Audubon Florida Naturalist Magazine Spring 2013
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
11 August 2006 J. Michael Meyers USGS Patuxent Wildlife
11 August 2006 J. Michael Meyers USGS Patuxent Wildlife Research Center Warnell School of Forestry and Natural Resources The University of Georgia Athens, GA 30602-2152 706-542-1882; email [email protected] RH: Florida bald eagle migration • Mojica and Meyers MIGRATION, HOME RANGE, AND IMPORTANT USE AREAS OF FLORIDA SUB-ADULT BALD EAGLES ELIZABETH K. MOJICA, Warnell School of Forestry and Natural Resources, University of Georgia, Athens, GA 30602, USA J. MICHAEL MEYERS, USGS Patuxent Wildlife Research Center, Warnell School of Forestry and Natural Resources, University of Georgia, Athens, GA 30602, USA Final Performance Report 9 September 2005 – 1 June 2006 Keywords: Bald eagle, Haliaeetus leucocephalus, migration, stopover, home range, roost, nearest neighbor. Mojica and Meyers 2 TABLE OF CONTENTS ABSTRACT....................................................................................................3 INTRODUCTION ...........................................................................................4 OBJECTIVES: ...............................................................................................5 METHODS.....................................................................................................6 Important use areas ...................................................................................6 Migratory eagle seasonal home ranges .....................................................7 Non-migratory eagle home ranges.............................................................8 Migration ....................................................................................................9 -
Brooker Creek Preserve Management Plan
BROOKER CREEK PRESERVE MANAGEMENT PLAN prepared for PINELLAS COUNTY DEPARTMENT OF ENVIRONMENTAL MANAGEMENT prepared by Institute for Enviionmental Studies at the UNIVERSITY OF SOUTH FLORIDA in association with HDR Engineering, Inc. Breuggemann & Associates Laurie Macdonald, M. S, Zoologist Florida Audubon Society James Layne, PLD. EHI, Inc. December 1,1993 TABLE OF CONTENTS ListofFigures .................................................... iii ListofTables ...................................................... iv Acknowledgements ................................................... v ListofContributors ................................................. vi Summary Description, Proposed Facilities, and Recommendations .............. vii I. INTRODUCLTON Location of the Preserve ....................................... 1 Goals and Mission of the Preserve ............................... 1 11. PHYSICAL DESCRIPTION OF THE PRESERVE Drainage .................................................. 1 -WaterQuality............................................ 3 Topography ................................................ 3 Geology and soils ............................................ 3 Man-made features .......................................... 7 BIOLOGICAL DESCRIPTION OF THE PRESERVE A. Habitat Types Provided on the Preserve ........................... 8 Historical communities ....................................... 8 Existing communities -Land uselland cover ..................................... 10 -Natural plant communities ............................... -
The Artist and the American Land
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Sheldon Museum of Art Catalogues and Publications Sheldon Museum of Art 1975 A Sense of Place: The Artist and the American Land Norman A. Geske Director at Sheldon Memorial Art Gallery, University of Nebraska- Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/sheldonpubs Geske, Norman A., "A Sense of Place: The Artist and the American Land" (1975). Sheldon Museum of Art Catalogues and Publications. 112. https://digitalcommons.unl.edu/sheldonpubs/112 This Article is brought to you for free and open access by the Sheldon Museum of Art at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Sheldon Museum of Art Catalogues and Publications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. VOLUME I is the book on which this exhibition is based: A Sense at Place The Artist and The American Land By Alan Gussow Library of Congress Catalog Card Number 79-154250 COVER: GUSSOW (DETAIL) "LOOSESTRIFE AND WINEBERRIES", 1965 Courtesy Washburn Galleries, Inc. New York a s~ns~ 0 ac~ THE ARTIST AND THE AMERICAN LAND VOLUME II [1 Lenders - Joslyn Art Museum ALLEN MEMORIAL ART MUSEUM, OBERLIN COLLEGE, Oberlin, Ohio MUNSON-WILLIAMS-PROCTOR INSTITUTE, Utica, New York AMERICAN REPUBLIC INSURANCE COMPANY, Des Moines, Iowa MUSEUM OF ART, THE PENNSYLVANIA STATE UNIVERSITY, University Park AMON CARTER MUSEUM, Fort Worth MUSEUM OF FINE ARTS, BOSTON MR. TOM BARTEK, Omaha NATIONAL GALLERY OF ART, Washington, D.C. MR. THOMAS HART BENTON, Kansas City, Missouri NEBRASKA ART ASSOCIATION, Lincoln MR. AND MRS. EDMUND c. -
NENHC 2008 Abstracts
Abstracts APRIL 17 – APRIL 18, 2008 A FORUM FOR CURRENT RESEARCH The Northeastern Naturalist The New York State Museum is a program of The University of the State of New York/The State Education Department APRIL 17 – APRIL 18, 2008 A FORUM FOR CURRENT RESEARCH SUGGESTED FORMAT FOR CITING ABSTRACTS: Abstracts Northeast Natural History Conference X. N.Y. State Mus. Circ. 71: page number(s). 2008. ISBN: 1-55557-246-4 The University of the State of New York THE STATE EDUCATION DEPARTMENT ALBANY, NY 12230 THE UNIVERSITY OF THE STATE OF NEW YORK Regents of The University ROBERT M. BENNETT, Chancellor, B.A., M.S. ................................................................. Tonawanda MERRYL H. TISCH, Vice Chancellor, B.A., M.A., Ed.D. ................................................. New York SAUL B. COHEN, B.A., M.A., Ph.D.................................................................................. New Rochelle JAMES C. DAWSON, A.A., B.A., M.S., Ph.D. .................................................................. Peru ANTHONY S. BOTTAR, B.A., J.D. ..................................................................................... Syracuse GERALDINE D. CHAPEY, B.A., M.A., Ed.D. ................................................................... Belle Harbor ARNOLD B. GARDNER, B.A., LL.B. .................................................................................. Buffalo HARRY PHILLIPS, 3rd, B.A., M.S.F.S. ............................................................................. Hartsdale JOSEPH E. BOWMAN, JR., B.A., -
The Quarterly Journal of the Florida Native Plant Society
Volume 28: Number 1 > Winter/Spring 2011 PalmettoThe Quarterly Journal of the Florida Native Plant Society Protecting Endangered Plants in Panhandle Parks ● Native or Not? Carica papaya ● Water Science & Plants Protecting Endangered Plant Species Sweetwater slope: Bill and Pam Anderson To date, a total of 117 listed taxa have been recorded in 26 panhandle parks, making these parks a key resource for the protection of endangered plant species. 4 ● The Palmetto Volume 28:1 ● Winter/Spring 2011 in Panhandle State Parks by Gil Nelson and Tova Spector The Florida Panhandle is well known for its natural endowments, chief among which are its botanical and ecological diversity. Approximately 242 sensitive plant taxa occur in the 21 counties west of the Suwannee River. These include 15 taxa listed as endangered or threatened by the U. S. Fish and Wildlife Service (USFWS), 212 listed as endangered or threatened by the State of Florida, 191 tracked by the Florida Natural Areas Inventory, 52 candidates for federal listing, and 7 categorized by the state as commercially exploited. Since the conservation of threatened and endangered plant species depends largely on effective management of protected populations, the occurrence of such plants on publicly or privately owned conservation lands, coupled with institutional knowledge of their location and extent is essential. District 1 of the Florida Sarracenia rosea (purple pitcherplant) at Ponce de Leon Springs State Park: Park Service manages 33 state parks encompassing approximately Tova Spector, Florida Department of Environmental Protection 53,877 acres in the 18 counties from Jefferson County and the southwestern portion of Taylor County westward. -
The Making of a Conservationist: Audubon's Ecological Memory
Journal of Ecocriticism 5(2) July 2013 The Making of a Conservationist: Audubon’s Ecological Memory Christian Knoeller (Purdue University)* Abstract While Audubon’s exploits as consummate artist, accomplished naturalist, and aspiring entrepreneur are widely recognized, his contributions as author and nascent conservationist remain less fully appreciated. Extensive travels observing and documenting wildlife as an artist-naturalist gave him a unique perspective on how human-induced changes to the landscape impacted wildlife. He lamented the reduction in range of many species and destruction of historic breeding grounds, as well as declining populations caused by overhunting and habitat loss. His understanding of changing landscapes might be thought of in terms of ecological memory reflected in his narratives of environmental history. He described the destruction of forests and fisheries as well as the shrinking ranges of species including several now extinct such as the Passenger Pigeon, Carolina Parakeet, and Ivory-billed Woodpecker. Quadrupeds of North America and the Missouri River Journals depict the impact of environmental destruction he witnessed taking place in the first half of the 19th century. While these later works suggest a growing interest in conservation, Audubon had already voiced such concerns frequently in his earlier writings. Copious journals kept throughout his career in the field on America’s westering frontier reveal a keen appreciation for environmental history. By the time he arrived on the Upper Missouri in 1843, his values regarding the preservation of wildlife and habitat had been forged by writing for decades about his observations in the wild. What began as a quest to celebrate the natural abundance of North America by documenting every species of bird took on new dimensions as he expressed increasing concerns about conservation having recognized the extent of development and declines in wildlife during his lifetime. -
FLORIDA STATE PARKS FEE SCHEDULE (Fees Are Per Day Unless Otherwise Noted) 1. Statewide Fees Admission Range $1.00**
FLORIDA STATE PARKS FEE SCHEDULE (Fees are per day unless otherwise noted) 1. Statewide Fees Admission Range $1.00** - $10.00** (Does not include buses or admission to Ellie Schiller Homosassa Springs Wildlife State Park or Weeki Wachee Springs State Park) Single-Occupant Vehicle or Motorcycle Admission $4.00 - $6.00** (Includes motorcycles with one or more riders and vehicles with one occupant) Per Vehicle Admission $5.00 - $10.00** (Allows admission for 2 to 8 people per vehicle; over 8 people requires additional per person fees) Pedestrians, Bicyclists, Per Passenger Exceeding 8 Per Vehicle; Per $2.00 - $5.00** Passenger In Vehicles With Holder of Annual Individual Entrance Pass Admission Economically Disadvantaged Admission One-half of base (Must be Florida resident admission fee** and currently participating in Food Stamp Program) Bus Tour Admission $2.00** per person (Does not include Ellie Schiller Homosassa Springs Wildlife State Park, or $60.00 Skyway Fishing Pier State Park, or Weeki Wachee Springs State Park) whichever is less Honor Park Admission Per Vehicle $2.00 - $10.00** Pedestrians and Bicyclists $2.00 - $5.00** Sunset Admission $4.00 - $10.00** (Per vehicle, one hour before closing) Florida National Guard Admission One-half of base (Active members, spouses, and minor children; validation required) admission fee** Children, under 6 years of age Free (All parks) Annual Entrance Pass Fee Range $20.00 - $500.00 Individual Annual Entrance Pass $60.00 (Retired U. S. military, honorably discharged veterans, active-duty $45.00 U. S. military and reservists; validation required) Family Annual Entrance Pass $120.00 (maximum of 8 people in a group; only allows up to 2 people at Ellie Schiller Homosassa Springs Wildlife State Park and Weeki Wachee Springs State Park) (Retired U. -
Florida State Parks Data by 2021 House District
30, Florida State Parks FY 2019-20 Data by 2021 House Districts This compilation was produced by the Florida State Parks Foundation . FloridaStateParksFoundation.org Statewide Totals • 175 Florida State Parks and Trails (164 Parks / 11 Trails) comprising nearly 800,000 Acres • $2.2 billion direct impact to Florida’s economy • $150 million in sales tax revenue • 31,810 jobs supported • 25 million visitors served # of Economic Jobs Park House Districts Parks Impact Supported Visitors 1 Salzman, Michelle 0 2 Andrade, Robert Alexander “Alex” 3 31,073,188 436 349,462 Big Lagoon State Park 10,336,536 145 110,254 Perdido Key State Park 17,191,206 241 198,276 Tarklin Bayou Preserve State Park 3,545,446 50 40,932 3 Williamson, Jayer 3 26,651,285 416 362,492 Blackwater Heritage State Trail 18,971,114 266 218,287 Blackwater River State Park 7,101,563 99 78,680 Yellow River Marsh Preserve State Park 578,608 51 65,525 4 Maney, Thomas Patterson “Patt” 2 41,626,278 583 469,477 Fred Gannon Rocky Bayou State Park 7,558,966 106 83,636 Henderson Beach State Park 34,067,312 477 385,841 5 Drake, Brad 9 64,140,859 897 696,022 Camp Helen State Park 3,133,710 44 32,773 Deer Lake State Park 1,738,073 24 19,557 Eden Gardens State Park 3,235,182 45 36,128 Falling Waters State Park 5,510,029 77 58,866 Florida Caverns State Park 4,090,576 57 39,405 Grayton Beach State Park 17,072,108 239 186,686 Ponce de Leon Springs State Park 6,911,495 97 78,277 Three Rivers State Park 2,916,005 41 30,637 Topsail Hill Preserve State Park 19,533,681 273 213,693 6 Trumbull, Jay 2 45,103,015 632 504,860 Camp Helen State Park 3,133,710 44 32,773 St. -
Exhibition Guide
Exhibition Guide February 7, 2019 Contents Illumination to Illustration: Art of the Book ......................................................................................................................... - 2 - Illumination ............................................................................................................................................................................. - 3 - Woodcuts ............................................................................................................................................................................... - 6 - Engravings/Etchings ........................................................................................................................................................... - 10 - Illustration ............................................................................................................................................................................. - 13 - Photography ........................................................................................................................................................................ - 16 - Fine Art Press ...................................................................................................................................................................... - 19 - Children’s ............................................................................................................................................................................. - 24 - Graphic Novels -
FFN 47.3 Pages 116-126.Pdf
Florida Field Naturalist 47(3):116-126, 2019. FIELD OBSERVATIONS Winter Report: December 2018-February 2019.—This report consists of significant bird observations compiled by the Field Observations Committee (FOC). Electronic submissions to the FOC should be in the following format: species, number of individuals, age and sex of the bird(s), color morph if applicable, location (including county), date, observer(s), and significance. Seasons are winter (December-February), spring (March-May), summer (June-July), and fall (August-November). Submit observations to regional compilers within two weeks after the close of each season, or to the state compiler within one month. Addresses of the compilers follow this report. Sight-only observations are considered “reports” while only those observations supported by verifiable evidence (photographs, video or audio recordings, or specimens) are called “records.” Species for which documentation is required by the FOC and by the FOS Records Committee (FOSRC; <fosbirds.org/official-florida-state-bird-list>) are marked here with an asterisk (*). A county designation (in italics) accompanies the first- time listing of each site in this report. Abbreviations in this report are: AFB = Air Force Base, AFR = Air Force Range, CA = Conservation Area, EOS = end of season, m. obs. = many observers, NERR = National Estuarine Research Reserve, NF = National Forest, NP = National Park, NSRA = North Shore Restoration Area, NWR = National Wildlife Refuge, SF = State Forest, SP = State Park, STA = Stormwater Treatment Area, STF = sewage treatment facility, WMA=Wildlife Management Area, and N, S, E, W etc., for compass directions. Bold-faced entries denote birds newly reported or verified in Florida, or record numbers. -
READ ME FIRST Here Are Some Tips on How to Best Navigate, find and Read the Articles You Want in This Issue
READ ME FIRST Here are some tips on how to best navigate, find and read the articles you want in this issue. Down the side of your screen you will see thumbnails of all the pages in this issue. Click on any of the pages and you’ll see a full-size enlargement of the double page spread. Contents Page The Table of Contents has the links to the opening pages of all the articles in this issue. Click on any of the articles listed on the Contents Page and it will take you directly to the opening spread of that article. Click on the ‘down’ arrow on the bottom right of your screen to see all the following spreads. You can return to the Contents Page by clicking on the link at the bottom of the left hand page of each spread. Direct links to the websites you want All the websites mentioned in the magazine are linked. Roll over and click any website address and it will take you directly to the gallery’s website. Keep and fi le the issues on your desktop All the issue downloads are labeled with the issue number and current date. Once you have downloaded the issue you’ll be able to keep it and refer back to all the articles. Print out any article or Advertisement Print out any part of the magazine but only in low resolution. Subscriber Security We value your business and understand you have paid money to receive the virtual magazine as part of your subscription. Consequently only you can access the content of any issue. -
Washington, D. C. June 1, 1967. the National Gallery Today Announced It
SIXTH STREET AT CONSTITUTION AVENUE NW WASHINGTON DC 20565 • 737-4215 extension 224 Washington, D. C. June 1, 1967. The National Gallery today announced it will lend 17 American paintings, including the work of Gilbert Stuart, Winslow Homer, and Rembrandt Peale, to the Mint Museum of Art in Charlotte for the inauguration of its new building this fall. John Walker, Director of the National Gallery said the paintings will be on view from September 15 to October 27. He called the opening of the new Mint Museum building a significant event for Charlotte and the Carolinas. Of foremost interest in the exhibition is Gilbert Stuart's portrait of Richard Yates. from the Andrew Mellon Collection, - 2 - and the colorful Allies Day, May 1917 by Childe Hassam. The Yates portrait was finished soon after Stuart returned from Dublin to begin his famous series of George Washington portraits. The Rembrandt Peale painting is of the artist's friend, Thomas Sully, an important American portraitist who was raised in South Carolina. The Winslow Homer painting shows a small boat being beached at sunset. In addition to six primitive American paintings by unknown 18th and 19th century limners, the exhibition will include the work of John James Audubon, Robert Henri, Charles Hofmann, Ammi Phillips, Jeremiah Theus, Ralph E. W. Earl, and Joseph Badger. Director Walker observed that the pictures "share the common value of presenting America as interpreted by artists in their own time." He also noted that a good many of the painters repre sented in the collection lived or worked in the South.