CPD Film Company Resource List
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Press Releases
Press Releases Lionsgate Inks Deal to Acquire Good Universe October 12, 2017 RELATED PROFESSIONALS FOR IMMEDIATE RELEASE Silvia Vannini CENTURY CITY—October 12, 2017—O’Melveny represented Good Universe in the negotiation of its sale to Century City Lionsgate (NYSE: LGF.A, LGF.B). Under the terms of the agreement, Good Universe executive Joe Drake D: +13102466895 will become CoChair of Lionsgate’s Motion Picture Group, and Good Universe cofounder and CEO Nathan Kahane will continue to head Good Universe under Lionsgate ownership. Eric H. Geffner Century City The O’Melveny deal team included partners Stephen Scharf and Silvia Vannini, along with counsel Eric D: +13102468418 Geffner and Jing Cao. Partner Eric Amdursky advised on labor and employment matters, and partner Rob Blashek provided guidance on tax issues. RELATED PRACTICES About O’Melveny Corporate & Transactional O’Melveny’s clients shape markets, set precedents, and break boundaries. They are stalwarts and Mergers & Acquisitions innovators, the names you trust and the next big thing. And for more than a century, O’Melveny has been right beside them, kicking down walls and putting up defenses to help our clients achieve their most important RELATED INDUSTRIES goals. With approximately 700 lawyers in 15 offices worldwide guided by the principles of excellence, leadership, and citizenship, we uphold a tradition of treating our clients’ challenges and opportunities as our Entertainment & Media own. What do you want to achieve? For the answers, please visit www.omm.com. Contact: Emily Lattal O’Melveny & Myers LLP 212.326.2285 [email protected] The following release was issued by Lionsgate: Leading Film Industry Executive Joe Drake Named CoChair of Lionsgate Motion Picture Group Studio's Acquisition of Drake and Nathan Kahane's Good Universe Diversifies Film Portfolio SANTA MONICA, Calif. -
Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
Introduction to Color Grading 23 Introduction to Color Grading
Introduction to Color Grading 23 Introduction to Color Grading For over thirty years, DaVinci has pioneered the development of color correction hardware and software designed to enhance visual images acquired from film and video. DaVinci Resolve possesses our newest and most evolved professional color correction tools yet. However, for all its technological sophistication, Resolve is merely a tool that requires the hands of a skilled artist to realize its full potential. Subsequent chapters of this user manual cover the DaVinci Resolve grading tools in the Color page in great detail, but before getting into the specifics of color balancing and contrast adjustment, Power Windows and Custom Curves, it’s important to step back and consider what these tools are for, and why you’re learning to use this application in the first place. This introduction is for those of you who are new to this process we call color correction, or color grading. If you’re a veteran colorist then you might want to skip ahead, but if you’re just starting out, the following sections are intended to describe the many goals of color correction, and how the DaVinci Resolve toolset has been designed to address them; making it fast and efficient to alter images in innumerable ways as we elevate raw footage to cinematic art. The Goals of Color Correction 550 Maximizing the Look of Your Media 550 Emphasizing What’s Important 553 Audience Expectations 554 Balancing Scenes 555 Adding Style 557 Quality Control 560 Never Stop Experimenting 561 Chapter 23 – Contents 549 The Goals of Color Correction If reality is a fire hose of visual information, then digital cinema and broadcast would be represented by a garden hose. -
School of Animation & Visual Effects Program Brochure
School of Animation & Visual Effects academyart.edu SCHOOL OF ANIMATION & VISUAL EFFECTS Contents Program Overview ................................................. 5 What We Teach ....................................................... 7 The School of Animation & VFX Difference ........... 9 Faculty .................................................................... 11 Degree Options ...................................................... 13 Our Facilities .......................................................... 15 Student & Alumni Testimonials ............................ 17 Partnerships .......................................................... 19 Career Paths .......................................................... 21 Additional Learning Experiences ..........................23 Awards and Accolades ..........................................25 Online Education ...................................................27 Academy Life .........................................................29 San Francisco ........................................................ 31 Athletics .................................................................33 Apply Today ...........................................................35 < Student work by Jenny Wan 3 SCHOOL OF ANIMATION & VISUAL EFFECTS Program Overview The School of Animation and Visual Effects (VFX) is one of the most dynamic programs in the country. Join us, and get hands-on experience with the full animation and VFX production pipeline. OUR MISSION WHAT SETS US APART In the School of Animation -
Paramount Consent Decree Review Public Comments 2018
COMMENTS OF THE NATIONAL ASSOCIATION OF THEATRE OWNERS U.S. DEPARTMENT OF JUSTICE, ANTITRUST DIVISION REVIEW OF PARAMOUNT CONSENT DECREES October 1, 2018 National Association of Theatre Owners 1705 N Street, N.W. Washington, D.C. 20036 (202) 962-0054 I. INTRODUCTION The National Association of Theatre Owners (“NATO”) respectfully submits the following comments in response to the U.S. Department of Justice Antitrust Division’s (the “Department”) announced intentions to review the Paramount Consent Decrees (the “Decrees”). Individual motion picture theater companies may comment on the five various provisions of the Decrees but NATO’s comment will focus on one seminal provision of the Decrees. Specifically, NATO urges the Department to maintain the prohibition on block booking, as that prohibition undoubtedly continues to support pro-competitive practices. NATO is the largest motion picture exhibition trade organization in the world, representing more than 33,000 movie screens in all 50 states, and additional cinemas in 96 countries worldwide. Our membership includes the largest cinema chains in the world and hundreds of independent theater owners. NATO and its members have a significant interest in preserving an open marketplace in the North American film industry. North America remains the biggest film-going market in the world: It accounts for roughly 30% of global revenue from only 5% of the global population. The strength of the American movie industry depends on the availability of a wide assortment of films catering to the varied tastes of moviegoers. Indeed, both global blockbusters and low- budget independent fare are necessary to the financial vitality and reputation of the American film industry. -
Big Names Open Expo
THE OFFICIAL PUBLICATION OF LICENSING EXPO June 10, 2015 Day 2 Breaking News Cartoon Network Inks ‘Ben Big Names Open Expo 10’ Master Toy Partner Licensing Expo kicked off with multiple conversations with top digital talent such as Playmates Toys will serve as the master toy summits, celebrity appearances, theatrical Andrea Brooks, Amanda Steele, Tati Westbrook, partner for Cartoon Network’s brand-new reveals, educational seminars and much, much Samantha Woolfe, Hanah Hart, Missy Lynn and “Ben 10” series. more. Lia Marie Johnson, The series will premiere on CN channels in On Monday, alongside international territories in fall 2016 and in Licensing Expo executives from North America in 2017. Products will follow. hosted the YouTube, rst-ever Digital AwesomenessTV, Prominent Signs Hagar Summit, part of United Talent New brand management and development the Licensing Agency, The Honest consortium Prominent Brand + Talent has University Company, Style signed on to represent musician Sammy Hagar. educational series Haul, Re nery29 Prominent will look to extend Hagar’s (organized by the and more. Sammy’s Island brand into multiple lifestyle International Licensing Expo categories. Dow Famulak, Global Brands Group; Richard Barry, Toys ‘R’ Licensing Industry Us; Lisa Harper, Hot Topic; and Mike Fitzsimmons, 2015 of cially Merchandisers’ Delivery Agent launched Tuesday Not-to-Be Missed Events: Association). The Digital Summit was opened with a panel-style keynote that included top-level Q Nitro Circus Live performances–11 am, 1 with a keynote Q&A that featured YouTube’s executives Dow Famulak of Global Brands Group, pm and 4 pm, booth #A62 (in the Sports director of content partnerships, Malik Ducard. -
Lee Percy Editor
LEE PERCY EDITOR FEATURES CHARMING THE HEARTS OF MEN High Hopes Productions Prod: Brian David Cange, Richard T. Lewis Dir: S.E. DeRose (Editor) THE HALF OF IT (Editor) Netflix Prod: Blair Breard, Anthony Bregman Dir: Alice Wu SKIN (Editor) A24 Prod: Oren Moverman, Dillon D. Jordan Dir: Guy Nattiv Jamie Ray Newman THE KINDERGARTEN TEACHER Netflix Prod: Maggie Gyllenhaal, Ged Dickersin Dir: Sara Colangelo (Editor) MAPPLETHORPE (Editor) Samuel Goldwyn Films Prod: Richard Bosner, Eliza Dushku Dir: Ondi Timoner THE MOUNTAIN BETWEEN US (Editor) 20th Century Fox Prod: Peter Chernin, Dylan Clark Dir: Hany Abu-Assad SNOWDEN (Editor) Open Road Films Prod: Moritz Borman, Eric Kopeloff Dir: Oliver Stone ANGELICA (Editor) Pierpoline Films Prod: Mitchell Lichtenstein, Joyce Pierpoline Dir: Mitchell Lichtenstein TOUCHED WITH FIRE (Editor) Roadside Attractions Prod: Jeremy Alter, Kristina Nikolova, Dir: Paul Dalio Jason Sokoloff CARRIE (2013) (Editor) MGM / Screen Gems Prod: Kevin Misher Dir: Kimberly Peirce DISCONNECT (Editor) LD Entertainment Prod: William Horberg, Mickey Liddell Dir: Henry Alex Rubin Jennifer Monroe WHAT MAISIE KNEW Millennium Entertainment Prod: Daniel Crown, Daniela Taplin, Lundberg, Dir: Scott McGehee, David Siegel (Additional Editor) William Teitler, Charles Weinstock THIN ICE (Editor) ATO Pictures Prod: Mary Frances Budig, Elizabeth Redleaf, Dir: Jill Sprecher Christine K. Walker AS GOOD AS DEAD (Editor) First Look International Prod: Jordan Gertner, Ali Abouomar Dir: Jonathan Mossek SALT (Additional Editor) Sony Prod: Lorenzo -
FOX SEARCHLIGHT PICTURES Presents
FOX SEARCHLIGHT PICTURES Presents A MYTHOLOGY ENTERTAINMENT / VINSON FILMS Production A RADIO SILENCE Film SAMARA WEAVING ADAM BRODY MARK O’BRIEN with HENRY CZERNY and ANDIE MacDOWELL DIRECTED BY………………………………………MATT BETTINELLI-OLPIN & TYLER GILLETT WRITTEN BY………………………………………..GUY BUSICK & R. CHRISTOPHER MURPHY PRODUCED BY………………………………………………………………………....TRIPP VINSON …………………………………………………………………………………..…JAMES VANDERBILT …………………………………………………………………………………………WILLIAM SHERAK ……………………………………………………………………………………BRADLEY J. FISCHER EXECUTIVE PRODUCERS…………………………………………………………..CHAD VILLELLA ………………………………………………………………………………………….…TARA FARNEY …………………………………………………………...……………………………TRACEY NYBERG ………………………………………………………………………………………DANIEL BEKERMAN DIRECTOR OF PHOTOGRAPHY………………………………………………BRETT JUTKIEWICZ FILM EDITOR……………………………………………………………………TEREL GIBSON, ACE COSTUME DESIGNER…………………………………...………………………….AVERY PLEWES PRODUCTION DESIGNER…………………………..………………………..ANDREW M. STEARN MUSIC BY..………………………………………………………………………………..BRIAN TYLER http://www.foxsearchlight.com/press Running Time: 95 minutes Rating: R Los Angeles New York Regional Lauren Gladney Samantha Fetner Isabelle Sugimoto Tel: 310.369.5918 Tel: 212.556.8696 Tel: 310.369.2078 [email protected] [email protected] [email protected] 1 Fox Searchlight Pictures’ READY OR NOT follows a young bride (Samara Weaving) as she joins her new husband’s (Mark O’Brien) rich, eccentric family (Adam Brody, Henry Czerny, Andie MacDowell) in a time-honored tradition that turns into a lethal game with everyone fighting for their -
DREW Deascentis
DREW DeASCENTIS SELECTED CREDITS ASSASSINATION NATION (2018) MIRACLES FROM HEAVEN (2016) LOOPER (2012) THE BROTHERS BLOOM (2008) BRICK (2005) BIOGRAPHY Drew DeAscentis is an accomplished music editor known for films such as ‘Miracles from Heaven’, ‘Looper’, ‘Assassination Nation’ and ‘The Brothers Bloom’. FILM CREDITS Hypnotized (2019) El Dia del Temblor (2017) Music Editor Music Editor Directed by Juan Curi (composer, Carlo Siliotto) | Directed by Kuno Becker (composer, Carlo AG Studios Siliotto) | Teté Films, Videocine Rattlesnake (2019) We Don’t Belong Here (2017) Music Editor Music Editor Directed by Zak Hilditch (composer, Ian Directed by Peer Pederson (composer, Michael Hultquist) | Campfire, Netflix Yezerski) | Bright Space Struggle: The Life and Lost Art of Szukalski Lea to the Rescue (2016) (2018) Music Editor Music Editor Directed by Nadia Tass (composer, Kenneth Directed by Ireneusz Dobrowolski (composer, Burgomaster) | Martin Chase Productions Amotz Plessner) | Film Street, Netflix Time Toys (2016) The Great Buster (2018) Music Editor Music Editor Directed by Mark Rosman (composer, Kenneth Directed by Peter Bogdanovich | Cohen Media Burgomaster) | Madalyn Productions Group Miracles from HeaVen (2016) Assassination Nation (2018) Music Editor Music Editor Directed by Patricia Riggen (composer, Carlo Directed by Sam Levinson (composer, Ian Siliotto) | Columbia Pictures Hultquist) | Bron Studios, Neon Jackie & Ryan (2014) The Boxcar Children: Surprise Island Music Editor (2018) Directed by Ami Canaan Mann (composer, Nick Music -
Zachary Salsman DIRECTOR of PHOTOGRAPHY
Zachary Salsman DIRECTOR OF PHOTOGRAPHY TELEVISION TRINKETS Awesomeness/Netflix Prod: Kiwi Smith, Shelley Zimmerman Dir: Various (Season 2) LIGHT AS A FEATHER Grammnet Production/Hulu Prod: Scott Levine Dir: Geary McCleod, (Season 1 & 2) Alexis Ostrander MY DEAD EX (Season 1) ACE Productions/Hulu Prod: Brett Bouttier, Jessice Held, Dir: Chris Nelson, Zoe R. *Premiered at SXSW Film Festival, 2018 Scott Levine Cassavetes, Joe Lynch ZAC & MIA (Season 1 & 2) Hulu Prod: Allen Clary, Melissa Klein, Dir: Jason Perlman, Nico Raineau *Nominated for 6 Daytime Emmy Awards, 2018 Jordan Levin THE TIMELINE: George Clooney/Grant Heslov Prod: George Clooney, Grant Helsov, Dir: Tate Donovan AMERICA’S GAME & THE Natalie Jowett IRAN HOSTAGE CRISIS REDEFINING STRENGTH ESPN Prod: Dan Arruda Dir: Dan Arruda THE MCCURDYS Waffle Cone Prod: A.J. Kelly Dir: Jennette McCurdy ROYAL CRUSH AwesomenessTV Prod: Carter Hansen, Brin Lukens, Dir: Anna Mastro, Dave Payne, (Season 3 & 4) Meg DAngelis Jason Perlman SLEEP TIGHT AwesomenessTV Prod: Scott levine, Brin Lukens, Dir: Jason Perlman Amy Ebersole OUT OF MY LEAGUE AwesomenessTV Prod: Carter Hansen, Jina Jones Dir: Jason Perlman FEATURES SOUTHPAW (2nd Unit DP) Escape Artists/ Prod: Todd Black, Jason Blumenthal, Dir: Antoine Fuqua The Weinstein Company Antoine Fuqua 15 NORTH (DP) A Way Around Films Prod: David Caine Dir: Aaron Fradkin RISE & SHINE: THE Truth2Life Productions/ Prod: Nick Lewis, Ranko Tutulugdzija Dir: Nick Lewis JAY DEMERIT STORY (DP) D&E Entertainment THE MERCURY CYCLE Cinaptic Productions Prod: Vincent Grippi, Cody Hoerig Dir: Cody Hoerig (Producer/DP) BLACKSTONE (Short) (DP) A2A Productions/Adam Kuyt Films Prod: Adam Kuyt Dir: George Tunis YOUNG BLOOD (Short) (DP) Inspired INC Prod: Sofia Thomasson, Dir: Maiara Walsh Maiara Walsh, Bryant Wood ACTING CLASS (Short) (DP) Social House Films Prod: Victoria Fratz Dir: Aaron Fradkin CAPTURE (Short) (DP) Ryan J Anderson Prod: Ryan J. -
Entertainment Studios Networks the Goodfriend Group 1925 Century Park East, 10Th Floor 208 I St
Before the FEDERAL COMMUNICATIONS COMMISSION Washington, DC 20554 In the Matter of Conditions Imposed in the ) WC Docket No.16-197 Charter Communications-Time Warner ) Cable-Bright House Networks Order ) PETITION TO DENY Mark DeVitre David R. Goodfriend Executive Vice President and General Counsel Meagan M. Sunn Entertainment Studios Networks The Goodfriend Group 1925 Century Park East, 10th Floor 208 I St. NE Los Angeles, CA 90067 Washington, D.C. 20002 (310) 277-3500 (202) 549-5612 July 22, 2020 TABLE OF CONTENTS I. INTRODUCTION AND SUMMARY…………………………………………....1 II. CHARTER’S INCENTIVE AND ABILITY TO FAVOR SOME EDGE PROVIDERS OVER OTHERS AND ITS SELF-PROFESSED DESIRE TO DISCRIMINATE BASED ON RACE SHOULD PREVENT THE COMMISSION FROM LIFTING MERGER CONDITIONS…............................3 A. The Commission established the merger conditions to prevent Charter from engaging in anti-competitive economic discrimination…...............3 B. Charter’s statements in federal district and appellate court reveal its desire to discriminate based on race….....................................................4 C. Lifting the merger conditions likely would harm ESN, other minority-owned businesses, and minority consumers…..........................5 III. THE COMMISSION’S UNTIMELY COMMENCEMENT OF THIS PROCEEDING SHOULD RENDER THE OUTCOME MOOT………………..11 A. The Commission lacks authority to commence this proceeding prior to August 18, 2020….....................................................................................11 B. ESN relied on the timeframe -
The US Film Industry
Jono Polansky, Onbeyond LLC August 2020 _____________________________________________________________________________________________ This SFM guide to who owns what in the US screen entertainment industry — movies, broadcast, cable and streaming — has been updated to reflect developments in tobacco content and changes in corporate ownership. We put this map together so public health experts, parents, young people and policy makers can identify who decides if smoking shows up in entertainment accessible to kids. The US film industry MAJOR STUDIOS | The US feature film industry is dominated by five “major studio” distributors. In 2019, their top-grossing films accounted for 81 percent of all youth-rated tobacco impressions delivered to domestic theater audiences. The studios develop, finance, and market film projects domestically and worldwide. Almost all films with production budgets greater than $50 million are major studio films. Studios may not break even on theatrical showings of a film, but a film’s box office, split roughly 50-50 with the theaters, strongly predicts the revenue the studio keeps to itself when the film is later released on DVD and licensed to on-demand, cable, and broadcast services. Most studio revenue comes from those “long tail” after-markets. In addition, 70 percent of US studios’ theatrical revenue now comes from outside the United States, which helps explain why easy-to-sell “franchise” films are prized by major studios. The major studios are represented by a trade group, the Motion Picture Association (MPA), dominate its board of directors. The MPA owns and administers the movie ratings (G/PG/PG-13/R,NC-17), with a nod to the National Association of Theatre Owners (NATO), which plays a role in enforcing age restrictions.