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Cirque Du Soleil Michael Jackson ONE
Cirque du Soleil Michael Jackson ONE Case Study Lightware Visual Engineering 1 Peterdy 15, Budapest H-1071, Hungary +36 1 255 3800 [email protected] www.lightware.com Cirque du Soleil – Michael Jackson ONE Market Country Rental & Staging USA Lightware Equipment Used in Project 1 - Lightware MX-FR65R frame 41 - Lightware fiber receivers 3 - Lightware fiber transmitters “I’m a perfectionist; it’s part of who I am,” Michael Jackson is purported to have said. Given the quality of his work and his reputation for high standards, the expectations for a show revolving around Michael Jackson will always be exceedingly high. Cirque du Soleil’s Michael Jackson ONE, produced in conjunction with Jackson’s estate, aspires to meet the level of perfection the star would demand. The show, which combines Jackson’s music with Cirque’s distinctive acrobatic feats, is at the Mandalay Bay Resort and Casino in Las Vegas in a space that was formerly occupied by a production of The Lion King; it was completely renovated specifically for MJ ONE. CDS anchored a team that included Auerbach Pollock Friedlander, Moser Architecture Studio, and Jaffe Holden Acoustics for the design and specification of the rigging and automation, lighting control, and audio-video systems. The show’s story line was written by choreographer Jamie King, who danced in Michael Jackson’s 1992 Dangerous World Tour. The musical director, Kevin Antunes (New Kids on the Block, Marky Mark and the Funky Bunch, Britney Spears, ‘N Sync, Justin Timberlake), made his selections from “Michael’s entire treasure vault” and remixed it specifically for the show. -
Daihatsu to Be Special Sponsor for “KURIOS,” the Next Cirque Du Soleil Show to Play in Japan a Sponsor for the Seventh Show in Succession
May 22, 2017 (1/2) Daihatsu to be special sponsor for “KURIOS,” the next Cirque du Soleil show to play in Japan A sponsor for the seventh show in succession Cirque du Soleil’s “KURIOS” logo Daihatsu Motor Co., Ltd. (hereinafter “Daihatsu”) will be a special sponsor for the Cirque du Soleil show “KURIOS,” which will premier in Japan in February 2018. Daihatsu is an advocate of Cirque du Soleil’s creativity and artistry, which captivates people of all generations and nationalities, and has been a supporter of the entertainment group’s Japanese shows since Dralion in 2007. KURIOS will be the seventh show in succession that Daihatsu has sponsored. *Previous shows sponsored by Daihatsu are listed below: Dralion (February 2007–June 2008) Corteo (February 2009–June 2010) Koozå (February 2011–April 2012) Michael Jackson: The Immortal World Tour (May–June 2013) Ovo (February 2014–June 2015) Totem (February 2016–May 2017) (2/2) At every show, Daihatsu exhibits vehicles inside the performance hall that reflect the show’s worldview. For Totem, the company delighted visitors by displaying the Cast Sport mini passenger vehicle and the Boon Cilq compact passenger vehicle. Daihatsu is planning an elaborate exhibition of vehicles during KURIOS as well. Daihatsu exhibits the Boon Cilq (left) and Cast Sports (right) at Totem About Cirque du Soleil Cirque du Soleil was established in Quebec, Canada, in 1984. The entertainment group has toured 300 cities in five continents, enchanting more than 100 million people worldwide. Its shows explore the limits of human capabilities and, with careful attention to live music, lighting, stage effects, costumes and choreography, Cirque du Soleil is a synthesis of masterful artistry and continues to be loved by people of all generations and nationalities. -
Cirque Du Soleil Shows and Destinations in 2008-2009
Case study: Tour Planning at Cirque du Soleil Cirque du Soleil is a Canadian entertainment company. It is the largest theatrical producer in the world. Its theatrical, character-driven approach and the absence of performing animals helped define Cirque du Soleil as the contemporary circus ("nouveau cirque") that it remains today. The case is about the opportunity for Cirque du Soleil management, to include in the tour a new destination, Istambul, in the summer 2010. The decision must be done before the end of 2008. 61 Case study: data and information Louise Murray, Vice-President, Tour Planning and Partnerships at Cirque du Soleil received on 23th December 2008 a proposal to include Istanbul, as destination, in the 2010 tour. “A wide range of administrative formalities and tasks must be accomplished to ensure the transfer of material and people to a new show site. The tearing down, repacking, shipping and setting up must all be done in a very precise order. And because each move is to a new site, often in a new country, the experience is unique every time. A technical problem, customs difficulties, a breakdown or bad weather conditions can all lead to costly delays, sometimes even forcing the cancellation of shows.” 62 Case study: data and information “Our shows are not produced independently of each other. A synergy must emerge between these different cultural works. We can see them as a strategic portfolio of cultural products. Ideally, we would be able to present several touring shows in succession in a large city in order to establish our reputation, build an audience and open the way for the establishment of a permanent show. -
Cirque Du Soleil Returns to Portaventura World with Their Show “Varekai”
Cirque du Soleil returns to PortAventura World with their show “Varekai” PortAventura World is the only European resort to offer performances by Cirque du Soleil. The Canadian circus company’s tent will be pitched at PortAventura World from 6th July to 13th August. Varekai tells the story of the Greek myth of Icarus, reinterpreted by the creators of Cirque du Soleil, which has already captivated millions of people around the world. PortAventura, 4th July 2017. - On 6th July, the iconic big top of the Canadian circus company will open its doors and stay on site at PortAventura World over July and August. During this time there will be twice-daily performances at 18:00 and 21:30, making PortAventura World the only European resort to offer visitors the opportunity to experience a Cirque du Soleil show. Varekai tells the story of a solitary young man who falls from the sky and lands in the shadows of a magic forest – a kaleidoscopic world full of exotic creatures where he embarks on an extraordinary adventure. Varekai, which means “wherever”, pays homage to the nomadic spirit, to the soul, and to the art of the circus tradition as well as to the infinite passion of those who seek the path that leads to this special place. In Varekai, the impossible becomes possible thanks to impressive demonstrations of skill accompanied by innovative music and lively choreography in supernatural settings. An international cast consisting of over 50 artists and musicians is the soul of the show. This successful collaboration between the two companies began with Kooza in 2014 and continued with Amaluna in 2015. -
Blow Your Mind
IN THE CITY THAT NEVER SLEEPS, journey through the Milky Way Galaxy the diversity of activities alone can be and beyond in Dark Universe. The enough to take your breath away. The- Hayden Planetarium’s fifth space show ater, museums, nightlife—you name it, offers dynamic views of the cosmos, it’s here, which is why we’ve created the twinkling and swirling overhead. ultimate guide to blowing your mind, When you gaze out from the viewing chock-full of must-see places for a platforms of the Empire State Building, uniquely New York sensory overload. Top of the Rock or another skyscraper Don’t say we didn’t warn you. (or are struggling to find your way amid the crowds of Times Square), New York EARTHLY WONDER City itself can seem like a small planet. For all of history, humans have been Visitors can get even more personal with fascinated by this spinning green planet this massive city by getting a bird’s-eye and the residents who call it home. The view at the Panorama of the City of New BLOW American Museum of Natural History York, the “jewel in the crown of the col- (Central Park West, at W. 79th St., lection” at the Queens Museum (New 212.769.5100) pays tribute to this uni- York City Building, Flushing Meadows versal obsession in Mysteries of the Un- Corona Park, Queens, 718.592.9700). YOUR MIND seen World (thru Jul. 6). Using cutting- Originally created for the 1964 World’s Spectacular art and experimental entertainment to spark all five senses. -
“Flowers in the Desert”: Cirque Du Soleil in Las Vegas, 1993
“FLOWERS IN THE DESERT”: CIRQUE DU SOLEIL IN LAS VEGAS, 1993-2012 by ANNE MARGARET TOEWE B.S., The College of William and Mary, 1987 M.F.A., Tulane University, 1991 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Doctor of Philosophy Department of Theatre & Dance 2013 This thesis entitled: “Flowers in the Desert”: Cirque du Soleil in Las Vegas 1993 – 2012 written by Anne Margaret Toewe has been approved for the Department of Theatre & Dance ______________________________________________ Dr. Oliver Gerland (Committee Chair) ______________________________________________ Dr. Bud Coleman (Committee Member) Date_______________________________ The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards Of scholarly work in the above mentioned discipline. iii Toewe, Anne Margaret (Ph.D., Department of Theatre & Dance) “Flowers in the Desert”: Cirque du Soleil in Las Vegas 1993 – 2012 Dissertation directed by Professor Oliver Gerland This dissertation examines Cirque du Soleil from its inception as a small band of street performers to the global entertainment machine it is today. The study focuses most closely on the years 1993 – 2012 and the shows that Cirque has produced in Las Vegas. Driven by Las Vegas’s culture of spectacle, Cirque uses elaborate stage technology to support the wordless acrobatics for which it is renowned. By so doing, the company has raised the bar for spectacular entertainment in Las Vegas I explore the beginning of Cirque du Soleil in Québec and the development of its world-tours. -
Final Degree Dissertation
UNIVERSIDAD PONTIFICIA COMILLAS Facultad de Ciencias Humanas y Sociales Bachelor’s Degree in International Relations Final Degree Dissertation A LOCATION ANALYSIS FOR CIRQUE DU SOLEIL’S ESTABLISHMENT OF RESIDENT SHOWS Student: María Domínguez Pérez Supervisor: Santiago Urío Rodríguez Madrid, April 2018 “They can do anything, from a permanent location on Broadway, to a traveling show that pops into towns for two to three weeks, to a show that just appears for a day on a football field. That is easy to say and very hard to execute” - Dawn Hudson (cited in Rastello, 2017) - ACKNOWLEDGEMENTS First of all, I would like to thank Santiago Urío for his constant support and guidance, not only throughout the elaboration of this dissertation, but also during the past couple of years. Through his lessons and expertise, I have been able to discover my passion for International Strategy and Business Management, which I hope to develop further during my professional career. In addition, a special thanks to Jesús Méndez for always lending an ear and for encouraging me to strive for excellence and pursue my dreams of working for a major entertainment firm such as Cirque du Soleil. Finally, to my family for their words of encouragement and unconditional support. Thank you for helping me find my way out of the most stressful moments during the year. Abstract With the development of the international business field, the study of location gained importance. It began to distinguish between firms that initiated their internationalisation process to reduce production costs and those that did it in order to access new markets. -
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Cirque Du Soleil's Next Act: Rebalancing the Business
Cirque du Soleil ’s Next Act: Rebalancing the Business - WSJ Page 1 of 8 This copy is for your personal, non-commercial use only. To order presentation-ready copies for distribution to your colleagues, clients or customers visit http://www.djreprints.com. http://www.wsj.com/articles/cirque-du-soleils-next-act-rebalancing-the-business-1417474778 BUSINESS Cirque du Soleil’s Next Act: Rebalancing the Business As Growth Prospects Slow, Company Seeks to Beef Up Non-Circus Business; ‘The Rarity Was Gone’ Executives at Cirque du Soleil say they are restructuring their business—shifting some of the attention away from clowns and acrobats—after a spate of poorly received shows and a decline in profits. EUROPEAN PRESSPHOTO AGENCY By ALEXANDRA BERZON Dec. 1, 2014 5:59 p.m. ET MONTREAL—The owner and managers of Cirque du Soleil, after seeing their growth prospects wane in recent years, think they have the key to renewed success: less Cirque. http://www.wsj.com/articles/cirque -du -soleils -next -act -rebalancing -the -business -14174747 ... 4/ 16/ 2015 Cirque du Soleil ’s Next Act: Rebalancing the Business - WSJ Page 2 of 8 For three decades, the circus giant’s business triumphs mirrored its high-flying aerial stunts, and it became a case study for business school journal articles on carving out unique markets. But following a bleak outlook report from a consultant, a spate of poorly received shows and a decline in profits, executives at Cirque say they are now restructuring and refocusing their business—shifting some of the attention away from clowns and acrobats, towards other business ventures. -
BARRYALUM Barry University Alumni Association
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Corteo François Boudreault
Document généré le 25 sept. 2021 00:55 Jeu Revue de théâtre Le défilé de la mort jolie Corteo François Boudreault Théâtre jeunes publics Numéro 118 (1), 2006 URI : https://id.erudit.org/iderudit/24584ac Aller au sommaire du numéro Éditeur(s) Cahiers de théâtre Jeu inc. ISSN 0382-0335 (imprimé) 1923-2578 (numérique) Découvrir la revue Citer ce compte rendu Boudreault, F. (2006). Compte rendu de [Le défilé de la mort jolie : Corteo]. Jeu, (118), 43–46. Tous droits réservés © Cahiers de théâtre Jeu inc., 2006 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ FRANÇOISE BOUDREAULT Le défilé de la mort jolie t si dans la mort, il y avait quelques gouttes de joie, quelques larmes plus légères ? ELa mort comme une fête nostalgique ? Une ondée de souvenirs qui nous écla boussent... Après tout, la mort pourrait, elle aussi être jolie. La vita è bella ? La morte è bella ! Répertoire vu des nuages Depuis 1984, le Cirque du Soleil a atteint un rayonnement sans égal dans le monde. Les créations de cet incontournable du cirque se caractérisent par une théâtralité développée à partir d'une thématique propre à chaque spectacle. -
NYC-YUL Programme
Introduction Witnessing the birth of a brand-new Cirque du Soleil show is a must-see event that every fan of the Cirque should attempt at least once in their lifetimes. Taking that show in with the hometown crowd is a singular experience not to be missed – the abundance of excitement, that electric spark of energy, and unfettered restlessness over the anticipation of reveal is both fascinating and intoxicating. A pure, raw, energy invades the Grand Chapiteau (or theater) unlike anywhere else in the world. And when you share that encounter with friends the experience can be most enlightening. Welcome, Passionate, to CirqueCon 2010 . Over the years, CirqueCon has journeyed across oceans and transcended borders, touching fans in Canada, North America, Japan and Mexico to much success. As we gather now for the seventh time this year, not only do we find ourselves once again witnessing the evolution of some of Cirque du Soleil’s newest productions – BANANA SHPEEL, a new venue concept in New York City, and TOTEM, a new traveling spectacle opening in Montréal – we also find ourselves part of a nouvelle experience at CirqueCon. For the first time in our brief history we’ve expanded our traditional weekend to encompass two separate locations spanning a distance over five-hundred kilometers: one, a new and exciting metropolis for Passionates to explore, a city that never sleeps; the other, a cobblestone-lined historical village, with the familiarity of a heartwarming homecoming. We’re excited to present C irqueCon 2010: New York City & Montréal to you! Bridging oceans and transcending borders while taking in three Cirque du Soleil productions (two of which are brand new) is an exciting new step for us.