Tommy Hilfiger E Le Disco Queens

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Tommy Hilfiger E Le Disco Queens VIII Parigi prêt-à-porter MF fashion martedì 5 marzo 2019 Tommy Hilfiger LE COSTELLAZIONI GRIFFATE HERMÈS e le disco queens Motivi stellati punteggiano i primi look della maison. Che rende omaggio al suo Per il lancio di TommyXZendaya uno show-party Dna tra body da dressage, capospalla con quattro generazioni di modelle, da Grace sportivi, pelle all over e stampe carré Jones a Pat Cleveland. Stefano Roncato (Parigi) ostellazioni che si posano sugli abiti e sul- le casacche dai motivi cosmici. La donna di Hermès, disegnata da Nadege Vanhee- CCybulski, vive dal tramonto all’alba scoprendo una sensualità sottile. Pareti percorse da scintillii di luci notturne accompagnano il passo del- le femme della maison che indossano shorts di pelle con calze velate, mostrando il loro lato più sensuale, oppure trasformano la stampa di un iconico carré in un abito o in una camicia da portare con una pencil skirt, ovviamente di pelle. Coccarde e decori equestri punteggiano il loro guardaroba come da immaginario della maison. Jumpsuit percorse da dettagli leather, body da dressage, bluse dal plissage ritmato e cap- potti double-face convivono in un mix di classico ed eccentrico. I capispalla sono avvolgenti e spaziano dai parka dall’appeal sportivo ai coat dalle schiene bombate fino ai maxi doudoune sospesi sul corpo, come un satellite che si muove attorno al proprio pianeta. Giudizio. In una fashion week parigina caratterizza- ta da un forte ritorno all’estetica borghese, Hermès conferma il suo Dna senza tempo. Quello che per gli altri può essere un trend, per la maison è una certez- Pat Cleveland e Grace Jones durante lo show TommyXZendaya za. Le creazioni di Vanhee-Cybulski sono pensate per diventare dei classici. (riproduzione riservata) isco music, luci intermittenti, la sfilata, diventando padrona del palco. Chiara Bottoni (Parigi) ballerini sui pattini a rotelle. Le Aleggiava in passerella Pat Cleveland, promesse di Tommy Hilfiger la prima top model nera al mondo che ha Dsono state mantenute. It’s a par- anche camminato sul catwalk origina- ty, non solo una sfilata, quello per il lancio le della Battaglia di Versailles del 1973. di TommyXZendaya primavera 2019, Ecco Beverly Johnson, Beverly Peele, in scena al Théâtre des Champs-Elysées. che è apparsa su oltre 250 copertine di ri- «Questa stagione fondiamo la nostra ere- viste di moda, o Veronica Webb, la prima dità americana con la fiducia e l’ottimismo afro-americana a firmare un importante di Zendaya, sullo sfondo di una discote- contratto cosmetico con Revlon. Senza di- ca tutta speciale a Parigi», aveva spiegato menticare Debra Shaw, Chrystèle Saint a MFF lo stesso Tommy Hilfiger in una Louis Augustin o Brandi Quinones. speciale preview dell’evento (vedere MFF Fino a girls come Jourdan Dunn e del 2 marzo 2019). La musica è un chia- Winnie Harlow. E la new generation con ro riferimento ai Seventies come tutta la Anita Marshall, Thais Borges e Carissa collezione tra pelle intagliata, righe, lurex Pinkston. e quei segni zodiacali che compaiono nel- Giudizio. See now, buy now and ever. La le stampe. In una carrellata esaltata da un formula funziona in pieno per Mr. Hilfiger, cast super inclusive che lancia un messag- leggerezza e divertimento regnano sovra- gio. Lo show ha infatti celebrato e onorato ni. Ma qual è il suo segreto? «Funziona per le donne forti e iconiche della cultura pop noi perché abbiamo il giusto tipo di vesti- americana degli anni 70. Che hanno rivo- ti e il giusto tipo di pubblico. E durante lo luzionato il mondo della moda in più di show, volevamo che fosse un’esperienza quattro decenni. Grace Jones ha chiuso esuberante…». (riproduzione riservata) Alcune proposte Hermès fall-winter 2019/20 Il romanticismo fetish immaginato da Altuzarra Lo stilista, che ha celebrato i primi 10 anni del suo brand, mescola citazioni di Robert Mapplethorpe con fantasie floreali e grafiche paisley per raccontare una femminilità strong. Chiara Bottoni (Parigi) elle fetish e rouches romantiche. Due lati della femmi- nilità collidono nella collezione immaginata da Joseph Altuzarra per la sua Altuzarra. Lo stilista, fresco del- Ple celebrazioni per i dieci anni del suo marchio (vedere MFF del 1° febbraio), porta in scena una collezione che mesco- la citazioni alle opere di Robert Mapplethorpe con fantasie floreali e grafiche paisley per raccontare una femminilità a trat- ti strong. Il primo look sintetizza questa visione: un dress dai prints metamorfici sovrastato da una giacca di montone dalle grandi fibbie. Questo gioco tra pelle nera e tessuti aerei prosegue negli ensemble giacche-pantaloni biker con un top asimmetri- co e nei suit quadrettati delineati da fibbie rock. Il concetto di ibridazione percorre l’intera collezione anche sullo stesso capo tra abiti frutto del patchwork di paisley e dress che fondono la maglia con tocchi di lurex per definire un nuovo glamour ur- bano. Molti dei look sono accompagnati da stivali flat percorsi da fibbie e sono accessoriati dalla nuova Play bag. Giudizio. Altuzarra è diventato grande. Le celebrazioni del 10° anniversario del marchio e il debutto retail con un pop-up a New York testimoniano il fermento che c’è dietro lo stilista, capace di veicolare una collezione ben equilibrata. (riprodu- Una carrellata di look Altuzarra autunno-inverno 2019/20 zione riservata).
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