DOCSLIB.ORG

Artist Title Bar Code Price a Perfect Circle Eat the Elephant (2LP

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Artist Title Bar Code Price a Perfect Circle Eat the Elephant (2LP Artist Title Bar Code Price A Perfect Circle Eat The Elephant (2LP) 4050538374315 40.95 We Got It From Here..(2LP) Thank You 4 A Tribe Called Quest Your Service 889853778713 43.95 Abigail Williams Walk Beyond the Dark (2LP) 764072824819 39.95 Ac/Dc Dirty Deeds Done Dirt Cheap (180g) 696998020214 32.95 Ac/Dc Powerage (180g Vinyl) 696998020412 32.95 Amon Amarth Berserker (2LP) 039841564310 44.95 Animal Collective Sung Tongs (2LP) 075597935493 34.95 Fistful Of Metal/Armed & Dangerous (25th Anthrax Anniversary Ed.) 020286195313 45.95 Arcade Fire Suburbs (2LP) 889854626310 43.95 Backstreet Boys Millennium (pic disc) 190759540510 36.95 Bad Brains Omega Sessions 746105073616 26.95 Baker, Chet Chet (die cut/colour vinyl) 0889397105457 29.95 Baker, Chet Playboys 1956 (180g) 8032979642099 25.95 Press the Eject and Give Me the Tape Bauhaus (Limited Edition White Vinyl) 607618003838 35.95 Black Keys Let's Rock 075597924930 34.95 Black Keys Thickfreakness 045778037117 26.95 Black Sabbath Paranoid (180g) 081227946708 33.95 Boris Akuma No Uta 813547027849 31.95 The Rise and Fall of Ziggy Stardust and the Bowie, David Spiders From Mars (180g) 825646287376 36.95 Bowie, David & Stevie Ray The 1983 Rehearsal Broadcast (2LP-clear Vaughan vinyl) 0803343217360 49.95 Bridges, Leon Coming Home 888750891419 32.95 Brooks & Dunn Reboot 190759031117 32.95 Buena Vista Social Club Buena Vista Social Club at Carnegie Hall 0769233008015 40.95 Bush, Kate Hounds of Love (2018 remastered) 190295593865 31.95 Cash, Johnny At Folsom Prison (2LP/Legacy edition) 888751119710 43.95 Cohen, Leonard Songs From The Road (180g/2LP) 886977711213 43.95 Cohen, Leonard Songs Of Leonard Cohen 888751956117 32.95 Combs, Luke This One's For You Too (2LP/deluxe) 190758292816 43.95 Cooke, Sam Best Of 190758749310 32.95 Crass Best Before 1984 (2LP) 5016958088637 31.95 Crass Penis Envy 5016958995362 28.95 Cray, Robert Band That's What I Heard 644216972197 31.95 Cure Acoustic Hits (2LP 180g) 081227935252 48.95 Cypress Hill Black Sunday (2LP) 889854344511 43.95 Darkthrone A Blaze In The Northern Sky 801056702814 39.95 You Won't Get What You Want (2LP/clear Daughters vinyl) 689230021711 44.95 You Won't Get What You Want (2LPlondon Daughters fog) 689230020516 39.95 Davis, Miles Essential Miles Davis (2LP) 889853577415 43.95 Davis, Miles Sketches Of Spain (remaster 2015) 888751119314 32.95 Dead Kennedys Plastic Surgery Disasters (140g) 0803341393295 36.95 Death Grips The Money Store 886919635119 32.95 J Mascis Live At CBGB's: (coloured vinyl) 1st Dinosaur Jr. Acoustic Show 8718469536610 45.95 Dion, Celine Courage (2LP) 190759524817 53.95 Dirty Heads Any Port in a Storm - 10th Anniversary (2LP) 849320041917 44.95 Dirty Heads Dirty Heads 849320024613 26.95 Donovan Greatest Hits (1969) 889854323318 32.95 Dylan, Bob Essential (2LP) 889853095513 43.95 Dylan, Bob Freewheelin' Bob Dylan 889854552817 32.95 Earth, Wind & Fire The Best Of Vol.1 (1978) 889854323417 32.95 Ezra, George Staying At Tamara'S (2LP) 889854597818 43.95 Fire! Orchestra Actions 7033660032121 41.95 Foley, Blaze The Dawg Years 767981122311 26.95 Foo Fighters Live in Toronto - April 3, 1996 0889397520298 29.95 Gang Of Four Solid Gold (180g) 825646089499 33.95 Garson, Mort (Wozard Of Iz) Wozard Of Iz - An Electronic Odyssey 0889397107321 29.95 Gost Behemoth 764072823386 36.95 Gost Non Paradisi 764072823898 40.95 Gould, Glenn Goldberg Variations 1955 Recording (180g) 888750910417 32.95 Grateful Dead Anthem of the Sun (50th ann. Pic disc) 603497864850 33.95 Green Day American Idiot (2LP) 093624877714 35.95 Green Day Dookie (180g) 093624986959 31.95 Green Day Father Of All..(indie exclusive/pink) 093624896746 31.95 Green Day Insomniac 093624604617 29.95 Hendrix, Jimi Are You Experienced 888430598515 32.95 Hendrix, Jimi Electric Ladyland (180g) 886976239817 43.95 Holiday, Billie Solitude 8032979645021 25.95 Howlin' Wolf Howlin' Wolf (the rockin' chair) (gatefold) 889397219291 29.95 Inxs Kick (180g half-speed remastered 2LP) 603497862917 53.95 Iron Maiden Iron Maiden 825646252442 31.95 Iron Maiden Killers 825646252428 31.95 Isbell, Jason Something More Than Free 696859946011 36.95 Jackson, Michael Bad 888751437418 32.95 King of the Delta Blues, Vols. 1&2 (2LP Johnson, Robert gatefold) 0889397219338 37.95 Jones, Norah Feels Like Home 0724358480016 40.95 Kings of Leon Aha Shake Heartbreak (colored vinyl) (2LP) 190758835112 43.95 Kings of Leon Only By The Night (180g) 888751118911 43.95 Kinks Muswell Hillbillies (2LP 180g) 888430972711 43.95 Korn The Nothing (white vinyl) 016861740917 46.95 Lambert, Miranda Wildcard (2LP) 190759787311 43.95 Lcd Soundsystem American Dream (2LP) 889854561116 43.95 Led Zeppelin In Through the Out Door (180g) 081227965747 40.95 Lizzo Cuz I Love You (deluxe) 075678652134 34.95 Madonna Immaculate Collection (2LP) 603497859344 43.95 Marley, Bob & The Wailers Rasta Revolution 0889397320003 32.95 Mars, Bruno 24K Magic (w/download) 075678662720 31.95 Mayer, John Room For Squares 696998529311 32.95 Mayhem Chimera 822603108415 36.95 Mayhem Deathcrush (import) 0803341225923 40.95 MC5 Kick Out the Jams (red/white/blue splatter) 81227943158 34.95 Mercyful Fate 9 039842502915 26.95 Metallica Ride the Lightning (remastered) 858978005059 29.95 Metheny, Pat From This Place (2LP) 075597924350 42.95 Mingus, Charles Blues & Roots (blue vinyl/180g) 0889397006075 29.95 Good News For People Who Love Bad News Modest Mouse (2LP) 696998712515 43.95 Moondance (orange vinyl/gatefold/tip-on Morrison, Van sleeve) 603497852079 38.95 Morrison, Van The Healing Game 889854284114 32.95 Motorhead Bastards (import) 0090204640034 40.95 Mudhoney Pedazo De Pastel (EP) 8435008870560 37.95 1917 O.S.T. (2LP-180g/translucent green Newman, Thomas vinyl) 8719262013971 59.95 Orbison, Roy Ultimate Collection (2LP) 889853799916 43.95 Osbourne, Ozzy Memoirs of a Madman (2LP/180g) 888750156112 43.95 Parsons, Alan Project Eye In The Sky 889853754311 32.95 Parsons, Alan Project I Robot 889853754113 32.95 Pearl Jam Chicago 3/28/92 0889397520045 29.95 Pearl Jam vs. (Expanded Edition) 886978431318 32.95 Pink Floyd Animals 888751842717 32.95 Pink Floyd Dark Side Of The Moon 888751842519 32.95 Pink Floyd Obscured By Clouds (2016 version) 888751842410 32.95 Prefab Sprout Andromeda Heights (remastered) 190759459515 32.95 Prefab Sprout Jordan : The Comeback (2LP) (remastered) 190759446416 43.95 Prince Piano & A Microphone 1983 (180g) 603497861286 34.95 Prince Purple Rain (pic disc) 093624917021 33.95 Prince Sign 'O' The Times 075992557719 43.95 Raconteurs Help Us Stranger 813547027511 30.95 Rage Against The Machine Battle of Los Angeles 190758511917 32.95 Rage Against The Machine Evil Empire 190758512013 32.95 Rage Against The Machine Live at the Grand Olympic Auditorium (2LP) 190758440613 43.95 Rage Against The Machine Renegades 190758440811 32.95 Reed, Lou Transformer (remastered) 889853490318 32.95 Run The Jewels Run The Jewels 3 (2LP) 853895007025 40.95 Schulze, Klaus Body Love 2 OST (remastered) 0602557892581 29.95 Schulze, Klaus Body Love OST (remastered) 0602557892536 29.95 Schulze, Klaus Dig It (180g/remastered/import) 0602557892666 29.95 Schulze, Klaus Dreams (remastered) 0602557892697 29.95 Inter Face (180g/remastered/+ download Schulze, Klaus card/import) 0602557892789 29.95 Schulze, Klaus Picture Music (180g/remastered/import) 0602557892864 29.95 Scott, Travis Astroworld (2LP) 190758883618 43.95 Sepultura Arise (2LP expanded) 603497862887 43.95 Sex Pistols Spunk 881034103710 29.95 Sheepdogs, The Learn & Burn 724101226915 30.95 Silverstein Decade (Live At the El Macambo 2LP) 746105058910 39.95 Simone, Nina Little Girl Blue (die cut/green vinyl) 0889397105327 29.95 Simone, Nina Little Girl Blue (gatefold) 0889397217129 29.95 Simpson, Sturgill Metamodern Sounds In Country Music 748252907004 27.95 Skinny Puppy Mind : The Perpetual Intercourse 067003000512 34.95 Slayer Hell Awaits 039841403114 36.95 Sly & The Family Stone Greatest Hits (1970) 889854323516 32.95 Smith, Patti Easter (180g) 888751117211 32.95 soundtrack Joker (pic disc - Hildur Guonadottir) 794043202254 50.95 Sparks Gratuitous Sax & Senseless Violins 4050538517125 36.95 Springsteen, Bruce Devils & Dust (2LP) 190759789216 45.95 Springsteen, Bruce Live In Dublin (3LP) 190759789612 66.95 Styles, Harry Fine Line (2LP) 194397051414 43.95 Sunn O))) White 1 (2LP) 808720002515 39.95 T. Rex Electric Warrior 0600753540763 37.95 Television Marquee Moon (180g/HQ vinyl) 081227971588 31.95 Trews Den Of Thieves (2LP) 067003102513 37.95 Turbonegro Ass Cobra (yellow vinyl) (import) 7072805002704 40.95 The October Tour (gold vinyl) Ritz, NYC U2 3/18/82 5060420348286 40.95 V/A Best of 2 Tone 825646292950 40.95 Vaughan, Stevie Ray Texas Flood 889853754212 32.95 Venom Black Metal (2LP/180g) 0803341310049 43.95 Waits, Tom On the Line in '89 Vol.1 (2LP) 0803343167009 43.95 Winter, Johnny Five After Four Am 5022221015170 29.95 Wire 154 (2018 remaster) 5024545812510 37.95 Wire Pink Flag (2018 remaster) 5024545812312 37.95 Yardbirds London 1963 - The First Recordings 0889397106089 37.95 Young, Neil Harvest Moon (2LP) 093624910787 36.95 Young, Neil Rust Never Sleeps (180g) 093624917571 33.95 Young, Neil Time Fades Away 093624938507 36.95 Young, Neil Tonight's The Night 093624938484 36.95 Reading Material Shindig! 100: Supergrass cover n/a 21.95.
Load more

Recommended publications
  • The Story of Pop Music from Bill Haley to Beyonce 1St Edition Free
    YEAH! YEAH! YEAH! THE STORY OF POP MUSIC FROM BILL HALEY TO BEYONCE 1ST EDITION DOWNLOAD FREE BOOK Bob Stanley | --- | --- | --- | 9780393351682 | --- | --- ‘Yeah! Yeah! Yeah!’ is a book you can dance to See details. It's pages long and I could easily have read more. Add to Wishlist. James Reed, a staff pop music critic, can be reached at james. The early chapters come across as deeper and more satisfying than the late ones. What the Fuck Is Going. Packed with facts and amusing little titbits, and good at digging out pop's lost gems and exploring forgotten cul-de-sacs that are never written about in books on more seriouser issues as Betty Boo might say. It was fast, loud, do-it-yourself music without pretension. And the notes at the end of each chapter are as good as the chapters themselves: in some ways the notes are the real heart of the book. Bicep - Glue The best parts of the book are the Bob Stanley's 'Yeah Yeah Yeah' is an encyclopaedic, nerdy, impassioned, defiantly unfashionable history of popular music, from the early 50s to the mid 90s. To ask other readers questions about Yeah! Refresh and try again. Most troubling, though, is Stanley's sometimes patronizing attitude towards women and people of colour. AM mainstream radio stations of the day ignored the vacant channels on the newer FM band. The shelves of libraries are well stocked with chunky hardbacks about the legends of rock, the story of the blues and the significance of jazz, but pop - the very stuff that turned most of us onto music in the first place - is seriously under represented.
    [Show full text]
  • Artists and Labels
    Roskilde Festival 2019 Artists and labels Artist/Kunstner Label/Pladeselskab Distribution 700 BLISS Don Giovanni ALDOUS HARDING 4AD Playground ALKYMIST ALMA PME Warner AMNESIA SCANNER PAN AMYL & THE SNIFFERS Rough Trade Playground ARRE! ARRE! ARTIGEARDIT Artige ASMÂA HAMZAOUI & BNAT TIMBOUKTOU ASTRID SONNE Escho AUÐUR AURORA Universal BABY IN VAIN X CORPUS Partisan BAEST Century Media BANTOU MENTALE BARSELONA Universal BEHEMOTH Nuclear Blast BIKSTOK Mermaid Sony BLACK MIDI Rough Trade Playground BLAWAN Ternesc BOB DYLAN WITH HIS BAND Columbia Sony Music BOMBINO Partisan BOUNDARIES BRENN. Big Day BRING ME THE HORIZON Sony Music BROCKHAMPTON Question Everything Sony CARDI B Atlantic Warner CARPENTER BRUT No Quarter Prod Universal CATFISH AND THE BOTTLEMEN Island Universal CHANCE THE RAPPER CHARLOTTE BENDIKS CHRISTINE AND THE QUEENS Caroline Universal CLAN CAIMÁN COLLIDER CONVERGE Epitaph Playground CRACK CLOUD Meat Machine CROATIAN AMOR Posh Isolation CULT LEADER Deathwish CUPCAKKE CYPRESS HILL BMG Rights Friendly DAWDA JOBARTEH FEAT. CTM DEATH GRIPS Harvest Universal DENZEL CURRY Loma Vista Universal DESCARTES A KANT Cleopatra DISCOSHAMAN DJ KOZE Pampa DŽAMBO AGUŠEVI ORCHESTRA ARC EA KAYA No3 ELBA EMILY DUST (DJ) EMPIRE OF THE SUN Universal ENA COSOVIC (DJ) FARVEBLIND Mermaid Sony/Friendly FATOUMATA DIAWARA Montuno Wagram FLEXLIKEKEV FLOHIO Alpha FONTAINES D.C. Partisan FOULI disco:wax FULL OF HELL & THE BODY Thrill Jockey FUNERAL FUTURE Kulør GAYE SU AKYOL Glitterbeat GHETTO KUMBÉ Galletas Calientes GIORGIA ANGIULI Stol vor Talent GIRLCRUSH
    [Show full text]
  • Leon Bridges Black Moth Super Rainbow Melvins
    POST MALONE ELEANOR FRIEDBERGER LORD HURON MELVINS LEON BRIDGES BEERBONGS & BENTLEYS REBOUND VIDE NOIR PINKUS ABORTION TECHNICIAN GOOD THING REPUBLIC FRENCHKISS RECORDS REPUBLIC IPECAC RECORDINGS COLUMBIA The world changes so fast that I can barely remember In contrast to her lauded 2016 album New View, Vide Noir was written and recorded over a two Featuring both ongoing Melvins’ bass player Steven Good Thing is the highly-anticipated (to put it lightly) life pre-Malone… But here we are – in the Future!!! – and which she arranged and recorded with her touring years span at Lord Huron’s Los Angeles studio and McDonald (Redd Kross, OFF!) and Butthole Surfers’, follow-up to Grammy nominated R&B singer/composer Post Malone is one of world’s unlikeliest hit-makers. band, Rebound was recorded mostly by Friedberger informal clubhouse, Whispering Pines, and was and occasional Melvins’, bottom ender Jeff Pinkus on Leon Bridges’ breakout 2015 debut Coming Home. Beerbongs & Bentleys is not only the raggedy-ass with assistance from producer Clemens Knieper. The mixed by Dave Fridmann (The Flaming Lips/MGMT). bass, Pinkus Abortion Technician is another notable Good Thing Leon’s takes music in a more modern Texas rapper’s newest album, but “a whole project… resulting collection is an entirely new sound for Eleanor, Singer, songwriter and producer Ben Schneider found tweak in the prolific band’s incredible discography. direction while retaining his renowned style. “I loved also a lifestyle” which, according to a recent Rolling exchanging live instrumentation for programmed drums, inspiration wandering restlessly through his adopted “We’ve never had two bass players,” says guitarist / my experience with Coming Home,” says Bridges.
    [Show full text]
  • Guns N' Roses
    Guns N’ Roses ‘Live And Let Die’ Guns N’ Roses SONG TITLE: LIVE AND LET DIE ALBUM: USE YOUR ILLUSION I RELEASED: 1991 LABEL: GEFFEN GENRE: HARD ROCK PERSONNEL: W. AXL ROSE (VOX) SLASH (GTR) IZZY STRADLIN (GTR) DUFF MCKAGAN (BASS) MATT SORUM (DRUMS) DIZZY REED (KEYS) UK CHART PEAK: N/A US CHART PEAK: 33 BACKGROUND INFO seven years before Axl Rose decided to fire all the members who remained in the mid 1990s. Sorum McCartney and James Bond get the Guns N’ Roses remained faithful to guitarist Slash and played in the treatment. This popular cover was released in 1991 latter’s Velvet Revolver band. Prior to that, Sorum at a time when G N’ R was probably the most famous was a regular guest drummer for The Cult and played band on the planet. This is naturally a heavier version drums for a very young Tori Amos on her first tour. than the 1972 original but they still captured a lot of More recently Sorum has contributed to a Buddy Rich the song’s underlying humour and playfulness. The tribute album which showcased his technical abilities song features a mix of regular and half-time grooves in jazz drumming. along with a reggae-inspired middle section requiring the drummer to be alert and keep it tight. The player featured here is Matt Sorum. RECOMMENDED LISTENING The G N’ R legacy is based on six studio albums THE BIGGER PICTURE of which the most important by far is their debut, Appetite for Destruction (1987). This record single Matt Sorum’s big rock sound in Guns N’ Roses handedly propelled the band to superstardom and tends to obscure other aspects of his playing.
    [Show full text]
  • Columbia Poetry Review Publications
    Columbia College Chicago Digital Commons @ Columbia College Chicago Columbia Poetry Review Publications Spring 4-1-1992 Columbia Poetry Review Columbia College Chicago Follow this and additional works at: https://digitalcommons.colum.edu/cpr Part of the Poetry Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Columbia College Chicago, "Columbia Poetry Review" (1992). Columbia Poetry Review. 5. https://digitalcommons.colum.edu/cpr/5 This Book is brought to you for free and open access by the Publications at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Columbia Poetry Review by an authorized administrator of Digital Commons @ Columbia College Chicago. For more information, please contact [email protected]. COLUMBIA POETRY REVIEW Columbia College/Chicago Spring 1992 Columbia Poetry Review is published in the spring of each year by the English Department of Columbia College, 600 South Michigan Avenue, Chicago, Illinois 60605. Submissions are encouraged and should be sent to the above address. Subscriptions and sample copies are available at $6.00 an issue. Copyright © I 992 by Columbia College. Grateful acknowledgement is made to Dr. Philip Klukoff, Chairman of the English Department; Dr. Sam Floyd, Academic Vice-President; Lya Rosenblum, D ean of Graduate Studies; Bert Gall, Administrative Vice­ President; and Mike Alexandroff, President of Columbia College. The cover photograph is by John Mulvany. Student Editors: John
    [Show full text]
  • Aenima (Metal)
    TOOL Aenima (Metal) Année de sortie : 1996 Nombre de pistes : 15 Durée : 77' Support : CD Provenance : Acheté Nous avons décidé de vous faire découvrir (ou re découvrir) les albums qui ont marqué une époque et qui nous paraissent importants pour comprendre l'évolution de notre style préféré. Nous traiterons de l'album en le réintégrant dans son contexte originel (anecdotes, etc.)... Une chronique qui se veut 100% "passionnée" et "nostalgique" et qui nous l'espérons, vous fera réagir par le biais des commentaires ! ...... Bon voyage ! Le guitariste Adam JONES justifie la création de TOOL en se fondant sur une théorie développée par l’auteur Ronald P. Vincent. En 1949, ce dernier publie une œuvre unique, A joyful guide to lachrymology, dans laquelle il proclame que la progression et le développement personnels nécessitent l’exploration de la douleur physique et de la peine. Vincent souhaite fonder une philosophie en ce sens, la lacrymologie. JONES conçoit la musique de son groupe comme un outil (« tool » en anglais) destiné à permettre au public de la comprendre. Quelques mois après la formation du groupe, Ronald P. Vincent décède d’une cirrhose ; le musicien étudie alors sans relâche son ouvrage. Curieuse motivation pour former un groupe ; il s’agit en vérité d’une pure invention ! Pas plus l’auteur que son ouvrage n’a existé. Né de l’imagination d’Adam JONES, ce mythe figure dans un historique distribué avec les copies promotionnelles de l’album Undertow (1993), et serait destiné à tourner en dérision les mouvements sectaires. Plus sérieusement, JONES rencontre le chanteur Maynard James KEENAN à Los Angeles en 1986.
    [Show full text]
  • Nine Inch Nails Pretty Hate Machine Free
    FREE NINE INCH NAILS PRETTY HATE MACHINE PDF Daphne Carr | 144 pages | 03 May 2011 | Bloomsbury Publishing PLC | 9780826427892 | English | London, United Kingdom Nine Inch Nails - Wikipedia The album consists of reworked tracks from the Purest Feeling demo tape, as well as songs composed after its original recording. The album, which features a heavily synth-driven electronic sound blended with industrial and rock elements, bears little resemblance to the band's subsequent work. Conversely, much like the band's later Nine Inch Nails Pretty Hate Machine, the album's lyrics contain themes of angst, betrayal, and lovesickness. The record was promoted with the singles " Down in It ", " Head Like a Hole ", and " Sin ", as well as the accompanying tour. A remastered edition was released in Although the record was successful, reaching No. Pretty Hate Machine was later certified triple-platinum by RIAAbecoming one of the first independently released albums to do so, and was included on several lists of the best releases of the s. During working nights as a handyman and engineer at the Right Track Studio in ClevelandOhioReznor used studio "down-time" to record and develop his own music. The sequencing was done on a Macintosh Plus. With the help of manager John Malm, Jr. Reznor received contract offers from many of the labels, but eventually signed with TVT Recordswho were known mainly for releasing novelty and television jingle records. Much like his recorded demo, Reznor refused to record the album with a conventional band, recording Pretty Hate Machine mostly by himself. I became completely withdrawn. I couldn't function in society very well.
    [Show full text]
  • 11Th Annual T.J. Martell Foundation Nashville Honors Gala to Salute Outstanding Leaders on February 25, 2019 at the Omni Hotel
    FOR IMMEDIATE RELEASE: 11TH ANNUAL T.J. MARTELL FOUNDATION NASHVILLE HONORS GALA TO SALUTE OUTSTANDING LEADERS ON FEBRUARY 25, 2019 AT THE OMNI HOTEL Honorees include Kings of Leon, Alabama, Sally Williams, Dr. Kathryn Edwards, Sylvia & Al Ganier One of Nashville’s most prestigious events generates unprecedented funds for cancer research NASHVILLE, Tenn. (October 19, 2018) - The T.J. Martell Foundation for Cancer Research will honor the following community leaders at the 11th Annual T.J. Martell Foundation Nashville Honors Gala at the Omni Hotel on February 25, 2019. Kings of Leon - Spirit of Nashville Award Alabama - Tony Martell Lifetime Entertainment Achievement Award Sally Williams - Frances Preston Outstanding Music Industry Achievement Award Dr. Kathryn Edwards - Medical Research Advancement Award Sylvia & Al Ganier - Lifetime Humanitarian Award The 11th Annual T.J. Martell Nashville Honors Gala is co-chaired by Becky Gardenhire and Diane Pearson. The event has netted more than $3.5 million since its inception in 2009. Table sponsorships and tickets are available by contacting (615) 256-2002 or emailing [email protected]. Visit www.tjmartell.org for more information. About the T.J. Martell Foundation: The T.J. Martell Foundation is the music industry’s leading foundation that funds innovative medical research focused on finding treatments and cures for cancer. The Foundation was founded in 1975 by music industry executive Tony Martell and his colleagues in loving memory of his son T.J., who died of leukemia. The Foundation has provided more than $280 million for research at nine flagship hospitals in the United States. For more information, please visit www.tjmartell.org.
    [Show full text]
  • Let's Get Ghostly!
    Let’s Get Ghostly! Interview with Hannah DC Q: What’s your favorite thing about camp? A: The variety of classes. Q: How many years have you been going to camp? A: It has only been three years but it feels like seven. Q: What are your classes? Why do you like them? A: I like the the one act because I love to act and it is a loving environment. Also chainmail because I wanted to try something new. I also do the musical because it combines two of my favorite things, music and acting. Q: What class could you take every year and never get tired of? A: The musical Q: What class, that’s not currently on the schedule, would you like to take? A: A face painting or makeup class. Q: Who’s your favorite counselor? A: Laura By Sophie and Rebecca Saved By: Tasha Van Houten Setting: A beach on the coast of Maine. Two people lay sprawled on the sand, the water gently lapping at their feet. A girl is one of the two, although she is mostly covered by a cream-colored section of a sail, a broken piece of mast crushing her right foot. The young man is lying slightly above her, a bloody gash maring his otherwise attractive face. He stirs, shifting slightly on top of the girl’s hand, the movement causing her to wake up. Her eyes flicker open, and she goes to sit up, then falls back down, wincing. She pushes the sail off her, revealing her right foot buried underneath the mast.
    [Show full text]
  • Papers of John Monroe (Jack) Owens, Jr
    1 Papers of John Monroe (Jack) Owens, Jr. Compiled by Joe Owens January 2005 Updated September 2018 2 Table of Contents Foreword ---------------------------------------------------------------------------------------- 3 Jack’s Manuscript ------------------------------------------------------------------------------ 5 Tagastia Son--------------------------------------------------------------------------------77 September 21, 1944 -------------------------------------------------------------------------- 79 Thirty-nine Days of Hell -------------------------------------------------------------------- 80 One of the Stories Jack Told ---------------------------------------------------------------- 82 Prisoner release photo ------------------------------------------------------------------------ 83 About Photo------------------------------------------------------------------------------------ 84 Waiting for Jack ------------------------------------------------------------------------------- 85 The Day Jack Came Home ------------------------------------------------------------------ 87 Uncle Jack and that Grindle----------------------------------------------------------------- 89 Growing Up With Jack Owens-----------------------------------------------------------93 Early Letter from Jack ----------------------------------------------------------------------- 98 Letter to Alice --------------------------------------------------------------------------------- 99 Jack’s Letter (Pearl Harbor) --------------------------------------------------------------
    [Show full text]
  • Orestes Guitar Tab
    ORESTES As recorded by A Perfect Circle (From the 2000 Album MER DE NOMS) Transcribed by Nick Coulter Words and Music by Maynard James Keenan and Billy Howerdel E F G5 E5 D5 C5 G5/A G5 X E5 open xx xxxb xxx x xx 7 fr. x xx 5 fr. x xx x xx x xx 10 fr. xxx A Intro Moderately Slow = 49 Em7 P Fmaj9 Em7 Fmaj9 1 g 6 V V V gV V V V V V gV V V I 8 ggV V V V V V V ggV V V V V V V Gtr I mp let ring T 0 0 8 8 0 0 8 8 7 7 9 9 7 7 9 9 A 5 5 7 7 5 5 7 7 B 7 8 7 8 B Verse Em7 Em7/G Fmaj9/C Fmaj9/D Em7 Em7/A Fmaj9/C Fmaj9/A 5 g V V V gV V V V V V gV V V I ggV V V V V V V ggV V V V V V V let ring T 0 0 8 8 0 0 8 8 7 7 9 9 7 7 9 9 A 5 5 7 7 5 5 7 7 B 7 8 7 8 Em7 Em7/G Fmaj9/C Fmaj9/D Em7 Em7/A Fmaj9/C Fmaj9/A 9 g V V V gV V V V V V gV V V I ggV V V V V V V ggV V V V V V V let ring T 0 0 8 8 0 0 8 8 7 7 9 9 7 7 9 9 A 5 5 7 7 5 5 7 7 B 7 8 7 8 Em7 Em7/G Fmaj9/C Fmaj9/D Em7 Em7/A Fmaj9/C Fmaj9/A 13 g V V V gV V V V V V gV V V I ggV V V V V V V ggV V V V V V V let ring T 0 0 8 8 0 0 8 8 7 7 9 9 7 7 9 9 A 5 5 7 7 5 5 7 7 B 7 8 7 8 Generated using the Power Tab Editor by Brad Larsen.
    [Show full text]
  • Hip-Hop Librarianship for Scholary Communication: an Approach to Introducing Topics
    Hip-Hop Librarianship for Scholarly Communication: An Approach to Introducing Topics Image credit: Kenny Sun from Boston Kanye West: Saint Pablo Tour @ TD Garden (Boston, MA), CC BY 2.0, commons.wikimedia.org/w/index.php?curid=65524241 • Introduction • Review • Copyright • Piracy • Bibliometrics • Open Access • Conclusion Introduction Review Copyright Piracy Introduction Review Copyright Piracy Introduction Review Copyright Piracy Introduction Review Copyright Piracy Introduction Review Copyright Piracy Introduction Review Copyright Piracy Introduction Review Copyright Piracy Introduction Review Copyright Piracy Introduction Review Copyright Piracy Introduction Review Copyright Piracy Introduction Review Copyright Piracy Introduction Review Copyright Piracy Introduction Review Copyright Piracy Introduction Review Copyright Piracy Introduction Review Copyright Piracy Introduction Review Copyright Piracy Introduction Review Copyright Piracy Introduction Review Copyright Piracy Introduction Review Copyright Piracy Introduction Review Copyright Piracy Introduction Review Copyright Piracy Introduction Review Copyright Piracy Introduction Review Copyright Piracy Topics Covered Today Copyright / Mac Miller x Danger Mouse Piracy / Kanye West Bibliometrics / Drake Open Access / Chance The Rapper Topics Not Covered Today Author’s Rights / Beyoncé Self-Piracy / Death Grips Altmetrics / Nicki Minaj The Matthew Effect / Dr. Dre x JAY-Z Preprints / Future Open Data / Illmind Undergraduate Journals / Lil’ Uzi Vert Potential Coverage Topics Global South / Kendrick Lamar Abusive Researchers / R. Kelly Stigler's law of eponymy / Travis Scott [email protected] / @AJBoston For cited sources and associated article: https://www.newlibs.org/article/7283-hip-hop-librarianship-for-scholarly-communication-an-approach-to-introducing-topics.
    [Show full text]