{Download PDF} Doctor Who: the Official Annual 2017
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Chris Billam-Smith
MEET THE TEAM George McMillan Editor-in-Chief [email protected] Remembrance day this year marks 100 years since the end of World War One, it is a time when we remember those who have given their lives fighting in the armed forces. Our features section in this edition has a great piece on everything you need to know about the day and how to pay your respects. Elsewhere in the magazine you can find interviews with The Undateables star Daniel Wakeford, noughties legend Basshunter and local boxer Chris Billam Smith who is now prepping for his Commonwealth title fight. Have a spooky Halloween and we’ll see you at Christmas for the next edition of Nerve Magazine! Ryan Evans Aakash Bhatia Zlatna Nedev Design & Deputy Editor Features Editor Fashion & Lifestyle Editor [email protected] [email protected] [email protected] Silva Chege Claire Boad Jonathan Nagioff Debates Editor Entertainment Editor Sports Editor [email protected] [email protected] [email protected] 3 ISSUE 2 | OCTOBER 2018 | HALLOWEEN EDITION FEATURES 6 @nervemagazinebu Remembrance Day: 100 years 7 A whitewashed Hollywood 10 CONTENTS /Nerve Now My personal experience as an art model 13 CONTRIBUTORS FEATURES FASHION & LIFESTYLE 18 Danielle Werner Top tips for stress-free skin 19 Aakash Bhatia Paris Fashion Week 20 World’s most boring Halloween costumes 22 FASHION & LIFESTYLE Best fake tanning products 24 Clare Stephenson Gracie Leader DEBATES 26 Stephanie Lambert Zlatna Nedev Black culture in UK music 27 DESIGN Do we need a second Brexit vote? 30 DEBATES Ryan Evans Latin America refugee crisis 34 Ella Smith George McMillan Hannah Craven Jake Carter TWEETS FROM THE STREETS 36 Silva Chege James Harris ENTERTAINMENT 40 ENTERTAINMENT 7 Emma Reynolds The Daniel Wakeford Experience 41 George McMillan REMEMBERING 100 YEARS Basshunter: No. -
Doctor Who 4 Ep.18.GOLD.SCW
DOCTOR WHO 4.18 by Russell T Davies Shooting Script GOLDENROD ??th April 2009 Prep: 23rd February Shoot: 30th March Tale Writer's The Doctor Who 4 Episode 18 SHOOTING SCRIPT 20/03/09 page 1. 1 OMITTED 1 2 FX SHOT. GALLIFREY - DAY 2 FX: LONG FX SHOT, craning up to reveal the mountains of Gallifrey, as Ep.3.12 sc.40. But now transformed; the mountains are burning, a landscape of flame. The valley's a pit of fire, cradling the hulks of broken spaceships. Keep craning up to see, beyond; the Citadel of the Time Lords. The glass dome now cracked and open. CUT TO: 3 INT. CITADEL - DAY 3 FX: DMP WIDE SHOT, an ancient hallway, once beautiful, high vaults of stone & metal. But the roof is now broken, open to the dark orange sky, the edges burning. Bottom of frame, a walkway, along which walk THE NARRATOR, with staff, and 2 TIME LORDS, the latter pair in ceremonial collars. FX: NEW ANGLE, LONG SHOT, the WALKWAY curves round, Narrator & Time Lords now following the curve, heading towards TWO HUGE, CARVED DOORS, already open. A Black Void beyond. Tale CUT TO: 4 INT. BLACK VOID 4 FX: OTHER SIDE OF THE HUGE DOORS, NARRATOR & 2 TIME LORDS striding through. The Time Lords stay by the doors, on guard; lose them, and the doors, as the Narrator walks on. FX: WIDE SHOT of the Black Void - like Superman's Krypton, the courtroom/Phantom Zone scenes - deep black, starkly lit from above. Centre of the Void: a long table, with 5 TIME LORDS in robes Writer's(no collars) seated. -
Movie Catalog Movie
AVENGERS BY THE NUMBERS On-Board Inside front cover EVERYTHING GAME OF THRONES MOVIE CATALOG Pages 36-38 © 2019 Marvel © 2019 Universal City Studios Productions LLLP. All Rights Reserved. © 2019 Paramount Pictures © 2019 Warner Bros. Ent. All rights reserved. © 2019 RJD Filmworks, Inc. All Rights Reserved. © Lions Gate Entertainment, Inc. STX Entertainment 2019 © © Amazon Studios © 2019 Disney Enterprises, inc. © 2019 STX Entertainment 2019 © © Lions Gate Entertainment, Inc. © 2019 Warner Bros. Ent. All rights reserved. July/August 2019 | 1.877.660.7245 | swank.com/on-board-movies H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H ExperienceH H H H H H H H H H H H H H H H HTHE H ADVENTURESH H H H H H H H of the AVENGERS H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H © 2019 Marvel © 2019 Marvel © 2019 Marvel © 2019 Universal City Studios Productions LLLP. All Rights Reserved. © 2019 Marvel H HH H H H H H HH HH H HH HH H 2008H H H H H H HH H H H H 2008H H H H H H H H H H2010 H H H H H H H H H2011 H H H H H H H H H2011 H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H © 2019 Marvel © 2019 Marvel © 2019 Marvel © 2019 Marvel © 2019 Marvel © 2019 Marvel © 2019 Marvel H H H H H2012 H H H H H H H H H2013 H H H H H H H H H2013 H H H H H H H H H2014 H H H H H H H H H 2014H H H H H H H H H 2015H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H © 2019 Marvel © 2019 Marvel © 2019 Marvel © 2019 Marvel © 2019 Columbia Pictures Industries, Inc. -
1 2019 Gally Academic Track Friday, February 15
2019 Gally Academic Track Friday, February 15, 2019 3:00-3:15 KEYNOTE “The Fandom Hierarchy: Women of Color’s Fight For Visibility In Fandom Spaces” Tai Gooden Women of Color (WoC) have been fervent Doctor Who fans for several decades. However, the fandom often reflects societal hierarchies upheld by White privilege that result in ignoring and diminishing WoC’s opinions, contributions, and legitimate concerns about issues in terms of representation. Additionally, WoC and non-binary (NB) people of color’s voices are not centered as often in journalism, podcasting, and media formats nor convention panels as much as their White counterparts. This noticeable disparity has led to many WoC, even those who are deemed “important” in fandom spaces, to encounter racism, sexism, and, depending on the individual, homophobia and transphobia in a place that is supposed to have open availability to everyone. I can attest to this experience as someone who has a somewhat heightened level of visibility in fandom as a pop culture/entertainment writer who extensively covers Doctor Who. This presentation will examine women of color in the Doctor Who fandom in terms of their interactions with non-POC fans and difficulties obtaining opportunities in media, online, and at conventions. The show’s representation of fandom and the necessity for equity versus equality will also be discussed to craft a better understanding of how to tackle this pervasive issue. Other actionable solutions to encourage intersectionality in the fandom will be discussed including privileged people listening to WoC and non- binary people’s concerns/suggestions, respectfully interacting with them online and in person, recognizing and utilizing their privilege to encourage more inclusivity, standing in solidarity with them on critical issues, and lending their support to WoC creatives. -
Nine Night at the Trafalgar Studios
7 September 2018 FULL CASTING ANNOUNCED FOR THE NATIONAL THEATRE’S PRODUCTION OF NINE NIGHT AT THE TRAFALGAR STUDIOS NINE NIGHT by Natasha Gordon Trafalgar Studios 1 December 2018 – 9 February 2019, Press night 6 December The National Theatre have today announced the full cast for Nine Night, Natasha Gordon’s critically acclaimed play which will transfer from the National Theatre to the Trafalgar Studios on 1 December 2018 (press night 6 December) in a co-production with Trafalgar Theatre Productions. Natasha Gordon will take the role of Lorraine in her debut play, for which she has recently been nominated for the Best Writer Award in The Stage newspaper’s ‘Debut Awards’. She is joined by Oliver Alvin-Wilson (Robert), Michelle Greenidge (Trudy), also nominated in the Stage Awards for Best West End Debut, Hattie Ladbury (Sophie), Rebekah Murrell (Anita) and Cecilia Noble (Aunt Maggie) who return to their celebrated NT roles, and Karl Collins (Uncle Vince) who completes the West End cast. Directed by Roy Alexander Weise (The Mountaintop), Nine Night is a touching and exuberantly funny exploration of the rituals of family. Gloria is gravely sick. When her time comes, the celebration begins; the traditional Jamaican Nine Night Wake. But for Gloria’s children and grandchildren, marking her death with a party that lasts over a week is a test. Nine rum-fuelled nights of music, food, storytelling and laughter – and an endless parade of mourners. The production is designed by Rajha Shakiry, with lighting design by Paule Constable, sound design by George Dennis, movement direction by Shelley Maxwell, company voice work and dialect coaching by Hazel Holder, and the Resident Director is Jade Lewis. -
A IDEOLOGICAL CRITICISM of DOCTOR WHO Noah Zepponi University of the Pacific, [email protected]
University of the Pacific Scholarly Commons University of the Pacific Theses and Dissertations Graduate School 2018 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO Noah Zepponi University of the Pacific, [email protected] Follow this and additional works at: https://scholarlycommons.pacific.edu/uop_etds Part of the Communication Commons Recommended Citation Zepponi, Noah. (2018). THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO. University of the Pacific, Thesis. https://scholarlycommons.pacific.edu/uop_etds/2988 This Thesis is brought to you for free and open access by the Graduate School at Scholarly Commons. It has been accepted for inclusion in University of the Pacific Theses and Dissertations by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. 2 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi A Thesis Submitted to the Graduate School In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS College of the Pacific Communication University of the Pacific Stockton, California 2018 3 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi APPROVED BY: Thesis Advisor: Marlin Bates, Ph.D. Committee Member: Teresa Bergman, Ph.D. Committee Member: Paul Turpin, Ph.D. Department Chair: Paul Turpin, Ph.D. Dean of Graduate School: Thomas Naehr, Ph.D. 4 DEDICATION This thesis is dedicated to my father, Michael Zepponi. 5 ACKNOWLEDGEMENTS It is here that I would like to give thanks to the people which helped me along the way to completing my thesis. First and foremost, Dr. -
Units and Measurement
CHAPTER TWO UNITS AND MEASUREMENT 2.1 INTRODUCTION Measurement of any physical quantity involves comparison with a certain basic, arbitrarily chosen, internationally 2.1 Introduction accepted reference standard called unit. The result of a measurement of a physical quantity is expressed by a 2.2 The international system of number (or numerical measure) accompanied by a unit. units Although the number of physical quantities appears to be 2.3 Measurement of length very large, we need only a limited number of units for 2.4 Measurement of mass expressing all the physical quantities, since they are inter- 2.5 Measurement of time related with one another. The units for the fundamental or 2.6 Accuracy, precision of base quantities are called fundamental or base units. The instruments and errors in units of all other physical quantities can be expressed as measurement combinations of the base units. Such units obtained for the 2.7 Significant figures derived quantities are called derived units. A complete set of these units, both the base units and derived units, is 2.8 Dimensions of physical quantities known as the system of units. 2.9 Dimensional formulae and 2.2 THE INTERNATIONAL SYSTEM OF UNITS dimensional equations In earlier time scientists of different countries were using 2.10 Dimensional analysis and its different systems of units for measurement. Three such applications systems, the CGS, the FPS (or British) system and the MKS Summary system were in use extensively till recently. Exercises The base units for length, mass and time in these systems Additional exercises were as follows : • In CGS system they were centimetre, gram and second respectively. -
A Review of New Historical Drama from the BBC
Eras Edition 9, November 2007 – http://www.arts.monash.edu.au/eras ‘Time-warp Television’ – A review of new historical drama from the BBC: Life on Mars, created by Mathew Graham, Tony Jordan and Ashley Pharoah, BBC, 2006. Robin Hood, created by Foz Allan and Dominic Minghella, BBC, 2006. Torchwood, created by Russell T. Davies, BBC, 2006. Robin Hood in an anorak and touting an anti-war message? Costume drama in the gritty back streets of 1970s Manchester? Clearly this is not your father’s BBC. While there is still plenty of Austen and Dickens for the purist, the BBC, long the home of waistcoats, mutton chops and empire waists, has breathed some new life into the historical drama with two series that seem to engage as much with the way we respond to history as to the historical setting itself. A cult and critical hit, Life on Mars, follows Manchester Police Detective Sam Tyler (played by John Simm) who is ‘transported’ back to 1973 after being hit by a car. Used to being a Detective Chief Inspector with expensive digs, a well-cut suit, and police-work governed by political correctness and computers, Sam finds himself demoted, dressed in a leather jacket, living in a dingy room with a Murphy-bed, and working with DCI Gene Hunt. Hunt, played with joyful relish by Philip Glenister, is the very antithesis of modern policing. He is unabashedly racist, sexist, homophobic and not above bashing the uncooperative suspect mid-interview. All guts and reaction, he is the ying to Sam’s yang, as it becomes clear that DI Tyler has lost the ability to trust his instincts. -
Rich's Notes: 1 Chapter 1 the Ten Doctors: a Graphic Novel by Rich
The Ten Doctors: A Graphic Novel by Rich Morris Chapter 1 1 Rich's Notes: The 10th (and current) Doctor goes to The Eye of Orion (the Five Doctors) to reflect after the events of The Runaway Bride. He meets up with his previous incarnation, the 9th Doctor and Rose, here exploring the Eye of Orion sometime between the events of Father’s Day and The Empty Child. The Ten Doctors: A Graphic Novel by Rich Morris Chapter 1 2 Rich's Notes: The 9th and 10th Doctors and Rose stumble upon the 7th Doctor and Ace, who we join at some point between Dimensions in Time and The Enemy Within(aka. The Fox Movie) You’ll notice the style of the drawings changing a bit from page to page as I struggle to settle on a realism vs. cartoony feel for this comic. Hopefully it’ll settle soon. And hopefully none of you will give a rat’s bottom. The Ten Doctors: A Graphic Novel by Rich Morris Chapter 1 3 Rich's Notes: The 10th Doctor, in order to keep the peace, attempts to explain the situation to Ace and Rose. Ace, however, has an advantage. She's seen some of the Doctor's previous incarnations in a strange time trap set up by the Rani (The 30th Anniversary special: Dimensions in Time, which blew chunks). The 2nd Doctor arrives, seemingly already understanding the situation, accompanied by Jamie and Zoe. (The 2nd Doctor arrives from some curious timeline not fully explained by the TV series. Presumably his onscreen regeneration was a farce and he was employed by the Time Lords for a time to run missions for them before they finally changed him into the 3rd Doctor. -
Hamlet West End Announcement
FOLLOWING A CRITICALLY ACCLAIMED & SELL-OUT RUN AT THE ALMEIDA THEATRE HAMLET STARRING THE BAFTA & OLIVIER AWARD-WINNING ANDREW SCOTT AND DIRECTED BY THE MULTI AWARD-WINNING DIRECTOR ROBERT ICKE WILL TRANSFER TO THE HAROLD PINTER THEATRE FOR A STRICTLY LIMITED SEASON FROM 9 JUNE – 2 SEPTEMBER 2017 ‘ANDREW SCOTT DELIVERS A CAREER-DEFINING PERFORMANCE… HE MAKES THE MOST FAMOUS SPEECHES FEEL FRESH AND UNPREDICTABLE’ EVENING STANDARD ‘IT IS LIVEWIRE, EDGE-OF-THE-SEAT STUFF’ TIME OUT Olivier Award-winning director, Robert Icke’s (Mary Stuart, The Red Barn, Uncle Vanya, Oresteia, Mr Burns and 1984), ground-breaking and electrifying production of William Shakespeare’s Hamlet, starring BAFTA award-winner Andrew Scott (Moriarty in BBC’s Sherlock, Denial, Spectre, Design For Living and Cock) in the title role, will transfer to the Harold Pinter Theatre, following a critically acclaimed and sell out run at the Almeida Theatre. Hamlet will run for a limited season only from 9 June to 2 September 2017 with press night on Thursday 15 June. Hamlet is produced by Ambassador Theatre Group (Sunday In The Park With George, Buried Child, Oresteia), Sonia Friedman Productions and the Almeida Theatre (Chimerica, Ghosts, King Charles III, 1984, Oresteia), who are renowned for introducing groundbreaking, critically acclaimed transfers to the West End. Rupert Goold, Artistic Director, Almeida Theatre said "We’re delighted that with this transfer more people will be able to experience our production of Hamlet. Robert, Andrew, and the entire Hamlet company have created an unforgettable Shakespeare which we’re looking forward to sharing even more widely over the summer in partnership with Sonia Friedman Productions and ATG.” Robert Icke, Director (and Almeida Theatre Associate Director) said “It has been such a thrill to work with Andrew and the extraordinary company of Hamlet on this play so far, and I'm delighted we're going to continue our work on this play in the West End this summer. -
Doctor Who Series 12 Episode Six Praxeus Programme Number
DOCTOR WHO SERIES 12 EPISODE SIX PRAXEUS PROGRAMME NUMBER: 01/DRAA716H 10:00:00 BBC WORLDWIDE STING 10:00:05 OPENING TITLES 10:00:05 Music in ‘M1 Opening Titles’ 10:00:12 Caption 'Jodie Whittaker' 10:00:13 Caption 'Bradley Walsh' 10:00:15 Caption ‘Mandip Gill’ 10:00:17 Caption ‘Tosin Cole’ 10:00:20 Caption 'BBC Doctor Who' 10:00:27 Caption 'Series Producer Nikki Wilson 10:00:30 Caption 'Director Jamie Magnus Stone’ 10:00:34 Caption ‘Praxeus Written by Pete McTighe Chris Chibnall 10:00:38 Music out ‘M1 Opening Titles’ CUT TO: 10:00:39 EXT. SPACE, ABOVE THE EARTH 10:00:39 Music in ‘M2 Together and Alone’ The Earth hanging in space. Beautiful and majestic. THE DOCTOR (V.O.) Planet Earth. Early in the third decade of the 21st century. Population: seven billion. Seven billion lives, separate and connected. From the depths of the oceans to the edge of the atmosphere. A FIERY OBJECT ROARS THROUGH FRAME. The International Space Station's SOYUZ DESCENT MODULE, hurtling into the atmosphere. CUT TO: 10:01:05 INT. SOYUZ DESCENT MODULE Strapped inside: astronaut ADAM LANG (30s, focussed, brave). Instrument panels are flashing, alarms are blaring. FIRE BLAZES outside the portal as the heat shields melt away. ADAM LANG Soyuz to Control, we have automatic system failure. CONTROL (V.O.) Copy that Soyuz, can you switch to ballistic descent and maintain trajectory? Straining against g-forces -- squeezing a hand controller -- ADAM LANG Negative, I'm way off course - Static from the communications speaker. The module control panel sparks. -
The Indispensability of Freedom 8Th International Conference the Austrian School of Economics in the 21St Century
The Indispensability of Freedom TITLE 8th International Conference The Austrian School in the 21st Century Federico N. Fernández Barbara Kolm Victoria Schmid (Eds.) Friedrich A.v.Hayek Institut The Indispensability of Freedom 8th International Conference The Austrian School of Economics in the 21st Century Federico N. Fernández Barbara Kolm Victoria Schmid (Eds.) Papers presented on November 13th and 14th, 2019 Published by the Austrian Economics Center and Fundación International Bases www.austriancenter.com www.fundacionbases.org Copyright ©2020 by Friedrich A. v. Hayek Institut, Vienna Federico N. Fernández, Barbara Kolm, and Victoria Schmid (Eds.) All rights reserved. No texts from this book may be reprinted or posted in any form without prior written permission from the copyright holders. Design and composition by Victoria Schmid Cover photo by Anton Aleksenko | Dreamstime.com ISBN: 978-3-902466-17-4 First Edition 2 3 4 Content Austrian Economics Conference 2019 Preface Robert Holzmann 13 The History of the Austrian Economics Conference The Editors 15 Juan Carlos Cachanosky Memorial Lecture I. The Continuing Importance of Misesian Economics Robert Murphy 17 II. Keynote: Geopolitics, Economic Freedom, and Economic Performance Erich Weede 31 1. The Role of Non-Democratic Institutions in a Democracy, according to Montesquieu, Tocqueville, Acton, Popper, and Hayek, Applied to the EU Jitte Akkermans 45 2. Mind with a purpose: a humanistic conversation between Psychology and some postulates of the Austrian School of Economics Silvia Aleman Menduinna 59 3. What Is Wrong With Sustainable Development Goals? Horacio Miguel Arana 71 5 Content 4. A Unique Methodology using the Principles of the Austrian School of Economics – Applied To Investing and Trading Richard Bonugli 83 5.