January 10, 2009 Concert
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Dartmouth Symphony Orchestra Student Showcase Filippo Ciabatti, Conductor
presents Dartmouth Symphony Orchestra Student Showcase Filippo Ciabatti, conductor Alyssa Gao, violin Betty Kim, violin Richard Lu, cello Funded in part by the Roesch Family Fund in support of Instrumental Ensembles and gifts from Friends of the Dartmouth Symphony Orchestra. Spaulding Auditorium’s Hamburg Steinway concert grand piano was purchased with generous gifts from Members of the Hopkins Center and Members of the Hood Museum of Art; the class of 1942, in memory of Allan Dingwall ’42; and anonymous donors. Sat, Oct 5, 7:30 pm 2019 • Spaulding Auditorium • Dartmouth College Program Violin Concerto in D Major, Op. 35 Pyotr Ilyich Tchaikovsky (1840–1893) Alyssa Gao, violin I. Allegro moderato II. Canzonetta: Andante III. Finale: Allegro vivacissimo Intermission Tzigane Maurice Ravel (1875–1937) Betty Kim, violin Variations on a Rococo Theme, Op. 33 Pyotr Ilyich Tchaikovsky (1840–1893) Richard Lu, cello I. Moderato assai quasi Andante—Thema: Moderato semplice II. Var. I: Tempo della Thema III. Var. II: Tempo della Thema IV. Var. III: Andante V. Var. IV: Allegro vivo VI. Var. V: Andante grazioso VII. Var. VI: Andante VIII. Var. VII: Andante sostenuto IX. Var. VIII e Coda: Allegro moderato con anima Program Notes Violin Concerto in D Major, Op. 35 months, becoming very depressed. The concerto’s Pyotr Illyich Tchaikovsky future seemed catastrophic. Things began to look up In early 1878, Tchaikovsky’s patron Nadezhda when, on December 4, 1881, Adolf Brodsky, the second von Meck gave the composer money to use for an dedicatee, premiered the work in Vienna and wrote, extended holiday. She felt that his failed marriage in “One can play the concerto again and again and never 1877 and suicide attempt by drowning in the Moscow be bored. -
Blues Notes October 2015
VOLUME TWENTY, NUMBER TEN • OCTOBER 2015 SELWYN BIRCHWOOD MARIA BSO Halloween Party MULDAUR Sat. Oct 31st Saturday @ 7 pm $10 Oct. 3rd 21st Saloon @ 6 pm Zoo Bar Lincoln, NE Oct. 1st ..................................................................Red Elvises ($10) Oct. 4th (Sunday @ 4 pm) ...The Nebraska Blues Challenge Finals ($5) Oct. 8th ................................................................ Eleanor Tallie ($10) Oct. 15th ................................................................ John Primer ($12) NEBRASKA BLUES CHALLENGE Oct. 22nd ...........................................Cedrick Burnside Project ($10) Oct. 29th .....................Gracie Curran & Her High Falutin’ Band ($10) FINALS COMPETITION Oct. 31st (Saturday @ 7 pm)..................... Halloween Party with the Selwyn Birchwood Band ($10) 21st Saloon, Omaha, NE Nov. 5th ................................................. The Bart Walker Band ($10) Sunday, Oct. 4th @ 4 pm • $5 cover Nov. 7th (Saturday @ 9 pm) ................................Sinners and Saints Nov. 12th ..................................................... Crystal Shawanda ($10) — More info inside — Nov. 19th ............................................. The Scottie Miller Band ($10) PAGE 2 BLUES NEWS • BLUES SOCIETY OF OMAHA Please consider switching to the GREEN VERSION of Blues Notes. You will be saving the planet while saving BSO some expense. Contact Becky at [email protected] to switch to e-mail newsletter delivery and get the scoop days before snail mail members! BLUES ON THE RADIO: -
Program 1,5,6
AMERICAN GUILD OF ORGANISTS LOS ANGELES CHAPTER We appreciate the generosity of our subscribers who make it possible to present our programs without charge. BENEFACTORS Robert Bottoms Richard Kirtland GRAND PATRONS William Beck Russell G. Schertle & Manuel J. Rosales PATRON Stewart Foster SPONSORS Namhee Han, Ph.D, D.M.A. Jack Le Van Dr. James Vail Los Angeles Chapter Nancy and Stowell Werden Vivian P. McCormick & Thomas H. McCage, Jr. American Guild of Organists Zeljko Marasovich, Dean ! Philip Smith, Sub-Dean DONORS Dr. William Wunsch, Secretary ! Douglas Herbst, Treasurer Good Samaritan Hospital - All Souls Chapel Charles and Maxine Brechbiel Elfrieda Baum Gregory Casserly Nelson Dodge Roger A. House Christian Herrmann Jr., M.D. Skinner Organ Company Thompson Howell Dr. Debora L. Huffman Year: 1928 Dr. James Hurd Rick Jackson presents Opus: 701 Kenneth Kukuk Greg Larkin 2 manuals / 12 stops / 6 ranks / 378 pipes Bob Menzies Ty Woodward John S. Mitchell Gary & Marjie Toops Great Mark E. Villalobos & Douglas Herbst James Walker 8' Diapason 61 Dr. William and Mary Lee Mistretta Patricia L. Teele Concert of Christmas Music 8' Rohrflote (sw) Cherry Rhodes and Ladd Thomas David E. York 8' Salicional (sw) 8' Voix Celeste (sw) 4' Flute (sw) CONTRIBUTORS Monday, December 3, 2012 Swell Richard & Leslee Amenta Andrea Anderson David J. Billeter 8' Rohrflote 61 Geraldine Biggs McGrath Linus H. Bittner, Jr. Malcom Cole 8:00 p.m. 8' Salicional 61 Dr. Christoph Bull Fr. John E. Crean Sylvia Crowell 8' Voix Celeste 61 Dr. Harold Daugherty, Jr. Jane A. Downs Connie Grisham 4' Flute 61 Wilbur Held Tabitha Henken Mark C. -
Schloss Konzerte
Eintritt Einzelkarten: € 22,- / erm. € 18,70 Liebe Freundinnen Schüler und Studenten € 5,50 | Abonnement für sechs SCHLOSS Konzerte: € 112,- | € 30,- Schüler und Studenten und Freunde der Abonnementbestellung: Kreis Coesfeld | Burg Vischering SCHLOSS NORDKIRCHEN Berenbrock 1 | 59348 Lüdinghausen Schloß 1 ◆ 59394 Nordkirchen KONZERTE klassischen Musik, Tel: 02591 / 79 90 15, Fax: 02591 / 79 90 29 Tel.: +49 (0)2591 / 79 90 - 0 im Rahmen unserer Schlosskonzertreihe können Sie im Jahr 2020 E-Mail: [email protected] [email protected] NORDKIRCHEN wieder unvergessliche Live-Erlebnisse genießen. Denn wir haben Verkauf von Abos und Einzelkarten sowie Bitte beachten Sie: für Sie ein abwechslungsreiches Programm zusammengestellt, Vorbestellung von Einzelkarten: Die Konzerte finden in der Oranienburg westlich des Hauptschlosses statt. das von Barock über Wiener Klassik bis hin zu anspruchsvollen Tourist Information Nordkirchen Schloßstraße 11 | 59394 Nordkirchen Bildnachweise: Pop-Interpretationen reicht, aber natürlich auch beliebte Meis- Guadagnini Trio Cara Gutman | Ensemble 4.1 Frank Jerke | Noga Quartet Reinicke terwerke der Klassik umfasst und so für jede Publikumsgenera- Tel: 02596 / 917 - 500 | E-Mail: [email protected] Artists | Duo Brüggen Nicolas Lanze | Katona Twins Peter Goodbody tion ein ganz besonderes Highlight bietet. Immer aber können Konstantin Manaev Christian Jädkez wir dabei herausragende Interpreten begrüßen, die sowohl auf den großen deutschen Podien als auch auf dem internationalen Parkett begeistern. Es ist uns auch wieder eine Freude und Ehre, das Festival „summerwinds münsterland“ im Sommer mit einem Konzert zu Gast zu haben. Für Schüler und Studenten haben wir ein besonderes Angebot: Der Eintritt kostet pro Konzert € 5,50 und das Abo € 30,-. Zugleich laden wir das junge Publikum mit dem Gastspiel der Katona Twins am 22. -
ABQ Free Press, June 4, 2014
VOL I, Issue 4, June 4, 2014 WillWill YouYou BeBe ReadyReady forfor Chaos?Chaos? PAGE 2 ABQ’s Top Home Water Wrecking Our Users Schools? PAGE 5 PAGE 7 Ai Weiwei, Judy Chicago STARTING ON PAGE 10 FREE PAGE 2 • June 4, 2014 • ABQ FREE PRESS NEWS When the Big One Hits, ABQ Free Press Pulp News VOL I, Issue 4, June 4, 2014 Nobody Gets Hurt realize how central food is to our lives,” writes Lizzie Widdicombe of www.freeabq.com Will You Be Prepped? Brazil is telling tourists heading the New Yorker. www.abqarts.com to the World Cup, which begins in BY JIM WAGNER a few days, not to scream if they Editor: [email protected] Post-Apocalyptic Currency? are mugged. Why? So the robbery Cashing In IN THIS ISSUE oe figures he has prepared well doesn’t turn into a murder. Brazil has Associate Editor, Arts: [email protected] enough to survive for three In an era where money has no value, Former Fed Chairman Ben Bernanke, J one of the highest homicide rates in months. And so will his 35-year-old ATM cards don’t work and barter is the now a speaker on the lecture circuit, the world: 25 out of every 100,000 Advertising: [email protected] daughter and his 13-year-old grand- new normal, serious preppers say the pulls down $250,000 per speech. currency will be – bullets. Brazilians die as a result of homicide. daughter and a former wife and her That’s $53,000 more than he made NEWS Specifically, .22 caliber long rifle “Do not react, scream or argue,” says On Twitter: @freeabq friend. -
24 June 2016 Page 1 of 19 SATURDAY 18 JUNE 2016 4:27 AM Pachelbel, Johann (1653-1706) SAT 01:00 Through the Night (B07gbffm) Canon in D Major Arr
Radio 3 Listings for 18 – 24 June 2016 Page 1 of 19 SATURDAY 18 JUNE 2016 4:27 AM Pachelbel, Johann (1653-1706) SAT 01:00 Through the Night (b07gbffm) Canon in D major arr. for 3 violins Myung-Whun Chung conducts Bruch and Mahler Members of the Polish Radio National Symphony Orchestra in Katowice Jonathan Swain presents a performance of Bruch's 1st Violin Concerto with Gil Shaham and Mahler's 5th Symphony. Myung- 4:33 AM Whun Chung conducts the Radio France Philharmonic. Bizet, Georges [1838-1875] (compiled by Ernest Guiraud) L'Arlesienne - suite no.2 1:01 AM Slovenian Radio and Television Symphony Orchestra, Marko Bruch, Max (1838-1920) Munih (conductor) Violin Concerto No.1 in G minor (Op.26) Gil Shaham (violin), Radio France Philharmonic Orchestra, 4:47 AM Myung-Whun Chung (conductor) Geminiani, Francesco (1687-1762) Concerto Grosso in G minor 1:26 AM Academy of Ancient Music, Andrew Manze (director/violin) Bach, Johann Sebastian (1685-1750) Gavotte en Rondeau from the Partita No.3 in E major (BWV 4:55 AM 1006) Stravinsky, Igor [1882-1971] Gil Shaham (violin) Fireworks (Op.4) BBC Symphony Orchestra, Jiri Belohlavek (conductor) 1:30 AM Mahler, Gustav (1860-1911) 5:01 AM Symphony no. 5 in C sharp minor Handel, Georg Frideric (1685-1759) Radio France Philharmonic Orchestra, Myung-Whun Chung Overture and prelude to act II of Acis and Galatea K.566 (conductor) Norwegian Radio Orchestra, Andrew Manze (Conductor) 2:43 AM 5:11 AM Bizet, Georges (1838-1875) Telemann, Georg Philipp (1681-1767) Overture to Carmen Suite for strings and continuo (TWV.55:g1) in G minor 'La Radio France Philharmonic Orchestra, Myung-Whun Chung Musette' (conductor) B'Rock 2:46 AM 5:25 AM Mendelssohn, Felix (1809-1847) Stenhammar, Wilhelm (1871-1927) Meeresstille und gluckliche Fahrt - overture (Op.27) Ithaka (Op.21) Orchestre National de France, Riccardo Muti (conductor) Peter Mattei (baritone), Swedish Radio Symphony Orchestra, Manfred Honeck (conductor) 3:01 AM Purcell, Henry (1659-1695) 5:35 AM Sonata No.9 for 2 violins and continuo in F major (Z.810) Strauss, Johann, II (1825-1899), arr. -
Benjamin Britten in the Music Culture of the Soviet Union in the 1960S (To the 100Th Anniversary of the Composer's Birth)
International Journal of Humanities and Social Science Vol. 3 No. 14 [Special Issue - July 2013] Benjamin Britten in the Music Culture of the Soviet Union in the 1960s (to the 100th Anniversary of the Composer's Birth) Alexander Rossinsky Department of Art Altai State University Russia Ekaterina Vorontsova Department of History Altai State University Russia Abstract The period of the 1960-s was difficult and controversial. Former allies of the anti-Hitler coalition turned to be on different sides of the acute ideological struggle which nearly led to the world war. Tremendous work was carried by artists, musicians who united disparate peoples into the community calling for the universal values. The central place in such the sphere of music belongs to one of the greatest composers of the 20th century, Benjamin Britten. Together with the Soviet musicians he pushed the world back from the sharp ideological confrontation. Keywords: B.Brittten, P.Pears, USSR, M.Rostropovich, G.Vishnevskaya, D.Shostakovich, symphonic and chamber music. The events unfolding in the world, which had survived the most destructive war in the history of human civilization, were dramatic and characterised by multi-vector directions of their development. The countries that joined the anti-Hitler coalition in the 40s, in the 60s were experiencing the peak of their ideological hostility, teetering on the verge of unleashing the third world war. At the same time, the Soviet Union, headed the unpredictable and highly controversial leader Nikita Khrushchev, pursued a policy of flirtations with liberalism in an attempt to overcome the cult of personality of Joseph Stalin and remove the notorious “Iron Curtain”, which for decades had protected the USSR from Western influence. -
String Concert Academy
STRING CONCERT ACADEMY Leonid Gorokhov Cello The Russian cellist Leonid Gorokhov studied at the St. Petersburg Conservatoire with Anatoli Nikitin and took part in masterclasses with Daniil Shafran. Winner of Concertino Praga (First Prize) and Paris Chamber Music Competition (Premier Grand Prix), Leonid Gorokhov is the only Russian cellist to be awarded the Grand Prix and the First Prize of the Geneva Concours (1986). In 1995 the European Association for Encouragement of the Arts awarded the Cultural Achievement Prize to Leonid Gorokhov for exceptional talent and outstanding artistic accomplishment. In 1991, Leonid Gorokhov appeared as soloist with the St. Petersburg Philharmonic conducted by Lord Menuhin; their strong musical rapport led to further concerto engagements with the Bergen, Berlin & Royal Philharmonic Orchestra, English Symphony Orchestra, Sinfonia Varsovia and the Zurich Tonhalle. In 1995, he made a triumphant return to Russia in performances of the Elgar Cello Concerto with the Philharmonia Hungarica, again conducted by Lord Menuhin. Apart from his work as a soloist, he is a founder member of the Hermitage String Trio (playing with Boris Garlitsky, violin, and Alexander Zemstov, viola) and plays regularly as a duo with the pianists Nikolai Demidenko, Niklas Sivelov and Kathryn Stott. Duo recitals have included the Båstad, Belfast, Eilat Winter, Oslo Chamber Music and Petworth Festivals, Munich and Wigmore Hall. Recent engagements have included the Elgar concerto with the Enescu Philharmonic in Bucharest and the Walton Concerto with the Philharmonia Orchestrain the UK. In Australia, his residence at the Townsville Festival found him playing a wide variety of chamber music; in Russia he has performed the rarely played Davidoff Concerto No 2 with the St. -
Cpo 555 234–2 Booklet.Indd 1 22.11.2019 09:46:40 Łukasz Borowicz (© Photo: Katarzyna Zalewska)
Mieczysław Weinberg Cello Concerto op. 43 · Fantasy op. 52 Concertino op. 43bis Raphael Wallfisch Kristiansand Symphony Orchestra Łukasz Borowicz cpo 555 234–2 Booklet.indd 1 22.11.2019 09:46:40 Łukasz Borowicz (© Photo: Katarzyna Zalewska) cpo 555 234–2 Booklet.indd 2 22.11.2019 09:46:40 VOICES IN THE WILDERNESS CELLO CONCERTOS BY EXILED JEWISH COMPOSERS Mieczysław Weinberg (1919–1996) Cello Concerto 33'19 op. 43 1 Adagio 7'53 2 Moderato 5'47 3 Allegro 9'47 4 Allegro 9'52 5 Fantasy op. 52 (1954) 17'08 16'30 Concertino op. 43bis 6 Adagio 4'35 7 Moderato espressivo 3'23 8 Allegro vivace 8'32 T.T.: 67'02 Raphael Wallfisch, Violoncello Kristiansand Symphony Orchestra Łukasz Borowicz, Conductor cpo 555 234–2 Booklet.indd 3 22.11.2019 09:46:40 Anmerkungen des Cellisten Mieczysław Weinberg kam am 8. Dezember 1918 auf die Welt, keinen ganzen Monat, nachdem Polen Dem reichhaltigen und vielgestaltigen Repertoire un- seine Unabhängigkeit wiedergewonnen hatte. Er wuchs serer neuen Serie »Cellokonzerte jüdischer Komponisten in Warschau auf, einer Stadt, die zu 2/3 von Polen be- im Exil« fühle ich mich emotional sehr eng verbunden. wohnt war und zu 1/3 von Juden, die sich immer stärker Ich halte es als Cellist für eine Lebensaufgabe, mich als Polen fühlten, ähnlich wie er. Niemals leugnete er für die Musik jüdischer Komponisten zu engagieren, die seine jüdischen Wurzeln, aber bis ans Ende seines Le- das infame Dritte Reich zum Schweigen verurteilte und bens drängte er darauf, dass man ihn als Mieczysław die aus ihrer Heimat fliehen mussten, um zu überleben. -
CCMA Coleman Competition (1947-2015)
THE COLEMAN COMPETITION The Coleman Board of Directors on April 8, 1946 approved a Los Angeles City College. Three winning groups performed at motion from the executive committee that Coleman should launch the Winners Concert. Alice Coleman Batchelder served as one of a contest for young ensemble players “for the purpose of fostering the judges of the inaugural competition, and wrote in the program: interest in chamber music playing among the young musicians of “The results of our first chamber music Southern California.” Mrs. William Arthur Clark, the chair of the competition have so far exceeded our most inaugural competition, noted that “So far as we are aware, this is sanguine plans that there seems little doubt the first effort that has been made in this country to stimulate, that we will make it an annual event each through public competition, small ensemble chamber music season. When we think that over fifty performance by young people.” players participated in the competition, that Notices for the First Annual Chamber Music Competition went out the groups to which they belonged came to local newspapers in October, announcing that it would be held from widely scattered areas of Southern in Culbertson Hall on the Caltech campus on April 19, 1947. A California and that each ensemble Winners Concert would take place on May 11 at the Pasadena participating gave untold hours to rehearsal Playhouse as part of Pasadena’s Twelfth Annual Spring Music we realize what a wonderful stimulus to Festival sponsored by the Civic Music Association, the Board of chamber music performance and interest it Education, and the Pasadena City Board of Directors. -
Alexander Mndoyants Piano SMCCD 0251 DDD/STEREO TT: 72.44 Wolfgang Amadeus Mozart (1756 – 1791) Piano Sonata in C Minor, KV 457 1 1
Mozart • Beethoven Mendelssohn • Brahms Chopin • Scriabin • Shostakovich Alexander Mndoyants piano SMCCD 0251 DDD/STEREO TT: 72.44 Wolfgang Amadeus Mozart (1756 – 1791) Piano Sonata in C minor, KV 457 1 1. Allegro . 8.35 2 2. Adagio . 7.57 3 3. Molto allegro . 4.53 Ludwig van Beethoven (1770 – 1827) 4 6 Ecossaises in E flat major, WoO 83 . 2.14 Felix Mendelssohn (1809 – 1847) 5 Variations sérieuses in D minor, op. 54. 11.02 Johannes Brahms (1833 – 1897) 6 Variations on a Theme by Robert Schuman in F sharp minor, op. 9 . 15.34 Frédéric Chopin (1810 – 1849) 7 Scherzo No. 2 in B flat minor, op. 31 . .9.42 Alexander Scriabin (1872 – 1915) 8 Piano Sonata No. 9, op. 68 . 8.09 Dmitry Shostakovich (1906 – 1975) Prelude and Fugue in D flat major, op. 87 No. 15 9 1. Prelude . .2.50 10 2. Fugue . 1.46 Alexander Mndoyants, piano Recorded in 1994 ( 1 – 3 ), 1987 ( 4 , 7 ), 1988 ( 5 , 6 ), 1980 ( 8 ), 1986 ( 9 , 10 ) Sound directors: Elena Dneprovskaya ( 1 – 3 , 8 – 10 ), Vladimir Koptsov( 4 – 7 ) Mastering: Ruslana Oreshnikova. Design: Alexey Gnisyuk Executive producer: Eugene Platonov © & ℗ 2019 The Moscow Tchaikovsky Conservatory. All rights reserved 2 Alexander Mndoyants Professor of the Moscow State Tchaikovsky Conservatory and the Central Music School of the Moscow Conservatory. Honored Artist of Russia. He began to study music at the age of six. In 1956, he entered the Tchaikovsky Secondary Music School of the Yerevan State Conservatory. From 1960 to 1968, he studied at the Central Music School of the Moscow State Tchaikovsky Conservatory. -
2015 CMS International Conference June 17–24, 2015 Stockholm, Sweden & Helsinki, Finland
2015 CMS International Conference June 17–24, 2015 Stockholm, Sweden & Helsinki, Finland PRESENTER & COMPOSER BIOS updated April 24, 2015 Adams, Bill J. Bill J. is a belting masterclass presenter and Art Song specialist who serves as the Coordinator of Performing Arts and associate professor at Nova Southeastern University in Fort Lauderdale FL. He is also a principal investigator for Music Counts: A Specialized Treatment Program for Children with Autism. New York credits include: The Rape of the Lock (Ariel), The Bartered Bride (VaŠek), Die ZauberflÖte (Monostatos), Madama Butterfly (Goro). Regional credits include: The Most Happy Fella (Ciccio) with William Michals, Cannibal: the Musical (Loutzenheiser), A View from the Bridge (Mike), Albert Herring (Mayor), Assassins (Zangara), The Coronation of Poppea (Arnalta), Falstaff (Dr. Cajus), Manon (Guillot), and One Flew Over the Cuckoo’s Nest (Cheswick). Adams, Daniel C. Daniel Adams (b. 1956, Miami, FL) is a Professor of Music at Texas Southern University in Houston. Adams holds a Doctor of Musical Arts (1985) from the University of Illinois at Urbana-Champaign, a Master of Music from the University of Miami (1981) and a Bachelor of Music from Louisiana State University (1978). He currently serves as the College Music Society Board Member for Composition and previously as South Central Chapter President. Adams is the composer of numerous published musical compositions and the author of many articles, encyclopedia entries and reviews on various music- related topics. His most recent article, “Indeterminate Passages as Temporal and Spatial Components of Three Selected Compositions for Snare Drum Ensemble” was published in the Fall 2013 issue of the Journal of the National Association of Wind and Percussion Instructors.