next opera, Mlada, revealed the composer to have been converted into quite the thoroughgoing Wagnerian. (Over a period of years he did work his way back to a musical language of his own; his last and best-known opera, he Coq dor, shows few traces of his Wagnerian fling). 27 Week 23 We salute the Boston Symphony Orchestra on its 112th season WELCH &FORBE

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28

I 1

The massive collection of tales known as The Arabian Nights or The Thousand- and-One Nights is built on a framework reflected in the orchestral score of Rimsky- Korsakov's musical treatment: the Sultan Shakhryar, discovering his wife's infidelity and convinced of the inconstancy and faithlessness of all women, has sworn henceforth to marry repeatedly in rapid sequence, putting each wife to death after the first night in order to avoid another betrayal. To put an end to this bloodbath, Scheherazade, the daughter of the Sultan's most trusted adviser, seeks to become his wife (even though she had been exempted from this fatal rank because of her father's position at the court). She saves her life after her wedding night by telling a story that captures the

Sultan's interest, breaking it off just at dawn, with the promise of continuing it the next night. Each night, as she continues, her story puts out roots and branches, becoming an intricate network of tales, some told by characters within other tales, so that at no point do all the stories in progress come to their conclusion. Each day at dawn the Sultan puts off her execution for another day in order to hear the end of the story first. Gradually her seemingly artless and endless series of colorful fairy tales softens the cruel heart of the Sultan, and at the end of one thousand-and-one nights he abandons his sanguinary design and accepts Scheherazade as his one, permanent, loving wife. (A few years ago Bruno Bettelheim's study of fairy tales analyzed The Thousand-and- One Nights as a particularly clear example of the way these traditional stories help mold and shape a mature, integrated personality.)

Of course, The Arabian Nights is much too long a work and much too intricate — in its complex network of tales-within-tales —simply to be translated into music as a storytelling program. Analysts and program annotaters have expended a great deal of ingenuity in attempts to identify precisely which tales Rimsky-Korsakov had in mind, especially since the traditional movement titles are not especially specific: the intro- duction purports to represent the stern Sultan Shakhryar (in the opening unison phrase) and Scheherazade the storyteller (in the solo violin); the remainder of the first

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30 movement is identified with the sea and the ship of Sinbad the sailor; the second move- ment is the tale of the Prince Kalendar; the third is simply "The Prince and the Prin- cess"; and the finale is a festival at Baghdad and a shipwreck (quite a combination for a single movement!). But it is vain to seek for specific stories as the inspiration for this music. There is, for example, more than one Prince Kalendar with a story to tell in The Arabian Nights, and, as the composer himself noted, he did not by any means reserve the very first theme— the so-called "Sultan's theme"—for that grim personage, but rather wove it into the entire fabric of the score without regard to the details of storytelling. It becomes the rolling ocean beneath Sinbad's ship in the first movement, and it appears as an element in the Prince Kalendar's tale, where the Sultan himself does not appear at all.

Even so, the theme presented first (and most often) by the solo violin quite clearly represents Scheherazade herself, telling her colorful tales and here and there inserting her warmhearted personality into them. But the composer, after first specifying the traditional titles, wrote in his memoirs, My Musical Life, that he had actually removed all hints as to the subject matter of the tales from a later edition of the score. He added that, in composing Scheherazade,

I meant these hints to direct but slightly the hearer's fancy on the path which my own fancy had traveled, and to leave more minute and particular conceptions to the will

and mood of each. All I had desired was that the hearer, if he liked my piece as

symphonic music, should carry away the impression that it is beyond doubt an orien- tal narrative of some numerous and varied fairy-tale wonders and not merely four pieces played one after the other and composed on the basis of themes common to all the four movements. Why then, if that be the case, does my suite bear the name, precisely, of Scheherazade? Because this name and the title The Arabian Nights connote in everybody's mind the East and fairy-tale wonders; besides, certain details of the musical exposition hint at the fact that all of these are various tales of some one person (which happens to be Scheherazade) entertaining therewith her stern husband.

— S.L.

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32

ii More

Jens Peter Larsen's excellent Haydn article in The New Grove (with work-list and bib- liography by Georg Feder) has been reprinted separately (Norton, available in paper- back). Rosemary Hughes's Haydn in the Master Musicians series (Littlefield paper- back) is a first-rate short introduction. The longest study (hardly an introduction!) is H.C. Robbins Landon's mammoth, five-volume Haydn: Chronology and Works (In- diana); it will be forever an indispensable reference work, though its sheer bulk and the author's tendency to include just about everything higgledy-piggledy make it rather hard to digest. Highly recommended, though much more technically detailed, is Haydn Studies, edited by Jens Peter Larsen, Howard Serwer, and James Webster (Nor- ton); it contains the scholarly papers and panel discussions held at an international festival-conference devoted to Haydn, at which most of the burning issues of Haydn research were at least aired if not entirely resolved. No consideration of Haydn should omit Charles Rosen's brilliant study The Classical Style (Viking; also a Norton paper- back). Antal Dorati was the first conductor to record all of Haydn's symphonies in what was, for its time, an epoch-making series, with the Philharmonia Hungarica; these recordings, out of print in their LP versions, have been reissued on CD. Though they have been in some ways superseded by later versions, the set still occasionally offers the only reading of a given symphony. In the case of Symphony No. 67, Dorati's reading is to be found in Volume 5 of the CD reissue (London, four compact discs). There is also a recording by the Hungarian Chamber Orchestra under the direction of Vilmos Tatrai (White Label), which may be harder to find.

The article on Alexander Goehr in The New Grove provides a good introduction to the first decades of the composer's work. Far fuller in detail, with interviews, analysis, and critical evaluations of many pieces, is the collection The Music ofAlexander Goehr, edited by Bayan Northcott and published by Schott. Both of these resources, dating from 1980, inevitably fail to deal with the work of the last ten or fifteen years. Two currently available recordings offer a survey of a substantial spectrum of his music. The Romanza for Cello and Orchestra, Opus 24, and Metamorphosis/Dance, Opus 36, have been recorded by the Royal Liverpool Philharmonic under the direction of David Atherton, with Moray Welsh as soloist in the Romanza (Unicorn). Oliver Knussen di- rects the London Sinfonietta in a diverse collection of works including the Lyric Pieces, Opus 35, Sinfonia, Opus 42, Behold the Sun, Opus 44a (with soprano Jeanine Thames), and a contribution to the 300th annviersary of the birth of J.S. Bach, ... a musical offering (J.S.B. 1985), Opus 46 (Unicorn).

There are no current full-scale biographies of Rimsky-Korsakov in English, most of the serious studies (except for a few articles and a 1945 biography by Gerald Abraham) being available only in Russian. But the composer's autobiography, My Musical Life, is full of interesting details; it is currently in print in a very pricey reprint edition

(Vienna House). Recordings of Scheherazade fill an entire column in the Schwann/ Opus catalogue, but the stand-out version among them all, for verve, drama, and glori- ous color, is the 1957 recording by Sir Thomas Beecham with the Royal Philharmonic Orchestra (Angel, coupled with Borodin's Polovtsian Dances). Seiji Ozawa's recording with the Boston Symphony Orchestra is currently available only on cassette (Deutsche Grammophon, with Stravinsky's Firebird Suite and music from Khatchaturian's ballet Gayane). Other splendid versions of the score, happily available at midline or budget prices, include the readings of Fritz Reiner with the Chicago Symphony (RCA, coupled with Debussy's La Mer) and Pierre Monteux with the London Symphony Orchestra (London, with Sadko and the overture to May Night, both with Ernest Ansermet con- ducting the Orchestre de la Suisse Romande).

— S.L.

33 Week 23 The Higginson Society

The Boston Symphony Orchestra is grateful to the following individuals for their generous support during the 1991-92 season. These patrons have each donated $1,500 or more to either the Boston Symphony Annual Fund or one or more of the BSO KEEP GREAT MUSIC ALIVE Capital Gift Programs. Gifts to the Annual Fund are unrestricted and are applied directly to the Orches- tra's operating budget. Capital Gifts include Named Endowment Funds, Endowed Orchestra Chairs, the Symphony Hall Renovation Campaign, Endowed Seats in Symphony Hall, Pooled Life Income Plan gifts, and unrestricted gifts to endowment. This roster acknowledges contributions received between

September 1, 1991 and August 31, 1992. Annual Fund Contributors

Patrons

Mr. and Mrs. J. P. Barger Mr. and Mrs. Richard M. Fraser Mrs. Robert B. Newman

Mr. and Mrs. John Barnard, Jr. Mrs. Kenneth J. Germeshausen Mrs. James H. Perkins Earle M. Chiles Mr. and Mrs. Francis W. Hatch Mrs. George R. Rowland

Mr. and Mrs. Lewis S. Dabney Ms. Susan Morse Hilles William F. and Juliana W.

Mr. and Mrs. Nelson J. Darling, Jr. E. Morton Jennings Thompson Mrs. Harris Fahnestock Mr. and Mrs. George H. Kidder Mrs. Joan D. Wheeler

The Honorable and Mrs. John H. Mrs. Edwin H. Land Anonymous (2) Fitzpatrick Mr. and Mrs. Nathan R. Miller

Sponsors

Mr. and Mrs. Harlan E. Anderson Bayard and Julie Henry Mrs. Andrew J. Palmer Mr. and Mrs. Samuel W. Mrs. Ellen 0. Jennings Mrs. Harry Remis

Bodman III Mrs. Leon Kleban Mrs. Pollard Simons

Mrs. Florence C. Chesterton-Norris Mr. and Mrs. R. Willis Leith, Jr. Dr. and Mrs. William Davis Sohier

Mr. and Mrs. Eugene H. Clapp II Mr. and Mrs. Charles P. Layman Mr. and Mrs. Ray Stata

Mr. and Mrs. John E Cogan, Jr. Mr. and Mrs. Donald Malpass, Jr. Mr. and Mrs. Sidney Stoneman Mr. and Mrs. Michael H. Davis Mrs. August R. Meyer Mr. and Mrs. William 0. Taylor

Mrs. Haskell R. Gordon Mrs. Olney S. Morrill Mrs. Jean R. Yawkey (d)

Mrs. James H. Grew Mr. and Mrs. William B. Moses, Jr. Anonymous (4)

Fellows

Mrs. Weston W Adams Dr. and Mrs. Stewart H. Clifford Mrs. Joan P Goldhammer Mr. and Mrs. Vernon R. Alden Ms. Mary Hart Cogan Mr. and Mrs. John L. Grandin, Jr.

Mr. and Mrs. David B. Arnold, Jr. Mr. and Mrs. AbramT. Collier Mr. and Mrs. James B. Hangstefer Mr. and Mrs. John E. Beard Mr. and Mrs. William H. Congleton Mr. and Mrs. Richard D. Hill Mrs. Richard E. Bennink Mr. and Mrs. John L. Cooper Mr. and Mrs. Amos B.

James K. Beranek Mr. and Mrs. John H. Dickison Hostetter, Jr. Mr. and Mrs. Donald C. Mrs. Hortense E Feldblum Rosemary and E Donald Hudson

Bowersock, Jr. Mr. and Mrs. Dean W Freed Mr. and Mrs. BelaT Kalman

Mr. and Mrs. John M. Bradley Mrs. Robert G. Fuller Mrs. George I. Kaplan

Mr. and Mrs. Stanford Calderwood Mr. and Mrs. Thomas J. Ms. Susan B. Kaplan

Mr. and Mrs. Arthur Can- Galligan, Jr. and Mr. Ami Trauber Charles Christenson John Gamble Mr. and Mrs. David Knight

34 Francis P. Sears, Jr. Mr. and Mrs. Carl Koch Dr. and Mrs. Oglesby Paul Mr. and Mrs. Shapiro Mr. and Mrs. John M. Kucharski Mr. and Mrs. George W Pearce Mr. and Mrs. Carl Stare Mr. and Mrs. Stephen R. Levy Mr. and Mrs. Andrall E. Pearson Dr. and Mrs. Fredrick J. Stephen Tilton Mr. and Mrs. Caleb Loring, Jr. Mrs. Paul Pigors Charles M. Werly Mr. and Mrs. John F. Magee Mr. and Mrs. Robert E. Remis Mrs. Olivia A. Manice Mr. and Mrs. Thomas A. Rosse Anonymous (2) Mr. and Mrs. E. James Morton

Members

Mr. and Mrs. Robert W. Adams Mr. and Mrs. Bigelow Crocker, Jr. Mr. and Mrs. Graham Gund Mrs. Frank G. Allen Mrs. Harry K. Cross Mr. and Mrs. Kenneth Haas Mr. and Mrs. Philip K. Allen Mr. and Mrs. William M. Crozier, Jr. Mr. and Mrs. R. Douglas Hall III

Mr. and Mrs. James B. Ames Mr. and Mrs. John J. Cullinane Mrs. N. Penrose Hallowell, Jr. Mr. and Mrs. David L. Anderson Mr. and Mrs. Ronald C. Curhan Mr. and Mrs. Robert G. Hargrove Professor and Mrs. Rae D. Mr. and Mrs. Eric Cutler Mr. and Mrs. George Hatsopoulous Anderson Mrs. Dimitri dArbeloff Mr. and Mrs. Harry R. Hauser Mr. and Mrs. Stephen H. Anthony Mr. and Mrs. Stanton W. Davis Mr. and Mrs. UlfB. Heide

Mrs. Elsie J. Apthorp Miss Amy Davol Mr. and Mrs. NoahT. Herndon

Mr. and Mrs. Donald P. Babson Mrs. Pierre DeBeaumont Mrs. Richard R. Higgins

Mr. and Mrs. Vincent Bajakian Mrs. F Stanton Deland, Jr. Mrs. Harrison D. Horblit

Mr. and Mrs. David Bakalar Mr. and Mrs. Allen F. Dickerman Mr. and Mrs. Daniel A. Hosage Mrs. Hope Lincoln Baker Dr. and Mrs. Charles C. Mr. and Mrs. Charles A. Hubbard Mr. and Mrs. Stephen Y. Barrow Dickinson III Mr. and Mrs. Joseph Hyman

Mr. and Mrs. Clifford B. Barms, Jr. Mr. and Mrs. Eugene B. Doggett Mrs. Albert S. Kahn Mr. and Mrs. Allen G. Barry Phyllis Dohanian Mr. and Mrs. Stanley H. Kaplan Mr. and Mrs. Robert B. M. Barton Mrs. Malcolm Donald Mrs. S. Charles Kasdon

Dr. and Mrs. Leo L. Beranek Mr. and Mrs. William R. Driver, Jr. Mr. and Mrs. Gordon E Kingsley Mr. and Mrs. George W. Berry Richard W. Dwight Mr. and Mrs. Allen Z. Kluchman

Mr. and Mrs. Jordon Birger Mrs. Charles Freedom Eaton, Jr. Dr. and Mrs. Arthur R. Kravitz

Mr. and Mrs. Michael J. Bohnen Mr. and Mrs. Goetz B. Eaton Mr. and Mrs. Harvey C. Krentzman Mrs. James W. Bradley Mrs. Otto Eckstein Mr. and Mrs. Benjamin H. Lacy Mrs. Alexander H. Bright Mr. and Mrs. William Elfers Mr. and Mrs. David L. Landay Mr. and Mrs. Peter A. Brooke Mr. and Mrs. Richard S. Emmet Mrs. James E Lawrence Mr. and Mrs. William L. Brown Mrs. Priscilla Endicott Mr. and Mrs. Robert A. Lawrence

Mrs. Karl Burack Mr. and Mrs. J. Richard Fennell Mr. and Mrs. Irving Levy

Mr. and Mrs. J. Gary Burkhead Mrs. Sewall H. Fessenden Mr. and Mrs. Edward Linde Mr. and Mrs. Allan T. Buros Mr. and Mrs. Philip H. Finn Ms. Mary Ann Harris Livens Dr. and Mrs. Paul A. Buttenwieser Miss Anna E. Finnerty Mr. and Mrs. Joseph P. Lombard Mr. and Mrs. Thomas D. Cabot Dr. and Mrs. Henry L. Foster Miss Diane H. Lupean Mr. and Mrs. Harold Caro Myrna H. and Eugene M. Freedman Charles Francis Mahoney Mr. and Mrs. Nathaniel Chaffin Stefan M. Freudenberger Mr. and Mrs. John W. Mahoney

Mr. and Mrs. James F. Cleary Mr. and Mrs. Robert L. Gable Mr. and Mrs. Gael Mahony Mrs. Nicholas B. Clinch Dr. and Mrs. Donald B. Giddon Mr. and Mrs. Harry L. Marks

Mr. and Mrs. Julian Cohen Mr. and Mrs. Richard J. Gilbert Mr. and Mrs. Satoru Masamune Dr. and Mrs. Lawrence H. Cohn Mrs. Morton R. Godine Mr. and Mrs. Amos C. Mathews

Mr. and Mrs. I. W. Colburn Arthur S. Goldberg Dr. and Mrs. John D. Matthews

Mr. and Mrs. Aaron H. Cole Avram J. Goldberg Mr. and Mrs. Robert G. Millar

Mr. and Mrs. Marvin A. Collier Carol R. Goldberg Dr. Clinton F. Miller Johns H. Congdon Professor and Mrs. Ray A. Goldberg and Ms. Adele Wick

Mr. and Mrs. William F. Connell Mr. and Mrs. Jordan L. Golding Mr. and Mrs. Adolf E Monosson

Walter J. Connolly, Jr. Mrs. Harry N. Gorin Mr. and Mrs. Richard P. Morse Mrs. A. Werk Cook Mrs. Stephen W Grant Mr. and Mrs. Wells Morss Mr. and Mrs. Christopher H. Mr. and Mrs. E. Brainard Graves Mr. and Mrs. David G. Mugar

Covington Mr. and Mrs. Daniel S. Gregory Miss Alice B. Newell

Prof, and Mrs. Stephen H. Crandall Mr. and Mrs. Harold K. Gross Mr. and Mrs. Rodger P. Nordblom

Mr. and Mrs. Albert M. Mr. and Mrs. Henry R. Guild, Jr. Mrs. Richard P. Nyquist

Creighton, Jr. 35

1 Miss Mary-Catherine O'Neill Mr. and Mrs. Harold W. Schwartz Mr. and Mrs. John L. Thorndike

Mrs. Andrew Oliver Mr. and Mrs. Thomas J. Scott Mr. and Mrs. W Nicholas Thorndike

Mr. and Mrs. Walter H. Palmer Mr. and Mrs. Michael S. Scott Mr. and Mrs. Alan J. Tichnor Gary M. Palter Morton Mr. and Mrs. John Tillinghast

Miss Harriet F. Parker Alan H. Scovell Dr. and Mrs. Eugene J. Tillman Mr. and Mrs. John A. Perkins Mr. and Mrs. Charles N. Shane Mrs. Richard E Treadway Mr. and Mrs. Thomas L. Phillips Ms. Eileen C. Shapiro Mrs. Irving Usen Mr. and Mrs. Richard D. Phippen Mr. and Mrs. Malcolm L. Sherman Mr. and Mrs. John H. Valentine Mr. and Mrs. Daniel Pierce Mrs. Donald B. Sinclair Mr. and Mrs. Roger L. Voisin

Mr. and Mrs. David R. Pokross Mr. and Mrs. John K. Spring, Sr. Mrs. Evelyn R. Wagstaff-Callahan

Mr. and Mrs. William J. Poorvu Mr. and Mrs. Thornton Stearns Mr. and Mrs. Stephen R. Weber Mr. and Mrs. Richard Preston Theodore E. Stebbins Stetson Whitcher

Mr. and Mrs. Irving W Rabb Mr. and Mrs. Ira Stepanian Dr. and Mrs. Harold J. White Mr. and Mrs. Peter C. Read Howard H. Stevenson Mrs. Florence T. Whitney

Mr. and Mrs. Eugene J. Ribakoff Mrs. Edward S. Stimpson Richard T. Whitney

Mr. and Mrs. David G. Robinson Mrs. Anson P. Stokes, Jr. Mr. and Mrs. Thomas H. P. Whitney

Mr. and Mrs. Jerome Rosenfeld Mr. and Mrs. Harris E. Stone Mrs. Nancy P. Williams

Mr. and Mrs. William C. Rousseau Mr. and Mrs. Henry S. Stone Mr. and Mrs. Ralph B. Wdliams Jordan S. Ruboy Miss Elizabeth B. Storer Mrs. Shepard E Williams Mr. and Mrs. Robert Saltonstall Mrs. Patricia Hansen Strang Mr. and Mrs. Thomas B. Williams

Mr. and Mrs. Albert J. Sandler Dr. and Mrs. Nathan B. Talbot Mr. and Mrs. Donald B. Wilson Mrs. George Lee Sargent Mr. and Mrs. John E Taplin Miss Elizabeth Woolley Roger A. Saunders Mrs. Charles H. Taylor Dr. & Mrs. Nicholas T. Zervas Mr. and Mrs. John G. Schmid Mr. and Mrs. Theodore H. Teplow Anonymous (14) Mr. and Mrs. Paul A. Schmid Mrs. David Terwilliger

Recognize Someone Special

What finer way to honor someone or commemorate a special occasion! For a $25,000 contribution to the Boston Symphony Annual Fund, you will enjoy the privilege of naming a BSO concert in tribute to or in memory of an individual you designate. In addition, you will become a Patron

of the Higginson Society, the orchestra's circle of its most generous benefactors.

Your named concert will receive prominent acknowledgment in the BSO program book, along with a biographical appreciation about the honoree. We will also include complimentary tickets for your friends and relatives. Afterwards, you and your guests can toast the occasion at a private reception where you will be greeted by the conductor, members of the orchestra, and members of the Board of Trustees.

For further information about naming a Boston Symphony Orchestra concert, please contact Susan E. Kinney, Assistant Director of Development, at (617) 638-9256. Name a BSO Concert!

36

1 Capital Gifts Contributors

Mr. and Mrs. Vernon R. Alden Miss Anna E. Finnerty Mr. and Mrs. Paul M. Montrone Professor and Mrs. Rae D. Anderson Mr. and Mrs. Dean W. Freed Mr. and Mrs. Richard P. Morse

Mr. and Mrs. David B. Arnold, Jr. Mr. and Mrs. George C. Fuller Ms. Anne J. Neilson

Mr. and Mrs. Sherwood E. Bain Mrs. Kenneth J. Germeshausen Ms. Edith H. Overly

Mr. and Mrs. David Bakalar Professor and Mrs. Ray A. Goldberg Mrs. James J. Pastoriza, Sr.

Mr. and Mrs. J. P. Barger Mr. and Mrs. Jordan L. Golding Mr. and Mrs. Richard D. Phippen Dr. and Mrs. Leo L. Beranek Michael A. Halperson Mr. and Mrs. William J. Poorvu Mrs. Caroline Thayer Bland Mrs. Henry M. Halvorson Mr. and Mrs. Irving W. Rabb

Mr. and Mrs. Peter A. Brooke Mr. and Mrs. Robert G. Hargrove Mr. and Mrs. Stanley J. Richmond Mrs. Charles D. Brown Dr. and Mrs. George Hatsopoulos Mr. and Mrs. David Riemer

Mr. and Mrs. Michael J. Buonsanto Mr. and Mrs. Joseph F. Hearne Mrs. Dwight P. Robinson, Jr. Mr. and Mrs. Thomas D. Cabot Bayard and Julie Henry Mr. and Mrs. Jerome Rosenfeld

Dr. Charlotte C. Campbell Mr. and Mrs. George F. Hodder Dr. and Mrs. Dwight M. Rost

Earle M. Chiles Mrs. Edwin I. Hope Mr. and Mrs. William C. Mr. and Mrs. Yohan Cho Mr. and Mrs. E Donald Hudson Rousseau Mrs. Angelica L. Clagett Mr. and Mrs. BelaT. Kalman Mr. and Mrs. Paul W. Runge Mrs. Miles Nelson Clair Mr. and Mrs. George H. Kidder Mr. and Mrs. Robert Saltonstall

Ms. Deborah P. Clark Dr. and Mrs. David I. Kosowsky Mr. and Mrs. Henry Schoenberg Mr. and Mrs. James E Cleary Mr. and Mrs. Harvey C. Krentzman Miss Rosamund Sears Mrs. George H. A. Clowes Barbara and Thomas H. Lee Mr. and Mrs. Carl Shapiro

Mr. and Mrs. Aaron H. Cole Mr. and Mrs. R. Willis Leith, Jr. Dr. and Mrs. William Davies

Mr. and Mrs. AbramT. Collier Mr. and Mrs. Caleb Loring, Jr. Sohier

Johns H. Congdon Mrs. Frederick H. Lovejoy, Sr. Mr. and Mrs. Ray Stata Mr. and Mrs. William H. Congleton Dr. and Mrs. Frederick H. Mr. and Mrs. Sidney Stoneman

Mr. and Mrs. Bigelow Crocker, Jr. Lovejoy, Jr. Mrs. Stanley A. Swaebe Mrs. Vincent D'Orazio Edward E. MacCrone Charitable Mr. and Mrs. John L. Thorndike Mr. and Mrs. Lewis S. Dabney Trust Lewis H. Weinstein

Mr. and Mrs. Nelson J. Darling, Jr. Mr. and Mrs. C. Charles Marran Miss Christine White Mr. and Mrs. Michael H. Davis Miss Charlotte N. May Mr. and Mrs. Donald B. Wilson

Mr. and Mrs. Eugene B. Doggett Ms. Edith Michelson Mrs. John J. Wilson

The children of Anne G. Durant Mr. and Mrs. Nathan R. Miller Anonymous (2) Mrs. Otto Eckstein Mr. and Mrs. Richard A. Miner Mr. and Mrs. George Howard Edmonds

The Boston Symphony Orchestra is also grateful to the following Corporations and Foundations for their contributions of $1,500 and above to one or more of the BSO Capital Gift Programs.

Arthur Andersen & Co. Henry Hornblower Fund, Inc. Raytheon Company Bank of Boston Liberty Mutual Insurance Group Shawmut Bank, N.A. BayBanks, Inc. The Edward MacCrone Charitable State Street Foundation Boston Park Plaza Hotel & Towers Trust Janet Upjohn Stearns Charitable Clark Charitable Trust The Esther V. & Sidney R. Rabb Trust Connell Limited Partnership Foundations WCRB Coopers & Lybrand Helene R. Cahners-Kaplan and Dynatech Corporation Carol R. Goldberg, Trustees The Carol and Avram Goldberg Family Foundation

37 —

Without You, This Is The Whole Picture.

This year, there is a $12 million difference educational and youth programs, and to attract between what the BSO will earn-and what the world's finest musicians and guest artists. we must spend to make our music. Make your generous gift to the Annual Fund Your gift to the Boston Symphony Annual and become a Friend of the Boston Symphony Fund will help us make up that difference. Orchestra today. Because without you, the

It will help us continue to fund outreach, picture begins to fade. r ~i Yes, I want to keep great music alive. Fd like to become a Friend of the BSO for the 1992-93 season. (Friends' benefits begin at $50.) Enclosed is my check for $ payable to the Boston Symphony Annual Fund.

Name. Tel.

Address.

City State. Zip.

Please send your contribution to: Susan E. Kinney, Assistant Director of Development, Boston Symphony Orchestra, Symphony Hall, Boston, MA 021 IS. KEEP GREAT MUSIC ALIVE. LA portion of your gift may not be tax-deductible. For information call (617) 638-9251. J 38 Friends of the Boston Symphony Orchestra

Friends

$750 - $1499

Mrs. Herbert Abrams Mrs. Charles D. Gowing Mr. and Mrs. Millard H. Pryor, Jr.

Miss Barbara Adams Dr. and Mrs. Paul E. Gray Mrs. J. C. Rauscher

Mrs. John M. Alden Ms. Betty J. Green Mrs. Fairfield E. Raymond

Mr. and Mrs. Walter Amory Mr. and Mrs. Paul F. Hannah Mr. and Mrs. David Rockefeller, Jr.

Mr. and Mrs. John E. Andrews II Mr. and Mrs. Arnold S. Hiatt Mr. and Mrs. William D. Roddy Carlos M. Baranano Mrs. Waldo H. Holcombe Mrs. Benjamin Rowland

Mr. and Mrs. Michael E. Barton Gordon Homes, Jr. Mr. and Mrs. Wilbert R. Sanger

Thomas R. Bateman Mrs. Louise P. Hook Robert G. Segal Mr. and Mrs. Bruce A. Beal Miss Elizabeth B. Jackson George C. Seybolt Mr. and Mrs. W. Bentinck-Smith Mr. and Mrs. Paul Jameson Mr. and Mrs. Robert Shenton Mrs. Arthur W. Bingham Dr. and Mrs. Nissim Joseph Richard and Sandra Silverman Peter M. Black Mr. and Mrs. Robert 0. Keohane Marshall H. Sirvetz

Miss Ruth S. Brush Dr. and Mrs. Richard C. Krutenat Mrs. Gordon Smith Ms. Caroline C. Campbell Mr. and Mrs. John R. Laird Mr. and Mrs. Richard A. Smith Dr. and Mrs. Bradford Cannon Mr. and Mrs. Roger Landay Charlotte and Ralph Z. Sorenson

Mrs. Barbara S. Chase Mrs. James F. Lawrence Dr. and Mrs. Lamar Soutter

Mr. and Mrs. Daniel S. Cheever Mr. and Mrs. Maurice Lazarus Mr. and Mrs. Charles H. Spaulding

Mrs. William Claflin III Mr. and Mrs. David S. Lee Mr. and Mrs. Samuel R. Spiker

Mrs. George H. A. Clowes Mrs. George C. Lee Dr. and Mrs. Walter St. Goar

F. Douglas Cochrane Mr. and Mrs. E. Payson Little Mr. and Mrs. Howard J. Stagg III Lewis C. Cohen Graham Atwell Long Mr. and Mrs. Maximilian Steinmann

Mr. and Mrs. Stephen E. Coit Ms. Anne Lovett Mr. and Mrs. Ezra F. Stevens Mr. and Mrs. Loring W Coleman Mrs. Victor A. Lutnicki Mr. and Mrs. Robert E. Sullivan Victor Constantiner Mr. and Mrs. Leonard Moss Mr. and Mrs. Joseph Swiniarski

Drs. Amiel G. Cooper and Lori Adcock Mr. and Mrs. Robert J. Murray Mr. and Mrs. Anthony A. Tambone Dr. and Mrs. Chester C. DAutremont Dr. and Mrs. Gordon S. Myers Mrs. Jane S. Tappan

Mrs. Morris F. Darling Mr. and Mrs. Andrew L. Nichols Susan and Coyt Tillman, Jr. Mr. and Mrs. Charles Devens Mr. and Mrs. Christopher A. Pantaleoni Miss Alice Tully Richard R. Downey Dr. and Mrs. Jack S. Parker Mrs. Howard Ulfelder David Driscoll Mrs. Brackett Parsons Mr. and Mrs. John H. Valentine John Dwinell Mr. and Mrs. Martin Peretz Mrs. Sue S. Watson

Mrs. Alexander Ellis, Jr. Mr. and Mrs. Malcolm D. Perkins Miss Barbara West Henry 0. Fagerberg Miss Sylvia Perkins Mrs. George Macy Wheeler

Mr. and Mrs. George P. Gardner, Jr. Mr. and Mrs. AlvarW. Polk, Jr. Mrs. Henry Wheller

Robert P. Giddings Ms. Helen C. Powell Mrs. Mary Louise Wilding-White Ms. Francine Ellen Goldstein Mr. and Mrs. Dennis M. Powers Mrs. Margaret S. Williams-DeCelles

Martin Gottlieb Mr. and Mrs. Richard Prouty Anonymous (9)

Friends

Mr. and Mrs. Ralf A. Adolfsson Mrs. Charles S. Bird III Dr. and Mrs. F. Sargent Cheever

Dr. and Mrs. Alex F. Althausen Mr. and Mrs. Walter W. Birghe III James Russell Clarke, Jr. Mr. and Mrs. Oliver F. Ames Mr. and Mrs. George Blagden Dr. and Mrs. Robert B. Clarke Mrs. L. Hathaway Amsbary Maxwell V. Blum Robert U. Clemence

Ms. Pauline Ancrum Mr. and Mrs. Eugene L. Bondy, Jr. Roger L. Clifton Katsushige Aoki Miss Rhoda C. Bonville Harold G. Colt G. Michael Ashmore Douglas Bowring Mr. and Mrs. Donald W. Comstock Mr. and Mrs. Raymond P. At wood Lee C. Bradley III Mrs. Gilman W. Conant

Mrs. Neil R. Ayer Mr. and Mrs. Daniel M. Braude Mr. and Mrs. Woolsey S. Conover

Dr. and Mrs. William H. Baker Mr. and Mrs. John D. Brewer, Jr. Mr. and Mrs. Robert A. Conrads Richard Bancroft Mrs. Mrs. Richard L. Brickley Charles A. Coolidge, Jr.

Joseph S. Banks Mrs. Adrian J. Broggini Lucy A. and James E. Coppola Mr. and Mrs. Brewster Barnard Mr. and Mrs. Paul C. Cabot Jay and Mary-Brenda Cortell Mr. and Mrs. Frederick E. Barstow Mr. and Mrs. Walter M. Cabot Mr. and Mrs. Stuart W. Cragin Richard Bartley Dr. Charlotte C. Campbell Mr. and Mrs. Thorns E. Curtin, Jr. Mr. and Mrs. Sherman C. Bedford Miss Hannah C. Campbell Mr. and Mrs. A. T Daignault Mr. and Mrs. John T. Bennett, Jr. Mr. and Mrs. Daniel W. Carroll Mrs. Ernest B. Dane, Jr. Mrs. Paul Bernat Mr. and Mrs. Ephron Catlin William F. G. Dawson Bernstein Mrs. David W. Mr. David Cheever HI Mrs. Brenton H. Dickson III

39 Harry Ellis Dickson Betty and Dana Jost Mr. and Mrs. Leo M. Pistorino Mr. and Mrs. Richard P. Dober Dr. and Mrs. Charles E Kane Mr. and Mrs. David E. Place Mr. and Mrs. Robert A. Don Ms. Sarah Kan tor Anthony C. Piatt Mr. and Mrs. Steven M. Dunn Martin S. Kaplan Dr. and Mrs. Alfred Pope Ms. Majorie C. Dyer Sumner and Carol Kaufman Dr. and Mrs. Mark A. Popovsky Mr. and Mrs. Michael Dziekan Mr. and Mrs. Robert J. Kaufmann George J. Power Mrs. Gladys A. Eggiman Mr. and Mrs. Lowell D. Kennedy Mrs. H. Burton Powers

Mrs. Philip Eiseman Mrs. Prescott L. Kettell Michael C. J. Putnam Mr. and Mrs. William V. Ellis Samuel H. Kim Richard Quinn

Mrs. Judith R. Emmons Mr. and Mrs. Seth A. Klarman Mr. and Mrs. George S. Reichenbach Mr. and Mrs. Bradford M. Endicott Mr. and Mrs. Russell W. Knight Mrs. Peter Remis Mrs. Romeyn Everdell Dr. and Mrs. William Kornfield Ms. Patricia B. Rice Mr. and Mrs. Leroy Fadem Mr. and Mrs. George W Kuehn Ms. Marcia A. Rizzotto Paul H. Farris Mr. and Mrs. Melvin Kutchin Dr. and Mrs. Kenneth M. Rosenfeld Dr. and Mrs. Benjamin G. Ferris, Jr. Mr. and Mrs. James R. Lajoie Mr. and Mrs. William H. Ryan Dr. and Mrs. Brent P. Fletcher Barry M. Lamont William T Salisbury Dr. and Mrs. John A. Fox Dr. and Mrs. John H. Lamont Paul Sanders Mrs. L. Edward Francis Mr. and Mrs. William J. Landes John V. C. Saylor Ms. Suzanne Freedman Richard Langerman Mr. and Mrs. James T Sayre Mr. and Mrs. Joseph S. Freeman Miss Elizabeth Lathrop Ms. Carole M. Schnizer Mr. and Mrs. Joseph J. Gal Dr. and Mrs. William B. Latta Mrs. Wolfgang A. Schocken Mr. and Mrs. Steve Ganak Mrs. Paul B. Le Baron Mrs. Janos Scholz Edward A. Gardner Mr. and Mrs. Richard A. Leahy Mr. and Mrs. Marvin G. Schorr Miss Eleanor Garfield Alan L. Lefkowitz Mr. and Mrs. Kent Schubert Rabbi and Mrs. Everett E. Gendler Mrs. Tudor Leland Mr. and Mrs. David W Scudder Mr. and Mrs. Henry C. Gill, Jr. Mr. and Mrs. Paul Levenson Mr. and Mrs. Phillip H. Seaver Richard B. Gladstone Laurence W. Levine Mr. and Mrs. Norman J. Shachoy Alan R. Goff Dr. and Mrs. Elia Lipton Leslie and Howard Shapiro Mr. and Mrs. Harold Gold John M. Loder Mr. and Mrs. Jack Shirman

Mr. and Mrs. Macey J. Goldman Mrs. Augustus P. Loring Mr. and Mrs. Edward C. Shotwell Mr. and Mrs. Arnold Goldstein Mr. and Mrs. David Lubrano Dr. Alene Silver Mr. and Mrs. William H. Gorham Christopher Lydon Ms. Barbara A. Smith

Mr. and Mrs. Kenneth B. Gould Mr. and Mrs. Henry Lyman, Jr. Mrs. Donna Smith

Ekkehard Grampp Leonard E Lynch, Jr. Mr. and Mrs. Edgar A. Smith Mrs. John B. Gray Miss Ann E. Macdonald Patrick K. Snead Mr. and Mrs. Ralph L. Gustin, Jr. Peter MacDougall Mr. and Mrs. Joseph P. Solomon

Mr. and Mrs. John C. Haas Mr. and Mrs. John P. Madden Dr. and Mrs. Karl Sorger Mr. and Mrs. Arthur T. Hadley Dr. and Mrs. Hywel Madoc-Jones Mrs. Josiah A. Spaulding Carol Haffenreffer-Abrahams Mr. and Mrs. William S. Malcom Mrs. Hester D. Sperduto Mr. and Mrs. Harley L. Hansen Ms. Therese A. Maloney Dr. and Mrs. David G. Stahl Frank L. Harrington, Jr. Mr. and Mrs. William M. Marcus Mr. and Mrs. David C. Starkweather Dr. Ellen T. Harris Franklin J. Marryott Dr. and Mrs. Glenn D. Steele, Jr. Mr. and Mrs. Baron M. Hartley Robert McAvoy Mr. and Mrs. Joel A. Stein Mr. and Mrs. Ralph Hayden Mrs. Maurice McCarthy Mr. and Mrs. Josiah Stevenson IV Mrs. Harold L. Hazen Dr. and Mrs. William M. McDermott Mr. and Mrs. Elliot M. Surkin Mrs. Donald C. Heath Dr. and Mrs. Jeremiah P. McDonald Dr. and Mrs. William H. Sweet Mr. and Mrs. Robert P. Henderson Mrs. Roy R. Merchant, Jr. Kazuhiro Takahashi

Mr. and Mrs. Edwin W. Hiam Mr. and Mrs. Robert W. Meserve Raymond L. Taylor Mr. and Mrs. Denny F. High Mr. and Mrs. Bernard E Meyer Marc and Mette Teller Mrs. Petie Hilsinger Mr. and Mrs. Leon D. Michelove Mr. and Mrs. Everett A. Tenbrook Mr. and Mrs. Winston R. Hindle, Jr. Robert M. Morse Mrs. Alfred Thomas

Mr. and Mrs. Joseph D. Hinkle Ms. Martha S. Mugar Thomas G. Thomas Mr. and Mrs. H. Brian Holland John J. Murphy Mr. and Mrs. Richard K. Thorndike Dwight R. Holmes David L. Myers Mr. and Mrs. Richard P. Tobin Miss Isabel B. Hooker Mrs. Susan Nassau Mr. and Mrs. G. Richard Tod Douglas Horst Miss Esther E. Osgood Mr. and Mrs. Sidney Topol Dr. and Mrs. Terry T. Howard Mrs. George A. Ott Ms. Judith R. Tucjer Mr. and Mrs. Franklin K. Hoyt Ms. Mary B. Parent C. Robert Tully Richard E Hoyt, Jr. Mrs. James J. Pastoriza Mr. and Mrs. Renwick S. Tweedy Mr. and Mrs. Jason C. Hubbard Carmen J. Patti Laughran Vaber Mr. and Mrs. James E Hunnewell Mr. and Mrs. Peter Pattison Allan Van Gestel Mr. and Mrs. Joseph J. Incandela Mrs. Thorn Pendleton Mrs. Gordon E Vawter Mr. and Mrs. Jonathan Isaacs Mr. and Mrs. Guido R. Perera, Jr. Mr. and Mrs. Jack H. Vernon Mr. and Mrs. Henry B. Jackson H. Angus and Genevieve T Perry Robert A. Vogt Mrs. Paul M. Jacobs Ms. Nancy Peterson Mrs. Charles F. Walcott Mr. and Mrs. Leland H. Jenkins C. Marvin Pickett, Jr. Mr. and Mrs. Thomas S. Walker

Timothy Johnson Mr. and Mrs. Ervin Pietz Mr. and Mrs. Howland S. Warren Mr. and Mrs. Howland B. Jones, Jr. Anthony M. Pisani Mr. and Mrs. Walter Watson II

40 Mr. and Mrs. Charles H. Watts II Mrs. Morrill Wiggin Mr. and Mrs. John M. Woolsey, Jr.

Mr. and Mrs. Peter F. Way Mr. and Mrs. Keith G. Willoughby Robert W Wormstead, Jr.

Mr. and Mrs. David L. Weber Howard Wilson Mrs. Frederic P. Worthen

Mr. and Mrs. John P. Weitzel Mr. and Mrs. Leslie J. Wilson Mr. and Mrs. Edward Younis, Jr. Mr. and Mrs. John W White Mrs. Margaret W. Winslow Dr. and Mrs. Harvey Zarren Ms. Katherine S. White Ms. Mary Wolfson David R. Zukerman

Mrs. Charles B. Whiteside Dr. and Mrs. Edward F. Woods Anonymous (35)

Friends

Mrs. John Q. Adams Mr. and Mrs. Allan M. Cormack Mr. and Mrs. Paul B. Gilbert

Dr. and Mrs. Barry J. Agranat Mrs. AloyseT. Corrigan Mrs. Howard E Gillette

Mrs. Robert Amory, Jr. Mr. and Mrs. Nicholas P. Cotellesso Mr. and Mrs. John Gilmartin

Richard D. Angel Mrs. J. Holland Cotter Mr. and Mrs. Robert R. Glauber

Mr. and Mrs. Edward L. Anthony II Mr. and Mrs. John C. Cox Mr. and Mrs. Richard R. Glendon

Mr. and Mrs. Harold E. Applegate Frederick Crane, Jr. Alan Goldberg Mr. and Mrs. Bruce C. Avery Mrs. John Crocker Ronald H. Goldenson Lloyd Axelrod Mr. and Mrs. Julian Crocker Mr. and Mrs. Charles M. Goldman James C. Ayer Bruce Curran Frederick Goldstein Dr. and Mrs. Henry H. Banks Mrs. Vincent D'Orazio Dr. Joan R. Golub Yonathan Bard Mr. and Mrs. William H. Darling William Goode Mrs. Bishop Bargate Mrs. Elizabeth K. Darlington Ms. Linda Goodman

Miss Anahid Barmakian Mr. and Mrs. Harold C. Davis Mrs. John D. Gordan, Jr. Dr. and Mrs. Joseph R. Barrie Rev. Msgr. Russell H. Davis Mr. and Mrs. Clyde B. Gordon

Mrs. Marshall K. Bartlett Mr. and Mrs. Freeman I. Davison, Jr. Ms. Linda Gorham

Mrs. Georgia K. Basbanes Dr. and Mrs. Roman W DeSanctis Vincent J. Gorman

Mrs. Philip C. Beals John M. Deutch Robert A. Gough, Jr. James Becker Dr. and Mrs. Norman H. Diamond Mr. and Mrs. Harold L. Goyette Dr. and Mrs. Martin D. Becker Thomas R. Diaz Kenneth Grandberg Mr. and Mrs. G. DAndelot Belin Mrs. Arthur C. Doran Mrs. Morris Gray

Mr. and Mrs. E Gregg Bemis Mrs. Zelma R. Dorson Robert J. Greene Mr. and Mrs. Philip W Bianchi Dr. and Mrs. Emerson H. Drake Mr. and Mrs. George L. Greenfield

Benjamin E. Bierbaum Mrs. Arthur J. Driscoll Mr. and Mrs. ArhturW. Gregory III

Mrs. Anna Child Bird Peter E and Celeste P. Duffy Dr. and Mrs. C. Thomas Griffiths

Mr. and Mrs. William C. Blanker Mrs. Panos S. Dukakis Mrs. Helen Grossman Abraham Bluestone Mr. and Mrs. Frederic C. Dumaine Miss Constance Grosvenor

Mrs. Foster Boardman Mr. and Mrs. J. Keller Duncan John G. Guillemont

Mrs. George K. Boday, Jr. William D. Dunn Dr. and Mrs. Edgar Haber

Mr. and Mrs. John C. Bodenmann, Jr. Walter D. Edmonds Mrs. Frederick W Haffenreffer

Mrs. Anne C. Booth Dr. and Mrs. John P. Eliopoulos Mr. and Mrs. John M. Haffenreffer Mr. and Mrs. Bruce A. Bouton Miss Mary C. Eliot Ms. Susan M. Halby

Mr. and Mrs. James C. Boyd Charles H. Ellis, Jr. Mrs. Frances Sloan Hall

Dr. and Mrs. Donald J. Breslin Mrs. Kurt Enoch Mr. and Mrs. George A. Hall

Mr. John H. Brooks, Jr. Mr. and Mrs. Donald M. Epstein Mr. and Mrs. Charles M. Hamann

Mr. and Mrs. E. Burton Brown Mr. and Mrs. John W. Erhard Mr. and Mrs. John P. Hamill

Mrs. and Mrs. Pierce B. Browne Dr. and Mrs. Richard D. Falb Mr. and Mrs. David A. Hansen, Jr.

Alexander K. Buck, Jr. Ms. Cynthia M. Farrar Mrs. Arthur W Harris

Mr. and Mrs. Joseph R. Busk, Jr. Dr. and Mrs. Merrill I. Feldman Dr. and Mrs. Frederick B. Hartman

William J. Butterworth Dr. Harvey V. Fineberg Ms. Alice B. Hatch Mrs. Harriet Cabot Louis Antony Fisher Mr. and Mrs. William E. Haynes

Richard P. Campbell Mr. and Mrs. Niles D. Flanders Mrs. Patricia L. Heilner Mr. and Mrs. David A. Cane Miss Laura B. Foster Mr. and Mrs. Raymond E. Hender Eric Canel-Knohr Mrs. Harry W. Fowler Dr. and Mrs. Milton E. Henderson

Leon M. Cangiano, Jr. Ms. Lorraine T. Frankel Gardner C. Hendrie

Dr. and Mrs. Joseph A. Cardarelli, Jr. Mr. and Mrs. Robert L. V. Franch Mr. and Mrs. Robert W Hinman Mr. and Mrs. David H. Carls Barry L. Friedman Mrs. Walter Hinrichsen Dr. Mary C. Cavallaro Yuichi Fukuda John A. Holmes Mr. and Mrs. Ernest C. Clark, Jr. Mrs. John Furman William E Hoist Mrs. Ronald C. Clark Dr. and Mrs. Edward A. Gaensler Mr. and Mrs. Ronald A. Homer Kenneth W Cohen Mrs. Charles Mack Ganson Ross G. Honig Mr. and Mrs. Charles C. Colby III Mr. and Mrs. Dale N. Garth Alfred Hoose

Joseph C. Connolly Paul J. Gerry Mr. and Mrs. Charles Fox Hovey Thomas E. Connolly Mr. and Mrs. Henry Gesmer Mrs. David H. Howie

Mrs. Frank H. Conway Mr. and Mrs. Nelson Gifford Mr. and Mrs. Guerard H. Howkins, Jr.

41 Mr. and Mrs. Windsor H. Hunter Mr. and Mrs. Gerald M. Mayer, Jr. Mr. and Mrs. John Ex Rodgers Mr. and Mrs. Christopher W. Hurd Mr. and Mrs. Robert L. Mayer Mr. and Mrs. Gordon J. Rollert

Constantine Hutchins, Jr. Ms. Joanne M. McCarthy Stephen R. and Barbara Roop

Mark Hyman, Jr. Dr. Marie C. McCormick Murray Rosenberg

Mr. and Mrs. R. Blake Ireland Mr. and Mrs. Eugene F. McCulloch, Jr. Drs. A. Daniel and Delilah Rubenstein

Mr. and Mrs. Russell E. Isaia Dr. and Mrs. William V. McDermott, Jr. Mrs. Howard Rubin

Miss Carol F. Ishimoto Dr. and Mrs. John S. McGovern Mr. and Mrs. Lawrence G. Rubin Mr. and Mrs. David 0. Ives Mr. and Mrs. Clement L. Mclver Mr. and Mr.s Milton B. Rubin

Mr. and Mrs. Charles W. Jack, Jr. Mr. and Mrs. Raymond W. McKittrick Alford Paul Rudnick

Martin L. Jack Mrs. Robert McMillan Mr. and Mrs. Donald B. Sandstrom, Jr.

Mr. and Mrs. Charles Jackson, Jr. Mr. and Mrs. John J. McSheffrey Robert J. Sanferrare

Dr. and Mrs. David M. Jackson Ms. Elizabeth Melamid Mr. and Mrs. Ernest J. Sargeant

Dr. and Mrs. Neil D. Jackson Ms. Jane L. Mendillo Ms. Suzanne Satterfield

Dr. and Mrs. John Y. C. Jao Mr. Nathanial S. Merrill Mr. and Mrs. James L. Schaye

Dr. and Mrs. Richard R. John Mr. and Mrs. James Messing Mr. and Mrs. Pieter Schiller

Walter J. Johnson Mr. and Mrs. Henry H. Meyer, Jr. Robert W. Schlundt Ms. Jacqueline M. Jung John B. Meyer Henry L. P. Schmelzer Mr. and Mrs. Edward M. Kaplan Dr. and Mrs. Alan S. Michaels Dr. and Mrs. Arthur J. Schneider

Dr. and Mrs. Jerome P. Kassirer Mr. and Mrs. Theodore T. Miller Ms. Zelda M. Schneider Mr. and Mrs. Stanley W. Katz Dr. and Mrs. Michael B. Millis Peter K. Schofield Dean Kauffman Mr. and Mrs. Jeffrey Millman Wilfred Schofield Ms. Paula C. Keenan Ms. Amy L. Moore Ms. Paula Schumann

William E. Kelly Mr. and Mrs. Roy E. Moulton, Jr. Robert and Janine Schwartz Miss Janet Kelsay Mrs. Judith Palmer Muggia Mr. and Mrs. George G. Schwenk Mrs. Douglas H. Sears John F. Kendrick Mr. and Mrs. Michael Mulroy Mr. and Drs. Kenneth R. and Barbara M. Kenyon Mr. and Mrs. Barry W. Murphy Dr. and Mrs. Leslie J. Sebba Mr. and Mrs. Harold Keohane Mr. and Mrs. Ronald A. Nanfelt Ms. Deborah Webber Segal

Mr. and Mrs. Thomas P. King Ms. Barbara Nash Mrs. Freema Shapiro Mr. and Mrs. Robert B. Kittredge Mr. and Mrs. Horace S. Nichols Dr. and Mrs. Robert L. Shirley

P. Shriberg Mr. and Mrs. Henry E. Kloss Joseph J. Nicholson Mr. and Mrs. Joel Helmut Koester Mrs. Hiroshi H. Nishino Kevin Silk Mr. and Mrs. George S. Kouri Mr. and Mrs. Fred O'Connor, Sr. David F. Simon

Dr. and Mrs. Leo P. Krall Mr. and Mrs. Bruce S. Old Mr. and Mrs. Robert A. Sinclair Mr. and Mrs. James N. Krebs Mrs. George Olmsted Kenneth and Phyllis Sisson E. Sisson Dr. Ruth B. Kundsin Mr. and Mrs. Jason S. Orlov Mr. and Mrs. Wallace Mr. and Mrs. Ernest Kurnow Mr. and Mrs. Hyman Ossoff Raymond F. Skiba F. Smith Mr. and Mrs. Harold A. Kuskin Mr. and Mrs. Michael M. Ossoff Mr. and Mrs. Benjamin Loretta Mr. and Mrs. Peter E. Lacaillade Mr. and Mrs. Hugo Pagliccia, Jr. Ms. Smith N. Ms. Cecelia A. Lacey-Anzuoni Mr. and Mrs. Robert T. Parry Mr. and Mrs. Peter Smith Mr. and Mrs. Arthur F. F Synder Mrs. F. Danby Lackey Peter Pastreich Dennis and Mary Ellen LaCroix Mr. and Mrs. Francis W. Peabody Mr. and Mrs. Julian M. Sobin Mr. and Mrs. Edward H. Ladd Mr. and Mrs. C. L. Pecchenino Mrs. Horace H. Soule Mrs. Leonard Spalding Mr. and Mrs. W Loeber Landau Mr. and Mrs. John B. Pepper Mr. and Mr. and Mrs. Gene K. Landy Edward Perry Mr. and Mrs. David F. Squire Stahl Mr. and Mrs. Richard E. Lang Mr. and Mrs. Edward Lee Perry Mr. and Mrs. Benjamin Mrs. Edward W. Lawrence Mr. and Mrs. Marvin D. Perry Mr. and Mrs. Allen C. Steere Mrs. James Lawrence Mr. and Mrs. Jay B. Pieper Dr. and Mrs. Gooodwill M. Stewart K. Stewart Mr. and Mrs. Samuel Leibowitz Mr. and Mrs. Laurence A. Pierce Dr. and Mrs. Samuel Mr. and Mrs. John W. Stimpson Mr. and Mrs. Royal W. Leith III Mr. and Mrs. Robert P. Pits Richard D. Stone Mr. and Mrs. Richard L. Leonard Norman Plummer Mr. and Mrs. Mr. and Mrs. Laurence Lesser Mr. and Mrs. Edward E. Pomfret Ms. Amy J. Tananbaum Ms. Evelyn J. Tate Dr. and Mrs. Clinton N. Levin Philip J. Porter Mr. Mrs. Theodore M. Theodore Dr. and Mrs. Charles S. Lipson Dr. and Mrs. Richard Porter and Mrs. Charlotte E. Thompson John D. C. Little Mrs. Priscilla Pratley Mr. and Mrs. Lewis B. Thompson, Jr. Mrs. Elvira Lochiatto Alphonse Presto . MarkTishler, Stephen E. Loher Mrs. John H. Privitera Mr. and Mrs. Jr. Mr. and Mrs. Paul J. Tobin Mr. and Mrs. Robert I. Lurie Mark Ptashne Mr. and Mrs. Philip Trumbull Hon. and Mrs. John S. MacDougall, Jr. JohnW. Pucillo W Vanderweil, Sr. Mr. and Mrs. David D. Mackintosh Dr. and Mrs. James M. Rabb Mrs. R. G. Mr. and Mrs. Gerald C. Vigneron Mr. and Mrs. John F. Malloy Mr. and Mrs. Norman S. Rabb Mr. and Mrs. James S. Walker Mr. and Mrs. Charles M. Manzella John J. Rallis Dr. and Mrs. Stephen L. Wanger Mr. and Mrs. Hugo J. Marchi John B. Read, Jr. A. Warchol Dr. Pamela Marron Ms. Mary Bartlett Reynolds Ms. Joyce Mrs. John Ware, Jr. Mr. and Mrs. Alan C. Marshall Mr. and Mrs. Walter J. Riley III Mr. and Mrs. Louis M. Warlick Leon C. and Marilee N. Martel Mr. and Mrs. Elie Rivollier, Jr. M. Wassenar Mr. and Mrs. Lawrence E. Martin Dr. and Mrs. Richard M. Robb Mr. and Mrs. Winthrop Gerald A. Mata Mr. and Mrs. Owen W. Robbins Mrs. Estelle Watters David Zach Webster Mr. and Mrs. Paul D. May Mr. and Mrs. Norman R. Robertson Mr. and Mrs.

42 Ms. Kathy L. Weiss Mr. and Mrs. David J. Winstanley Ms. Ruth Young

Mr. and Mrs. F. David Wells Ms. Katherine Winthrop Mr. and Mrs. Arnold M. Zack Mr. and Mrs. Harold Wernick Mr. and Mrs. Peter Wirth Mrs. Clotilde Zannetos Mr. and Mrs. Mark C. Wheeler Dr. and Mrs. Daniel Wistran Dr. and Mrs. Robert E. Zeller Clark and Nancy Whitcomb Mrs. Charlotte Wolf Mr. and Mrs. Robert G. Zeller Mrs. Ogden White Mr. and Mrs. John Woodman Mr. and Mrs. Erwin N. Ziner

Edward T. Whitney, Jr. Ms. Amy Woods Mr. and Mrs. Alan R. Zion Mr. and Mrs. Amos N. Wilder Mr. and Mrs. Kenneth A. Wright Gabriel Zizza

Hon. and Mrs. Herbert P. Wilkins Mrs. Whitney Wright Anonymous (35)

Mrs. John J. Wilson Mr. and Mrs. Raymond Wysocki

Dedicated Gifts

Contributions were made to the Boston Symphony Orchestra during the 1992 fiscal year in honor of the following individuals:

Mabel Bigelow Mrs. Rachel Friedman Hannah and Ray Schneider Mr. and Mrs. Daniel M. Braude Ruth and Jerry Hertz Harry Shapiro Devlin McDonald Cooper Ann and Guerard H. Howkins Robert Springer

Mr. Shelly Epstein Mrs. Robert M. P. Kennard Lauren Beth Stanzler Tilla and Joseph Fishman Mr. and Mrs. Nathan R. Miller Sidney Stoneman

Charles F. Francis Mr. and Mrs. Leonard G. Moss Dr. and Mrs. Harold White Eric Friedl Eleanor B. Pilcher

Contributions were made to the Boston Symphony Orchestra during the 1992 fiscal year in memory of the following individuals:

Katherine Faneuil Adams Margaret E. C. Downs Charles Munch Hannah G. Ayer Harry Englander Mrs. E. Geoffrey Nathan Tobie Beers Kathleen Fullerton Doris A. Parker

Nelson S. Bell Jean Riddle Gerry Sumner Poorvu Ruth Berow Lucy G. Gallup Margaret Stokes Radebaugh

Elaine Brown Mrs. Henry S. Hall William Remis Lawrence E. Bunker Katherine Jackson Alice Schule Elizabeth Card Paul Kaplan Mr. and Mrs. Jacob Segal Clara Baker Cohen James Kiley Franklin M. Spooner Stanley E. Dale DaleT. Kimmett Stanley Swaebe Morris Darling Sarah Kline Mrs. Frederick Weed Saville R. Davis Pearl Mandell Max Winder

The Boston Symphony Orchestra is particularly grateful to those individuals who chose to remember the BSO through a bequest. The Walter Piston

Society recognizes and honors those who let the Orchestra know that it is included in their testamentary plans.

Alice Larkin Brosnahan Anita B. Kingan Louise H. Parsons Alice E. Buff Olive H. Kornsand Ian Paley Rak Dorothy Collier Katharine Kulmala Edith Seltzer Lydia Hall Ruth Edith Lindblom Mrs. Abraham Simcovitz Edith Hertz Edward MacCrone Ella M. Stuart

Lucille Hirshfield Doris J. McCormick Edna Talbot Wdliam King JohnT. Norton Katherine Weems

43 ii

BSO Corporate Sponsorships $25,000 and above

The Boston Symphony wishes to acknowledge this distinguished group of corporations for their outstanding and exemplary support of the Orchestra during the 1992 fiscal year.

Digital Equipment Corporation Boston Pops Orchestra Public Television Broadcasts NEC Boston Symphony Orchestra European Tour

NYNEX Corporation WCVB-TV, Channel 5 Boston and WCRB 102.5 FM Salute to Symphony

Northwest Airlines Holiday Pops Series

Lexus Opening Night at Pops Tanglewood Opening Week

The Boston Company Opening Night At Symphony

Fleet Bank of Massachusetts Esplanade Concert Series

TDK Electronics Corporation Tanglewood Tickets for Children

Country Curtains and The Red Lion Inn Dynatech Corporation Houghton Mifflin Company BSO Single Concert Sponsors

For information on the BSO Corporate Sponsorship Program, contact Madelyne Cuddeback, Director of Corporate Sponsorships, Symphony Hall, Boston, MA 02115, (617) 638-9254.

44 We're here because there's a difference between making a living. And having a life.

JiL Fleet Bank A Member of Fleet Financial Group

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Philanthropy is an American tradition. Over the years, however, the process of charitable giving has become too time consuming and too complex. fortunately, fidelity Investments has a common sense solution.

it simplifies the process while enhancing the value of your contributions. it provides both immediate tax benefits and the luxury of being able to recommend gifts to qualified non-profits at your convenience.

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The Charitable Gift Fund. New from Fidelity. A common sense solution for individuals and corporations. it will simply revolutionize the way you give.

For complete details, please call a Charitable Gift Fund representative at 1 -800-544-0275, ext. 26. or, fax your

inquiry to (617) 248-1 851 .

aritable FMeMx Investments This ship's lamp is mounted on a gimbal, a device that keeps it upright regardless ofmovement. STABILITY IN ANY WEATHER. People turn to State Street for one of the world's largest custodians the kind of stability they can't find of financial assets and one of the elsewhere. largest money managers in the They know that for nearly 200 United States. years, State Street has guided both Our financial foundation is solid, our individuals and businesses through investment performance superior and good times and bad. our commitment to quality unwavering. Helping to grow and protect their Whatever the weather, you can assets for future generations and count on State Street for your finan- providing their growing businesses cial and investment needs. the kind of investment advice usually For more information, call Peter reserved only for Fortune 500 Talbot at (617) 654-3227. companies. Of course, over the years State Street has grown too. Today we are

State Street Bank and Trust Company, wholly-owned subsidiary of State Street Boston Corporation, 225 Franklin Street, Boston, MA 02110. (617) 786-3000. Offices in Boston, Worcester, Manchester, Hartford, New York, Los Angeles, Toronto, Montreal, London, Paris, Munich, Brussels, Luxembourg, Cayman Islands, Tokyo, Sydney, Melbourne, Wellington, Hong Kong. Member FDIC. © Copyright State Street Boston Corporation, 1992. Fortunately For Those Who Once Dared To Dream,

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KNOW-HOWTHAT PAYS OFF.5 Member FD1C Business Leadership Association ($10,000 and above)

The Business Leadership Association forms a strong coalition of corporate support for the BSO and has been instrumental in enabling the Orchestra to pursue its mission of performing at the highest level of musical excellence. The BSO gratefully acknowledges the following organizations for their generous leadership support.

(Thefollowing includes annual, capital, and sponsorship support during the BSOs fiscal year beginning September 1, 1991 through August 31, 1992.)

Beethoven Society $500,000 and above

Digital Equipment Corporation NEC Corporation Robert B. Palmer Tadahiro Sekimoto

Gold Baton $100,000-$499,999 Dynatech Corporation WCRB 102.5 FM John F. Reno Cynthia Scullin

Northwest Airlines, Inc. WCVB-TV, Channel 5 Boston Terry M. Leo S. James Coppersmith

Sony USA, Inc. Michael P. Schulhof

Silver Baton $75, 000-$99, 999 The Boston Company NYNEX Corporation John Laird William C. Ferguson

Fleet Bank of Massachusetts, N. A. Leo R. Breitman

Bronze Baton $50, 000-$74, 999 Bank of Boston Lexus Ira Stepanian J . Davis Illingworth

Country Curtains & The Red Lion Inn State Street Bank & Trust Company Jane and Jack Fitzpatrick Marshall N. Carter

Conductor's Circle $25,000-$49,999 Coopers & Lybrand New England Telephone Company

Francis A . Doyle Paul C. O'Brien

Hewlett Packard Northern Telecom, Inc. Ben L. Holmes Brian P. Davis

Houghton Mifflin Company PaineWebber, Inc. Nader F. Darehshori James F. Cleary John Hancock Financial Services Raytheon Company L. William Boyan Dennis J. Picard

Liberty Mutual Insurance Group TDK Electronics Corporation Gary L. Countryman Takashi Tsujii

45 Principal Player $15,000-$24,999

Arnold Fortuna Lawner & Cabot The Gillette Company

Ed Eskandarian Alfred M. Zeien, Jr.

Arthur Andersen & Co. Harcourt General Inc. William F. Meagher Richard A. Smith Connell Limited Partnership McKinsey & Co. William F. Connell David G. Fubini Data General Corporation The New England Ronald L. Skates Robert A. Shafto Ernst & Young Orsatti & Parrish Thomas P. McDermott Louis F. Orsatti

Essex Investment Management Co. Inc. Royal Appliance Manufacturing Co.

Joseph C. McNay, Jr. John Balch

Fidelity Investments Shawmut Bank, N. A. SherifA. Nada, Alexander Webb III Allen W. Sanborn

The First Boston Corporation Von Hoffman Press, Inc. Malcolm MacColl Frank A. Bowman Four Seasons Hotel Robin A. Brown

Honor Roll $10, 000-$ 14, 999

Abex, Inc. Gardner Merchant Food Services/Creative Paul Montrone Gourmets Ltd. Advanced Management Associates Richard T.L. Hutchinson Harvey Chet Krentzman Hill, Holliday, Connors Analog Devices & Cosmopulos, Inc. Ray Stata Jack Connors, Jr. AT&T IBM Corporation Patricia Wolpert Neil Curran, John F. McKinnon Barter Connections Jordan Marsh Company Kenneth C. Barron Harold S. Frank Peat Marwick BayBanks, Inc. KPMG Robert D. Richard F. Pollard Happ Bingham, Dana & Gould Loomis-Sayles & Company R. Shepard Joseph P. Hunt Donald Millipore Corporation Bolt, Beranek & Newman, Inc. Stephen Levy John A. Gilmartin The Boston Globe North American Mortgage Company William 0. Taylor John F. Farrell, Jr. Boston Herald Signal Technology Corporation Dale L. Peterson Patrick J. Purcell Foundation Eastern Enterprises The Stop & Shop Avram Goldberg J. Atwood Ives EMC Corporation Tucker Anthony, Inc. John Goldsmith Richard J. Egan Westin Hotel, Copley Place Filene's The Joseph M. Melvin David C. King Whistler Corporation Charles A. Stott

46 BUSINESS LEADERSHIP ASSOCIATION (Industry Listing)

The Boston Symphony Orchestra wishes to acknowledge the following business leaders for their generous contributions of $1,500 or more during the BSO's 1992 fiscal year. Support of $10,000 or more is indicated in bold capital letters; gifts of $5,000-$9,999 are indicated in capital letters, and an asterisk denotes contributions of $2,500-$4,999. For information about becoming a Business Leadership Association member, contact Marie Pettibone, Director of Corporate Development, at (617) 638-9278.

Accounting Antiques/Art Galleries Consulting: Management/ Financial ARTHUR ANDERSEN & CO. *Galerie Mourlot William F. Meagher Sarah Hackett and Eric Mourlot ADVANCED MANAGEMENT ASSOCIATES CHARLES E. DIPESA & COMPANY Harvey Chet Krentzman William F. DiPesa Automotive ANDERSEN CONSULTING CO. COOPERS & LYRRAND LEXUS William D. Green Francis A. Doyle J. Davis Illingworth ARTHUR D. LITTLE, INC. DELOITTE & TOUCHE Charles Lamantia James T. McBride BAIN & COMPANY ERNST & YOUNG Banking Charles M. Farkas Thomas P. McDermott THE BOSTON CONSULTING RANK OF ROSTON GROUP KPMG PEAT MARWICK Ira Stepanian Jonathan L. Isaacs Robert D. Happ * Bankers Trust CSC Index, Inc. PRICE WATERHOUSE M. Howard Jacobson David G. Robinson Kenton Sicchitano J. RAYRANKS, INC. Cordel Associates, Inc. Tofias, Fleishman, Richard F. Pollard James B. Hangstefer Shapiro & Co. PC. THE ROSTON COMPANY Allan Tofias *Fenwick Partners John Laird James P. Masciarelli Wolf & Company *Cambridge Trust Company Joseph A. Ribaudo The Forum Corporation Lewis H. Clark John W. Humphrey Advertising/Public Relations FLEET RANK OF LOCHRIDGE & COMPANY, INC. MASSACHUSETTS, N.A. ARNOLD FORTUNA Richard K. Lochridge Leo R. Breitman LAWNER & CAROT MCKINSEY & COMPANY Edward Eskandarian SHAWMUT RANK, N.A. David G. Fubini Allen W Sanborn HILL, HOLLIDAY, CONNORS, NORTH AMERICAN COSMOPULOS, INC. South Boston Savings Bank MORTGAGE COMPANY Jack Connors, Jr. Richard Laine John F. Farrell, Jr. Ingalls, Quinn & Johnson Sterling Bancshares Corporation *Prudential Capital Corporation Bink Garrison John Warren Allen Weaver Irma Mann Strategic Marketing USTRUST RATH & STRONG Inc. James V. Sidell Daniel Ciampa Irma Mann Stearns Wainwright Bank & Trust Company *Thomas H. Lee Company McDermott/O'Neill & Associates John M. Plukas Thomas H. Lee Thomas P. O'Neill III ORSATTI & PARRISH *The Wyatt Company Paul R. Daoust Louis F. Orsatti Building /Contracting Yankelovich Clancy Shulman Aerospace HARVEY INDUSTRIES, INC. Kevin Clancy Frederick Bigony NORTHROP CORPORATION Consumer Goods/ Robert W Smith Lee Kennedy Co., Inc. Lee M. Kennedy Food Service Alarm Systems New England Insulation RARTER CONNECTIONS Kenneth C. Barron American Alarm & Theodore H. Brodie Communications * Walsh Brothers Boston Showcase Company Richard Sampson James H. Walsh III Jason E. Starr

47 After the Performance, Take a Look at Our Performance.

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48 —

GARDNER MERCHANT Stone & Webster Engineering FIDELITY MANAGEMENT FOOD SERVICES/ Corporation TRUST COMPANY CREATIVE GOURMET Ben Charlson Alexander Webb III Richard T.L. Hutchinson FIRST BOSTON ASSET Johnson O'Hare Co., Inc. Entertainment/Media MANAGEMENT CORPORATION "Chip" O'Hare, Jr. Harry LOEWS THEATRES John J. Cook, Jr. Ocean Spray Cranberries A. Alan Friedberg THE FIRST BOSTON Harold Thorkilsen CORPORATION WCRB-102.5FM Malcolm MacColl *0'Donnell-Usen Fisheries Corp. Cynthia Scullin Arnold S. Wolf *GE Capital Corporate Finance WCVB-TV, CHANNEL 5 Group *Phelps Industries, Inc. BOSTON Richard A. Goglia Richard J. Phelps S. James Coppersmith *Goldman, Sachs & Company *Seasoned-to-Taste WXKS FM-Kiss 108 Martin C. Murrer Tom Brooks John Madison FINANCIAL Welch's JOHN HANCOCK SERVICES Everett N. Baldwin Environmental William L. Boyan WHISTLER CORPORATION Jason M. Cortell and Associates, KAUFMAN & COMPANY Charles A. Stott Inc. Sumner Kaufman Jason M. Cortell Education KIDDER, PEABODY & TOXIKON CORPORATION COMPANY Laxman S. DeSai, D.Sc. BENTLEY COLLEGE B.J. Megargel Joseph M. Cronin Financial Services/ *Krupp Companies English Language Center Investments George Krupp Ellyn Levine *Linsco/Private Ledger Adams, Harkness Hill & Todd A. Robinson Electrical / Electronics Joseph W. Hammer LOOMIS-SAYLES & *Analytical Systems Engineering ADVENT INTERNATIONAL COMPANY, INC. Peter A. Brooke Corporation Donald R. Shepard Michael B. Rukin *Allmerica Financial PAINEWEBBER, INC. M/A-COM, INC. John F. O'Brien James F. Cleary Thomas A. Vanderslice * Barclay's Business Credit *The Pioneer Group p.h mechanical corp. Charles J. Wyrwa III John F. Cogan, Jr. Paul Hayes *Boston Capital Partners THE PUTNAM MANAGEMENT Christopher Collins R&D ELECTRICAL COMPANY, W CO., INC. INC. Herbert F. Collins Lawrence J. Lasser Richard D. Pedone Richard J. DeAgazio John P. Manning SPAULDING INVESTMENT *Sullivan & McLaughlin Electrical COMPANY *BOT Financial Corporation Contractors, Inc. C.H. Spaulding John McLaughlin Bank of Tokyo E.F. McCulloch, Jr. STATE STREET BANK & TRUST COMPANY Energy/Utilities Carson Limited Partnership Marshall N. Carter Herbert Carver BOSTON EDISON COMPANY STATE STREET DEVELOPMENT Bernard W. Reznicek Cowen Company COMPANY OF BOSTON Raymond Moran EASTERN ENTERPRISES John R. Gallagher III J. Atwood Ives ESSEX INVESTMENT TUCKER ANTHONY MANAGEMENT COMPANY, *Mobil Oil John Goldsmith INC. Richard J. Lawlor Joseph C. McNay, Jr. Wellington Management New Electric Robert W. Doran England System FARRELL, HEALER & Joan T. Bok COMPANY INC. WOODSTOCK CORPORATION

Richard A. Farrell, Jr. Nelson J. Darling, Jr. Engineering FIDELITY CAPITAL MARKETS W. P. Stewart & Company *GZA GeoEnvironmental COMPANY William P. Stewart Technologies, Inc. Sherif A. Nada Donald T. Goldberg High Technology FIDELITY INVESTMENT LEA Group INSTITUTIONAL GROUP ABEX, INC. Eugene R. Eisenberg Paul Hondros Paul M. Montrone

49 —

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Before the Show, after the Symphony or GOEMON

APANESE NOODLE. RESTAURANT in between the Pops.

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50 ANALOG DEVICES, INC. NEC CORPORATION *Arkwright Ray Stata Tadahiro Sekimoto Frederick J. Bumpus

Automatic Data Processing POLAROID CORPORATION CADDELL & BYERS

Arthur S. Kranseler I. MacAllister Booth INSURANCE AGENCY, INC. Paul D. Bertrand BBF Corporation PRINTED CIRCUIT Boruch B. Frusztajer CORPORATION *Chubb Group of Insurance Cos. BOLT BERANEK AND Peter Sarmanian John H. Gillespie NEWMAN, INC. RAYTHEON COMPANY FRANK B. HALL & CO. OF

Stephen R. Levy Dennis J. Picard MASSACHUSETTS, INC.

William J. Tvenstrup *Bull, Worldwide Information SIGNAL TECHNOLOGY Systems CORPORATION * Hanover New England

Axel Leblois Dale J. Peterson J. Barry May

Cambex Corporation SONY USA, INC. J. Peter Lyons Companies

Joseph Kruy Michael P. Schulhof J. Peter Lyons

*Computervision, Inc. STRATUS COMPUTER *Johnson & Higgins John Shields William E. Foster Edward Buchwald

COSTAR CORPORATION *TASC Lexington Insurance Company Richard L. Morningstar Arthur Gelb Kevin H. Kelley CSC CONSULTING GROUP TDK ELECTRONICS LIBERTY MUTUAL Paul J. Crowley CORPORATION INSURANCE GROUP DATA GENERAL TakashiTsujii Gary L. Countryman CORPORATION Termiflex Corporation THE NEW ENGLAND Ronald L. Skates William E. Fletcher Robert A. Shafto DIGITAL EQUIPMENT THERMO ELECTRON SAFETY INSURANCE CORPORATION CORPORATION COMPANY Robert B. Palmer George N. Hatsopoulos Richard B. Simches

DYNATECH CORPORATION Hotels/Restaurants *Sedgwick James of New England, John F. Reno Inc. *Boston Marriott Copley Place P. Joseph McCarthy EG&G, INC. William Munck John M. Kucharski Sun Life Assurance Company of EMC CORPORATION Christo's Restaurant Canada Christopher Tsaganis David Horn Richard J. Egan *Copley Plaza Hotel Helix Technology Corporation James A. Daley Robert J. Lepofsky HEWLETT PACKARD FOUR SEASONS HOTEL Legal COMPANY Robin A. Brown BINGHAM, DANA & GOULD Ben L. Holmes ITT Sheraton Corporation Joseph F Hunt John W. Herold IBM CORPORATION CHOATE, HALL & STEWART Patricia Wolpert Legal Seafoods Robert W Gargill George Berkowitz Instron Corporation Curhan, Kunian, Goshko, Harold Hindman THE RED LION INN Burwick& Savran and Fitzpatrick International Data Group Jack Jane Stephen T. Kunian Patrick J. McGovern *The Ritz-Carlton, Boston Dickerman Law Offices IONICS, INC. Sigi Brauer Lola Dickerman Arthur L. Goldstein *Sheraton Boston Hotel and Towers *Fish & Richardson IPL SYSTEMS, INC. Robert J. Morse Robert E. Hillman Robert W. Norton *Sonesta International Hotels Friedman & Atherton LOTUS DEVELOPMENT Corporation Lee H. Kozol Paul Sonnabend CORPORATION GOLDSTEIN & MANELLO Jim P. Manzi THE WESTIN HOTEL, Richard J. Snyder COPLEY PLACE Microcom, Inc. GOODWIN, PROCTER David King & HOAR James Dow Robert B. Fraser MILLIPORE CORPORATION Insurance HALE AND DORR John A. Gilmartin AMERICAN TITLE INSURANCE Robert E. Fast *The Mitre Corporation COMPANY *Hemenway & Barnes Barry M. Horowitz John F. Shea John J. Madden

51 Dinner and Symphony. In concert.

Our award-winning chef, Charles Grandon, has created a new symphony menu

that's a perfect prelude to the performance. The three-course dinners are

prepared and served with style. And accompanied by free parking.

You can enjoy your dinner, then stroll to symphony with time to spare.

Reservations are recommended. Call 424-7000.

At The Colonnade Hotel On Huntington Avenue across from the Prudential Center

Turn in this ad for free parking the next time you have dinner at the Cafe Promenade on a non-symphony night.

All our services are free What is WORDNET? - no strings attached.

We perform a veritable symphony of • Over 1000 experienced and accredited arrangements... at no translators in all languages extra charge to you. Travel is our forte; • Complete language services—translation, Garber is our name. typesetting and printing Give us a call- • Worldwide access via fax and electronic 734-2100 networks and we'll get in tune with your travel needs. • Free call for brochure, client endorsements and estimate Main Office: 1406 Beacon St., 1-800-WORDNET Brookline

52 Hubbard & Ferris *Chelsea Industries, Inc. *Summit Packaging Systems, Inc. Charles A. Hubbard II Ronald G. Casty Gordon Gilroy

Joyce & Joyce CONNELL LIMITED Textron Charitable Trust Thomas J. Joyce PARTNERSHIP B.E Dolan William E Connell *Lynch, Brewer, Hoffman & Sands THE TONON GROUP Owen B. Lynch CONVERSE, INC. Robert Tonon Gilbert Ford *McDermott, Will & Emery WATTS INDUSTRIES, INC. Harvey W. Freishtat Corona Curtain Manufacturing Timothy P. Home Co., Inc. MINTZ, LEVIN, COHN, FERRIS, Wire Belt Company of America Paul Sheiber GLOVSKY & POPEO, P.C. E Wade Greer Kenneth J. Novack Coz Division of Allied Products Corporation Nissenbaum Law Offices Henry W. Coz Printing /Publishing Gerald L. Nissenbaum C.R. BARD, INC. *Addison-Wesley Publishing Co., *Nutter, McClennen & Fish Richard J. Thomas Inc. Michael J. Bohnen Warren R. Stone PALMER & DODGE *Dean K. Webster Family Foundation THE BOSTON GLOBE Robert E. Sullivan Dean K. Webster William 0. Taylor Peabody & Brown GTE ELECTRICAL PRODUCTS BOSTON HERALD Robert S. Cummings DeanT. Langford Patrick J. Purcell Rackemann, Sawyer & Brewster GE PLASTICS *Cahners Publishing Company Michael E O'Connell Gary Rogers Robert L. Krakoff Sarrouf, Tarricone & Flemming GENERAL LATEX AND DANIELS PRINTING Camille E Sarrouf CHEMICAL CORP. Lee S. Daniels Wood, Clarkin, Sawyer & Ronan Robert W MacPherson George H. Dean Company William C. Sawyer THE GILLETTE COMPANY G. Earle Michaud Alfred M. Zeien, Manufacturer's Jr. HARCOURT GENERAL INC. Representatives/ Wholesale HMK ENTERPRISES Richard S. Smith Distribution Steven Karol HOUGHTON MIFFLIN *AUes Corporation *Jones & Vining, Inc. COMPANY Stephen S. Berman Michel Ohayon Nader E Darehshori

Asquith Corporation LEACH & GARNER COMPANY Label Art, Inc. Lawrence L. Asquith Edwin E Leach II Thomas J. Cobery

Ben-Mac Enterprises Leggett & Piatt, Inc. *Lehigh Press Company Lawrence G. Benhardt Alexander M. Levine John D. DePaul

Kitchen & Kutchin, Inc. NEW ENGLAND BUSINESS Little, Brown & Company Melvin Kutchin SERVICE, INC. William R. Hall Bartley H. Calder PEOPLE/LIFE MAGAZINE Manufacturing *Orion Research, Inc. Ann Kenney Chane Graziano Abbott Box Company, Inc. *Quebecor Printing (USA) John Abbott *Parks Corporation Corporation ARLEY MERCHANDISE Lee Davidson James A. Dawson CORPORATION Princess House, Inc. VON HOFFMAN PRESS, INC David I. Reimer Stephen Zrike Frank A. Bowman Autoroll Machine Corporation RAND-WHITNEY William M. Karlyn CORPORATION Real Estate/Development AVEDIS ZILDJIAN COMPANY Robert Kraft Abbey Group, Inc. Armand Zildjian *The Rockport Corporation David Epstein Anthony Tiberii The Biltrite Corporation Robert Epstein Stanley J. Bernstein ROYAL APPLIANCE THE CHIOFARO COMPANY K Boston Acoustics, Inc. MANUFACTURING Donald J. Chiofaro Frank Reed COMPANY, INC. John Balch *The Codman Company Cabot Corporation Edward R. Haddad Samuel W Bodman THE STRIDE RITE CORPORATION COPLEY REAL ESTATE ^Century Manufacturing Co., Inc. Ervin R. Shames ADVISORS Joseph W. Tiberio Joseph W O'Connor

53 mmmrttHmmaa*

Dinner, Parking

AndThe Shuttle, ForASong. A VACATION FOR YOUR BODY, A TRIP Make dinner at Boodle's part of your FOR YOUR MIND night out at the Symphony. Were offering When you see the world's our customers special parking privileges greatest treasures with Swan Hellenic, in our private garage for just $5, and free you capture, experience, and take them home with you. "Symphony Express" shuttle service Whether an Art Treasures Tuesday and Thursday. show us your Just tour of the world or cruising the Nile, Symphony tickets, and we'll arrange for Aegean, Mediterranean, Black or Red Seas, you will be in the company of your $5 parking, take you to Symphony internationally -recognized experts, Hall after your meal, and return to you who will share their enthusiasm and your car after the performance. With a knowledge with you. Steeped in history, we jour- deal like that, a night at the Symphony ney through lands and myths of time never sounded better. •"T^rN, to discover treasures of the past. Contact your local travel agent or Esplanade Tours for more information about these QWAJ^lpy unforgettable programs. HELLENIC ESPLANADE TOURS RESTAURANT&BAR 581 Boylston Street, BS Boston, MA 021 16 (617) 266-7465 • (800) 426-5492 IN THE BACK BAY HILTON (617) BOODLES

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54 FIRST WINTHROP *Staples, Inc. Services CORPORATION Thomas G. Stenberg Cambridge Reports/Research Arthur J. Halleran, Jr. THE STOP AND SHOP International *The Flatley Company FOUNDATION James V. Murphy Thomas J. Flatley Avram J. Goldberg Massachusetts Convention Heafitz Development Company *Tiffany & Co. Authority Lewis Heafitz Anthony Ostrom Francis X. Joyce

HINES INTERESTS THE TJX COMPANIES, INC. Massachusetts State Lottery Thomas D. Owens Bernard Cammarata Commission Horizon Commercial Management Eric Turner Joan Eliachar * Phoenix Technologies Foundation Neil Colvin *John M. Corcoran & Company Science/Medical John M. Corcoran TAD TECHNICAL SERVICES *Astra Pharmaceuticals Products, Meditrust Corporation CORPORATION Inc. David F Benson David J. McGrath, Jr. Lars Bildman *New England Development Travel/Transportation Baldpate Hospital Stephen R. Karp Lucille M. Batal LILY TRANSPORTATION *Windsor Building Associates * Blake & Blake Genealogists CORPORATION Mona F Freedman Richard A. Blake, Jr. John A. Simourian BLUE CROSS AND BLUE National Retail Systems Norbert Walsh Retail SHIELD OF MASSACHUSETTS J. William C. vanFaasen NORTHWEST AIRLINES CML Group Boston Scientific Group Terry M. Leo Charles M. Leighton CHARLES RIVER COUNTRY CURTAINS Telecommunications LABORATORIES, INC. Jane P. Fitzpatrick Henry L. Foster AT&T FILENE'S John F McKinnon DAMON CORPORATION Joseph M. Melvin Robert L. Rosen AT&T NETWORK SYSTEMS Grossman's, Inc. Neil Curran *Genetics Institute Thomas R. Schwarz Gabriel Schmergel CELLULAR ONE *J. Bildner & Sons, Inc. Charles Hoffman *Genzyme Corporation James L. Bildner Henri A. Termeer *Ericsson Business *Jofran, Inc. Communications, Inc. *HCA Portsmouth Regional Robert D. Roy John J. McDonald Hospital

JORDAN MARSH COMPANY William J. Schuler GTE CORPORATION Harold S. Frank Edward C. MacEwen *J.A. Webster, Inc. *Marshalls John A. Webster *Lifeline Systems, Inc. Jerome H. Rossi Ronald Feinstein *Massachusetts Biotechnology Morse Shoe, Inc. Research Institute NEW ENGLAND TELEPHONE Malcolm L. Sherman Marc E. Goldberg Paul C. O'Brien

NEIMAN MARCUS The Mediplex Group, Inc. NORTHERN TELECOM, INC. William D. Roddy Jonathan S. Sherwin Brian P. Davis

*Saks Fifth Avenue Wild Acre Inns, Inc. NYNEX CORPORATION Alison Strieder Mayher Bernard S. Yudowitz William C. Ferguson

55 NEXT PROGRAM . . .

Thursday, April 22, at 8 Friday, April 23, at 2 Saturday, April 24, at 8 Tuesday, April 27, at 8

SEIJI OZAWA conducting

MAHLER Symphony No. 3

First Part

I. Kraftig. Entschieden. [Forceful. Decisive.]

Second Part

II. Tempo di Menuetto. Sehr massig. Ja nicht eilen! Grazioso. [In minuet tempo. Very moderate Don't hurry! Graceful.]

III. Comodo. Scherzando. Ohne Hast. [Easygoing. Jesting. Without haste.]

IV. Sehr langsam. Misterioso. Durchaus ppp. [Very slow. Mysterious, ppp throughout.] Words by Nietszche.

V. Lustig im Tempo und keck im Ausdruck. [Cheerful in tempo and jaunty in expression.] Words from Des knaben Wunderhorn.

IV. Langsam. Ruhevoll. Empfunden.

[Slow. Peaceful. Deeply felt.]

BIRGITTA SVENDEN, mezzo-soprano WOMEN OF THE TANGLEWOOD FESTIVAL CHORUS, JOHN OLIVER, conductor AMERICAN BOYCHOIR, JAMES LITTON, director

Single tickets for all Boston Symphony Orchestra concerts throughout the season are available at the Symphony Hall box office, or by calling "Symphony- Charge" at (617) 266-1200, Monday through Saturday from 10 a.m. until 6 p.m., to charge tickets instantly on a major credit card, or to make a reservation and then send payment by check. Please note that there is a $2.00 handling fee for each ticket ordered by phone.

56 .

COMING CONCERTS . . Enjoy the finest coffees and desserts Thursday 'A'— April 22, 8-9:40 Friday 'B'—April 23, 2-3:40 Saturday A'—April 24, 8-9:40 adlyt&j? Tuesday 'C— April 27, 8-9:40 SEIJI OZAWA conducting BIRGITTA SVENDEN, mezzo-soprano WOMEN OF THE TANGLEWOOD FESTIVAL CHORUS, JOHN OLIVER, conductor AMERICAN BOYCHOIR, JAMES LITTON, director after the BSO concert MAHLER Symphony No. 3 90 Exeter Street, Boston in the Copley Square Hotel Programs and artists subject to change. 266-1979

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58 SYMPHONY HALL INFORMATION

FOR SYMPHONY HALL CONCERT AND TICKET INFORMATION, call (617) 266-1492. For Boston Symphony concert program information, call "C-O-N-C-E-R-T" (266-2378).

THE BOSTON SYMPHONY performs ten months a year, in Symphony Hall and at Tangle- wood. For information about any of the orchestra's activities, please call Symphony Hall, or write the Boston Symphony Orchestra, Symphony Hall, Boston, MA 02115.

THE EUNICE S. AND JULIAN COHEN WING, adjacent to Symphony Hall on Huntington Avenue, may be entered by the Symphony Hall West Entrance on Huntington Avenue.

IN THE EVENT OF A BUILDING EMERGENCY, patrons will be notified by an announce- ment from the stage. Should the building need to be evacuated, please exit via the nearest door, or according to instructions.

FOR SYMPHONY HALL RENTAL INFORMATION, call (617) 638-9240, or write the Function Manager, Symphony Hall, Boston, MA 02115.

THE BOX OFFICE is open from 10 a.m. until 6 p.m. Monday through Saturday; on concert evenings it remains open through intermission for BSO events or just past starting time for other events. In addition, the box office opens Sunday at 1 p.m. when there is a concert that afternoon or evening. Single tickets for all Boston Symphony subscription concerts are avail- able at the box office. For most outside events at Symphony Hall, tickets are available three weeks before the concert at the box office or through Symphony-Charge.

TO PURCHASE BSO TICKETS: American Express, MasterCard, Visa, a personal check, and cash are accepted at the box office. To charge tickets instantly on a major credit card, or to make a reservation and then send payment by check, call "Symphony-Charge" at (617) 266-1200. Monday through Saturday from 10 a.m. until 6 p.m. There is a handling fee of $2.00 for each ticket ordered by phone.

GROUP SALES: Groups may take advantage of advance ticket sales. For BSO concerts at Symphony Hall, groups of twenty-five or more may reserve tickets by telephone and take advantage of ticket discounts and flexible payment options. To place an order, or for more information, call Group Sales at (617) 638-9345.

LATECOMERS will be seated by the ushers during the first convenient pause in the program. Those who wish to leave before the end of the concert are asked to do so between program pieces in order not to disturb other patrons.

IN CONSIDERATION of our patrons and artists, children under four will not be admitted to Boston Symphony Orchestra concerts.

TICKET RESALE: If for some reason you are unable to attend a Boston Symphony concert for which you hold a subscription ticket, you may make your ticket available for resale by calling (617) 266-1492. This helps bring needed revenue to the orchestra and makes your seat available to someone who wants to attend the concert. A mailed receipt will acknowledge your tax-deductible contribution.

RUSH SEATS: There are a limited number of Rush Seats available for Boston Symphony subscription concerts Tuesday and Thursday evenings, and Friday afternoons. The low price of these seats is assured through the Morse Rush Seat Fund. The tickets for Rush Seats are sold at $6.50 each, one to a customer, on Fridays as of 9 a.m. and Tuesdays and Thursdays as of 5 p.m. Please note that there are no Rush Tickets available on Friday or Saturday evenings.

SMOKING IS NOT PERMITTED in any part of the Symphony Hall auditorium or in the surrounding corridors; it is permitted only in the Hatch Room and in the main lobby on Massachusetts Avenue. Please note that smoking is no longer permitted in the Cabot-Cahners Room.

CAMERA AND RECORDING EQUIPMENT may not be brought into Symphony Hall during concerts.

WHEELCHAIR ACCESS to Symphony Hall is available via the Cohen Wing, at the West Entrance. Wheelchair-accessible restrooms are located in the main corridor of the West Entrance, and in the first-balcony passage between Symphony Hall and the Cohen Wing.

59 ORHHIHi _

FIRST AID FACILITIES for both men and women are available. On-call physicians attending concerts should leave their names and seat locations at the switchboard near the Massa- chusetts Avenue entrance.

PARKING: The Prudential Center Garage offers a discount to any BSO patron with a ticket

stub for that evening's performance, courtesy of R. M. Bradley & Co. , Inc. , and The Pruden- tial Property Company, Inc. There are also two paid parking garages on Westland Avenue near Symphony Hall. Limited street parking is available. As a special benefit, guaranteed pre-paid parking near Symphony Hall is available to subscribers who attend evening concerts on Tues- day, Thursday, Friday, or Saturday. For more information, call the Subscription Office at (617) 266-7575.

ELEVATORS are located outside the Hatch and Cabot-Cahners rooms on the Massachusetts Avenue side of Symphony Hall, and in the Cohen Wing.

LADIES' ROOMS are located on the orchestra level, audience-left, at the stage end of the hall, on both sides of the first balcony, and in the Cohen Wing.

MEN'S ROOMS are located on the orchestra level, audience-right, outside the Hatch Room near the elevator, on the first-balcony level, audience-left, outside the Cabot-Cahners Room near the coatroom, and in the Cohen Wing.

COATROOMS are located on the orchestra and first-balcony levels, audience-left, outside the Hatch and Cabot-Cahners rooms, and in the Cohen Wing. The BSO is not responsible for personal apparel or other property of patrons.

LOUNGES AND BAR SERVICE: There are two lounges in Symphony Hall. The Hatch Room on the orchestra level and the Cabot-Cahners Room on the first-balcony level serve drinks starting one hour before each performance. For the Friday-afternoon concerts, both rooms open at 12:15, with sandwiches available until concert time.

BOSTON SYMPHONY BROADCASTS: Friday-afternoon concerts of the Boston Symphony Orchestra are broadcast live by WGBH-FM (Boston 89. 7) and by WAMC-FM (Albany 90.3, serving the Tanglewood area). Saturday-evening concerts are broadcast live by WCRB-FM (Boston 102.5).

BSO FRIENDS: The Friends are donors to the Boston Symphony Orchestra Annual Fund. Friends receive BSO, the orchestra's newsletter, as well as priority ticket information and other benefits depending on their level of giving. For information, please call the Development Office at Symphony Hall weekdays between 9 and 5, (617) 638-9251. If you are already a Friend and you have changed your address, please send your new address with your newsletter label to the Development Office, Symphony Hall, Boston, MA 02115. Including the mailing label will assure a quick and accurate change of address in our files.

BUSINESS FOR BSO: The BSO's Business Leadership Association program makes it possible for businesses to participate in the life of the Boston Symphony Orchestra through a variety of original and exciting programs, among them "Presidents at Pops," "A Company Christmas at Pops," and special-event underwriting. Benefits include corporate recognition in the BSO program book, access to the Beranek Room reception lounge, and priority ticket service. For further information, please call Marie Pettibone, Director of Corporate Development, at (617) 638-9278.

THE SYMPHONY SHOP is located in the Cohen Wing at the West Entrance on Huntington Avenue and is open Wednesday, Thursday, and Friday from 11 a.m. until 4 p.m., Saturday from 12 p.m. until 6 p.m., and from one hour before each concert through intermission. The Symphony Shop features exclusive BSO merchandise, including The Symphony Lap Robe, calendars, coffee mugs, posters, and an expanded line of BSO apparel and recordings. The Shop also carries children's books and musical-motif gift items. A selection of Symphony Shop merchandise is also available during concert hours outside the Cabot-Cahners Room. All proceeds benefit the Boston Symphony Orchestra. For further information and telephone orders, please call (617) 638-9383.

60 Because culture touches on

the noblest impulses within

us all, The Boston Company

"Culture believes our cultural insti- Is Not tutions are central to the

Just An dignity of every individual.

Ornament Which is why, in addition to

It Is The our enthusiastic support of

Expression many educational and social

OfA Nation's causes in our community, Character." the people of the boston

Company continue to W. Somerset Maugham contribute to a variety of

cultural institutions. we

urge that you, too, lend

your continuous and

generous support.

THE BOSTON COMPANY Boston Safe Deposit and Trust Company

Member FDIC An Equal Housing Lender « %

.

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