Csi - Wonderland a Comedy in Two Acts
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Lewis Carroll: Alice's Adventures in Wonderland
ALICE’S ADVENTURES IN WONDERLAND by Lewis Carroll with fourty-two illustrations by John Tenniel This book is in public domain. No rigths reserved. Free for copy and distribution. This PDF book is designed and published by PDFREEBOOKS.ORG Contents Poem. All in the golden afternoon ...................................... 3 I Down the Rabbit-Hole .......................................... 4 II The Pool of Tears ............................................... 9 III A Caucus-Race and a Long Tale .................................. 14 IV The Rabbit Sends in a Little Bill ................................. 19 V Advice from a Caterpillar ........................................ 25 VI Pig and Pepper ................................................. 32 VII A Mad Tea-Party ............................................... 39 VIII The Queen’s Croquet-Ground .................................... 46 IX The Mock Turtle’s Story ......................................... 53 X The Lobster Quadrille ........................................... 59 XI Who Stole the Tarts? ............................................ 65 XII Alice’s Evidence ................................................ 70 1 Poem All in the golden afternoon Of wonders wild and new, Full leisurely we glide; In friendly chat with bird or beast – For both our oars, with little skill, And half believe it true. By little arms are plied, And ever, as the story drained While little hands make vain pretence The wells of fancy dry, Our wanderings to guide. And faintly strove that weary one Ah, cruel Three! In such an hour, To put the subject by, Beneath such dreamy weather, “The rest next time –” “It is next time!” To beg a tale of breath too weak The happy voices cry. To stir the tiniest feather! Thus grew the tale of Wonderland: Yet what can one poor voice avail Thus slowly, one by one, Against three tongues together? Its quaint events were hammered out – Imperious Prima flashes forth And now the tale is done, Her edict ‘to begin it’ – And home we steer, a merry crew, In gentler tone Secunda hopes Beneath the setting sun. -
Alice in Wonderland
Alice in Wonderland July 28, 1951 Copyright © 2015 - AllEars.net - Created by JamesD (dzneynut) Email the bonus clue to [email protected] for a chance to win a Disney pin! 1 2 D E 3 4 H E D G E H O G D 5 6 T O R V O W E L S 7 8 U N B I R T H D A Y M Y 9 10 B I L L M O D O O R K N O B 11 G L U N S 12 J U N E A S M 13 14 15 Y T A L I C E G I 16 17 M W W E N D Y H O L 18 19 20 A O F E C L T R U E 21 22 D O T W O D A Y S A D H T D H L H R E R 23 24 25 26 T E N S H I L L I N G S S I X P E N C E F 27 A E T E R E R E D L 28 P W E M E N O A 29 A I R A C A T Q M 30 R M U S T A R D A E U I 31 T A C B H I S T O R Y L E S S O N Y R A B A T G 32 Y R I T D O 33 A R T T W A S B R I L L I G N O E N 34 N L M A R C H H A R E A 35 U M B R E L L A H Lewis Carroll history lesson White Rabbit eight Doorknob Carpenter Golden ketchup March Hare Ed Wynn ten shillings sixpence Rufus unbirthday mustard vowels Carroll Lewis croquet Dinah Cheshire Cat July Wendy Im Late umbrella smirk True two days Dodo overcoat Maryanne Tulgey Woods Mad Hatter cat red six shillings tenpence Bill flamingo Alice Maryjane June smile False bird hedgehog Dormouse Twas Brillig three Mad Tea Party ★ Thurl Ravenscroft, a member of the singing group, the Mellomen, who sing #27 Across, appears to have lost his head while singing a familiar song in what popular theme park attraction? (2 words) [HAUNTEDMANSION] Across Down 3. -
White Rabbit (1967) Jefferson Airplane
MUSC-21600: The Art of Rock Music Prof. Freeze White Rabbit (1967) Jefferson Airplane LISTEN FOR • Surrealistic lyrics • Spanish inflections • Musical ambition contained in pop AABA form • Overarching dramatic arc (cf. Ravel’s Bolero?) CREATION Songwriters Grace Slick Album Surrealistic Pillow Label RCA Victor 47-9248 (single); LSP-3766 (stereo album) Musicians Electric guitars, bass, drums, vocals Producer Rick Jarrard Recording November 1966; stereo Charts Pop 8; Album 3 MUSIC Genre Psychedelic rock Form AABA Key F-sharp Phrygian mode Meter 4/4 LISTENING GUIDE Time Form Lyric Cue Listen For 0:00 Intro (12) • Bass guitar and snare drum suggest the Spanish bolero rhythm. • Phrygian mode common in flamenco music. • Winding guitar lines evoke Spanish music. • Heavy reverb in all instruments save drums. MUSC-21600 Listening Guide Freeze “White Rabbit” (Jefferson Airplane, 1967) Time Form Lyric Cue Listen For 0.28 A (12) “One pill makes you” • Vocals enter quietly and with echo, with only bass, guitar, and snare drum accompaniment. 0:55 A (12) “And if you go” • Just a little louder and more forceful. 1:23 B (12) “When men on” • Music gains intensity: louder dynamic, second guitar, drums with more traditional rock beat. 1:42 A (21) “Go ask Alice” • Vocal now much more forceful. • Accompaniment more insistent, especially rhythm guitar. • Drives to climax at end. LYRICS One pill makes you larger When the men on the chessboard And one pill makes you small Get up and tell you where to go And the ones that mother gives you And you’ve just had some -
KNIGHT LETTER D De E the Lewis Carroll Society of North America
d de e KNIGHT LETTER d de e The Lewis Carroll Society of North America Fall 2017 Volume II Issue 29 Number 99 d de e CONTENTS d de e The Rectory Umbrella Of Books and Things g g Delaware and Dodgson, Contemporary Review of or, Wonderlands: Egad! Ado! 1 Nabokov’s Anya Discovered 36 chris morgan victor fet Drawing the Looking-Glass Country 11 The Albanian Gheg Wonderland 36 dmitry yermolovich byron sewell Is snark Part of a Cyrillic Doublet? 16 Alice and the Graceful White Rabbit 37 victor fet & michael everson robert stek USC Libraries’ 13th Wonderland Award 18 Alice’s Adventures in Punch 38 linda cassady andrew ogus A “New” Lewis Carroll Puzzle 19 Alice’s Adventures under clare imholtz the Land of Enchantment 39 Two Laments: One for Logic cindy watter & One for the King 20 Alice D. 40 august a. imholtz, jr cindy watter Mad Hatters and March Hares 41 mischmasch rose owens g AW, ill. Charles Santore 41 andrew ogus Leaves from the Deanery Garden— Serendipity—Sic, Sic, Sic 21 Rare, Uncollected, & Unpublished Verse of Lewis Carroll 42 Ravings from the Writing Desk 25 edward wakeling stephanie lovett The Alice Books and the Contested All Must Have Prizes 26 Ground of the Natural World 42 matt crandall hayley rushing Arcane Illustrators: Goranka Vrus Murtić 29 Evergreen 43 mark burstein Nose Is a Nose Is a Nose 30 From Our Far-flung goetz kluge Correspondents g In Memoriam: Morton Cohen 32 Art & Illustration—Articles & Academia— edward guiliano Books—Events, Exhibits, & Places—Internet & Technology—Movies & Television—Music— Carrollian Notes Performing Arts—Things 44 g More on Morton 34 Alice in Puzzleland: The Jabberwocky Puzzle Project 34 chris morgan d e Drawing the Looking-Glass Country dmitry yermolovich d e llustrators do not often explain why they have Messerschmidt, famous for his “character heads,” drawn their pictures the way they did. -
Batman Miniature Game Standard List
BATMANMINIATURE GAME STANDARD DATE VER. MODELS LIST 2020.03.06 35DC176 BATGIRL REBIRTH (MV) STARTERS & BAT-BOXES BATBOX001 SUICIDE SQUAD 35DC177 TWO-FACE STARTER SET BATBOX002 THE JOKER: CLOWNS PARTY 35DC178 JOHN CONSTANTINE (MV) BATBOX003 THE RIDDLER: QUIZMASTERS 35DC179 ZATANNA (MV) BATBOX004 MILITIA: INVASION FORCE 35DC181 JASON BLOOD & DEMON (MV) BATBOX005 THE PENGUIN: CRIMELORD 35DC182 KNIGHTFALL BATMAN BATBOX006 THE COURT OF OWLS: TALON’S NIGHT 35DC183 BATMAN FLASHPOINT BATBOX007 BANE: VENOM OVERDRIVE 35DC185 KILLER CROC (MV) BATBOX008 LEAGUE OF ASSASSINS: DEMON’S HEIR 35DC188 DYNAMIC DUO, BATMAN AND ROBIN BATBOX009 KOBRA: KALI YUGA 35DC189 THE PARLIAMENT OF OWLS BATBOX010 TEEN TITANS 35DC191 GREEN ARROW TV SHOW (MV) BATBOX011 WATCHMEN 35DC192 HARLEY QUINN REBIRTH (MV) BATBOX012 DOOM PATROL 35DC194 CATWOMAN MODERN AGE (MV) BATBOX013 BIRDS OF PREY 35DC195 JUSTICE LEAGUE DARK (MV) BMG009 BMG THE DARK KNIGHT RISES GAME BOX 35DC198 THE BATMAN WHO LAUGHS (MV) BMG010 BMG BACK TO GOTHAM BOX 35DC199 VENTRILOQUIST & MOBSTERS 35DC200 L. LUTHOR ARMOR & HVY. TROOPER (MV) MODELS 35DC201 LEX LUTHOR & LEXCORP TROOPERS (MV) ¨¨¨¨¨¨¨¨ ALFRED (DKR PROMO) 35DC205 PENGUINS “““““““““ JOE CHILL 35DC211 FALCONE CRIME FAMILY 35DC170 BLACKGATE PRISONERS SET 35DC212 BATMAN (MV) 35DC171 NIGHTWING 35DC213 LEGION OF DOOM 35DC172 RED HOOD (MV) 35DC214 ROBIN & GOLIATH 35DC173 DEATHSTROKE (MV) 35DC215 CLAYFACE (MV) 1 BATMANMINIATURE GAME 35DC216 THE COURT OWLS CREW 35DC260 ROBIN (JASON TODD) 35DC217 OWLMAN (MV) 35DC262 BANE THE BAT 35DC218 JOHNNY QUICK (MV) 35DC263 -
By Jonathan Yukich
By Jonathan Yukich © Copyright 2013, Pioneer Drama Service, Inc. Professionals and amateurs are hereby warned that a royalty must be paid for every performance, whether or not admission is charged. All inquiries regarding rights should be addressed to Pioneer Drama Service, Inc., PO Box 4267, Englewood, CO 80155. All rights to this play—including but not limited to amateur, professional, radio broadcast, television, motion picture, public reading and translation into foreign languages—are controlled by Pioneer Drama Service, Inc., without whose permission no performance, reading or presentation of any kind in whole or in part may be given. These rights are fully protected under the copyright laws of the United States of America and of all countries covered by the Universal Copyright Convention or with which the United States has reciprocal copyright relations, including Canada, Mexico, Australia and all nations of the United Kingdom. COPYING OR REPRODUCING ALL OR ANY PART OF THIS BOOK IN ANY MANNER IS STRICTLY FORBIDDEN BY LAW. On all programs, printing and advertising, the following information must appear: 1. The full name of the play 2. The full name of the playwright 3. The following notice: “Produced by special arrangement with Pioneer Drama Service, Inc., Englewood, Colorado” ALICE@WONDERLAND Based on the works of Lewis Carroll Adapted for the stage by JONATHAN YUKICH CAST OF CHARACTERS (In Order of Speaking) # of lines ALICE ......................................................................................292 WHITE RABBIT ...........................................................................40 -
Alice's Adventures in Wonderland
digital edition to that of the The world’s original. After weeks of toil he most precise created an exact replica of the A LICE’S original! The book was added replica to VolumeOne’s print-on- Adventures in Wonderland demand offering. While a PDF of the world’s version is offered on various portals of the Net, BookVirtual most famous took the project to heart and children’s book! added its interface designs and programming. Welcome to the world’s most precise all-digital In 1998, Peter Zelchenko replica of the world’s most began a project for Volume- famous children’s book. Thank One Publishing: to create an you, Peter. exact digital replica of Lewis Carroll’s first edition of Alice. BookVirtual™ Working with the original Books made Virtual. Books made well. 1865 edition and numerous www.bookvirtual.com other editions at the Newberry Library in Chicago, Zelchenko created a digital masterpiece in his own right, a testament to NAVIGATE the original work of Lewis Carroll (aka Prof. Charles Dodgson) who personally CONTROL directed the typography for the first Alice. CLOSE THE BOOK After much analyis, Peter then painstakingly matched letter to letter, line to line, of his new TURN THE PAGE BY LEWIS CARROLL ILLUSTRATED BY JOHN TENNIEL RABBIT-HOLE. 1 Fit Page Full Screen On/Off Close Book ALICE’S ADVENTURES IN WONDERLAND Navigate Control Internet Digital InterfaceInterface by byBookVirtual BookVirtual Corp. Corp. U.S. U.S. Patent Patent Pending. Pending. © 2000' 2000 All AllRights Rights Reserved. Reserved. Fit Page Full Screen On/Off Close Book ALICE’S ADVENTURES IN WONDERLAND BY LEWIS CARROLL WITH FORTY-TWO ILLUSTRATIONS BY JOHN TENNIEL VolumeOne Publishing Chicago, Illinois 1998 A BookVirtual Digital Edition, v.1.2 November, 2000 Navigate Control Internet Digital Interface by BookVirtual Corp. -
Alice in Wonderland A Fantasy with Music. Last Edit
Alice in Wonderland A fantasy with music. Last edit: 1/20/19 Adapted from the novel by Dave Alan Thomas Lyrics by Dave Alan Thomas (“Dreaming” based on a poem by Lewis Carroll) Music by AJ Neaher CAST OF CHARACTERS: All roles will be played by a ten-member ensemble (plus, a pianist) as follows: ALICE A: (MAD HATTER/MARCH HARE/DORMOUSE) B: (WHITE RABBIT) C: (DUCHESS/DUCK) D: (QUEEN OF HEARTS/DODO) E: (GRYPHON/EAGLET/PIGEON/PIG) F: (MOCK TURTLE/EAGLET/BILL THE LIZARD/FISH FOOTMAN) G: (CHESHIRE CAT/MOUSE/GUARD) H: (KNAVE OF HEARTS/FROG FOOTMAN) I: (CATERPILLAR/PAT THE HEDGEHOG/COOK/EXECUTIONER) Narrator* Singer** Pianist*** *Any member that suits the staging best for lines of the the “Narrator” This could be a character that breaks the fourth wall while also playing a character within a scene or it can be one of the players that is not already currently assigned to a character in any given scene. **Although the Mad Hatter is a likely candidate to sing lead on these songs, as he is also the guitarist (or extra musician) they have a “Greek chorus” quality that would lend them to any member of the ensemble, other than Alice, to take part in or to sing lead. That assignment can be at the discretion of the director and music/vocal director, based on the best attributes and abilities of your cast and directorial concept. They will simply be listed as SINGER in the script. ***The pianist is the only member of the show that remains a musician throughout the dream and does not take on other characters. -
ALICE in WONDERLAND AUDITION MONOLOGUES Choose ONE of the Following to Memorize Or Read for Auditions
ALICE IN WONDERLAND AUDITION MONOLOGUES Choose ONE of the following to memorize or read for auditions. You may be considered for other roles also. ALICE: Should I or shouldn’t I? You know what they say: ”If you don’t explore, you’ll never discover.” But my sister Mathilda always says “Look before you leap”. Well, I’m looking and it looks pretty deep and dark and I can’t see the bottom and maybe it goes all the way to the center of the earth and I’ll be burnt to a crisp in the molten core like the bad marshmallow we’ve all heard so much about! (Pause) Or not. (Pause) Ok, I looked. Now it’s time to leap! (Alice jumps down the rabbit hole.) ALICE: Remember Alice, Look before you leap. I really don’t know what’s in this bottle, but it looks so pretty. But it could be poison, or mayonnaise, or floor polish, or a frothy combination of all three! But I have to find the White Rabbit. Oh well, if you don’t explore, you’ll never discover. Bottoms up! (Alice drinks from the bottle) MATHILDA: (Reading from a book) And during the American Revolution, King George the Third, or Old Mad George, as some have so called him…blah, blah, blah.. And he was so angry at General George Washington that he made all his own royal soldiers dress in bright red uniforms that…blah, blah, blah… made them look like giant walking lobsters ….Eeeek! Alice, honestly when are you ever going to grow up? You’re just a silly little girl pretending to be a lion. -
Chapter One – Down the Rabbit Hole: Alice Is Feeling Bored and Drowsy
Chapter One – Down the Rabbit Hole: Alice is feeling bored and drowsy while sitting on the riverbank with her older sister, who is reading a book with no pictures or conversations. She then notices a White Rabbit wearing a waistcoat and pocket watch, talking to itself as it runs past. She follows it down a rabbit hole, but suddenly falls a long way to a curious hall with many locked doors of all sizes. She finds a small key to a door too small for her to fit through, but through it she sees an attractive garden. She then discovers a bottle on a table labelled "DRINK ME", the contents of which cause her to shrink too small to reach the key, which she has left on the table. She eats a cake with "EAT ME" written on it in currants as the chapter closes. Chapter Two – The Pool of Tears: Chapter Two opens with Alice growing to such a tremendous size that her head hits the ceiling. Alice is unhappy and, as she cries, her tears flood the hallway. After shrinking down again due to a fan she had picked up, Alice swims through her own tears and meets a Mouse, who is swimming as well. She tries to make small talk with him in elementary French (thinking he may be a French mouse) but her opening gambit "Où est ma chatte?" ("Where is my cat?") offends the mouse and he tries to escape her. Chapter Three – The Caucus Race and a Long Tale: The sea of tears becomes crowded with other animals and birds that have been swept away by the rising waters. -
Alice Audience Guide to the Ballet
Audience Guide to the Ballet February 10 - 19, 2017 Benedum Center for the Performing Arts, Pittsburgh Audience Guide to the Ballet Choreography by Derek Deane February 10 – 19, 2017 | 11 AM Benedum Center for the Performing Arts | Pittsburgh, PA PBT gratefully acknowledges the following organizations for their commitment to our education programming: Allegheny Regional Asset District Highmark Foundation Anne L. and George H. Clapp Charitable Trust BNY Peoples Natural Gas Mellon Foundation Pennsylvania Council on the Arts Pennsylvania Claude Worthington Benedum Foundation Department of Community and Economic Eat ‘n Park Hospitality Group Development Edith L. Trees Charitable Trust PNC Bank Grow up Great ESB Bank PPG Industries, Inc. Giant Eagle Foundation Richard King Mellon Foundation James M. The Grable Foundation and Lucy K. Schoonmaker Hefren-Tillotson, Inc. The Heinz Endowments Henry C. Frick Educational Fund of The Buhl Foundation Cover Photograph: Duane Reider; Artists: Corey Bourbobonniere, Hannah Carter and William Moore Produced by Pittsburgh Ballet Theatre Department of Arts Education and Community Engagement, 2016 All performance photos in this guide are by Rich Sofranko and from PBT’s 2008 production of the ballet unless otherwise noted. CONTENTS 4 Synopsis 6 About the Author 7 How the Story Began 8 A Literary Timeline 9 A Theatrical Timeline 10 The Choreography 11 The Music 12 The Design 13 Some Online Resources Photo: Maribel Modrono, Makoto Ono and Stephen Hadala. SYNOPSIS Act I Alice is playing beside a river while her sister reads a book. She tries to get her sister's attention, but eventually gives up and falls asleep in her sister's lap. -
Alice in Wonderland Glossary of Terms for Madge Miller’S Adaptation from Lewis Carroll
Alice in Wonderland Glossary of Terms for Madge Miller’s adaptation from Lewis Carroll Lewis Carroll’s novella Alice’s Adventures in Wonderland, on which Madge Miller’s play is based, begins not with Alice sitting on the grass with her sister, but with the following poem, which recalls the “golden afternoon” when Carroll first began telling the story of Alice’s adventures underground to the three Liddell sisters, Lorina (aged 13), Alice (aged 10), and Edith (aged 8). The date was Friday, July 4th, 1862. W.H. Auden once declared that July 4th, 1862 was “as memorable a day in the history of literature as it is in American history.”1 This quote and, indeed, much of the information in this glossary is culled from The Annotated Alice, a volume of Carroll’s work superbly annotated by Martin Gardner, from which I will be citing frequently. The poem which begins Alice’s Adventures reads as follows: All in the golden afternoon Full leisurely we glide; For both our oars, with little skill, By little arms are plied, While little hands make vain pretence Our wanderings to guide. Ah, cruel Three! In such an hour, Beneath such dreamy weather, To beg a tale of breath too weak To stir the tiniest feather! Yet what can one poor voice avail Against three tongues together? Imperious Prima flashes forth Her edict to “begin it”: In gentler tones Secunda hopes “There will be nonsense in it!” While Tertia interrupts the tale Not more than once a minute. Anon, to sudden silence won, In fancy they pursue The dream-child moving through a land Of wonders wild and new, In friendly chat with bird or beast— And half believe it true.