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Duplicity: Exploring the Many Faces of Gotham
Duplicity: Exploring the many faces of Gotham “And man shall be just that for the overman: a laughing stock or a painful embarrassment.” - Friedrich Nietzsche, Also Sprach Zarathustra The Dark Knight, Christopher Nolan’s follow up to 2005’s convention- busting Batman Begins, has just broken the earlier box office record set by Spiderman 3 with a massive opening weekend haul of $158 million. While the figures say much about this franchise’s impact on the popular imagination, critical reception has also been in a rare instance overwhelmingly concurrent. What is even more telling is that the old and new opening records were both set by superhero movies. Much has already been discussed in the media about the late Heath Ledger’s brave performance and how The Dark Knight is a gritty new template for all future comic-to-movie adaptations, so we won’t go into much more of that here. Instead, let’s take a hard and fast look at absolutes and motives: old, new, black, white and a few in between. The brutality of The Dark Knight is also the brutality of America post-9/11: the inevitable conflict of idealism and reality, a frustrating political comedy of errors, and a rueful Wodehouseian reconciliation of the improbable with the impossible. Even as the film’s convoluted and always engaging plot breaks down some preconceptions about the psychology of the powerful, others are renewed (at times without logical basis) – that politicians are corruptible, that heroes are intrinsically flawed, that what you cannot readily comprehend is evil incarnate – and it isn’t always clear if this is an attempt at subtle irony or a weary concession to formula. -
Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours
i Being a Superhero is Amazing, Everyone Should Try It: Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities 2021 ii THESIS DECLARATION I, Kevin Chiat, certify that: This thesis has been substantially accomplished during enrolment in this degree. This thesis does not contain material which has been submitted for the award of any other degree or diploma in my name, in any university or other tertiary institution. In the future, no part of this thesis will be used in a submission in my name, for any other degree or diploma in any university or other tertiary institution without the prior approval of The University of Western Australia and where applicable, any partner institution responsible for the joint-award of this degree. This thesis does not contain any material previously published or written by another person, except where due reference has been made in the text. This thesis does not violate or infringe any copyright, trademark, patent, or other rights whatsoever of any person. This thesis does not contain work that I have published, nor work under review for publication. Signature Date: 17/12/2020 ii iii ABSTRACT Since the development of the superhero genre in the late 1930s it has been a contentious area of cultural discourse, particularly concerning its depictions of gender politics. A major critique of the genre is that it simply represents an adolescent male power fantasy; and presents a world view that valorises masculinist individualism. -
Katalog Zur Ausstellung "60 Jahre Marvel
Liebe Kulturfreund*innen, bereits seit Ende des Zweiten Weltkriegs befasst sich das Amerikahaus München mit US- amerikanischer Kultur. Als US-amerikanische Behörde war es zunächst für seine Bibliothek und seinen Lesesaal bekannt. Doch schon bald wurde das Programm des Amerikahauses durch Konzerte, Filmvorführungen und Vorträge ergänzt. Im Jahr 1957 zog das Amerika- haus in sein heutiges charakteristisches Gebäude ein und ist dort, nach einer vierjährigen Generalsanierung, seit letztem Jahr wieder zu finden. 2014 gründete sich die Stiftung Bay- erisches Amerikahaus, deren Träger der Freistaat Bayern ist. Heute bietet das Amerikahaus der Münchner Gesellschaft und über die Stadt- und Landesgrenzen hinaus ein vielfältiges Programm zu Themen rund um die transatlantischen Beziehungen – die Vereinigten Staaten, Kanada und Lateinamerika- und dem Schwerpunkt Demokratie an. Unsere einladenden Aus- stellungräume geben uns die Möglichkeit, Werke herausragender Künstler*innen zu zeigen. Mit dem Comicfestival München verbindet das Amerikahaus eine langjährige Partnerschaft. Wir freuen uns sehr, dass wir mit der Ausstellung „60 Jahre Marvel Comics Universe“ bereits die fünfte Ausstellung im Rahmen des Comicfestivals bei uns im Haus zeigen können. In der Vergangenheit haben wir mit unseren Ausstellungen einzelne Comickünstler, wie Tom Bunk, Robert Crumb oder Denis Kitchen gewürdigt. Vor zwei Jahren freute sich unser Publikum über die Ausstellung „80 Jahre Batman“. Dieses Jahr schließen wir mit einem weiteren Jubiläum an und feiern das 60-jährige Bestehen des Marvel-Verlags. Im Mainstream sind die Marvel- Helden durch die in den letzten Jahren immer beliebter gewordenen Blockbuster bekannt geworden, doch Spider-Man & Co. gab es schon lange davor. Das Comic-Heft „Fantastic Four #1“ gab vor 60 Jahren den Startschuss des legendären Marvel-Universums. -
How Superman Developed Into a Jesus Figure
HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE CRISIS ON INFINITE TEXTS: HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE By ROBERT REVINGTON, B.A., M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Master of Arts McMaster University © Copyright by Robert Revington, September 2018 MA Thesis—Robert Revington; McMaster University, Religious Studies McMaster University MASTER OF ARTS (2018) Hamilton, Ontario, Religious Studies TITLE: Crisis on Infinite Texts: How Superman Developed into a Jesus Figure AUTHOR: Robert Revington, B.A., M.A (McMaster University) SUPERVISOR: Professor Travis Kroeker NUMBER OF PAGES: vi, 143 ii MA Thesis—Robert Revington; McMaster University, Religious Studies LAY ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. It argues that this connection was not integral to the character as he was originally created, but was imposed by later writers over time and mainly for cinematic adaptations. This thesis also tracks the history of how Christians and churches viewed Superman, as the film studios began to exploit marketing opportunities by comparing Superman and Jesus. This thesis uses the methodological framework of intertextuality to ground its treatment of the sources, but does not follow all of the assumptions of intertextual theorists. iii MA Thesis—Robert Revington; McMaster University, Religious Studies ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. Superman was created in 1938, but the character developed significantly from his earliest incarnations. -
Batman: No Mans Land by Greg Rucka Book
Batman: No Mans Land by Greg Rucka book Ebook Batman: No Mans Land currently available for review only, if you need complete ebook Batman: No Mans Land please fill out registration form to access in our databases Download here >> Series:::: Batman: No Mans Land (Book 3)+++Mass Market Paperback:::: 480 pages+++Publisher:::: Pocket Star (March 1, 2001)+++Language:::: English+++ISBN-10:::: 0671774557+++ISBN-13:::: 978-0671774554+++Product Dimensions::::4.2 x 1 x 6.5 inches++++++ ISBN10 0671774557 ISBN13 978-0671774 Download here >> Description: GOTHAM CITY: a dark, twisted reÞection of urban America. Overcrowded, overbuilt, and overshadowed by a continuous air of menace, this gothic nightmare is a breeding ground for the depraved, the indifferent, and the criminally insane. Its also the object of one mans obsession. Witness to the brutal murder of his parents, Bruce Wayne has dedicated his life to protecting this city, taking a form to inspire hope in the innocent...and fear in the guilty. He is the masked vigilante known as the Batman. Now the battlefield has changed. Leveled by a massive earthquake that left thousands dead and millions more wounded, Gotham City has been transformed into a lawless wilderness -- a No Mans Land -- where the survivors are turning against one another, and where the citys protectors are torn by a crisis that may consume them all. I first read Batman: No Mans Land in 2000. As a Batgirl/Barbara Gordon fan, I was beyond thrilled when I picked it up and discovered it began as narrated by Barbara, in her role as Oracle. NML held a greater depth and respect for her character than I had ever come across, and I was immediately hooked. -
ENDER's GAME by Orson Scott Card Chapter 1 -- Third
ENDER'S GAME by Orson Scott Card Chapter 1 -- Third "I've watched through his eyes, I've listened through his ears, and tell you he's the one. Or at least as close as we're going to get." "That's what you said about the brother." "The brother tested out impossible. For other reasons. Nothing to do with his ability." "Same with the sister. And there are doubts about him. He's too malleable. Too willing to submerge himself in someone else's will." "Not if the other person is his enemy." "So what do we do? Surround him with enemies all the time?" "If we have to." "I thought you said you liked this kid." "If the buggers get him, they'll make me look like his favorite uncle." "All right. We're saving the world, after all. Take him." *** The monitor lady smiled very nicely and tousled his hair and said, "Andrew, I suppose by now you're just absolutely sick of having that horrid monitor. Well, I have good news for you. That monitor is going to come out today. We're going to just take it right out, and it won't hurt a bit." Ender nodded. It was a lie, of course, that it wouldn't hurt a bit. But since adults always said it when it was going to hurt, he could count on that statement as an accurate prediction of the future. Sometimes lies were more dependable than the truth. "So if you'll just come over here, Andrew, just sit right up here on the examining table. -
The Only Way Is Down: Lark and Brubaker's Saga As '70S Cinematic
The Only Way is Down: Lark and Brubaker’s Saga as ’70s Cinematic Noir an Essay by Ryan K Lindsay from THE DEVIL IS IN THE DETAILS: EXAMINING MATT MURDOCK AND DAREDEVIL THE DEVIL IS IN THE DETAILS: EXAMINING MATT MURDOCK AND DAREDEVIL EDITED BY RYAN K. LINDSAY SEQUART RESEARCH & LITERACY ORGANIZATION EDWARDSVILLE, ILLINOIS The Devil is in the Details: Examining Matt Murdock and Daredevil Edited by Ryan K. Lindsay Copyright © 2013 by the respective authors. Daredevil and related characters are trademarks of Marvel Comics © 2013. First edition, February 2013, ISBN 978-0-5780-7373-6. All rights reserved. Except for brief excerpts used for review or scholarly purposes, no part of this book may be reproduced in any manner whatsoever, including electronic, without express consent of the publisher. Cover by Alice Lynch. Book design by Julian Darius. Interior art is © Marvel Comics; please visit marvel.com. Published by Sequart Research & Literacy Organization. Edited by Ryan K. Lindsay. Assistant edited by Hannah Means-Shannon. For more information about other titles in this series, visit sequart.org/books. The Only Way is Down: Lark and Brubaker’s Saga as ’70s Cinematic Noir by Ryan K Lindsay Cultural knowledge indicates that Daredevil is the noir character of the Marvel Universe. This assumption is an unchallenged perception that doesn’t actually hold much water under any major scrutiny. If you add up all of Daredevil’s issues to date, the vast majority are not “noir.” Mild examination exposes Daredevil as one of the most diverse characters who has ever been written across a series of genres, from swashbuckling romance, to absurd space opera, to straight up super-heroism and, often, to crime saga. -
What Superman Teaches Us About the American Dream and Changing Values Within the United States
TRUTH, JUSTICE, AND THE AMERICAN WAY: WHAT SUPERMAN TEACHES US ABOUT THE AMERICAN DREAM AND CHANGING VALUES WITHIN THE UNITED STATES Lauren N. Karp AN ABSTRACT OF THE THESIS OF Lauren N. Karp for the degree of Master of Arts in English presented on June 4, 2009 . Title: Truth, Justice, and the American Way: What Superman Teaches Us about the American Dream and Changing Values within the United States Abstract approved: ____________________________________________________________________ Evan Gottlieb This thesis is a study of the changes in the cultural definition of the American Dream. I have chosen to use Superman comics, from 1938 to the present day, as litmus tests for how we have societally interpreted our ideas of “success” and the “American Way.” This work is primarily a study in culture and social changes, using close reading of comic books to supply evidence. I argue that we can find three distinct periods where the definition of the American Dream has changed significantly—and the identity of Superman with it. I also hypothesize that we are entering an era with an entirely new definition of the American Dream, and thus Superman must similarly change to meet this new definition. Truth, Justice, and the American Way: What Superman Teaches Us about the American Dream and Changing Values within the United States by Lauren N. Karp A THESIS submitted to Oregon State University in partial fulfillment of the requirements for the degree of Master of Arts Presented June 4, 2009 Commencement June 2010 Master of Arts thesis of Lauren N. Karp presented on June 4, 2009 APPROVED: ____________________________________________________________________ Major Professor, representing English ____________________________________________________________________ Chair of the Department of English ____________________________________________________________________ Dean of the Graduate School I understand that my thesis will become part of the permanent collection of Oregon State University libraries. -
Mason 2015 02Thesis.Pdf (1.969Mb)
‘Page 1, Panel 1…” Creating an Australian Comic Book Series Author Mason, Paul James Published 2015 Thesis Type Thesis (Professional Doctorate) School Queensland College of Art DOI https://doi.org/10.25904/1912/3741 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/367413 Griffith Research Online https://research-repository.griffith.edu.au ‘Page 1, Panel 1…” Creating an Australian Comic Book Series Paul James Mason s2585694 Bachelor of Arts/Fine Art Major Bachelor of Animation with First Class Honours Queensland College of Art Arts, Education and Law Group Griffith University Submitted in fulfillment for the requirements of the degree of Doctor of Visual Arts (DVA) June 2014 Abstract: What methods do writers and illustrators use to visually approach the comic book page in an American Superhero form that can be adapted to create a professional and engaging Australian hero comic? The purpose of this research is to adapt the approaches used by prominent and influential writers and artists in the American superhero/action comic-book field to create an engaging Australian hero comic book. Further, the aim of this thesis is to bridge the gap between the lack of academic writing on the professional practice of the Australian comic industry. In order to achieve this, I explored and learned the methods these prominent and professional US writers and artists use. Compared to the American industry, the creating of comic books in Australia has rarely been documented, particularly in a formal capacity or from a contemporary perspective. The process I used was to navigate through the research and studio practice from the perspective of a solo artist with an interest to learn, and to develop into an artist with a firmer understanding of not only the medium being engaged, but the context in which the medium is being created. -
The Art of the Graphic Novel
Eric Shanower The Art of the Graphic Novel Adapted from an address delivered at the 2004 ALAN Workshop. Mr. Shanower accompanied his talk with a beautiful slide show and refers to the slides in this address. raphic novel” is an and, for better or for worse, it awkward term. The seems we’re stuck with it. “G “graphic” part is I’m here to speak to you okay, graphic novels always have about the art of the graphic novel. graphics. It’s the “novel” part When you hear the phrase, the that’s a problem, because graphic art of the graphic novel, you likely novels aren’t always novels told think of the drawings, rather than with drawings. They can be the story. But I bet most of you works of non-fiction or collec will agree that writing is an art tions of short stories or, really, just as drawing is. I’m going to anything you can think of that talk about both. consists of drawings that convey Let’s forget about graphic narrative between two substan novels for a moment and think tial covers. about what I call cartooning. Or The term “graphic novel” you can call it “comic art” or isn’t much better or more “sequential art.” Cartooning is the accurate a description than the art of telling a story in pictures, term “comic book.” But “comic often using written words as in book” has pejorative connota integral part of the drawing. The tions, and many people seem history of cartooning starts a bit either embarrassed or dismissive nebulously. -
ARKHAM ASYLUM 1 Empathizing with Enemies
Running head: ARKHAM ASYLUM 1 Empathizing with Enemies: Establishing Good Practices for Patient-Provider Communication at Arkham Asylum © Randy Sabourin, Ottawa, Canada, 2016 Key Words: Mental health, popular culture, narrative inquiry, interviews, patient-provider communication ARKHAM ASYLUM 2 Abstract Arkham Asylum is the home of some of popular culture's most notorious super villains. The neglect and inadequate care these villains receive mirrors a real world context in which mental illness is surrounded by stigma, misunderstanding, and poor rehabilitation rates. Patients like the Joker present complex mental health narratives. These extreme characters would likely be high profile subjects for real-world researchers. This study explores the niches between the usual action-packed escapades on the surface of Batman stories. By pulling back the curtain over the routine treatment of Arkham Asylum’s patients (also known as inmates), the researcher presents a set of good practices for improving their care through more effective communication. A rich data set of recorded audio interviews from the video game Batman: Arkham Asylum serves as the foundation for this set of good practices tailored to the needs of the fictional facility. Narrative inquiry is used to pull these recommendations from the data. Current real world mental health policies and good practices for patient-provider communication, grounded in existing literature, provide the framework within which the researcher compares the fictional world. Based on the narrative elements found in the data, this study recommends an empathy- driven and preventative approach to treating Gotham’s criminally insane population. ARKHAM ASYLUM 3 Table of Contents 1. Introduction 4 a. -
Courier Gazette, Tuesday February 26, 1896
T he Courier-Gazette V olum e 50. ROCKLAND, MAINE, TUESDAY, FEBRUARY 36, 1895. Entered Nernnri Cla N umber 8 OUTLOOK. by him was a petition of Henry C. Lowell and Maj.-Gen. Hiram G. Berry others for the incorporation of a bank in East Highest of all in Leavening Power.— Latest U.S. Gov’t Report T o B e S a f e The towns of Boothbay Harbor and South- Thomaston; an act to incorporate the Atlantic port are talking seriously of building a con Ship, Wharf & Lime Company; andapeition necting bridge. j b i o q i i a p b y of L. Snow and others to prevent the throwing T o be safe confine yourself to the offline core in the docks at East Thomaston. use of such flavors as your experi Maine towns as a general thing keep An important question before this legislature ence and judgement tell you are abreast of the times. In Caribou the past was the acquirement of the Massachusetts Bakins Written fo r the Courier-Gazette by Edward K. Gould lands within the limits of Maine, and commis of the purest quality. year t> 104,000 was spent in building and im provements. PREFACE. physique, he was an indefatigable worker and sioners were elected to effect this result, re-, While engaged in the collection of histori never wasted the precious moments of his p »rting at a special session of the legislature, Our exchange says that the Sherman tan cal matter and relics for the Department of short life.