The Selected Poems of Liz Lochhead Pdf, Epub, Ebook
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
A Parliament of Novels: the Politics of Scottish Fiction 1979-1999 Un Parlement Dans La Littérature : Politique Et Fiction Écossaise 1979-1999
Revue Française de Civilisation Britannique French Journal of British Studies XIV-1 | 2006 La dévolution des pouvoirs à l'Écosse et au Pays de Galles 1966-1999 A Parliament of Novels: the Politics of Scottish Fiction 1979-1999 Un parlement dans la littérature : politique et fiction écossaise 1979-1999 David Leishman Electronic version URL: http://journals.openedition.org/rfcb/1175 DOI: 10.4000/rfcb.1175 ISSN: 2429-4373 Publisher CRECIB - Centre de recherche et d'études en civilisation britannique Printed version Date of publication: 2 January 2006 Number of pages: 123-136 ISBN: 2–911580–23–0 ISSN: 0248-9015 Electronic reference David Leishman, « A Parliament of Novels: the Politics of Scottish Fiction 1979-1999 », Revue Française de Civilisation Britannique [Online], XIV-1 | 2006, Online since 15 October 2016, connection on 02 May 2019. URL : http://journals.openedition.org/rfcb/1175 ; DOI : 10.4000/rfcb.1175 Revue française de civilisation britannique est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. A Parliament of Novels : the Politics of Scottish Fiction 1979-1999 David LEISHMAN Université de Grenoble 3 The Scottish literary scene enjoyed so great a resurgence at the end of the 20th century that the period has sometimes been termed the second Scottish renaissance.1 After a period of relative moroseness, initially exacerbated by the 1979 referendum result,2 Scottish fiction found a new vitality which can be charted by a number of factors: the strong growth in the number of new novels published;3 the linguistic, narratological and typographic experimentation of authors such as Alasdair Gray, James Kelman or Janice Galloway; the increased critical interest in Scottish letters; the commercial success of authors such as Ian Rankin or Irvine Welsh, who, despite their international popularity, remain distinctively Scottish in terms of orientation or voice. -
EIKS an ENS Nummer 10
EIKS AN ENS The newsletter o the Scots Leid Associe Nummer 10 Januar 2017 Januar Jottins A GUID NEW YEAR TI OOR MEMMERS AA AN SUM. SUBSCRIEVINS are nou due. Siller ti SLS, 4 Ancrum Drive, Dundee DD2 2JB or pey online £20 ordinar memmership £25 owerseas, jynt, schuil or college,corporate Mind an pit in your entries afore Januar 31st. Hae a keek at the wabsteid for Scotsoun CDs. This year’s Collogue wull hae place in Perth on Setterday, 3rd June. “THE SCOTS LEID AN EUROPE” Sonnet to mark the impending 60th birthday of William Hershaw on 19th March 2017 Nou, dinnae be feart o saxty, Willie Juist heeze a wee gless o the bluid reid wine tae the hinder end o year fifty nine Aye, an mebbe ye'll tak a guid gill tae afore ye dover, heid oan the pillae wauken tae find ye’ve owergaun the line an qualifee’d for yer bus pass propine Ken, it maks ye strang whit disnae kill ye Ance domine, aye baird an makar bauld A ‘cultural provocateur’ they say Fowerty odd year o scrievin wir leid Nae sign o lettin up as ye get auld Howkin awa at the coalface aa dey Aye screivin, Willie, till ye drap doun deid Kevin Connelly Burns’ Hamecomin When taverns stert tae stowe wi folk, Bit tae oor tale. Rab’s here as guest, An warkers thraw aff labour’s yoke, Tae handsel this by-ornar fest – As simmer days are waxin lang, Twa hunnert years an fifty’s passed An couthie chiels brak intae sang; Syne he blew in on Janwar’s blast. -
Tom Leonard (1944 -2018) — 'Notes Personal' in Response to His Life
Tom Leonard (1944 -2018) — ‘Notes Personal’ in Response to his Life and Work an essay by Jim Ferguson 1. How I met the human being named ‘Tom Leonard’ I was ill with epilepsy and post-traumatic stress disorder. It was early in 1986. I was living in a flat on Causeyside Street, Paisley, with my then partner. We were both in our mid-twenties and our relationship was happy and loving. We were rather bookish with quite a strong sense of Scottish and Irish working class identity and an interest in socialism, social justice. I think we both held the certainty that the world could be changed for the better in myriad ways, I know I did and I think my partner did too. You feel as if you share these basic things, a similar basic outlook, and this is probably why you want to live in a little tenement flat with one human being rather than any other. We were not career minded and our interest in money only stretched so far as having enough to live on and make ends meet. Due to my ill health I wasn’t getting out much and rarely ventured far from the flat, though I was working on ‘getting better’. In these circumstances I found myself filling my afternoons writing stories and poems. I had a little manual portable typewriter and would sit at a table and type away. I was a very poor typist which made poetry much more appealing and enjoyable because it could be done in fewer words with a lot less tipp-ex. -
Jackie Kay, CBE, Poet Laureate of Scotland 175Th Anniversary Honorees the Makar’S Medal
Jackie Kay, CBE, Poet Laureate of Scotland 175th Anniversary Honorees The Makar’s Medal The Chicago Scots have created a new award, the Makar’s Medal, to commemorate their 175th anniversary as the oldest nonprofit in Illinois. The Makar’s Medal will be awarded every five years to the seated Scots Makar – the poet laureate of Scotland. The inaugural recipient of the Makar’s Medal is Jackie Kay, a critically acclaimed poet, playwright and novelist. Jackie was appointed the third Scots Makar in March 2016. She is considered a poet of the people and the literary figure reframing Scottishness today. Photo by Mary McCartney Jackie was born in Edinburgh in 1961 to a Scottish mother and Nigerian father. She was adopted as a baby by a white Scottish couple, Helen and John Kay who also adopted her brother two years earlier and grew up in a suburb of Glasgow. Her memoir, Red Dust Road published in 2010 was awarded the prestigious Scottish Book of the Year, the London Book Award, and was shortlisted for the Jr. Ackerley prize. It was also one of 20 books to be selected for World Book Night in 2013. Her first collection of poetry The Adoption Papers won the Forward prize, a Saltire prize and a Scottish Arts Council prize. Another early poetry collection Fiere was shortlisted for the Costa award and her novel Trumpet won the Guardian Fiction Award and was shortlisted for the Impac award. Jackie was awarded a CBE in 2019, and made a fellow of the Royal Society of Literature in 2002. -
"Dae Scotsmen Dream O 'Lectric Leids?" Robert Crawford's Cyborg Scotland
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2013 "Dae Scotsmen Dream o 'lectric Leids?" Robert Crawford's Cyborg Scotland Alexander Burke Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the English Language and Literature Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/3272 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. i © Alexander P. Burke 2013 All Rights Reserved i “Dae Scotsmen Dream o ‘lectric Leids?” Robert Crawford’s Cyborg Scotland A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in English at Virginia Commonwealth University By Alexander Powell Burke Bachelor of Arts in English, Virginia Commonwealth University May 2011 Director: Dr. David Latané Associate Chair, Department of English Virginia Commonwealth University Richmond, Virginia December, 2013 ii Acknowledgment I am forever indebted to the VCU English Department for providing me with a challenging and engaging education, and its faculty for making that experience enjoyable. It is difficult to single out only several among my professors, but I would like to acknowledge David Wojahn and Dr. Marcel Cornis-Pope for not only sitting on my thesis committee and giving me wonderful advice that I probably could have followed more closely, but for their role years prior of inspiring me to further pursue poetry and theory, respectively. -
The Characters' Response to Social Structures in Alasdair Gray's Lanark
Compliance Versus Defiance: The Characters’ Response to Social Structures in Alasdair Gray’s Lanark and 1982 Janine Markéta Gregorová Palacký University, Olomouc, Czech Republic Abstract The article focuses on two novels by Alasdair Gray, Lanark: A Life in Four Books (1981) and 1982 Janine (1984), in particular on the ways in which the characters are influenced by externally imposed social structures and the attitudes they assume in dealing with them. The adverse workings of official institutions, such as education and employment facilities, are received with compliance on the part of the protagonist in 1982 Janine but meet with resistance from both of the two mirror protagonists in Lanark. In the context of the standing of Scotland within the United Kingdom, institutions represent the interests of the powerful English majority rather than the dependent Scottish minority, and therefore any act of rebellion against them is charged with a subversive potential. Besides the political implications, the article explores the social dimensions of the novels and illustrates by means of individual examples the means used by the powerful to exploit the powerless, as well as the strategies the latter employ to defend themselves. Keywords Alasdair Gray; Lanark; 1982 Janine; politics in literature; sexuality; twentieth-century Scottish literature When Alasdair Gray was asked by an interviewer whether the concern with monstrous institutions recurrent in his writing is a “kind of obstreperousness” springing from “a genetic perturbation” of the author, he replied: My approach to institutional dogma and criteria—let’s call it my approach to institutions—reflects their approach to me. Nations, cities, schools, marketing companies, hospitals, police forces have been made by people for the good of people. -
D:\Atlantis\Artículos Para Publicar 26.1\Editado Por Ricardo Y Por Mí
ATLANTIS 26.1 (June 2004): 101–110 ISSN 0210-6124 An Interview with Liz Lochhead Carla Rodríguez González Universidad de Oviedo [email protected] An essential reference in contemporary Scottish literature, Liz Lochhead has consolidated her career as a poet, playwright and performer since she began publishing in the 1970s. Born in Motherwell, Lanarkshire, in 1947, she went to Glasgow School of Art where she started writing. After some eight years teaching art in Glasgow and Bristol, she travelled to Canada (1978) with a Scottish Writers Exchange Fellowship and became a professional writer. Memo for Spring (1971), her first collection of poems, won a Scottish Arts Council Book Award and inaugurated both a prolific career and the path many other Scottish women writers would follow afterwards. As a participant in several workshops—Stephen Mulrine’s, Philip Hobsbaum’s and Tom McGrath’s—where other contemporary writers like Alasdair Gray, Tom Leonard or James Kelman also collaborated, Lochhead began to create a prestigious space of her own within a markedly masculine canon. Her works have been associated with the birth of a female voice in Scottish literature and both her texts and performances have had general success in Britain and abroad. Her plays include Blood and Ice (1982), Mary Queen of Scots Got Her Head Chopped Off (1989), Perfect Days (1998), and adaptations like Molière’s Tartuffe (1985) and Miseryguts (The Misanthrope) (2002), Bram Stoker’s Dracula (1989), Euripides’ Medea (2000), which won the 2001 Saltire Scottish Book of the Year Award, Chekhov’s Three Sisters (2000) and Euripides and Sophocles’ lives of Oedipus, Jokasta and Antigone in Thebans (2003). -
Friends Newsletter
friends newsletter summer 2017 Note from the Editor: Priscilla Barlow This is my 10th year editing the splendid illustration of books on the Friends of the Argyll Papers Newsletter. newsletter – this being the 20th issue. GUL shelves; just a wee memory jog When I eventually bury my editor’s For the first two years I co-edited with reminding us that not everything is hatchet, I know the newsletter will be in Dr David Fergus. Over these years we digitised - although you might well be safe and creative hands. changed from dashing purple and green reading this online. We continue the now familiar format print to monochrome and eventually Duncan Beaton, who has been a with Friends news, Library news and to full colour; from 4 pages to 8. We Friend for a decade and a committee articles of bibliographical interest and as are currently working with our third member for 3 years, now affords me always we are well illustrated. To all our designer and we progressed from no the luxury of an assistant editor. He is contributors who continue to meet our particular masthead to a book spine, well versed in the intricacies of desktop deadlines, I give my thanks. then a view of the Library and now a publishing and already edits the The Priscilla Barlow: [email protected] The David Murray Book Collecting Prize The David Murray Book Collecting Prize, inaugurated this year, was made available through a generous donation of £500 and was open to all currently matriculated students of the University of Glasgow. An additional £500 was awarded to the winner to help select a new acquisition for Archives and Special Collections. -
Scottish Poetry 1974-1976 Alexander Scott
Studies in Scottish Literature Volume 13 | Issue 1 Article 19 1978 Scottish Poetry 1974-1976 Alexander Scott Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Scott, Alexander (1978) "Scottish Poetry 1974-1976," Studies in Scottish Literature: Vol. 13: Iss. 1. Available at: https://scholarcommons.sc.edu/ssl/vol13/iss1/19 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Alexander Scott Scottish Poetry 1974-1976 For poetry in English, the major event of the period, in 1974, was the publication by Secker and Warburg, London, of the Com plete Poems of Andrew Young (1885-1971), arranged and intro duced by Leonard Clark. Although Young had lived in England since the end of the First World War, and had so identified himself with that country as to exchange his Presbyterian min istry for the Anglican priesthood in 1939, his links with Scotland where he was born (in Elgin) and educated (in Edin burg) were never broken, and he retained "the habit of mind that created Scottish philosophy, obsessed with problems of perception, with interaction between the 'I' and the 'Thou' and the 'I' and the 'It,."l Often, too, that "it" was derived from his loving observation of the Scottish landscape, to which he never tired of returning. Scarcely aware of any of this, Mr. Clark's introduction places Young in the English (or Anglo-American) tradition, in "the field company of John Clare, Robert Frost, Thomas Hardy, Edward Thomas and Edmund Blunden ••• Tennyson and Browning may have been greater influences." Such a comment overlooks one of the most distinctive qualities of Young's nature poetry, the metaphysical wit that has affinities with those seven teenth-century poets whose cast of mind was inevitably moulded by their religion. -
French Theatre Translated Into Scots
French Theatre Translated into Scots Derrick McCLURE (Senior lecturer, Aberdeen University) The development of Scots as a literary language is extensive, and the corpus of literary works in Scots includes some writings which can rank among the finest in European literature: Scotland, indeed, has produced far more than a small country’s fair share of poets and prose-writers of outstanding quality. An essential fact regarding the Scots tongue, however, and one which has if anything added to rather than detracted from its potential for literary expression, is that it has never had a standard canonical form. In the late-mediaeval and Renaissance period, by some estimates the era in which it reached its highest literary development, it was no more standardised in orthography or grammar than any other European language; and if the possibility ever existed of its developing an independent canonical form as Irish and Italian had done and as English, French and other vernaculars were eventually to do – a question which, though unreal in the sense that it can never be verified, arouses passionate and unending debate in Scotland – it certainly was never realised. But though English, standardised on the basis of the London dialect, came to usurp the position of a canonical written form in Scotland as well as England, Scots (still, of course, the normal medium of spoken communication among all classes in non-Gaelic Scotland) continued vigorously in being as a literary vehicle: or more accurately, after a bleak period in the seventeenth century in which it suffered a partial eclipse, it was revived in the early eighteenth by the deliberate and determined efforts of such poets and anthologists as James Watson, William Hamilton and above all Allan Ramsay, and re-instated as a medium first and always primarily for poetry, but soon afterwards also for prose in the special branch of dialogue in novels and stories. -
Phonetic Study of Dialect Writing in Tom Leonard's Six Glasgow Poems
DEPARTAMENT DE FILOLOGIA ANGLESA I DE GERMANÍSTICA Phonetic Study of Dialect Writing in Tom Leonard’s Six Glasgow Poems Treball de Fi de Grau/ BA Dissertation Author: Helena Barbara Style Muñoz Supervisor: Maria-Josep Solé i Sabaté Grau d’Estudis Anglesos June 2018 ACKNOWLEDGEMENTS I would like to thank my supervisor Prof. Maria-Josep Solé for considering my original proposal and for helping me develop it into this work. I really appreciate all her guidance, advice, dedication and encouragement. I would also like to thank my teacher Prof. Núria Gavaldà, for being the one who sparked my interest in the field of Phonetics, an interest I am sure I will never lose. I am grateful for my parents’ unconditional love and support, and for teaching me one of the most valuable lessons I have ever learnt, which is to enjoy learning. I am also grateful for my classmates who have now become my friends, and especially Paola for being so supportive and always believing in me. I would like to dedicate this paper to all my teachers here at the Universitat Autònoma de Barcelona whose teachings have not only come together in this work, but will live within me forever. Table of contents Abstract………………………………………………………………………………………..1 1. Introduction………………………………………………………………………………..2 2. Scotland and Glasgow: the linguistic situation……………………………………………3 2.1 Scotland………………………………………………………………………………..3 2.2 Glasgow………………………………………………………………………………..6 3. Dialect in literature………………………………………………………………………...8 4. Features analysed and procedure…………………………………………………………12 5. Analysis…………………………………………………………………………………..13 5.1. Segmental features: A. Consonants………...………………………………………………………………………14 1. L-vocalization……………………………………………………………………...14 2. Rhoticity…………………………………………………………………………...15 3. H-dropping…………………………………………………………………………16 B. Vowels………...…………………………………………………………………………..17 4. -
The Poetry of Civic Nationalism: Jackie Kay's 'Bronze Head from Ife'
Article How to Cite: McFarlane, A 2017 The Poetry of Civic Nationalism: Jackie Kay’s ‘Bronze Head From Ife’. C21 Literature: Journal of 21st-century Writings, 5(2): 5, pp. 1–18, DOI: https://doi.org/10.16995/c21.23 Published: 10 March 2017 Peer Review: This article has been peer reviewed through the double-blind process of C21 Literature: Journal of 21st-century Writings, which is a journal of the Open Library of Humanities. Copyright: © 2017 The Author(s). This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distri- bution, and reproduction in any medium, provided the original author and source are credited. See http://creativecommons.org/licenses/by/4.0/. Open Access: C21 Literature: Journal of 21st-century Writings is a peer-reviewed open access journal. Digital Preservation: The Open Library of Humanities and all its journals are digitally preserved in the CLOCKSS scholarly archive service. The Open Library of Humanities is an open access non-profit publisher of scholarly articles and monographs. Anna McFarlane, ‘The Poetry of Civic Nationalism: Jackie Kay’s ‘Bronze Head From Ife’’ (2017) 5(2): 5 C21 Literature: Journal of 21st-century Writings, DOI: https://doi.org/10.16995/c21.23 ARTICLE The Poetry of Civic Nationalism: Jackie Kay’s ‘Bronze Head From Ife’ Anna McFarlane University of Glasgow, GB [email protected] This article examines the work of the newly-minted Scots makar, Jackie Kay, charting her development as a black Scottish writer committed to the interrogation of identity categories.