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WEB KARAOKE EN-NL.Xlsx
ARTIEST TITEL 10CC DREADLOCK HOLIDAY 2 LIVE CREW DOO WAH DIDDY 2 UNLIMITED NO LIMIT 3 DOORS DOWN KRYPTONITE 4 NON BLONDES WHAT´S UP A HA TAKE ON ME ABBA DANCING QUEEN ABBA DOES YOUR MOTHER KNOW ABBA GIMMIE GIMMIE GIMMIE ABBA MAMMA MIA ACE OF BASE DON´T TURN AROUND ADAM & THE ANTS STAND AND DELIVER ADAM FAITH WHAT DO YOU WANT ADELE CHASING PAVEMENTS ADELE ROLLING IN THE DEEP AEROSMITH LOVE IN AN ELEVATOR AEROSMITH WALK THIS WAY ALANAH MILES BLACK VELVET ALANIS MORISSETTE HAND IN MY POCKET ALANIS MORISSETTE IRONIC ALANIS MORISSETTE YOU OUGHTA KNOW ALBERT HAMMOND FREE ELECTRIC BAND ALEXIS JORDAN HAPPINESS ALICIA BRIDGES I LOVE THE NIGHTLIFE (DISCO ROUND) ALIEN ANT FARM SMOOTH CRIMINAL ALL NIGHT LONG LIONEL RICHIE ALL RIGHT NOW FREE ALVIN STARDUST PRETEND AMERICAN PIE DON MCLEAN AMY MCDONALD MR ROCK & ROLL AMY MCDONALD THIS IS THE LIFE AMY STEWART KNOCK ON WOOD AMY WINEHOUSE VALERIE AMY WINEHOUSE YOU KNOW I´M NO GOOD ANASTACIA LEFT OUTSIDE ALONE ANIMALS DON´T LET ME BE MISUNDERSTOOD ANIMALS WE GOTTA GET OUT OF THIS PLACE ANITA WARD RING MY BELL ANOUK GIRL ANOUK GOOD GOD ANOUK NOBODY´S WIFE ANOUK ONE WORD AQUA BARBIE GIRL ARETHA FRANKLIN R-E-S-P-E-C-T ARETHA FRANKLIN THINK ARTHUR CONLEY SWEET SOUL MUSIC ASWAD DON´T TURN AROUND ATC AROUND THE WORLD (LA LA LA LA LA) ATOMIC KITTEN THE TIDE IS HIGH ARTIEST TITEL ATOMIC KITTEN WHOLE AGAIN AVRIL LAVIGNE COMPLICATED AVRIL LAVIGNE SK8TER BOY B B KING & ERIC CLAPTON RIDING WITH THE KING B-52´S LOVE SHACK BACCARA YES SIR I CAN BOOGIE BACHMAN TURNER OVERDRIVE YOU AIN´T SEEN NOTHING YET BACKSTREET BOYS -
The Politics of Post-War Consumer Culture
New Zealand Journal of History, 40, 2 (2006) The Politics of Post-War Consumer Culture THE 1940s ARE INTERESTING YEARS in the story of New Zealand’s consumer culture. The realities of working and spending, and the promulgation of ideals and moralities around consumer behaviour, were closely related to the political process. Labour had come to power in 1935 promising to alleviate the hardship of the depression years and improve the standard of living of all New Zealanders. World War II intervened, replacing the image of increasing prosperity with one of sacrifice. In the shadow of the war the economy grew strongly, but there remained a legacy of shortages at a time when many sought material advancement. Historical writing on consumer culture is burgeoning internationally, and starting to emerge in New Zealand. There is already some local discussion of consumption in the post-war period, particularly with respect to clothing, embodiment and housing.1 This is an important area for study because, as Peter Gibbons points out, the consumption of goods — along with the needs they express and the desires they engender — deeply affects individual lives and social relationships.2 A number of aspects of consumption lend themselves to historical analysis, including the economic, the symbolic, the moral and the political. By exploring the political aspects of consumption and their relationships to these other strands, we can see how intense contestation over the symbolic meaning of consumption and its relationship to production played a pivotal role in defining the differences between the Labour government and the National opposition in the 1940s. -
Platforms, Promotion, and Product Discovery: Evidence from Spotify Playlists
JRC Digital Economy Working Paper 2018-04 Platforms, Promotion, and Product Discovery: Evidence from Spotify Playlists Luis Aguiar Joel Waldfogel (University of Minnesota and NBER) May 2018 This publication is a Working Paper by the Joint Research Centre, the European Commission’s in- house science service. It aims to provide evidence-based scientific support to the European policy- making process. The scientific output expressed does not imply a policy position of the European Commission. Neither the European Commission nor any person acting on behalf of the Commission is responsible for the use which might be made of this publication. JRC Science Hub https://ec.europa.eu/jrc JRC112023 Seville, Spain: European Commission, 2018 © European Union, 2018 Reuse is authorised provided the source is acknowledged. The reuse policy of European Commission documents is regulated by Decision 2011/833/EU (OJ L 330, 14.12.2011, p. 39). For any use or reproduction of photos or other material that is not under the EU copyright, permission must be sought directly from the copyright holders. How to cite this report: How to cite: Luis Aguiar, Joel Waldfogel, Platforms, Promotion, and Product Discovery: Evidence from Spotify Playlists ; JRC Digital Economy Working Paper 2018-04; JRC Technical Reports, JRC112023. All images © European Union 2018 Abstract Digitization has vastly increased the amount of new music produced and, because of streaming, has raised the number of songs available directly to consumers. While enhanced availability has levelled the playing field between already-prominent and new artists, creators may now be highly dependent on platform decisions about which songs and artist to promote. -
CRACCUM Catering Service — Your Co-Operative Catering Company
ASSESSMENT WORKSHOP All class reps and other interested students NOTICE BOARD should attend a workshop to be held in the CAPPING )Womens Common Room from 1 pm on Thurs day 1 May. Coffee and bikkies will be provided. This year there are to be four capping BIRTH OF NZUMS THIS IS A VERY BORING NOTICE Assessment is one of the most pressing issues The Union of Malaysian Students in New ceremonies. Graduands in Law and Commerce Nominations for one vacant position on each of facing students, let's do something about it. Zealand (NZUMS) was formally formed in the will receive their diplomas on Thursday 8th Student Union Management Committee and Inaugural Conference, held on 5th — 6th April, May at 2.15 and in Science, Architecture and Theatre Management Committee close with the 1980 in Palmerston North. ISABEL ALLENDE Town Planning at 4.15 pm. Secretary at 5.00 pm on Wednesday 30 April. The Inaugural Conference was attended by Auckland students have an historic and unique On Friday 9th May, Engineering, Fine Arts, Appointments will be made at the Executive Malaysian student delegations from their opportunity on Monday May 5 to hear Isabel Medicine and Human Biology graduands will be meeting to be held in the Council Room on respective organisations in Auckland, Christ Allendo, daughter and private secretary of the capped at 1.15 and Arts at 3.15 pm. Thursday 1 May and candidates are invited to church, Dunedin, Palmerston North, Hamilton murdered Chilean leader Salvador Allende. This This new arrangement will ease the pressure Over the E attend from 7.00 pm. -
L'italia E L'eurovision Song Contest Un Rinnovato
La musica unisce l'Europa… e non solo C'è chi la definisce "La Champions League" della musica e in fondo non sbaglia. L'Eurovision è una grande festa, ma soprattutto è un concorso in cui i Paesi d'Europa si sfidano a colpi di note. Tecnicamente, è un concorso fra televisioni, visto che ad organizzarlo è l'EBU (European Broadcasting Union), l'ente che riunisce le tv pubbliche d'Europa e del bacino del Mediterraneo. Noi italiani l'abbiamo a lungo chiamato Eurofestival, i francesi sciovinisti lo chiamano Concours Eurovision de la Chanson, l'abbreviazione per tutti è Eurovision. Oggi più che mai una rassegna globale, che vede protagonisti nel 2016 43 paesi: 42 aderenti all'ente organizzatore più l'Australia, che dell'EBU è solo membro associato, essendo fuori dall'area (l’anno scorso fu invitata dall’EBU per festeggiare i 60 anni del concorso per via dei grandi ascolti che la rassegna fa in quel paese e che quest’anno è stata nuovamente invitata dall’organizzazione). L'ideatore della rassegna fu un italiano: Sergio Pugliese, nel 1956 direttore della RAI, che ispirandosi a Sanremo volle creare una rassegna musicale europea. La propose a Marcel Bezençon, il franco-svizzero allora direttore generale del neonato consorzio eurovisione, che mise il sigillo sull'idea: ecco così nascere un concorso di musica con lo scopo nobile di promuovere la collaborazione e l'amicizia tra i popoli europei, la ricostituzione di un continente dilaniato dalla guerra attraverso lo spettacolo e la tv. E oltre a questo, molto più prosaicamente, anche sperimentare una diretta in simultanea in più Paesi e promuovere il mezzo televisivo nel vecchio continente. -
KARAOKE Buch 2019 Vers 2
Wenn ihr euer gesuchtes Lied nicht im Buch findet - bitte DJ fragen Weitere 10.000 Songs in Englisch und Deutsch auf Anfrage If you can’t find your favourite song in the book – please ask the DJ More then 10.000 Songs in English and German toon request 10cc Dreadlock Holiday 3 Doors Down Here Without You 3 Doors Down Kryptonite 4 Non Blondes What's Up 50 Cent Candy Shop 50 Cent In Da Club 5th Dimension Aquarius & Let The Sunshine A Ha Take On Me Abba Dancing Queen Abba Gimme Gimme Gimme Abba Knowing Me, Knowing You Abba Mama Mia Abba Waterloo ACDC Highway To Hell ACDC T.N.T ACDC Thunderstruck ACDC You Shook Me All Night Long Ace Of Base All That She Wants Adele Chasing Pavements Adele Hello Adele Make You Feel My Love Adele Rolling In The Deep Adele Skyfall Adele Someone Like You Adrian (Bombay) Ring Of Fire Adrian Dirty Angels Adrian My Big Boner Aerosmith Dream On Aerosmith I Don’t Want To Miss A Thing Afroman Because I Got High Air Supply All Out Of Love Al Wilson The Snake Alanis Morissette Ironic Alanis Morissette You Oughta Know Alannah Miles Black Velvet Alcazar Crying at The Discotheque Alex Clare Too Close Alexandra Burke Hallelujah Alice Cooper Poison Alice Cooper School’s Out Alicia Keys Empire State Of Mind (Part 2) Alicia Keys Fallin’ Alicia Keys If I Ain’t Got You Alien Ant Farm Smooth Criminal Alison Moyet That Old Devil Called Love Aloe Blacc I Need A Dollar Alphaville Big In Japan Ami Stewart Knock On Wood Amy MacDonald This Is The Life Amy Winehouse Back To Black Amy Winehouse Rehab Amy Winehouse Valerie Anastacia I’m Outta Love Anastasia Sick & Tired Andy Williams Can’t Take My Eyes Off Of You Animals, The The House Of The Rising Sun Aqua Barbie Girl Archies, The Sugar, Sugar Arctic Monkeys I Bet You Look Good On The Dance Floor Aretha Franklin Respect Arrows, The Hot Hot Hot Atomic Kitten Eternal Flame Atomic Kitten Whole Again Avicii & Aloe Blacc Wake Me Up Avril Lavigne Complicated Avril Lavigne Sk8er Boi Aztec Camera Somewhere In My Heart Gesuchtes Lied nicht im Buch - bitte DJ fragen B.J. -
4/12/14 Slagg Brothers Rhythm & Blues, Soul
4/12/14 Slagg Brothers Rhythm & Blues, Soul & Grooves Show 1953, written by Atlantic Records president and founder Ahmet Ertegün and was one Mess Around 2:42 Ray Charles of Ray Charles’ first hits. Featured in the film Planes, Trains, and Automobiles, during a scene in which John Candy's character dances to it while driving a car. Backslop 2:33 Baby Earl & The Trinidads Originally recorded by Junior Parker in 1953. Elvis’s version from 1955 as the B-side of Mystery Train 2:30 Elvis Presley "I Forgot to Remember to Forget". Both versions produced by Sam Phillips at Sun Studios 1984, from his 3rd solo album, Centerfield. All instruments, vocals, production and Big Train (From Memphis) 2:58 John Fogerty arrangement done by John Fogerty. 1951. Credited to Jackie Brenston and his Delta Cats, who were actually Ike Turner's Jackie Brenston & His Delta Rocket 88 2:51 Kings of Rhythm. Regarded as the first rock and roll record. Praises to the joys of the Cats Oldsmobile "Rocket 88" automobile, which had recently been introduced. 1961. Brown replaced the original lyrics of the song with a shouted list of cities on his Night Train 3:34 James Brown East Coast touring itinerary (and hosts to black radio stations he hoped would play his music). He also played drums on this. No.9 Train 2:52 Tarheel Slim Born Alden Bunn, this from 1958 From the 1979 album The Pleasure Principle. Inspired by an incident of road rage, Cars 3:34 Gary Numan about how you feel safe inside a car in the modern world From 1988 album From Langley Park to Memphis. -
(No. 2)Craccum-1959-033-002.Pdf
959 U N I VEirck. D AUCKL.A © U I .1 APR. world AUCKLAND UNIVERSITY STUDENTS’ PAPER l i b r / spot t i n g rePloss| Vol. X X X I I I — No. 2 Auckland, N.Z., Thursday, 26th March, 1959. Price 3d. rforce mile revolt round mbled 10th, emon- ie odd :ry of BILLY GRAHAM At vantage points around the city, one is con iaiting e pro fronted with bill-boards advertising a series of meet issue ings to be held by Dr. Billy Graham at Carlaw Park. ent of ly not The Churches who are sponsoring Dr. Graham are il test keyed up for this Evangelistic Crusade, issueing hand imina- ks on bills, mounting "Hear Dr. Graham" notices on the and e been backs of their cars and generally creating an atmos phere of expectation for the arrival of this great -•it .''-' • American Evangelist. Dr. Graham has for the last ten years been recognised as the owing greatest living spokesman of the Churches. He has spoken face e left to face with more men about the things of God than any man in devel- ase of history. Names like "The Greater London Crusade", "The Scottish the been Crusade", and the "New York Crusade", to mention a few, are n and memorials of his vast achievements. ty of thorn In New York alone, he spoke directly manly bearing, his fine looks, his out >n Las to two million people in ninety-seven standing personality and tremendous ity of meetings. An estimated ninety-six million drive all attribute to his greatness. -
UT28 Angel Face.P65
Lost Sounds From A Wild Odyssey Laurent Bigot unveils a tale of Parisien proto-punk ‘electric music’ from the 1970s y esteemed colleague Johan Some may think they didn’t achieve much in me if I knew this band, the Rolling Stones: I had Kugelberg has already mentioned their prime (less than ten shows in two years, no idea who he was talking about. He played me Angel Face a couple of times in no records), losing singers and drummers at a “The Last Time” and I was hooked. I went to see M Spinal Tap pace. Still, they were a pretty unique them at the Olympia theater. Outside, there were the pages of Ugly Things. When, by a stroke bunch of rock & roll lovers that only did what a few police trucks all around the place. That of luck, I ended up on bassist Pascal Regoli’s they wanted, refusing to bend in front of any made people nervous and they started to harass website, I jumped at the occasion to ask him trend. They belong to that short period of time the cops. So the police charged and everybody to tell their tale. Thanks to him, I got in touch when punk rock wasn’t a cliché yet, when the did a runner. What a mess! I didn’t see much with Riton Angel Face, who had formed the blank generation was building something new else back then, I was a real homebody. band with Pascal’s brother, Julien, and with instead of being enslaved to their own form of Around 1968, I started to live with a friend in Henri Flesh who was one of their (too many) conformism. -
Une Discographie De Robert Wyatt
Une discographie de Robert Wyatt Discographie au 1er mars 2021 ARCHIVE 1 Une discographie de Robert Wyatt Ce présent document PDF est une copie au 1er mars 2021 de la rubrique « Discographie » du site dédié à Robert Wyatt disco-robertwyatt.com. Il est mis à la libre disposition de tous ceux qui souhaitent conserver une trace de ce travail sur leur propre ordinateur. Ce fichier sera périodiquement mis à jour pour tenir compte des nouvelles entrées. La rubrique « Interviews et articles » fera également l’objet d’une prochaine archive au format PDF. _________________________________________________________________ La photo de couverture est d’Alessandro Achilli et l’illustration d’Alfreda Benge. HOME INDEX POCHETTES ABECEDAIRE Les années Before | Soft Machine | Matching Mole | Solo | With Friends | Samples | Compilations | V.A. | Bootlegs | Reprises | The Wilde Flowers - Impotence (69) [H. Hopper/R. Wyatt] - Robert Wyatt - drums and - Those Words They Say (66) voice [H. Hopper] - Memories (66) [H. Hopper] - Hugh Hopper - bass guitar - Don't Try To Change Me (65) - Pye Hastings - guitar [H. Hopper + G. Flight & R. Wyatt - Brian Hopper guitar, voice, (words - second and third verses)] alto saxophone - Parchman Farm (65) [B. White] - Richard Coughlan - drums - Almost Grown (65) [C. Berry] - Graham Flight - voice - She's Gone (65) [K. Ayers] - Richard Sinclair - guitar - Slow Walkin' Talk (65) [B. Hopper] - Kevin Ayers - voice - He's Bad For You (65) [R. Wyatt] > Zoom - Dave Lawrence - voice, guitar, - It's What I Feel (A Certain Kind) (65) bass guitar [H. Hopper] - Bob Gilleson - drums - Memories (Instrumental) (66) - Mike Ratledge - piano, organ, [H. Hopper] flute. - Never Leave Me (66) [H. -
La Voce Del Popolo
la Vocedel popolo la Vocedel popolo KSENIJA PROHASKA spettacoli www.edit.hr/lavoce ARTISTA Anno 3 • n. 14 POLIEDRICA martedì, 28 febbraio 2017 IL PROTAGONISTA ATTUALITÀ FESTIVAL NOVITÀ Il regista canadese I diritti delle donne In margine al 67º Festival Lo spassoso «Deadpool» Denis Villeneuve nel cinema contemporaneo di Sanremo avrà un sequel Il suo film «Arrival» è stato più o meno Una carrellata nei film che trattano Un breve storia del più famoso Festival Le riprese di «Deadpool 2» inizieranno snobbato agli ultimi Oscar. Grande attesa la condizione femminile in diversi Paesi canoro italiano, la cui qualità è in a giugno, mentre il film dovrebbe per il sequel di «Blade Runner». 2 del mondo. 3 declino dagli Anni6|7 ‘70. uscire nelle sale nel 2018. 8 del popolo 2 martedì, 28 febbraio 2017 spettacoli la Voce IL PROTAGONISTA di Gianfranco Miksa IL REGISTA CANADESE REUTERS/MARIO ANZUONI REUTERS/MARIO DENIS VILLENEUVE STA VIVENDO UN INTENSO PERIODO CREATIVO PECCATO PER «ARRIVAL», TANTA ATTESA PER «BLADE RUNNER 2049» el 2017, il regista canadese Jóhann Jóhannsson, che già in passato appare estremamente interessante molto presto complesso e Louise Denis Villeneuve, noto per le ha lavorato con Villeneuve (Sicario e agli occhi degli amanti del genere dovrà trovare un alfabeto comune Nsue pellicole di cinema d’autore Arrival). fantascientifico, anche per capire per costruire un dialogo con l’altro. Il – il cui stile è un misto di genere e come Blade Runner 2049 e Dune mondo esterno intanto impazzisce e approccio intellettuale con un forte Protagonista Ryan Gosling evolveranno. E in tale ottica d’analisi le potenze mondiali dichiarano guerra impatto emotivo –, come La donna Da quanto trapelato finora, il film avrà Arrival pone la fantascienza in all’indecifrabile alieno. -
Hot Rod Legends Chuck Berry, Jerry Arnold, Ray Charles Und Viele Andere
neuerscheinungen wallets ROCK N’ ROLL Hot Rod Legends Chuck Berry, Jerry Arnold, Ray Charles und viele andere Label: Documents Genre: Rock ’N’ Roll Format: 10 CD Wallet Veröffentlichung: 14.10.2016 Katalognr.: 600343 Label Code: 12281 Preiscode: 10M9 4 0 5 3 7 9 6 0 0 3 4 3 0 Vertriebsgebiet: ww 200 Titel in einer 10 CD-Box mit rockiger Musik der 1950er Jahre rund ums Auto. Viele dieser Aufnahmen sind echte Raritäten, für die als Vinylplatten heute schwindelerregende Preise gefordert werden. Erstmalig ist hier dieses Musik-Thema auf 10 CDs in einer Box bildete sich eine feste Szene um diese Musik herum – ähnlich wie zusammengefasst. beim Surf und beim unvergänglichen Rockabilly wurde die Szene Neben den vielen relativ unbekannten Musikern sind natürlich zu einem echten Lebensgefühl. Viele Titel drehen sich oft und aber auch einige Rock & Roll Ikonen zu hören: Gene Vincent, Carl gern um die „hippen“ Automarken: Cadillac, Ford, Thunderbird, Perkins, Duane Eddy, The Beach Boys und Chuck Berry sind nur Lincoln, Oldsmobile und um Drag-Cars – aber in einigen Fällen einige von ihnen. ist auch von Motorrädern die Rede. Einige Titel findet man Ebenso wie die Surf-Music hat auch die Hot Rod-Szene ihren auch in der Surf-Szene wieder (Beach Boys „4 0 9“) und das Ursprung in Kalifornien. ist nicht verwunderlich, denn beide Themen pflegten eine enge In diesen Car-Songs dreht sich alles um Autos, knatternde Verwandtschaft - sowohl in der Musik als auch im Lebensgefühl. Motoren, heiße Mädchen und zu allererst um heiße Musik. Wie In den frühen 1950er Jahren gaben sich Gruppen auch gern mal man hier hören kann war das Auto bereits in den 1940 Jahren zu Autonamen: The Chevrolets, The Thunderbirds, The El Dorados einem Musik-Thema geworden – überwiegend im C&W-Bereich.