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1993 PROGRAM COMMITTEE NOTE: All Friday Afternoon Sessions Are at the LEVINSON and the RESISTING READER: William J
9:30 - 10:25 am VISTA MAR MONTE II IS THERE A DEFINITlDN OF ART? Vanda Boziccvic) Philosophy, University of Croatia 2:00 - 3:50 pm COMMENT: Stephanie Ross, Philosophy, FOUR QUESTIONS FOR MARGOLIS University of Missouri/Saint LOt~is Michael Krausz, Philosophy, Brytl Mawr C HAIR: Roger Shiner, Philosophy, University of Alberta MARGOLIS AND THE METAPHYSICS OF CULTURE Dale Jacquette, Philosophy, Pennsylvania State University Break: 10:30 - 10:45 am COMMENT: joseph Margolis, Philosophy, Tempi, University 10:45 - II :40 am CHAIR: Curtis Carter, Philosophy, Marquette University THE IMPACT OF JAZZ ON CHINESE AUDIENCES Shirley Kennedy, Black Studies, Break: 4:00 - 4:15 pm University of California/Santa Barbara COMMENT: David Samue ls, Anthropology, , 4:15 - 5:10 pm University of Texas/Austin PAINTINGS AND FRAMES CHAIR: jo Ellen jacobs, Philosophy, Millikin University Barbara Savedoft; Philosophy, CUNY/Baruch College COMMENT: Claudia Sole, Santa Barbara 11:45 am - 12:40 pm CHAIR: Susa n FC::lgin, Philosophy, IL FAUT ETRE ABSOLUMENT RADICALIEI University of Missouri/ Kansas City Peter Madsen, Comparative Literature, University of Copenhagen COMMENT: Gary Shapiro, Philosophy, VISTA MA1~ MONTli III University of Richmond CHAIR: Mechthild Nagel, Philosophy, 2:00 - 4:00 pm Uni.versity of Massachusetts/Amh errt AESTHETICS AND YOUNG PEOPLE Marcia Eaton, PIJi/flwph.y, Ut/i,',.,'sily oj'Mimll:sota Cynthia Rost:lt1koW I'k.I, I'lul(/ltlp/~y, Sa" losr Seate University VISTA MAR MONTE III Ellen Handler Spill, P''Ytl!j·,fU'Y, Cornell Vlli"frllly Alr, IIII,! ( -
EGOSYSTEM a Visualisation of Wholeness Amidst Environmental Uncertainty and Fragmentation
EGOSYSTEM A Visualisation of Wholeness Amidst Environmental Uncertainty and Fragmentation By Christopher Nokes Vaughan Road Academy Abstract Students are embedded in a stochastic world. Postmodern practitioners of fragmentation accept this, however they dispute Jungian and Eriksonian wholeness. The existential representation ego as a two- dimensional thing, the Kantian-, Jungian- I-formation is questioned. Similarly, Gardnerian frames of mind and MI are questioned as functional pedagogical models within the context of a stochastic reality. Thus, the term literacy must be expanded to address this enduring reality of both the classroom, and the shape-shifting, kaleidoscopic, urban landscapes through which students move daily. Egosystem (Author, 2005) is a perfect model for this environmental kaleidoscope. This requires a new literacy, a true 'reading the world' (Freire, 1995). We understand that the classical ego is an extension of a system of influential forces of the embedding world that inform, shape and re-shape it. Egosystem is the new complex ego struggling for survival. Uncertainty is the undercurrent beneath volatile educational environments wherein visual arts achieves some measure of control by offering challenging design problems. Archaic and modern confrontation with challenges presented by this stochastic world is an impetus for intellectual development through increasing visualization, heightened awareness, self-healing and self-renewal. The search for wholeness extends the Jungian archetype of teleiosis to an enlightened version of the whole Self within an entropic field that tends towards fragmentation. It is the same ego-consciousness and environmental awareness the genus Homo used to negotiate survival within the original stochastic classroom of the African Rift Valley. We witness the same successive growth of modern students learning to solve challenging design problems, to adapt and to change within an uncertain world. -
Art Integration and Cognitive Development Journal Issue
Peer Reviewed Title: Art Integration and Cognitive Development Journal Issue: Journal for Learning through the Arts, 9(1) Author: Baker, Dawn, University of South Carolina- Columbia Publication Date: 2013 Publication Info: Journal for Learning through the Arts: A Research Journal on Arts Integration in Schools and Communities Permalink: http://escholarship.org/uc/item/9wv1m987 Acknowledgements: The author wishes to acknowledge gratitude to the director, staff, and students of Art Space Charter School where this research took place. Author Bio: The author has a PhD in Educational Psychology and Research from the University of South Carolina-Columbia. Keywords: arts integration, cognitive development, intellectual development, intellectual factors, project- based learning, thematic instruction, experiential learning, Curriculum and Instruction, Educational Psychology, Elementary Education and Teaching, Other Arts and Humanities, Other Education Local Identifier: class_lta_2630 Abstract: The arts have long been valued for their aesthetic contributions to education, and studies have been conducted to demonstrate their contribution to academic performance in an attempt to justify their inclusion in the curriculum. Art integration involves learning core content subjects (math, reading, language, science, social studies) through the arts (drama, dance, music, visual arts). The focus of this qualitative pilot study was to examine and describe how the arts are integrated eScholarship provides open access, scholarly publishing services to the University of California and delivers a dynamic research platform to scholars worldwide. with curriculum concepts to promote cognitive development. The theororetical framework was based on standard theory of intelligence and cognitive development. Curriculum concepts were taught through experiential methods and hands-on projects integrated with state Standard Course of Study. -
Howard Gardner's Theory of Multiple Intelligences
Howard Gardner’s Theory of Multiple Intelligences Many of us are familiar with three general categories in which people learn: visual learners, auditory learners, and kinesthetic learners. Beyond these three general categories, many theories of and approaches toward human potential have been developed. Among them is the theory of multiple intelligences, developed by Howard Gardner, Ph.D., Professor of Education at Harvard University. Gardner’s early work in psychology and later in human cognition and human potential led to the development of the initial six intelligences. Today there are nine intelligences and the possibility of others may eventually expand the list. These intelligences (or competencies) relate to a person’s unique aptitude set of capabilities and ways they might prefer to demonstrate intellectual abilities. Gardner’s Multiple Intelligences 1. Verbal-linguistic intelligence (well-developed verbal skills and sensitivity to the sounds, meanings and rhythms of words) 2. Logical-mathematical intelligence (ability to think conceptually and abstractly, and capacity to discern logical and numerical patterns) 3. Spatial-visual intelligence (capacity to think in images and pictures, to visualize accurately and abstractly) 4. Bodily-kinesthetic intelligence (ability to control one’s body movements and to handle objects skillfully) 5. Musical intelligences (ability to produce and appreciate rhythm, pitch and timber) 6. Interpersonal intelligence (capacity to detect and respond appropriately to the moods, motivations and desires -
The First Seven. . . and the Eighth: a Conversation with Howard Gardner
The First Seven. and the Eighth: A Conversation with Howard Gardner Human intelligence continues to intrigue psychologists, neurologists, and educators. What is it? Can we measure it? How do we nurture it? Kathy Checkley Howard Gardner's theory of multiple intelligences, described in Frames of Mind (1985), sparked a revolution of sorts in classrooms around the world, a mutiny against the notion that human beings have a single, fixed intelligence. The fervor with which educators embraced his premise that we have multiple intelligences surprised Gardner himself. "It obviously spoke to some sense that people had that kids weren't all the same and that the tests we had only skimmed the surface about the differences among kids," Gardner said. Here Gardner brings us up-to-date on his current thinking on intelligence, how children learn, and how they should be taught. How do you define intelligence? Intelligence refers to the human ability to solve problems or to make something that is valued in one or more cultures. As long as we can find a culture that values an ability to solve a problem or create a product in a particular way, then I would strongly consider whether that ability should be considered an intelligence. First, though, that ability must meet other criteria: Is there a particular representation in the brain for the ability? Are there populations that are especially good or especially impaired in an intelligence? And, can an evolutionary history of the intelligence be seen in animals other than human beings? I defined seven intelligences (see box) in the early 1980s because those intelligences all fit the criteria. -
JEROME SEYMOUR BRUNER COURTESY of RANDALL FOX 1 October 1915
JEROME SEYMOUR BRUNER COURTESY OF RANDALL FOX 1 october 1915 . 5 june 2016 PROCEEDINGS OF THE AMERICAN PHILOSOPHICAL SOCIETY VOL. 161, NO. 4, DECEMBER 2017 biographical memoirs s a student of narrative, Jerome (Jerry) Seymour Bruner knew well that one can tell many stories about an individual person, Aevent, and life. Indeed, at the start of his autobiography, Jerry Bruner wrote, “I can find little in [my childhood] that would lead anybody to predict that I would become an intellectual or an academic, even less a psychologist.” And yet, it is appropriate—if not essential—to begin this memoir with the fact that Jerry Bruner was born blind. Only at age 2, after two successful cataract operations (Jerry spoke of “good luck and progress in ophthalmology”) could Jerry see. For the rest of his lengthy and event-filled life, he wore memorably thick corrective lenses. And when he was not peering directly at you—be you an audience of one or of one thousand—he would grasp his glasses firmly in his palm and punctuate his fluent speech with dramatic gestures. As a younger child of an affluent Jewish family living in the suburbs of New York City, Jerry was active, playful, and fun-loving—not partic- ularly intellectual or scholarly. His sister Alice wondered why he was always asking questions; Jerry later quipped that he was “trying out hypotheses.” Freud said that the death of a father is the most important event in a man’s life. Whether or not cognizant of this psychoanalytic pronouncement, Bruner seldom referred to his mother; he devoted much more space in his autobiography and much more time in conver- sation to commemorating his father: “Everything changed, collapsed, after my father died when I was twelve, or so it seemed to me.” And indeed, as he passed through adolescence and into early adulthood, Bruner became a much more serious student, a budding scholar, a wide-ranging intellectual. -
Spiritual Intelligence: an Important Dimension of Giftedness
University of Wollongong Research Online Faculty of Education - Papers (Archive) Faculty of Arts, Social Sciences & Humanities 1-1-2007 Spiritual intelligence: An important dimension of giftedness Wilhelmina J. Vialle University of Wollongong, [email protected] Follow this and additional works at: https://ro.uow.edu.au/edupapers Part of the Education Commons Recommended Citation Vialle, Wilhelmina J.: Spiritual intelligence: An important dimension of giftedness 2007, 171-186. https://ro.uow.edu.au/edupapers/617 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Spiritual Intelligence: An Important Dimension of Giftedness [Part IV, Chapter 3 pp. 171-186 in K.Tirri (Ed) Values and foundations in gifted education] Dr Wilma Vialle University of Wollongong, Australia Contact address: Dr Wilma Vialle Faculty of Education University of Wollongong Wollongong NSW 2522 Australia Spiritual Intelligence: An Important Dimension of Giftedness Introduction As the twenty-first century unfolds with its emphasis on global concerns and technology that is obsolete before it is out of its packaging, we need to reconsider what we understand by thinking and learning. Such reframing is essential if we are to adequately educate the twenty-first century learner. In the past, we neatly separated the cognitive realm of thinking and learning from the physical, social and emotional realities of the learner. However, substantial research has clearly established the inter- dependence and connectedness of each of these spheres within individuals. Spirituality, though, has barely been considered in these constructions of young people, and particularly of gifted young people. -
Download Full Resume in Pdf Format
Curriculum Vitae Ellen Handler Spitz Honors College Professor University of Maryland (UMBC) [email protected], <[email protected]> WEBSITE: http://ellenhandlerspitz.net/ Education Columbia University, Ph.D. (1983): Philosophy and the Social Sciences; Dissertation: Art and Psyche: A Study in Aesthetics and Psychoanalysis, published by Yale University Press (1985) Harvard University, M.A.T.: Master of Arts in Teaching: Fine Arts Barnard College, A.B., Major: History of Art Teaching Honors College Professor, University of Maryland, Baltimore County (2001-current) University of California at Santa Cruz, Visiting Professor of Art History (spring 2000) Stanford University, Lecturer, Department of Art and Art History (1997-2001) Cornell University Medical College, Lecturer of Aesthetics in Psychiatry (1987-1995) Columbia University Center for Psychoanalytic Training & Research, Lecturer (1986-96) Rutgers University, Livingston College Honors Program, Visiting Faculty (1993) New York University, Adjunct Assistant Professor of Educational Psychology (1984-87) Hebrew University of Jerusalem, Ayala & Sam Zacks Visiting Professor Art History (87) Graduate Center City University of New York, Visiting Professor of Art History (1986) Barnard College, Visiting Lecturer in Philosophy (1985) Fellowships, Honors, and Awards Research Award URAS. University of Maryland, UMBC (2010-11) Professor of the Year Award. Honors College, University of Maryland, UMBC (2009-10) Council of Scholars, Erikson Institute, Austen Riggs Center (invited January -
November 2003 CAA News
NEWS NEWSLETTER OF THE COLLEGE ART ASSOCIATION Volume 28, Number 6 NOVEMBER 2003 James Cahill CURATORIAL ASSISTANCE IN A CAHILL IS 2004 DISTINGUISHED TIGHT ECONOMY SCHOLAR n the face of budget cuts and evaporating funding, he CAA Distinguished public and private art institutions throughout the Scholar’s Session was inaugu- United States are scaling back ambitious plans, with rated in 2001 to engage senior Imany struggling to get by. University museums and gal- Tscholars in the Annual Conference and leries are confronted with similar situations. Few major celebrate their contributions to art his- U.S. museums are currently mounting blockbuster exhi- tory. But its aim is greater: At a time bitions. Expensive traveling shows and international of great methodological shifts in the loans are being curtailed or canceled, and institutions are field, this sessions fosters dialogue increasingly relying on their own permanent collections within and among the different genera- instead. While many small and midsize museums own tions of art historians. Past honorees many excellent works of art, some do not have the include James Ackerman, Leo breadth found in major cities. Steinberg, and the late Phyllis Pray How can a museum or gallery maintain a rigorous Bober. This year in Seattle, CAA will exhibition schedule in these difficult economic times? salute James Cahill, a renowned Several nonprofit institutions organize touring exhibi- scholar of Asian art. The Distinguished tions and arrange loans of works of art. Many in the Scholar’s Session will take place on museum world already know these organizations— Thursday, February 19, 2004, 2:30– American Federation of Arts, Smithsonian Institution 5:00 P.M. -
A Biography of the American Snow Globe: from Memory to Mass Production, from Souvenir to Sign
A BIOGRAPHY OF THE AMERICAN SNOW GLOBE: FROM MEMORY TO MASS PRODUCTION, FROM SOUVENIR TO SIGN Anne Hilker Prof. Marilyn Cohen, Thesis Advisor Submitted In Partial Fulfillment of the Requirements for the Degree Master of Arts in the History of the Decorative Arts and Design MA Program in the History of the Decorative Arts and Design Cooper Hewitt, National Design Museum, Smithsonian Institution; and Parsons The New School for Design 2014 © 2014 Anne K. Hilker All Rights Reserved TABLE OF CONTENTS INTRODUCTION…………………………………………………………………………1 CHAPTER I. A MATERIAL HISTORY OF THE SNOW GLOBE…………………....6 CHAPTER II. THE SNOW GLOBE AS OBJECT OF MEMORY…………………….27 CHAPTER III. THE COMMODIFICATION OF THE SNOW GLOBE: COMMODIFYING, COLLECTING, SUBVERTING……………..…57 CONCLUSION…………………………………………………………………………..79 LIST OF ILLUSTRATIONS……………………………………………………………..ii BIBLIOGRAPHY…………………………………………………….…………..……..92 ILLUSTRATIONS…………………………………………………………….……….111 i LIST OF ILLUSTRATIONS 1. Eiffel Tower snow globe, 1889. Image from blog, My Favorite Things!, entry dated Dec. 15, 2011, crediting the Bergstrom-Mahler Museum, http://myfavoritethings- conniemotz.blogspot.com/2011/12/1889-paris-exhibition-snow-globe.html, last visited April 19, 2014. 2. Bernard Koziol’s view out the back of his Volkswagen “Beetle,” circa 1950. “The Story of the Dream Globes,” posting on Company Koziol website, undated, http://www.snow-globe.com/history_snow_globe.htm, last accessed October 3, 2013. 3. Florida day/date snow globe, entry on Flickr.com, June 29, 2009, https://www.flickr.com/photos/thriftedsisters/3673223886/, last accessed April 19, 2014, picturing globe of structure similar to that appearing in Moore and Rinker, Snow Globes, 48. 4A, B. Baccarat Silhouette Squirrel Cane Paperweight, side and top views, iGavel auctions, posted June 14, 2012, http://www.igavelauctions.com/category/sale- highlights/page/2/, last accessed April 19, 2014. -
Development of a Social Studies Curriculum Reflecting Howard Gardner's Theory of Multiple Intelligences
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 1997 Development of a social studies curriculum reflecting Howard Gardner's theory of multiple intelligences Yvonne Rae Brahams Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Curriculum and Instruction Commons Recommended Citation Brahams, Yvonne Rae, "Development of a social studies curriculum reflecting Howard Gardner's theory of multiple intelligences" (1997). Theses Digitization Project. 1424. https://scholarworks.lib.csusb.edu/etd-project/1424 This Project is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. DEVELOPMENT OF A SOCIALSTUDIES CURRICULUM REFLECTING HOWARD GARDNER'S THEORY OF MULTIPLEINTELLIGENCES A Project Presented to the Faculty of California State University, San Bernardino In Partial FuMllment ofthe Requirements for the Degree Master of Arts in Education: Elementary hy Yvonne Rae Brahams June 1997 DEVELOPMENT OF A SOCIAL STUDIES CURRICULUM REFLECTING HOWARD GARDNER'S THEORY OF MULTIPLE INTELLIGENCES A Project Presented to the Faculty of California State University^ San Bernardino by Yvonne Rae Brahams June 1997 Approvedby: S zon 7- Esteban Diazj Ed.D., First Reader Date Iris Riggs, Ph.D., Second Reader ABSTRACT Statement ofPurpose The purpose of this project was to address the need for making the subject matter of social studies accessible to all students. Howard Gardner's theory of multiple intelligences was used to create social studies lessons,identify multiple instructional techniques and strategies,and integrate multiple intelligence theory into the assesment process. -
University of Southampton Research Repository Eprints Soton
University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMTPON FACULTY OF HUMANITIES Modern Languages Perceptions of Holocaust Memory: A Comparative study of Public Reactions to Art about the Holocaust at the Jewish Museum in New York and the Israel Museum in Jerusalem (1990s-2000s) by Diana I. Popescu Thesis for the degree of Doctor of Philosophy April 2012 UNIVERSITY OF SOUTHMAPTON ABSTRACT FACULTY OF HUMANITIES Modern Languages Doctor of Philosophy PERCEPTIONS OF HOLOCAUST MEMORY: A COMPARATIVE STUDY OF PUBLIC REACTIONS TO ART EXHIBITIONS ABOUT THE HOLOCAUST AT THE JEWISH MUSEUM IN NEW YORK AND THE ISRAEL MUSEUM IN JERUSALEM (1990s-2000s) by Diana I. Popescu This thesis investigates the changes in the Israeli and Jewish-American public perception of Holocaust memory in the late 1990s and early 2000s, and offers an elaborate comparative analysis of public reactions to art about the Holocaust.