CLINICAL Q&A How to Use Fraser's Dissociative Table Technique To
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Download-To-Own and Online Rental) and Then to Subscription Television And, Finally, a Screening on Broadcast Television
Exporting Canadian Feature Films in Global Markets TRENDS, OPPORTUNITIES AND FUTURE DIRECTIONS MARIA DE ROSA | MARILYN BURGESS COMMUNICATIONS MDR (A DIVISION OF NORIBCO INC.) APRIL 2017 PRODUCED WITH THE ASSISTANCE OF 1 EXPORTING CANADIAN FEATURE FILMS IN GLOBAL MARKETS Acknowledgements This study was commissioned by the Canadian Media Producers Association (CMPA), in partnership with the Association québécoise de la production médiatique (AQPM), the Cana- da Media Fund (CMF), and Telefilm Canada. The following report solely reflects the views of the authors. Findings, conclusions or recom- mendations expressed in this report are those of the authors and do not necessarily reflect the views of the funders of this report, who are in no way bound by any recommendations con- tained herein. 2 EXPORTING CANADIAN FEATURE FILMS IN GLOBAL MARKETS Executive Summary Goals of the Study The goals of this study were three-fold: 1. To identify key trends in international sales of feature films generally and Canadian independent feature films specifically; 2. To provide intelligence on challenges and opportunities to increase foreign sales; 3. To identify policies, programs and initiatives to support foreign sales in other jurisdic- tions and make recommendations to ensure that Canadian initiatives are competitive. For the purpose of this study, Canadian film exports were defined as sales of rights. These included pre-sales, sold in advance of the completion of films and often used to finance pro- duction, and sales of rights to completed feature films. In other jurisdictions foreign sales are being measured in a number of ways, including the number of box office admissions, box of- fice revenues, and sales of rights. -
Junior Mints and Their Bigger Than Bite-Size Role in Complicating Product Placement Assumptions
Salve Regina University Digital Commons @ Salve Regina Pell Scholars and Senior Theses Salve's Dissertations and Theses 5-2010 Junior Mints and Their Bigger Than Bite-Size Role in Complicating Product Placement Assumptions Stephanie Savage Salve Regina University, [email protected] Follow this and additional works at: https://digitalcommons.salve.edu/pell_theses Part of the Advertising and Promotion Management Commons, and the Marketing Commons Savage, Stephanie, "Junior Mints and Their Bigger Than Bite-Size Role in Complicating Product Placement Assumptions" (2010). Pell Scholars and Senior Theses. 54. https://digitalcommons.salve.edu/pell_theses/54 This Article is brought to you for free and open access by the Salve's Dissertations and Theses at Digital Commons @ Salve Regina. It has been accepted for inclusion in Pell Scholars and Senior Theses by an authorized administrator of Digital Commons @ Salve Regina. For more information, please contact [email protected]. Savage 1 “Who’s gonna turn down a Junior Mint? It’s chocolate, it’s peppermint ─it’s delicious!” While this may sound like your typical television commercial, you can thank Jerry Seinfeld and his butter fingers for what is actually one of the most renowned lines in television history. As part of a 1993 episode of Seinfeld , subsequently known as “The Junior Mint,” these infamous words have certainly gained a bit more attention than the show’s writers had originally bargained for. In fact, those of you who were annoyed by last year’s focus on a McDonald’s McFlurry on NBC’s 30 Rock may want to take up your beef with Seinfeld’s producers for supposedly showing marketers the way to the future ("Brand Practice: Product Integration Is as Old as Hollywood Itself"). -
Integrating Video Clips Into the “Legacy Content” of the K–12 Curriculum: TV, Movies, and Youtube in the Classroom
Integrating Video Clips into the “Legacy Content” of the K–12 Curriculum: TV, Movies, and YouTube in the Classroom Ronald A. Berk Disclaimer: This chapter is based on a presentation given at the annual Evaluation Systems Conference in Chicago. Since the content of the October 2008 presentation focused on using videos in the classrooms of the future, this chapter will not be able to capture the flavor and spirit of the actual videos shown. The audience exhibited a range of emotions, from laughter to weeping to laughter to weeping. Unfortunately, this print version will probably only bring about the weeping. Keep a box of tissues nearby. Enjoy. Using videos in teaching is not new. They date back to prehistoric times, when cave instructors used 16 mm projectors to show cave students examples of insurance company marketing commercials in business courses. Now even DVD players are history. So what’s new? There are changes in four areas: (1) the variety of video formats, (2) the ease with which the technology can facilitate their application in the classroom, (3) the number of video techniques a teacher can use, and (4) the research on multimedia learning that provides the theoretical and empirical support for their use as an effective teaching tool. A PC or Mac and a LCD projector with speakers can easily embed video clips for a PowerPoint presentation on virtually any topic. This chapter examines what we know and don’t know about videos and learning. It begins with detailed reviews of the theory and research on videos and the brain and multimedia learning. -
Michael Jackson's Gesamtkunstwerk
Liminalities: A Journal of Performance Studies Vol. 11, No. 5 (November 2015) Michael Jackson’s Gesamtkunstwerk: Artistic Interrelation, Immersion, and Interactivity From the Studio to the Stadium Sylvia J. Martin Michael Jackson produced art in its most total sense. Throughout his forty-year career Jackson merged art forms, melded genres and styles, and promoted an ethos of unity in his work. Jackson’s mastery of combined song and dance is generally acknowledged as the hallmark of his performance. Scholars have not- ed Jackson’s place in the lengthy soul tradition of enmeshed movement and mu- sic (Mercer 39; Neal 2012) with musicologist Jacqueline Warwick describing Jackson as “embodied musicality” (Warwick 249). Jackson’s colleagues have also attested that even when off-stage and off-camera, singing and dancing were frequently inseparable for Jackson. James Ingram, co-songwriter of the Thriller album hit “PYT,” was astonished when he observed Jackson burst into dance moves while recording that song, since in Ingram’s studio experience singers typically conserve their breath for recording (Smiley). Similarly, Bruce Swedien, Jackson’s longtime studio recording engineer, told National Public Radio, “Re- cording [with Jackson] was never a static event. We used to record with the lights out in the studio, and I had him on my drum platform. Michael would dance on that as he did the vocals” (Swedien ix-x). Surveying his life-long body of work, Jackson’s creative capacities, in fact, encompassed acting, directing, producing, staging, and design as well as lyri- cism, music composition, dance, and choreography—and many of these across genres (Brackett 2012). -
Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation. -
05 Earnings Call
Disney’s Q4 and fiscal ’05 Earnings Call NOVEMBER 17, 2005 Disney Speakers: Bob Iger President and Chief Operating Officer and CEO-Elect, The Walt Disney Company Tom Staggs Chief Financial Officer, The Walt Disney Company Moderated by, Wendy Webb Sr. Vice President, Investor Relations and Shareholder Services, The Walt Disney Company Page 1 Q4 and Fiscal ’05 Earnings Call November 17, 2005 Operator Good day ladies and gentlemen. Thank you for standing by, and welcome to the Walt Disney Company's fourth quarter 2005 earnings conference call. My name is Carlo, and I will be your coordinator for today's presentation. At this time, all participants are in a listen- only mode. We will be facilitating a question and answer session towards the end of today's prepared remarks. [OPERATOR INSTRUCTIONS] It is now my pleasure to turn the presentation over to your host for today's conference, Wendy Webb, Senior Vice President of Investor Relations and Shareholder Services. Please proceed. Wendy Webb - Walt Disney - SVP, IR, Shareholder Services Thank you. Good afternoon and thanks for joining us. On the call with us today are Bob Iger, President and Chief Executive Officer, and Chief Financial Officer, Tom Staggs. Bob will lead off followed by Tom. Then we will open up the call to you for Q&A. We’ll try our best to conclude the call before 5:30 p.m., Eastern Time. So let's get started. Bob? Bob Iger - Walt Disney - President, CEO Thanks, Wendy. I'm pleased to report that we achieved our goal of delivering double-digit EPS growth for the year, despite the challenges we faced in the studio in the fourth quarter. -
The Curious Case of Michael Jackson As Gothic Narrative Author(S)
Title “Did I scare you?”: The curious case of Michael Jackson as gothic narrative Author(s) Dennis Yeo Kah Sin Source Studies in Gothic Fiction, 1(1), 13-30 Published by Cardiff University Press Copyright © 2010 The Author This is an Open Access article distributed under the Creative Commons Attribution- NonCommercial 4.0 International License (CC BY-NC-ND 4.0) (https://creativecommons.org/licenses/by-nc/4.0/). Citation: Yeo, D. K. S. (2010). “Did I scare you?”: The curious case of Michael Jackson as gothic narrative. Studies in Gothic Fiction, 1(1), 13-30. Retrieved from http://studiesingothicfiction.weebly.com/archive.html This document was archived with permission from the copyright holder. “Did I scare you?”: Th e Curious Case of Michael Jackson as Gothic narrative Dennis Yeo Kah Sin INTRODUCTION On June 25, 2009, Michael Jackson died.1 Universally hailed as a musical genius and pop icon, Michael’s tale is shrouded by rumor, speculation and mystery. Even as this article is written, controversy rages not only over the cause of his death but also the legacy he has left behind. 2 Michael manifested all that we loved and loathed of our humanity – a desire to restore the innocence of the world and yet a dark inclination towards deviant transgressions. He was very much an enigma that many imitated but few identifi ed with. Although he was a hypersensitive recluse victimized by an abusive childhood, his transformations of physiognomy caused him to be the focus of uninterrupted media attention. He reportedly gave millions to charitable organizations yet left behind an inheritance of debt and lawsuits. -
Michael Jackson Thriller Video Dance Version Mp3 Download Michael Jackson Thriller Video Dance Version Mp3 Download
michael jackson thriller video dance version mp3 download Michael jackson thriller video dance version mp3 download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67e14fe92ddac442 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Download Michael Jackson - Michael Jackson's Vision (2009) Album. 1. Don't Stop 'Til You Get Enough 2. Dirty Diana 3. Smooth Criminal 4. Another Part of Me (Live) 5. Speed Demon 6. Come Together 7. Leave Me Alone 8. Liberian Girl 9. Black or White 10. Remember the Time 11. In the Closet 12. Rock With You 13. Jam 14. Heal the World 15. Give In to Me 16. Who Is It 17. Will You Be There 18. Gone Too Soon 19. Scream 20. Childhood (Theme from "Free Willy 2") [Michael Jackson's Vision] 21. You Are Not Alone 22. Earth Song 23. She's Out of My Life 24. They Don't Care About Us 25. -
Inspirational Songs for Vocals, Piano, and Guitar. Melody, Chords and Lyrics to Accompany the Album
Inspirational songs for vocals, piano, and guitar. Melody, chords and lyrics to accompany the album. Joy In Our Hearts Greetings to you music lovers! Thank you so much for wanting to sing and/or play the songs on my new CD, “Joy In Our Hearts.” I am honored and blessed that you are helping me get my music out into the world! I truly believe that positive music is a healing force and that spreading positive affirmations and messages is a noble act. So whether you are singing or playing for your own enjoyment, or performing these songs to an audience, you are helping to heal the world – one song at a time. As I have said with all my other CDs and songbooks, I encourage you to make these songs or chants your own. I give you permission to change the words, alter the melody, change the key – whatever it takes for you to “own” it as your own. The chords and keys to all of this music is in the key that I sang it on the CD, but at the end of this book I have included my “Karen Drucker Handy Dandy Easy Music Method,” which will help you transpose the key to a key that works for you, help you figure out the chords, and maybe a few other tidbits you didn’t know. As you will see I have written quite a lot of these songs and chants with other New Thought artists. I would encourage you to check out their websites and find more wonderful music from each of them! Thank you again for supporting my music and I hope you enjoy these songs and chants! Musically, Karen CREDITS John Hoy: guitar, keyboard on track 5, bass on tracks 3, 4, 5, 7, 11, 12 John R Burr: -
Desperate Housewives Television Show Made to the Federal Communications Commission (FCC), Washington, D.C., 2004 - 2007
Description of document: Informal complaints about Desperate Housewives television show made to the Federal Communications Commission (FCC), Washington, D.C., 2004 - 2007 Requested date: 29-November-2007 Released date: 15-January-2008 Posted date: 27-January-2008 Date/date range of document: 04-October-2004 – 10-December-2007 Source of document: Federal Communications Commission 445 12th Street, S.W., Room 1-A836 Washington, D.C. 20554 Phone: 202-418-0440 or 202-418-0212 Fax: 202-418-2826 or 202-418-0521 E-mail: [email protected] The governmentattic.org web site (“the site”) is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. Federal Communications Commission Consumer & Governmental Affairs Bureau Washington, D.C. 20554 January 15,2008 FOIA 2008-093 This letter responds to your Freedom of Information Act ("FOIA") request received by the Federal Communications Commission (the "FCC" or "Commission") and assigned to the Consumer & Governmental Affairs Bureau ("CGB") and the Enforcement Bureau (EB) by the Commission's FOIA Office on November 29,2007. -
Your Best Source for Local Entertainment Information
Page 6 THE NORTON TELEGRAM Tuesday, March 21, 2006 Monday Evening March 27, 2006 7:00 7:30 8:00 8:30 9:00 9:30 10:00 10:30 11:00 11:30 KHGI/ABC Wife Swap SuperNanny Miracle Workers Local Local Jimmy K KBSH/CBS King/Que How I Met 2 1/2 Men Christine CSI Miami Local Late Show Late Late KSNK/NBC Deal or No Deal Apprentice Medium Local Tonight Show Conan FOX Prison Break 24 Local Local Local Local Local Local Cable Channels A & E Flip This House First Person Killers Rollergirls Crossing Jordan Flip This House AMC The Silence of the Lambs Point Of No Return ANIM Animal Precinct Miami Animal Police Heroes Phoenix Animal Precinct Miami Animal Police CNN Paula Zahn Now Larry King Live Anderson Cooper Larry King Norton TV DISC Monster Garage American Hotrod American Chopper American Chopper Monster Garage DISN Disney Movie Raven Sis Bug Juice Lizzie Boy Meets Even E! Dr. 90210 Howard Stern The Soup ESPN Women's Basketball College Gameday ESPN2 Tennis Knight School Women's Quite Frankly FAM Wildfire Beautiful People Whose LI Whose Lin 700 Club Wildfire FX Ice Age That 70's Ice Age HGTV CashAttic Dream Worlds M Hunters In House Hu Designed Dime DoubleTa CashAttic Dream HIST UFO Files Digging For The Truth Deep Sea Detectives History's Mysteries UFO Files LIFE Widow on the Hill Black Widow Frasier Frasier Will/Grace Will/Grace MTV Wild 'N Out RW/RR & Back Made Wild 'N Out Listings: NICK SpongeBo Drake Full Hous Full Hous Threes Threes Threes Threes Threes Threes SCI Jurassic Park Dark Kingdom Dark Kingdom SPIKE CSI UFC Unleashed Pros Vs. -
Michael Jackson Lyrics Trivia Quiz
MICHAEL JACKSON LYRICS TRIVIA QUIZ ( www.TriviaChamp.com ) 1> "I'm gonna make a change for once in my life. It's gonna feel real good, gonna make a difference, gonna make it right..." a. This is it b. They Don't Care About Us c. Man In The Mirror d. This Time Around 2> "Everybody look around 'cause there's a reason to rejoice you see. Everybody come out and let's commence to singing joyfully..." a. We're Almost There b. The Lady in My Life c. Twenty-Five Miles d. A Brand New Day 3> "Your butt is mine. Gonna tell you right. Just show your face in broad daylight..." a. Tabloid Junkie b. Bad c. Thriller d. The Girl Is Mine 4> "She was more like a beauty queen from a movie scene. I said don't mind, but what do you mean, I am the one..." a. Whatzupwitu b. You Can't Win c. Workin' Day and Night d. Billie Jean 5> "They told him don't you ever come around here. Don't want to see your face, you better disappear..." a. Beat it b. Wanna Be Startin' Somethin' c. Too Young d. Unbreakable 6> "The way she came into the place, I knew right then and there, there was something different about this girl..." a. Who Is It b. Dangerous c. What Goes Around Comes Around d. The Girl Is Mine 7> "What about sunrise, what about rain, what about all the things that you said we were to gain..." a. We Are the World b.