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BUSINESS Klan Plans Teacher's Halli Boston College,] I N B R Ie F ' 5; to Return Remembered Villanova Lose 8.6% Real GNP
20 - MANCHESTER HERALD. Sat., March 20, 1982 BUSINESS Klan plans Teacher's Halli Boston College,] I n b r ie f ' 5; to return remembered Villanova lose 8.6% Real GNP ... page 4 ... page 9 ... page 13 Hale elected Barter thrives Gross National Product ~ Seasonally adjusted annual CHICAGO — William H. Hale, president of ra te Heritage Savings and Loan Association of Manchester, Conn., has been appointed to the 1982 as mofiey tight Secondary Market Committee of the United States League of Savings Associations. Percentages reflect change The appointment was announced by Roy G. METAIRIE, La. (UPI) — Businesses ’That means members continue to earn from previous quarter Green, chairman of the league and president of and professionals are turning more and their full profit margin under the system Fair tonight Manchester, Conn. Fidelity Federal Savings and Loan Association, more to bartering in today’s depressed when “selling.” And, when "buying,” and Tuesday Jacksonville, Fla. economy, making a growth industry of the members do not have to spend cash Mon., March 22, 1982 The U.S. League is the principal trade organiza the centuries-old system of exchange. that could be used for inventory or — See page 2 tion for the savings and loan business and “The thing is cash flow,’’ said George capital improvements. 1982 Single copy 25<( represents over 4,000 associations throughout the Hesse, director of the New Orleans ’That television dealer who received a country. Trade Exchange. $1,000 debit will receive credits when Savings and loan associations are the second “People have inventory but no cash. If someone in the system comes to him for largest t> pe of financial Institution in America and they can spend $2,(X)0 on buying things a TV set. -
STUNT CONTACT BREAKDOWN SERVICE 1-11-2017 8581 SANTA MONICA BLVD #143, WEST HOLLYWOOD, CA 90069 - TEL: 323-951-1500 Page 1 of 48
STUNT CONTACT BREAKDOWN SERVICE 1-11-2017 8581 SANTA MONICA BLVD #143, WEST HOLLYWOOD, CA 90069 - TEL: 323-951-1500 Page 1 of 48 STUNT CONTACT ACTION BREAKDOWN SERVICE FOR STUNT PROFESSIONALS 1-11-2017 (323) 951-1500 WWW.STUNTCONTACT.COM 2017. Stunt Contact is provided under a single license and is for personal use only. Any sharing or commercial redistribution of information contained herein is strictly prohibited without the express written permission of the Editor and will be prosecuted to the full extent of the law. SHOW TITLE: UNDERWATER FEATURE** PRODUCTION COMPANY: CHERNIN ENTERTAINMENT / TWENTIETH CENTURY FOX FILM CORP ADDRESS: UNDERWATER - PROD OFFICE FOX LOUSIANA PRODUCTIONS LLC 8301 W JUDGE PEREZ DR SUITE 302 CHALMETTE, LA 70043 ATTN: MARK RAYNER, STUNT COORDINATOR [email protected] TEL: 504-595-1710 PRODUCER: PETER CHERNIN, TONIA DAVIS, JENNO TOPPING WRITER: BRIAN DUFFIELD DIRECTOR: WILLIAM EUBANK LOCATION: NEW ORLEANS SHOOTS: 3/6/2017 SPECIAL INSTRUCTIONS: AQUATIC THRILLER WILL BE HELMED BY “THE SIGNAL” DIRECTOR, WILLIAM EUBANK. AFTER AN EARTHQUAKE DESTROYS THEIR UNDERWATER STATION, A CREW OF SIX MUST NAVIGATE TWO MILES IN THE DANGEROUS UNKNOWN DEPTHS OF THE OCEAN FLOOR TO MAKE IT TO SAFETY. SCRIPT WAS ON THE 2015 HIT LIST. VERY EARLY. PROJ IS STILL IN CASTING - NOT CERTAIN OF DOUBLE REQUIREMENTS. LOCAL HIRES MAY SUBMIT NOW BY EMAIL ONLY. SHOOTS THRU MID-MAY. SHOW TITLE: KNUCKLEBALL FEATURE** PRODUCTION COMPANY: THE UMBRELLA COLLECTIVE / 775 MEDIA ADDRESS: KUCKLEBALL - PROD OFFICE 2003090 ALBERTA LTD 1 To subscribe go to: www.stuntcontact.com STUNT CONTACT BREAKDOWN SERVICE 1-11-2017 8581 SANTA MONICA BLVD #143, WEST HOLLYWOOD, CA 90069 - TEL: 323-951-1500 Page 2 of 48 123 CREE ROAD SHERWOOD PARK, AB T8A 3X9 ATTN: RON WEBBER, STUNT COORDINATOR [email protected] 587-328-0288 PRODUCER: KURTIS DAVID HARDER, LARS LEHMAN, JULIAN BLACK ANTELOPE WRITER: KEVIN COCKLE, MICHAEL PETERSON DIRECTOR: MICHAEL PETERSON LOCATION: EDMONTON, AB CAST: MICHAEL IRONSIDE SHOOTS: 1/16/2017 - TENT SPECIAL INSTRUCTIONS: HORROR THRILLER. -
Bob's Burgers Live! Returns to Los Angeles on April 29 at the Wiltern
BOB’S BURGERS LIVE! RETURNS TO LOS ANGELES ON APRIL 29 AT THE WILTERN FOLLOWING SOLD-OUT 8-CITY TOUR IN 2015 - Tickets go on sale February 19 at 10:00 a.m. PST for First Show of 2016 Tour: Celebrating 100 Episodes of the Emmy® Award-Winning FOX Series - - Ultimate Fan Experience Brings Animated Series to Life with Stand-Up Performances and a Table Read by the Cast, Audience Q&A, an Exclusive Sneak-Peek at Upcoming Footage and a Surprise Celebrity Guest Appearance - LOS ANGELES (Feb. 18, 2016) – Bento Box Entertainment, in partnership with Loren Bouchard’s Wilo Productions, is bringing BOB’S BURGERS LIVE! back to Los Angeles, returning from a sold out tour, for an extra special event. Since this tour began in 2013, every show across the country has been a sell- out and, in 2015 alone, BOB’S BURGERS LIVE! averaged nearly 3,000 fans at eight events in Minneapolis; Chicago; Madison; Detroit; Washington; Philadelphia; New York City and Boston. The first BOB’S BURGERS LIVE! date of 2016 will take place April 29 at 8:00 p.m. at The Wiltern in Los Angeles. It will bring together the cast and creator of the Emmy® award-winning FOX hit BOB’S BURGERS for an exclusive comedy and musical extravaganza, celebrating 100 episodes of the series, with the 100th scheduled to air May 22, 2016 on FOX. The night will include a live table reading of a classic episode script by the cast, standup-comedy performances, a sneak-peek of clips from future episodes, musical performances and more that will bring the fans an unforgettable and unique experience. -
1 of 6 a I R L I N E S FAA/Shrinking Seats the Federal Aviation
AIRLINES FAA/Shrinking The Federal Aviation Administration has been directed to investigate the case of the Seats incredible shrinking airline seat. Issues: safety concerns, cramped conditions and the plight of large passengers. Note: In 2016, the House and Senate rejected measures that would have required the F.A.A. to set minimum seat-size standards. AUTOMOTIVE Sales The Wall Street Journal reported that auto sales declined sharply in July, continuing a 7-month slowdown punctuated by manufacturers’ reluctance to sell discounted cars through leases and car rental chains, which has driven sales in recent years. According to Autodata Corp., sales fell 7% last month compared with a year earlier. Uber/Barclay Ride hailing entity Uber is partnering with British bank Barclays to issue its own co- branded credit card. BROADCAST E.W. Scripps/Katz TV station group E.W. Scripps (33 TV stations) purchased Katz Broadcasting’s four Networks networks (diginets) – Bounce (African America centric), Grit (action and western), Escape (mystery and investigative) and Laff (comedy) – for $302 million. Fox/ION Rumors are circulating that 21st Century Fox and ION Media Networks (60 TV stations) are contemplating creating a joint venture that would combine their respective local TV station holdings. CABLE Discovery/Scripps Discovery agreed to acquire Scripps Networks for $11.9 billion. Two benefits sighted from a combined entity: redundancy reductions and leverage in negotiating higher distribution fees. The Wall Street Journal reported that a combined Discovery -
Cablefax Dailytm Tuesday — October 3, 2017 What the Industry Reads First Volume 28 / No
www.cablefaxdaily.com, Published by Access Intelligence, LLC, Tel: 301-354-2101 Cablefax DailyTM Tuesday — October 3, 2017 What the Industry Reads First Volume 28 / No. 189 Crisis Averted: Altice, Disney Avoid Blackouts with Last-Minute Carriage Deal There was a sense in the industry that the carriage negotiations between Disney and Altice USA were too important for both sides going forward for either to give an inch. Facing potential blackouts for NY-area Optimum customers late Sunday afternoon, however, the two sides reached a deal in principle that they could both tolerate. As of press time Monday, neither side would confirm that the deal has been finalized or discuss terms. But sources cited by SportsBusi- ness Journal shed some light on victories and concessions for the folks on each side of the table. Disney reportedly negotiated a price increase for its channels, including ESPN. The size of that increase isn’t clear, but a Bloomberg report cites sources as saying it wasn’t as significant as Disney had hoped. Disney, however, did reportedly score carriage of the SEC Network and soon-to-launch ACC Network despite the fact that neither conference has significant geographic ties to Optimum’s footprint. Other aspects of the deal, including whether Disney was able to obtain a higher penetration threshold for ESPN, remained unavailable Monday. That’s a critical detail for Disney as it seeks to limit distributors’ ability to leave ESPN—the highest-priced cable net—out of bundles. The Altice deal is the first one Disney has had to negotiate since late 2014, when ESPN was still a growth engine. -
NAB Comments Re: Video Competition
Before the Federal Communications Commission Washington, D.C. 20554 In the Matter of ) ) Annual Assessment of the Status of ) MB Docket No. 16-247 Competition in the Market for the ) Delivery of Video Programming ) To: The Commission COMMENTS OF THE NATIONAL ASSOCIATION OF BROADCASTERS Rick Kaplan Jerianne Timmerman Erin L. Dozier Patrick McFadden Scott Goodwin Emmy Parsons 1771 N Street, NW Washington, DC 20036 (202) 429-5430 Terry Ottina NAB Research September 21, 2016 TABLE OF CONTENTS EXECUTIVE SUMMARY .................................................................................................................... i I. AS THE MARKET FOR VIDEO DISTRIBUTION SHIFTS, DATA SHOW THAT FREE OVER-THE- AIR BROADCASTING CONTINUES TO SERVE AN IMPORTANT ROLE IN AMERICAN LIVES . 2 A. Over-the-Air Reliance and Cord-Cutting Trends Continue ............................................. 2 B. Local Stations Take a Multifaceted Approach to Providing High Quality News and Entertainment Content ................................................................................................... 6 II. AUTHORIZATION OF THE NEXT GENERATION TV STANDARD WILL SET THE STAGE FOR THE FUTURE OF TELEVISION ............................................................................................... 14 III. CONCLUSION ........................................................................................................................ 16 EXECUTIVE SUMMARY The state of competition in the video programming marketplace is stronger than ever. Today, in television’s -
Winners BAFTA Children's Awards Announced Big CBS Prime Wants To
Inside TV International 280 November 26 - December 2, 2010 weekly magazine with a focus on content www.insidetv.info [email protected] I N T INTERNATIONAL E Winners BAFTA Children’s FremantleMedia ap- R points Kim Ardal as MD N A Awards announced of Blu in T The British Academy of Film and Television Arts has Denmark - p. 2 I NBC Universal Interna- Body Of Proof 4 unveiled the winners of the 2010 Children’s Awards. In O the Animation category Aardman Animations’ ‘Shaun The tional signs deal with N Sheep’ (CBBC) won. The BAFTA for best Comedy went to Canadian Lark A L ‘Horrible Histories’ (Lion TV/Citrus TV/CBBC) and best Productions - p. 3 Drama was CBBC’s ‘Tracy Beaker Returns’; while in the 2 Entertainment category CBBC’s ‘Relic: Guardians of the Museum’ was the winner. At the International front Nick- elodeon’s ‘The Penguins of Madagascar’ won the BAFTA. F (cont. page 2) FICTION Archer 5 Acorn Media acquires I Greenlit shows - p. 5 C Dexter close to renewal T Big CBS Prime wants to - p. 6 I Endemol signs distribu- O Indianise international shows tion deal for Leverage N Big CBS Networks, a joint venture between Reliance - p. 6 Broadcast Network Limited and CBS Studios Interna- 3 7 tional launches this week Big CBS Prime, an English general entertainment television channel for the Indian sub-continent.A key component of BIG CBS Networks’ programming strategy is to Indianise international shows KIDS for its Indian viewers. There is hardly any localization of Galaxy Pop is working K international formats in India, considerably limiting the on new comedy series I potential of consumer engagement. -
Executive Leadership Summit
Executive Leadership Summit Overview & Opportunities 1771 N Street NW Washington, D.C. 20036 NABShow.com Executive Leadership Summit Sunday, April 19, 2020 Encore at Wynn Las Vegas The Third Annual NAB Show Executive Leadership Summit is an exclusive, invite-only event bringing together the key voices and leaders from today’s top media, entertainment, technology and advertising organizations for an afternoon of critical dialogue, future-forward panels, and collaborative networking. Produced in partnership with Variety, and coupled with NAB Show as the backdrop, the event also features leading insight from outside the broadcast industry including investment firms specializing in media, advertising powerbrokers, technology providers, and more to create the ultimate destination to unlock answers to your biggest content creation, production, budgeting, delivery, and monetization questions. 2019 Attendees Jack Abernethy, CEO, Fox Television Stations Barry Drake, President/CEO, Aloha/Ocean Trusts Todd Achilles, President & CEO, Edge Networks Ken Eaton, Strategic Account Executive, Akamai Technologies Robert Aitken, Managing Director, Deloitte Bradley Epperson, Senior Vice President, NBCUniversal Sarah Aubrey, Head of Original Content, WarnerMedia Streaming Service Mary Kay Evans, Chief Marketing Officer, Verizon Digital Media Services Sarah Baehr, Co-Chief Investment Officer, Horizon Media Gerry Field, Vice President Technology, American Public Television Stuart Baillie, SVP, Viacom Media Networks Joan FitzGerald, SVP Advanced TV, Premium Media -
TV Broadcasting 2021 Q1
AS OF March 31, 2021 Television Broadcasting INDUSTRY SUMMARY COGENT VALUATION identified Television Broadcasting publicly traded companies, IPOs, and recent M&A transactions within the Television Broadcasting industry, which provides a basis for market and transaction pricing that can be used by your firm in estimating market sentiment and its impact on your firm's value. Over the last year since March 31, 2020, the median 52-week share price return of the Television Broadcasting industry was 5.4%. Between March 31, 2020 and March 31, 2021, the median EV/EBITDA multiple increased from 9.8 to 9.9. However, the median price-to-earnings multiple decreased from 14.5 to 11.9 over the same period. The median revenue growth and EBITDA margins for the industry for the quarter were 1.9% and 23.1%, respectively. Median 3-Year CAGR Median 52-Week Return Median EV/Revenue Public Company Return Multiple Key Statistics 5.4% -.5% 2.7x Median EV/EBITDA Median Price/Earnings Median EV/Gross CF Multiple Multiple Multiple 9.9x 11.9x 11.6x TheThe disclosures disclosures and and limitations limitations of thisof this research research on onthis this page page are are an anintegral integral part part of thisof this report. report. Copyright Copyright © 2021© 2021 Cogent Cogent Va luaValuation.tion. All AllRights Rights Reserved. Reserved. COGENTVALUATION.COM COGENTVALUATION.COM | 1 INDUSTRY: Q1 2021 TELEVISION BROADCASTING Comparable Public Company Market Price Returns as of March 31, 2021 2021 3 Month 1 Year 2 Year 3 Year 2020 2019 2018 AMC Networks Inc. -4.4% -4.4% -11.9% -14.9% -4.6% 3.3% -29.9% 17.1% CBS Corporation -12.9% -12.9% -25.9% 11.9% 0.9% -7.3% 35.0% -14.8% Central European Media Enterprises -9.7% -9.7% 35.5% 31.5% 12.4% 82.4% -5.2% -16.2% Crown Place VCT PLC 4.3% 4.3% 14.1% -3.6% -9.8% 9.0% -14.8% -10.1% Discovery Communications, Inc. -
Broadcast Diginets Come Of
www.spotsndots.com Subscriptions: $350 per year. This publication cannot be distributed beyond the office of the actual subscriber. Need us? 888-884-2630 or [email protected] The Daily News of TV Sales Tuesday, October 10, 2017 Copyright 2017. BROADCAST DIGINETS COME OF AGE SOME TOP CABLE NET COVERAGE ADVERTISER NEWS The switch from analog to digital transmission in 2009 Retail giant Walmart unveiled a new service on Monday gave American broadcasters their long-sought multiple called Mobile Express Returns, a simplified process that channels to compete with cable. Since then, more than a will be available in early November for items sold and dozen new broadcast “diginets” have launched to provide shipped by Walmart.com and the service will be available content on those multi-cast channels. A new report from for store purchases in early 2018. The company said Katz Media Group (KMG) finds that the new networks are Mobile Express Returns handles customers who initiate a drawing audiences and providing a “compelling alternative” return using the Walmart App and finish it at the store via to cable for advertisers. a Mobile Express lane at the customer service desk. The “They’re relative uncluttered. They’re a good customer scans the QR code displayed on the advertising environment,” Stacey Schulman, card reader with the Walmart app, then hands KMG’s EVP of Strategy and Analytics, told us. the items over to an associate. Refunds will be The report found that the diginets air roughly credited to the customer’s payment account as 11-12 minutes of national and local spots per soon as the following day. -
Georgia's Economy
GEORGIA’S CREA TIVE ECONOMY CREATIVE INDUSTRIES GEORGIA’S 1 Establishments: 13,500 Jobs: 140,0001 Wages: $10.5 billion1 Self-Employed: 60,0002 Earnings: $1.6 billion2 CREA Revenue: $37 billion3 Economic Impact: $62.5 billion4 Sources: 1EMSI 2016 2Nonemployer Statistics 2012 TIVE 3Economic Census and Nonemployer Statistics 2012 4ACPSA Issue Brief #6: ECONOMY The Impact of New Demand for Arts and Culture FILM AND TELEVISION Combined Productions: 245 Direct Spend of Productions: $2.0 billion Direct Jobs: 25,700 Direct and Indirect Jobs: 85,300 Direct and Indirect Wages: $4.2 billion Economic Impact: $7 billion Source: Georgia Entertainment Industry Profile FY16 2 MUSIC Direct and Indirect Jobs: 26,0001 Direct and Indirect Wages: $1.1 billion1 Total Revenues to State and Local Governments: $314 million2 1 Economic Impact: $3.6 billion Source: 1Estimated Economic Impact of the Music Industry on Georgia’s Metropolitan Areas and the State, 2014 2Source: Economic and Fiscal Impact Analysis of the Music Industry in Georgia, 2011 DIGITAL ENTERTAINMENT Direct Jobs: 3,100 Direct Wages: $200 million Direct and Indirect Jobs: 12,000 Total Labor Impact: $425 million Gross Revenue: $278 million Total Output/ Economic Impact: $550 million Source: Economic Contributions of the Georgia Video Game Industry in 2015 3 ARTS & CULTURE Organizations: 2,8741 Jobs: 31,0002 Wages: $690 million2 Revenue: $1.3 billion3 Assets: $2.8 billion4 Economic Impact: $2.2 billion5 Source: 1National Center for Charitable Statistics, 2015 2Economic Census and Nonemployer Statistics, 2012 3National Center for Charitable Statistics, 2015 and Nonemployer Statistics, 2012 4National Center for Charitable Statistics, 2015 5ACPSA Issue Brief #6: The Impact of New Demand for Arts and Culture 4 GEORGIA COUNCIL FOR THE ARTS A division of the Georgia Department of Economic Development, Georgia Council for the Arts (GCA) empowers the arts industry in Georgia and artists around the state to cultivate healthy, vibrant communities that are rich in civic participation, cultural experiences, and economic prosperity. -
CPD Film Company Resource List
Company List Film/ Entertainment Before You Begin Use this list of companies to begin your internship or job search in the entertainment industry. The list is broad and includes companies in film and television (development, production, distribution, equipment, agencies), animation, advertising, and more. As you review the list, consider your internship or job search strategy. If you’re searching for an internship, you will have a shorter, targeted list. If you’re searching for full-time employment, you may want to consider creating a list of your favorite companies, a list of companies that you would enjoy working at, and an alternate company list. We advise exploring and applying to opportunities at all of the companies on your list. Take this scenario You’ve just graduated from ArtCenter with a BFA or MFA in Film and your concentration was cinematography. • Plan A Your main goal is to apply to freelance Director of Photography roles that you find through Staff Me Up, Mandy, Industry Facebook groups, ArtCenter Connect, or personal references. Initially, you may not generate enough income to pay for all of your expenses, in which case you’ll need to look for additional part-time or full-time work. • Plan B In order to support yourself while you’re building your freelance career, you apply to administrative roles at below-the- line agencies that represent cinematographers. While working at a below-the-line agency, you’ll likely make valuable contacts who can offer career advice. However, these positions are also hard to land, so it’s important to research additional opportunities.