Remembering the Cornwall Coliseum Carlyon
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Gonzo Weekly #163
Subscribe to Gonzo Weekly http://eepurl.com/r-VTD Subscribe to Gonzo Daily http://eepurl.com/OvPez Gonzo Facebook Group https://www.facebook.com/groups/287744711294595/ Gonzo Weekly on Twitter https://twitter.com/gonzoweekly Gonzo Multimedia (UK) http://www.gonzomultimedia.co.uk/ Gonzo Multimedia (USA) http://www.gonzomultimedia.com/ As my late Mother would have no doubt said, the Devil makes work for idle hands, and with most of the Gonzo scribes being at home with their loved ones, and presumably with their creative juices flowing, it soon became obvious that my planned issue for next weekend was going to be superseded by something else. I was always impressed by Penny Rimbaud’s statement that the later Crass singles were issued as “tactical responses” to given situations. I started off writing and editing Fanzines, and it is only for reasons of my own that I decided to issue this magazine like Dear Friends, clockwork every Saturday, more recently every Friday. And so, what was planned to be an ordinary “ring in the old, ring out the new” (or is it But I think that the job of a magazine is a the other way round?) type issue has complex one, and I wouldn’t really like to completely gone out the window. Because clarify it into words, but it seems right that Lemmy dying has completely let the cat we document such an important event, amongst the cultural pigeons in a way that (which does appear to be lifechanging for one suspects the old bugger would have some people) into a special edition of Gonzo enjoyed. -
Community Newsletter | Carlyon Parish Council— Summer 2021
Community Newsletter | Carlyon Parish Council— Summer 2021 Community Newsletter Carlyon Parish Council SUMMER 2021 INCLUDED IN THIS ISSUE Summer Edition 2021 Welcome to the summer edition of our bi-annual parish newsletter. We hope residents find this newsletter useful Cycle Tour Party, Tregrehan and informative. See page 4. Whilst this is only our second edition of a community newsletter, we have high hopes of developing it further with lots and lots of resident contributions! If you have any ideas for contributions Welcome to James Mustoe New Cornwall Councillor. See page 5. you may like to make, or if you want to get involved in the editing and publish- ing for future editions, please get in touch at: [email protected] History of Carlyon Bay See page 6. 1 Community Newsletter | Carlyon Parish Council— Summer 2021 Looking Back at the Last Year Foreword Paul Trudgian, Chairman | Carlyon Parish Council In April of this year I was delighted to chair our annual parish meeting which gave the opportunity to reflect on what we have achieved in the last 12 months. As a foreword to this newsletter I thought I would take the opportunity to highlight some of what we’ve been doing. Planning Applications For a relatively small parish we’ve considered a surprisingly large number of planning applications: 79 in total, which is approximately 1 application for every 10 households in the Parish. Whilst we always robustly defend against unsuitable development, I do see the sheer number of private individuals seeking to improve and invest in their homes as a positive sign the parish continues to be a highly de- sirable location to live in. -
Entertainment Memorabilia, 3 July 2013, Knightsbridge, London
Bonhams Montpelier Street Knightsbridge London SW7 1HH +44 (0) 20 7393 3900 +44 (0) 20 7393 3905 fax 20771 Entertainment Memorabilia, Entertainment 3 July 2013, 2013, 3 July Knightsbridge, London Knightsbridge, Entertainment Memorabilia Wednesday 3 July 2013 at 1pm Knightsbridge, London International Auctioneers and Valuers – bonhams.com © 1967 Danjaq, LLC. and United Artists Corporation. All Rights reserved courtesy of Rex Features. Entertainment Memorabilia Wednesday 3 July 2013 at 1pm Knightsbridge, London Bonhams Enquiries Customer Services The following symbol is used Montpelier Street Director Monday to Friday 8.30am to 6pm to denote that VAT is due on the hammer price and buyer’s Knightsbridge Stephanie Connell +44 (0) 20 7447 7447 premium London SW7 1HH +44 (0) 20 7393 3844 www.bonhams.com [email protected] Please see back of catalogue † VAT 20% on hammer price for important notice to bidders and buyer’s premium Viewing Senior Specialist Sunday 30 June Katherine Williams Illustrations * VAT on imported items at 11am to 3pm +44 (0) 20 7393 3871 Front cover: Lot 236 a preferential rate of 5% on Monday 1 July [email protected] Back cover: Lot 109 hammer price and the prevailing 9am to 4.30pm Inside front cover: Lot 97 rate on buyer’s premium Consultant Specialist Inside back cover: Lot 179 Tuesday 2 July W These lots will be removed to Stephen Maycock 9am to 4.30pm Bonhams Park Royal Warehouse Wednesday 3 July +44 (0) 20 7393 3844 after the sale. Please read the 9am to 11am [email protected] sale information page for more details. -
Smash Hits Volume 65
35pUSA$i75 Mayas- June 101 ^ S */A -sen ^^ 15 HIT UfRiasmolding StandAndDe^^r iMimnliMl Being Wj LANDSCAPBin colour KIM WILDE m u ) Vol. 3 No. 11 IF YOU'VE already sneaked a peek around the back of this issue you'll have twigged the fact that you're dealing with something out of the ordinary. So welcome, friends, to the first (and the only?) double sided edition of your favourite musical publication. In effect you get two magazines, each with its own cover, bumper feature, songwords, competition and Bitz section. Soon as you get fed up of poring over this half, just flip it and play the other side. Now you may well ask why we've taken the unusual step of standing the entire magazine on its head. Well, there are a number of reasons; 1 To confuse newsagents 2) We couldn't decide who to put on the cover In 3) the hope that some dummies would buy it twice 4) For laffs THIS SIDE STAND AND DELIVER Adam And The Ants 2A NORMAN BATES Landscape .8A DON'T LET IT PASS YOU BY UB40 9A ROCKABILLY GUY Polecats 9A GHOSTS OF PRINCES IN TOWERS Rich Kids 11A IS THAT LOVE Squeeze 14A BETTE DAVIS EYES Kim Games 14A BEING Vi/ITH YOU Smokey Robinson 17A HOW 'BOUT US Champaign 19A STRAY CATS: Feature 4A/5A/6A BITZ (A) 12A/13A CARTOON 17A DISCO ISA STAR TEASER 20A THE BEAT COMPETITION 21A SINGLES REVIEWS 23A LANDSCAPE: Colour Poster The Middle THAT SIDE FUNERAL PYRE The Jam 2B HOUSES IN MOTION Talking Heads 8B THE ART OF PARTIES Japan SB BAD REPUTATION Thin Lizzy SB THEM BELLY FULL (BUT WE HUNGRY) Bob Marley 11B ANGEL OFTh£ MORNING Juice Newton 14B KIM WILDE: Feature 4B/5B/6B BITZ(B) 12B/13B UNDERTONES COMPETITION 15B LEHERS 16B/17B INDEPENDENT BITZ 1SB GIGZ 20B/21B ALBUM REVIEWS 23B The charts appearing in Smash Hits are compiled by Record Business Research from information supplied by panels of specialist shcps. -
Steve Marriott Had It in Spades
WhereWhere thethe actionactionis!is! DFQCD009 CMFCD684 2-CD, DFQDD005 3-CD,CMETD1078 The Mod Generation Immediate Mod Gary Crowley’s Le Beat Bespoké Clean Living Under Box Set Where The Action Is! 24 Tailor Made Cuts Difficult Circumstances CMRCD1105 2-CD, NEMCD973 2-CD, CMDDD697 2-CD, TDSAN004 Small Faces Brian Auger Geno Washington Jimmy James & Ultimate Collection This Wheel’s On Fire My Bombers, My Dexys, My Highs The Vagabonds (The 60’s Studio Sessions) Sock It To ’Em J.J. CFMCD688 CMEDD744 CMDDD604 2-CD CMDDD679 Mods Mayday ’79 The Mod Revival Secret Affair The Lambrettas Various Artists Generation Time For Action Da-a-a-ance The Anthology NEMCD479 CMRCD283 CMRCD535 CMRCD757 CMRCD097 The Go-Go Train Jump And Dance Maximum R&B Ready Steady Stop! That Driving Beat Doin’ the Mod Doin’ the Mod Doin’ the Mod Doin’ the Mod Doin’ the Mod Vol. 1 Vo l . 2 Vo l . 3 Vo l . 4 Vo l . 5 www.sanctuaryrecords.co.uk FOREWORD Ian McLagan SMALL FACES “To tell the truth I’d never been on a Lambretta until a couple of years ago. Kenney Jones and I did a photoshoot on one and laughed about the fact, but I vividly recall what that era meant and what being a mod meant. “Originally it stood for modernist as opposed to trad. I went to art school and you were one or the other. I decided I was mod. I wanted to be part of what was happening. The clothes started coming together and I defi nitely wanted to be part of that. -
EVERLYPEDIA (Formerly the Everly Brothers Index - TEBI) Coordinated by Robin Dunn & Chrissie Van Varik
EVERLYPEDIA (formerly The Everly Brothers Index - TEBI) Coordinated by Robin Dunn & Chrissie van Varik EVERLYPEDIA PART 4 R to Z Contact us re any omissions, corrections, amendments and/or additional information at: [email protected] R____________________________________________________ R-A-D-I-O (Phil Everly) Circa 1948. Phil’s first effort at song writing, written at the age of nine whilst at home from school with influenza. See the Everly Brothers Complete Lyrics (on EBI discography site) for the words taken from Phil’s handwritten copy – including spelling problems. It is the earliest known composition. Not recorded – as far as we know! RADIO CAROLINE - a European pirate radio station that started transmissions on Easter Saturday 1964 from a ship anchored in international waters off the coast of Felixstowe, Suffolk, England. It was unlicensed by any government for most of its life and it was labelled a pirate radio station. Although one of a number of unlicensed radio stations based on ships anchored off Britain, Radio Caroline was the first such station to broadcast all day using the English language. This, together with the station’s tenacity in surviving for some 40 years, has established Radio Caroline as a household name for offshore radio. A legal, onshore version of Radio Caroline continues to broadcast via several methods, predominantly via satellite and over the internet. On Monday 3rd May 1965 the EBs taped an interview with Keith Skues for broadcast on the pirate radio. RADIO CITY MUSIC HALL - New York, NY, USA. Radio City Music Hall is an entertainment venue located in New York City’s Rockefeller Center. -
Copyright Statement
University of Plymouth PEARL https://pearl.plymouth.ac.uk 04 University of Plymouth Research Theses 01 Research Theses Main Collection 2014 A History of the Cornish Male Voice Choir:The Relationship between Music, Place and Culture Skinner, Susan Margaret http://hdl.handle.net/10026.1/2894 University of Plymouth All content in PEARL is protected by copyright law. Author manuscripts are made available in accordance with publisher policies. Please cite only the published version using the details provided on the item record or document. In the absence of an open licence (e.g. Creative Commons), permissions for further reuse of content should be sought from the publisher or author. Copyright Statement This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author and that no quotation from the thesis and no information derived from it may be published without the author’s prior consent. A HISTORY OF THE CORNISH MALE VOICE CHOIR: THE RELATIONSHIP BETWEEN MUSIC, PLACE AND CULTURE by SUSAN MARGARET SKINNER A thesis submitted to the University of Plymouth in partial fulfilment for the degree of DOCTOR OF PHILOSOPHY School of Humanities and Performing Arts Faculty of Arts July 2013 Susan Margaret Skinner A History of the Cornish Male Voice Choir: the relationship between music, place and culture Abstract This thesis documents and examines the history of Cornish male voice choirs from their origins in the late nineteenth century through to the present day. The evolution of the choirs has hitherto been charted largely through scattered oral testimonies, whereas this work traces the rise, decline and resurgence of the male choral tradition by drawing from a range of primary sources, including newspapers and repertoire in addition to oral history. -
'Glitter Band and T'new York Dolls
My childhood is streets upon streets upon streets upon streets. Streets to define you and streets to confine you, with no sign of motorway, freeway or highway. Somewhere beyond hides the treat of the countryside, for hour- less days when rains and reins lift, permitting us to be amongst people who live surrounded by space and are irked by our faces. Until then we live in forgotten Victorian knife-plunging Manchester, where everything lies wherever it was left over one hundred years ago. The safe streets are dimly lit, the others not lit at all, but both represent a danger that you’re asking for should you find yourself out there once curtains have closed for tea. Past places of dread, we walk in the center of the road, looking up at the torn wallpapers of browny blacks and purples as the mournful remains of derelict shoulder-to-shoulder houses, their safety now replaced by trepidation. Local kids ransack empty houses, and small and wide-eyed, I join them, balancing across exposed beams and racing into wet black cellars; underground cavities where murder and sex and self-destruction seep from cracks of local stone and shifting brickwork where aborted babies found deathly peace instead of unforgiving life. Half-felled by the local council, houses are then left slowly crumbling and become croft waste ground for children to find new excitements with no lights for miles. Fields are places in books, and books are placed in libraries. We, though, are out here in the now, unchecked and un-governed; Manchester’s Victorian generation having coughed to their deaths after lifetimes of struggle, and these waterlogged alleys have occasional shafts of greeny-yellow grass jutting between flagstones that have cracked under duress like the people who tread them.