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Oscar Ballot
OSCARS 20 9 BEST PICTURE ORIGINAL SCREENPLAY SOUND EDITING “Black Panther” “The Favourite,” Deborah Davis, Tony “Black Panther,” Benjamin A. Burtt, Steve Boeddeker “BlacKkKlansman” McNamara “Bohemian Rhapsody,” John Warhurst “Bohemian Rhapsody” “First Reformed,” Paul Schrader “First Man,” Ai-Ling Lee, Mildred Iatrou Morgan “The Favourite” “Green Book,” Nick Vallelonga, Brian “A Quiet Place,” Ethan Van der Ryn, Erik Aadahl “Green Book” Currie, Peter Farrelly “Roma,” Sergio Diaz, Skip Lievsay “Roma” “Roma,” Alfonso Cuarón “A Star Is Born” “Vice,” Adam McKay SOUND MIXING “Vice” “Black Panther” ADAPTED SCREENPLAY “Bohemian Rhapsody” BEST ACTOR “The Ballad of Buster Scruggs,” Joel “First Man” Christian Bale, “Vice” Coen, Ethan Coen “Roma” Bradley Cooper, “A Star Is Born” “BlacKkKlansman,” Charlie Wachtel, “A Star Is Born” Willem Dafoe, “At Eternity’s Gate” David Rabinowitz, Kevin Willmott, Rami Malek, “Bohemian Rhapsody” Spike Lee PRODUCTION DESIGN Viggo Mortensen, “Green Book” “Can You Ever Forgive Me?,” Nicole “Black Panther,” Hannah Beachler Holofcener and Jeff Whitty “First Man,” Nathan Crowley, Kathy Lucas BEST ACTRESS “If Beale Street Could Talk,” Barry Jenkins “The Favourite,” Fiona Crombie, Alice Felton Yalitza Aparicio, “Roma” “A Star Is Born,” Eric Roth, Bradley “Mary Poppins Returns,” John Myhre, Glenn Close, “The Wife” Cooper, Will Fetters Gordon Sim Olivia Colman, “The Favourite” “Roma,” Eugenio Caballero, Bárbara Enriquez Lady Gaga, “A Star Is Born” CINEMATOGRAPHY Melissa McCarthy, “Can -
Stations WNYE (FM) and WNYE-TV Are Equal Opportunity Employers
EEO PUBLIC FILE REPORT This Report covers full-time vacancy recruitment data for the period: January 23, 2018 – January 22, 2019. 1) Employment Unit: New York City Department of Information Technology and Telecommunications (“DoITT”)/Mayor’s Office of Media and Entertainment (“MOME”)/NYC Media 2) Unit Members (Stations and Communities of License): WNYE(FM), WNYE-TV 3) EEO Contact Information for Employment Unit: Chisom Ananaba Mailing Address: Telephone Number: (212) 974-4019 NYC Media Contact Person/Title: Chisom Ananaba, Assistant 1 Centre Street, 26th Floor General Counsel New York, NY 10007 E-mail Address: [email protected] 4) Full-Time Job Vacancies Filled by Each Station in the Employment Unit: Job Title Recruitment Source Referring Hiree (a) Graphic Designer Citywide distribution through www.nyc.gov (b) Master Control Operator Citywide distribution through www.nyc.gov (c) Broadcast and IT Support Engineer Citywide distribution through www.nyc.gov (d) Press Secretary/Director of Digital Media Citywide distribution through www.nyc.gov (e) Executive Assistant to Commissioner Citywide distribution through www.nyc.gov (f) Director of Gov’t and Legislative Affairs Citywide distribution through www.nyc.gov Consistent with City of New York policy, notice of each full-time vacancy was posted on www.nyc.gov. 5) Total # of Interviewees Referred: For the period from January 23, 2018 through January 22, 2019 this Employment Unit interviewed 44 interviewees for full-time job vacancies. 6) Recruitment Initiatives. List and briefly describe the Supplemental Recruitment Initiatives undertaken during the period covered by this Report. (a) Participation in Job Fairs DoITT hiring representatives attended 1 job fair in 2018--Tech Job Tour (LGBTQ Community) June 19, 2018. -
Volume 31 Number 10 Issue 375 March 2019 Events Comic Con
Volume 31 Number 10 Issue 375 March 2019 A WORD FROM THE EDITOR Omni Expo This month was a very difficult for me personally but March 15-17 we go on.. Florida Hotel and Convention Center I include a list of recommended short fiction. I read a lot 1500 Sand Lake Road more. There is a lot of good fiction out there. Orlando, FL 32809 Please note that some of the Nebula short fiction Guests: Hisashi Kagawa (animation director) nominees may be available online. Please check Oasfis Mamoru Yokota (animation director) Convention on Facebook or OasisCon on Twitter for links to the Paul St. Peter (voice actor) stories. Matt Shipman (voice actor) Next month pictures from ICFA, and with luck a Sawa (singer) review. And others $50 at the door for weekend www.omniexpo.com Events ICFA 40 (academic conference) Comic Con Revolution March 13-16 March 2-3 Orlando Airport Marriott, Palm Beach County Convention Center Orlando, Florida 650 Okeechobee Boulevard Guest of Honor: G. Willow Wilson West Palm Beach, FL 33401 Guest Scholar: Mark Bould Guests: Chris Claremont (comic book writer) www.fantastic-arts.org Amanda Conner (comic book writer/artist) Jimmy Palmiotti (comic book writer/artist) Clearwater Comic Con Peter Rawlik (writer) March 16 And others Clearwater Public Library $40 for 2 days, $25 for Sat, $20 for Sunday 100 N. Osceola Avenue comicconrevolution.com/westpalmbeach/index.php Clearwater, FL 33755 Guests: Chuck Dixon (comic book writer) Infinity Con 6 Karl Moline (comic writer/artist) March 2-3 And others National Guard Armory Free 490 NW Lake Jeffery Rd See Facebook Page Lake City, FL 32055 $18 for bothe days, $12 for one day My-Con infinityconfl.com/ March 16 Wyndham Orlando Resort Miami Comic Con 8001 International Drive March 9 Orlando, Florida 32819 Miami Airport Convention Center Guest: R. -
S TU D IES a Incidencia De Reescrituras Fílmicas Na Relación De Nomeados E Premiados Dos Principais Galardóns
BOLETÍN GALEGO DE LITERATURA, nº 56 / 1º SEMESTRE (2020): pp. 23-40 / ISSN 2174-4025 ESTUDOS A incidencia de reescrituras fílmicas / na relación de nomeados e premiados STUDIES dos principais galardóns internacionais a longametraxes animadas Rocío G-Pedreira CIEC-IE-Universidade do Minho/ ICE-Universidade de Santiago de Compostela https://orcid.org/0000-0002-5102-5078 [Recibido, 23 abril 2020; aceptado, 4 xuño 2020] [G-Pedreira, R. (2020). A incidencia de reescrituras fílmicas na relación de nomeados e premiados dos principais galardóns internacionais a longametraxes animadas. Boletín Galego de Literatura, 56, “Estudos”, 23-40] DOI http://dx.doi.org/10.15304/bgl.56.6776 RESUMO O presente artigo pretende dar conta da presenza de reescrituras fílmicas de obras 23 literarias realizadas mediante técnicas de animación cuxa calidade as fixo merece- doras de ser nomeadas e/ou premiadas con algúns dos galardóns cinematográficos a nivel mundial máis importantes que contan cunha categoría específica para estas producións, en concreto os Óscar, Annie, Globos de Ouro e BAFTA. Ademais, tamén se analizará brevemente a influencia que ten a creación do hipertexto fílmico para a difusión do correspondente hipotexto. PALABRAS CHAVE Premios cinematográficos; cine de animación; reescrituras fílmicas; adaptación. ABSTRACT This article aims to report about the presence of film rewritings of literary works through animation techniques whose quality making them deserving of being nominees and/ or designed to award some of the most important film awards around the world with a specific category for animated films, in particular, the Oscars, Annie Awards, Golden Globes and BAFTA. Furthermore, it will be analysed briefly the influence of the creation of the film hypertext for hypotext diffusion. -
The Grizzlies
Presents THE GRIZZLIES A film by Miranda de Pencier 104 mins, Canada, 2018 Language: English, Inuktitut Official Selection: 2018 Toronto International Film Festival – World Premiere Distribution Publicity Mongrel Media Inc Bonne Smith 1352 Dundas St. West Star PR Toronto, Ontario, Canada, M6J 1Y2 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Twitter: @starpr2 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com THE GRIZZLIES – PRESS KIT Contents: 1. LOGLINE 4 2. SYNOPSIS 4 3. PRODUCTION NOTES – The Making of THE GRIZZLIES 4 a. Overview b. Development History of The Grizzlies c. Miranda de Pencier on Her Origins with THE GRIZZLIES d. Casting e. Collaboration Between North & South f. How The Grizzlies Changed a Town g. Director’s Statement h. About the Town of Kugluktuk i. Music j. Opening Title Sequence 4. CHARACTER BIOS (in order of appearance) 14 a. RUSS (Ben Schnetzer) b. MIKE (Will Sasso) c. ZACH (Paul Nutarariaq) d. ADAM (Ricky Marty-Pahtaykan) e. ROGER (Fred Bailey) f. SPRING (Anna Lambe) g. JANACE (Tantoo Cardinal) h. MIRANDA (Emerald MacDonald) i. KYLE (Booboo Stewart) j. HARRY (Eric Schweig) k. TANNER (Brad Fraser) l. VINNY (Jamie Takkiruq) m. JOHNNY (Seth Burke) n. SAM & LENA (Simon Nattaq & Madeline Ivalu) 5. FILMMAKER BIOS 15 a. MIRANDA DE PENCIER (Director/Producer) b. GRAHAM YOST (Writer) c. MOIRA WALLEY-BECKETT (Writer) d. ALETHEA ARNAQUQ-BARIL (Producer) e. STACEY AGLOK (Producer) 2 f. ZANNE DEVINE (Producer) g. DAMON D’OLIVEIRA (Producer) h. JAKE STEINFELD (Executive Producer) i. FRANK MARSHALL (Executive Producer) 6. ACTOR BIOS 23 a. EMERALD MACDONALD b. -
The Creed Part 6 – I Believe in the Forgiveness of Sins Pastor Ted Cunningham
The Creed Part 6 – I Believe in the Forgiveness of Sins Pastor Ted Cunningham I believe in the forgiveness of sins. If you have your Bibles, turn to 1 John 1. We’re going to start the message and end the message there today. I had a professor in seminary… I learned a lot in seminary, but, boy, there were some things, with the passion at which they were delivered, that stuck out to me. A couple of things I learned. I took a class by Dr. Robert Lightner. He’s an older gentleman that had been at Dallas for a long time and I remember him getting passionate about this. I think his passion was flowing from the church growth movement where he was kind of getting worn out on the fluffy, feel-good, fuzzy, warm message. He would stand up and with fire… I could tell he wasn’t even going off any notes, but he would hit that little lectern and he would go, “Let me tell you something! If you’re going to profess the gospel of Jesus, you must talk about sin!” He was really fired up. He said, “You can’t just tell people they’re saved, you need to tell them what they are saved from!” Then he would say, “Let me tell you how to talk to them about sin! Quit telling people sin is missing the mark. That’s only half true. Sin is missing the mark and hitting the wrong mark.” I was like, Alright! You’re not going to grow any churched with that kind of attitude, Dr. -
TELEVISION NOMINEES DRAMA SERIES Breaking Bad, Written By
TELEVISION NOMINEES DRAMA SERIES Breaking Bad, Written by Sam Catlin, Vince Gilligan, Peter Gould, Gennifer Hutchison, George Mastras, Thomas Schnauz, Moira Walley-Beckett; AMC The Good Wife, Written by Meredith Averill, Leonard Dick, Keith Eisner, Jacqueline Hoyt, Ted Humphrey, Michelle King, Robert King, Erica Shelton Kodish, Matthew Montoya, J.C. Nolan, Luke Schelhaas, Nichelle Tramble Spellman, Craig Turk, Julie Wolfe; CBS Homeland, Written by Henry Bromell, William E. Bromell, Alexander Cary, Alex Gansa, Howard Gordon, Barbara Hall, Patrick Harbinson, Chip Johannessen, Meredith Stiehm, Charlotte Stoudt, James Yoshimura; Showtime House Of Cards, Written by Kate Barnow, Rick Cleveland, Sam R. Forman, Gina Gionfriddo, Keith Huff, Sarah Treem, Beau Willimon; Netflix Mad Men, Written by Lisa Albert, Semi Chellas, Jason Grote, Jonathan Igla, Andre Jacquemetton, Maria Jacquemetton, Janet Leahy, Erin Levy, Michael Saltzman, Tom Smuts, Matthew Weiner, Carly Wray; AMC COMEDY SERIES 30 Rock, Written by Jack Burditt, Robert Carlock, Tom Ceraulo, Luke Del Tredici, Tina Fey, Lang Fisher, Matt Hubbard, Colleen McGuinness, Sam Means, Dylan Morgan, Nina Pedrad, Josh Siegal, Tracey Wigfield; NBC Modern Family, Written by Paul Corrigan, Bianca Douglas, Megan Ganz, Abraham Higginbotham, Ben Karlin, Elaine Ko, Steven Levitan, Christopher Lloyd, Dan O’Shannon, Jeffrey Richman, Audra Sielaff, Emily Spivey, Brad Walsh, Bill Wrubel, Danny Zuker; ABC Parks And Recreation, Written by Megan Amram, Donick Cary, Greg Daniels, Nate DiMeo, Emma Fletcher, Rachna -
68Th EMMY® AWARDS NOMINATIONS for Programs Airing June 1, 2015 – May 31, 2016
EMBARGOED UNTIL 8:40AM PT ON JULY 14, 2016 68th EMMY® AWARDS NOMINATIONS For Programs Airing June 1, 2015 – May 31, 2016 Los Angeles, CA, July 14, 2016– Nominations for the 68th Emmy® Awards were announced today by the Television Academy in a ceremony hosted by Television Academy Chairman and CEO Bruce Rosenblum along with Anthony Anderson from the ABC series black-ish and Lauren Graham from Parenthood and the upcoming Netflix revival, Gilmore Girls. "Television dominates the entertainment conversation and is enjoying the most spectacular run in its history with breakthrough creativity, emerging platforms and dynamic new opportunities for our industry's storytellers," said Rosenblum. “From favorites like Game of Thrones, Veep, and House of Cards to nominations newcomers like black-ish, Master of None, The Americans and Mr. Robot, television has never been more impactful in its storytelling, sheer breadth of series and quality of performances by an incredibly diverse array of talented performers. “The Television Academy is thrilled to once again honor the very best that television has to offer.” This year’s Drama and Comedy Series nominees include first-timers as well as returning programs to the Emmy competition: black-ish and Master of None are new in the Outstanding Comedy Series category, and Mr. Robot and The Americans in the Outstanding Drama Series competition. Additionally, both Veep and Game of Thrones return to vie for their second Emmy in Outstanding Comedy Series and Outstanding Drama Series respectively. While Game of Thrones again tallied the most nominations (23), limited series The People v. O.J. Simpson: American Crime Story and Fargo received 22 nominations and 18 nominations respectively. -
Cinema, Democracy and Perfectionism: Joshua Foa Dienstag in Dialogue
Cinema, democracy and perfectionism CRITICAL POWERS Series Editors: Bert van den Brink (University of Utrecht), Antony Simon Laden (University of Illinois, Chicago), Peter Niesen (University of Hamburg) and David Owen (University of Southampton). Critical Powers is dedicated to constructing dialogues around innova- tive and original work in social and political theory. The ambition of the series is to be pluralist in welcoming work from different philosophical traditions and theoretical orientations, ranging from abstract concep- tual argument to concrete policy-relevant engagements, and encourag- ing dialogue across the diverse approaches that populate the field of social and political theory. All the volumes in the series are structured as dialogues in which a lead essay is greeted with a series of responses before a reply by the lead essayist. Such dialogues spark debate, fos- ter understanding, encourage innovation and perform the drama of thought in a way that engages a wide audience of scholars and students. Published by Bloomsbury On Global Citizenship, James Tully Justice, Democracy and the Right to Justification, Rainer Forst Forthcoming from Manchester University Press Rogue Theodicy – Politics and power in the shadow of justice, Glen Newey Democratic Inclusion, Rainer Baubock Law and Violence, Christoph Menke Autonomy Gaps, Joel Anderson Toleration, Liberty and the Right to Justification, Rainer Forst Cinema, democracy and perfectionism Joshua Foa Dienstag in dialogue Edited by Joshua Foa Dienstag Manchester University Press Copyright © Manchester University Press 2016 While copyright in the volume as a whole is vested in Manchester University Press, copyright in individual chapters belongs to their respective authors, and no chapter may be reproduced wholly or in part without the express permission in writing of both author and publisher. -
2 3 Actionable Steps to Boost Your Beverage Program
RUNNING A MORE PROFITABLE BAR 3 Actionable Steps to Boost Your Beverage Program TOOLBOOKS No. 2 RUNNING A MORE PROFITABLE BAR 3 Actionable Steps to Boost Your Beverage Program TOOLBOOKS CONTENTS Intro 4 1. Building an Optimal Product Portfolio 6 2. Ordering to Reduce Sitting Inventory 12 3. Calculating and Interpreting Pour Costs 16 Wrap Up 20 ABOUT BEVSPOT BevSpot is a passionate tech startup obsessed with helping the beverage industry. Working alongside the best bar managers, beverage directors and sommeliers, we’ve built an online platform that bridges disparate bar systems and allows our users to get back to doing what they love. We know that technology can save you time and increase your revenue. But, software can only go so far. That’s why we strive to provide you with the right tools and team you need to implement a system that works for your bar. INTRO Oh to be in the wonderful restaurant industry: so important to so many people—an industry that truly never dies. A place that provides food, drinks, and an overall foundation in the world of hospitality. It represents blood, sweat, and tears—a great deal of work with the hope of an even greater reward. On the other hand, hard work doesn’t always pay of, and the restaurant industry is an extremely risky place to be considering that 60% of restaurants go under in their first year, and 80% fail by the fifth year.1 Sometimes these failures fall on bad luck, hard times, and poor decisions. Sometimes they seem inexplicable. -
Corporate Culture September 25, 2018 James J
September 23-26, 2018 CORPORATE CULTURE SEPTEMBER 25, 2018 JAMES J. KENNEDY, CPCU your asset 24/7/365 ultimate or invisible strategic liability? asset weapon corporate culture 2018 NAMIC Annual Convention - Kennedy Page 1 of 71 our journey 1. intro to culture 9. summary 2. what is culture 8. management 3. financial impact culture 7. board accountability 4. winning culture 6. refining 5. dysfunctional culture questions Small Company CEO Control Bad Management Why does this even matter to How can a CEO control the How much is just bad a small company with only a culture when so much is management? few employees? driven by the employees? 2018 NAMIC Annual Convention - Kennedy Page 2 of 71 Intro to culture 1 your asset 24/7/365 ultimate or invisible strategic liability? asset weapon corporate culture 2018 NAMIC Annual Convention - Kennedy Page 3 of 71 “You“You nevernever getget aa secondsecond chancechance toto makemake aa goodgood firstfirst impression”impression” will rogers ~ will rogers 2018 NAMIC Annual Convention - Kennedy Page 4 of 71 2018 NAMIC Annual Convention - Kennedy Page 5 of 71 first impressions first impressions 2018 NAMIC Annual Convention - Kennedy Page 6 of 71 corporate culture It exists – and pervades all aspects of organizational life. You cannot see the…. X-ray Music Smell Taste …yet, you don’t doubt they exist! building blocks of organization success why exist culture future view purpose vision culture success culture mission values culture today’s view how to behave 2018 NAMIC Annual Convention - Kennedy Page 7 of 71 what is culture? ? 2 ? culture multiple definitions Comes from social anthropology and the term represents the qualities of any specific human group that are passed from one generation to the next. -
Between Film and Television. an Interview with Lodge Kerrigan
INTERVIEW · Cinema Comparat/ive Cinema · Vol. III · no. 7 · 2015 · 28-34 Between film and television. An interview with Lodge Kerrigan Gerard Casau and Manuel Garin After directing key films of contemporary independent cinema, episode). But usually it’s the director who changes; they bring like Clean, Shaven (1993), Claire Dolan (1998) and Keane in a guest director. There are a number of theories regarding (2004), Lodge Kerrigan has directed a number of television why that’s the case, but usually what happens in the traditional episodes for shows such as The Killing (Veena Sud, AMC- financing model is that the network will approve or order a Netflix, 2011-2014), Homeland (Howard Gordon and Alex pilot, and then a pilot is made, they bring in the director to do Gansa, Showtime, 2011-) or The Americans (Joe Weisberg, FX, the pilot. Later the network will approve it or not, and then they 2013-). A month before the release of his latest project, The have to go and write scripts, generate scripts, and in this time Girlfriend Experience (Lodge Kerrigan and Amy Seimetz, Starz, the directors has already left, moved on, they have no continuity 2016), an eleven-episode television series produced by Steven of vision from the director. And I think now what’s beginning Soderbergh, we talked with him about the differences between to change, and what Soderbergh did on The Knick(Jack Amiel working for film and working for television, both in terms of and Michael Begler, Cinemax, 2014-), and the first season of narrative and mise-en-scène.