Jeffrey Khaner
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Boston Symphony Orchestra Concert Programs, Summer
SEMI OIAWA MUSIC DIRECTOR BERNARD HAITINK PRINCIPAL GUEST CONDUCTOR • i DALE CHIHULY INSTALLATIONS AND SCULPTURE / "^ik \ *t HOLSTEN GALLERIES CONTEMPORARY GLASS SCULPTURE ELM STREET, STOCKBRIDGE, MA 01262 . ( 41 3.298.3044 www. holstenga I leries * Save up to 70% off retail everyday! Allen-Edmoi. Nick Hilton C Baccarat Brooks Brothers msSPiSNEff3svS^:-A Coach ' 1 'Jv Cole-Haan v2^o im&. Crabtree & Evelyn OB^ Dansk Dockers Outlet by Designs Escada Garnet Hill Giorgio Armani .*, . >; General Store Godiva Chocolatier Hickey-Freeman/ "' ft & */ Bobby Jones '.-[ J. Crew At Historic Manch Johnston & Murphy Jones New York Levi's Outlet by Designs Manchester Lion's Share Bakery Maidenform Designer Outlets Mikasa Movado Visit us online at stervermo OshKosh B'Gosh Overland iMrt Peruvian Connection Polo/Ralph Lauren Seiko The Company Store Timberland Tumi/Kipling Versace Company Store Yves Delorme JUh** ! for Palais Royal Phone (800) 955 SHOP WS »'" A *Wtev : s-:s. 54 <M 5 "J* "^^SShfcjiy ORIGINS GAUCftV formerly TRIBAL ARTS GALLERY, NYC Ceremonial and modern sculpture for new and advanced collectors Open 7 Days 36 Main St. POB 905 413-298-0002 Stockbridge, MA 01262 Seiji Ozawa, Music Director Ray and Maria Stata Music Directorship Bernard Haitink, Principal Guest Conductor One Hundred and Twentieth Season, 2000-2001 SYMPHONY HALL CENTENNIAL SEASON Trustees of the Boston Symphony Orchestra, Inc. Peter A. Brooke, Chairman Dr. Nicholas T. Zervas, President Julian Cohen, Vice-Chairman Harvey Chet Krentzman, Vice-Chairman Deborah B. Davis, Vice-Chairman Vincent M. O'Reilly, Treasurer Nina L. Doggett, Vice-Chairman Ray Stata, Vice-Chairman Harlan E. Anderson John F. Cogan, Jr. Edna S. -
The Recordings
Appendix: The Recordings These are the URLs of the original locations where I found the recordings used in this book. Those without a URL came from a cassette tape, LP or CD in my personal collection, or from now-defunct YouTube or Grooveshark web pages. I had many of the other recordings in my collection already, but searched for online sources to allow the reader to hear what I heard when writing the book. Naturally, these posted “videos” will disappear over time, although most of them then re- appear six months or a year later with a new URL. If you can’t find an alternate location, send me an e-mail and let me know. In the meantime, I have provided low-level mp3 files of the tracks that are not available or that I have modified in pitch or speed in private listening vaults where they can be heard. This way, the entire book can be verified by listening to the same re- cordings and works that I heard. For locations of these private sound vaults, please e-mail me and I will send you the links. They are not to be shared or downloaded, and the selections therein are only identified by their numbers from the complete list given below. Chapter I: 0001. Maple Leaf Rag (Joplin)/Scott Joplin, piano roll (1916) listen at: http://www.youtube.com/watch?v=9E5iehuiYdQ 0002. Charleston Rag (a.k.a. Echoes of Africa)(Blake)/Eubie Blake, piano (1969) listen at: https://www.youtube.com/watch?v=R7oQfRGUOnU 0003. Stars and Stripes Forever (John Philip Sousa, arr. -
2014-2015 Philharmonia No. 4
Lynn Philharmonia No. 4 2014-2015 Season Lynn Philharmonia Roster VIOLIN CELLO FRENCH HORN JunHeng Chen Patricia Cova Mileidy Gonzalez Erin David Akmal Irmatov Mateusz Jagiello Franz Felkl Trace Johnson Daniel Leon Wynton Grant Yuliya Kim Shaun Murray Herongia Han Elizabeth Lee Raul Rodriguez Xiaonan Huang Clarissa Vieira Clinton Soisson Julia Jakkel Hugo Valverde Villalobos Nora Lastre Shuyu Yao Jennifer Lee DOUBLE BASS Lilliana Marrero August Berger Cassidy Moore Evan Musgrave TRUMPET Yaroslava Poletaeva Jordan Nashman Zachary Brown Vijeta Sathyaraj Amy Nickler Ricardo Chinchilla Yalyen Savignon Isac Ryu Marianela Cordoba Kristen Seto Kevin Karabell Delcho Tenev FLUTE Mark Poljak Yordan Tenev Mark Huskey Natalie Smith Marija Trajkovska Jihee Kim Anna Tsukervanik Alla Sorokoletova TROMBONE Mozhu Yan Anastasia Tonina Mariana Cisneros Zongxi Li VIOLA OBOE Derek Mitchell Felicia Besan Paul Chinen Emily Nichols Brenton Caldwell Asako Furuoya Patricio Pinto Hao Chang Kelsey Maiorano Jordan Robison Josiah Coe Trevor Mansell Sean Colbert TUBA Zefang Fang CLARINET Joseph Guimaraes Roberto Henriquez Anna Brumbaugh Josue Jimenez Morales Miguel Fernandez Sonnak Jacqueline Gillette Nicole Kukieza Jesse Yukimura Amalia Wyrick-Flax Alberto Zilberstein PERCUSSION BASSOON Kirk Etheridge Hyunwook Bae Isaac Fernandez Hernandez Sebastian Castellanos Parker Lee Joshua Luty Jesse Monkman Ruth Santos 2 Lynn Philharmonia No. 4 Guillermo Figueroa, music director and conductor Saturday, February 7 – 7:30 p.m. Sunday, February 8 – 4 p.m. Keith C. and Elaine Johnson Wold Performing Arts Center Märchen von der schönen Melusine, Op. 32 Felix Mendelssohn (1809-1847) Concerto for Flute and Orchestra (2013) Behzad Ranjbaran (b. 1955) Jeffrey Khaner, flute INTERMISSION Harold en Italie, H 68 (1834) Hector Berlioz (1803-1869) Harold aux montagnes. -
Sample Instrumental Resume
Jane Smith, violin 111 East Avenue, #C ● Rochester NY 14604 (222) 555-1212 ● [email protected] ORCHESTRAL EXPERIENCE Rochester Philharmonic Orchestra, substitute Rochester, NY 2007 Lancaster Festival Orchestra and Chamber Orchestra Lancaster, OH 2007 Eastman Philharmonia, concertmaster Rochester, NY 2006-07 Aspen Chamber Orchestra Aspen, CO 2006-07 Eastman Dryden Orchestra, concertmaster Rochester, NY 2006 Eastman Graduate Chamber Orchestra, concertmaster Rochester, NY 2006-07 Heidelberg Schloss Spiele Orchestra Heidelberg, Germany 2005 Eastman Opera Theater Orchestra Rochester, NY 2004-05 Juilliard Pre-College Orchestra, assistant concertmaster New York, NY 1999-00 SOLO PERFORMANCES – with Orchestra Ridgewood Symphony Orchestra, Sandra Dackow conducting Ridgewood, NJ 2007 Juilliard Pre-College Orchestra, Ronald Braunstein conducting New York, NY 2000 Livingston Symphony Orchestra, Istvan Jaray conducting Livingston, NJ 2006 Sewanee Festival Orchestra, Americo Marino and Patrick Strub conducting Sewanee, TN 2005 CHAMBER MUSIC EXPERIENCE Eastman School of Music Rochester, NY 2003 – present Musica Nova: contemporary ensemble. Performances for Charles Wuorinen, Michael Daugherty, others. Intermusica: chamber ensemble. Performances with Julius Baker, others. Cleveland Quartet Seminar Rochester, NY 2006-07 Coaching with the Cleveland Quartet, John Graham and Catherine Tait. Performances in Kilbourn Hall and the Rochester Public Library. Juilliard Quartet Seminar New York, NY 2000 Coaching with the Juilliard String Quartet. Performance -
The Romantic Flute
The Romantic Flute César Franck (1822 – 1890) Jeffrey Khaner, flute Sonata in A major for flute and piano 25:00 Hugh Sung, piano 12 Allegretto ben moderato 5:03 13 Allegro 7:22 14 Recitativo-Fantasia Charles-Marie Widor (1844 – 1937) Ben moderato-Molto lento 6:47 Suite, Op. 34 for flute and piano 15:30 15 Allegretto poco mosso 5:48 1 Moderato 3:50 2 Scherzo-Allegro vivace 2:27 3 Romance-Andantino 4:14 Camille Saint-Saëns (1835 – 1921) 4 Final-Vivace 4:59 Romance, Op. 37 for flute and piano 16 5:22 Benjamin Godard (1849 – 1895) Suite, Op. 116 for flute and piano 9:47 Total playing time: 73:48 5 Allegretto 1:31 Recorded at the Curtis Hall, Philadelphia, USA 6 Idylle 4:00 7 Valse 4:16 Recording Producer and Engineer: Da-Hong Seetoo Translations: Carl Reinecke (1824 – 1910) German – Elke Hockings Sonata, Op. 167 for flute and piano “Undine” 17:38 French – Marie-Stella Pâris 8 Allegro 5:31 9 Intermezzo-Allegretto vivace 3:10 Design and Art Direction: Alan Trugman 10 Andante tranquillo 3:06 Cover Photograph: Jack Van Antwerp 11 Finale-Allegro molto agitato 5:51 This CD was recorded using 24-Bit, ed appassionato, quasi Presto Direct-to-Hard-Disc Technology. 2 3 Léon Dorchain based on Shakespeare’s Twelfth Night. This was put on at the Odéon in Paris during the September of that year and, according to the Hungarian-born pianist, The Romantic Flute teacher and one time pupil of Saint-Saëns, Isidor Philipp, Widor’s score placed him in Charles-Marie Jean Albert Widor was born in the French city of Lyons on 21 February ‘the top rank’. -
Season 2015-2016
23 Season 2015-2016 Thursday, March 17, at 8:00 Friday, March 18, at 2:00 The Philadelphia Orchestra Saturday, March 19, at 8:00 Ton Koopman Conductor and Harpsichord Tini Mathot Harpsichord Jeffrey Khaner Flute J.S. Bach Orchestral Suite No. 3 in D major, BWV 1068 I. Overture II. Air III. Gavotte I—Gavotte II IV. Bourrée V. Gigue C.P.E. Bach Concerto for Two Harpsichords in F major, Wq. 46 I. Allegro II. Largo III. Allegro assai First Philadelphia Orchestra performances Intermission Mozart Flute Concerto No. 1 in G major, K. 313 I. Allegro maestoso II. Adagio non troppo III. Rondo: Tempo di menuetto Haydn Symphony No. 83 in G minor (“The Hen”) I. Allegro spiritoso II. Andante III. Menuet: Allegretto IV. Vivace This program runs approximately 2 hours, 5 minutes. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM. Visit WRTI.org to listen live or for more details. 24 Please join us immediately following the March 18 concert for a free Chamber Postlude, featuring members of The Philadelphia Orchestra. Schoenberg Transfigured Night, Op. 4, for string sextet Paul Roby Violin Mei Ching Huang Violin Renard Edwards Viola Jason DePue Viola John Koen Cello Alex Veltman Cello 3 Story Title 25 The Philadelphia Orchestra Jessica Griffin The Philadelphia Orchestra Orchestra also reaches Carnegie Hall and the is one of the preeminent thousands of listeners on the Kennedy Center while also orchestras in the world, radio with weekly Sunday enjoying summer residencies renowned for its distinctive afternoon broadcasts on in Saratoga Springs, New sound, desired for its WRTI-FM. -
News Release New College, Sarasota, Florida Furman C
/ NEW COLLEGE NEWS RELEASE NEW COLLEGE, SARASOTA, FLORIDA FURMAN C. ARTHUR - INFORMATION FOR RELEASE: THURSDAY P.H. OR AFTER First concert of the seven to be held as part of the New College Summer f-lusic Festival >:·Till be offered Saturday evening (June 17) in Hamilton Center on the coller,e ca~pus. second Hill be performed at p.m. Performing in the tt-10 concerts ~-Till be six of the leading musicians lvho are serving as faculty for the festival plus two assisting artists and a chamber orchestra. Music lvill ranee from eighteenth century to the present in pror,rams carefully planned by Festival music director Paul Holfe. Leadine artists performing in the tlJO concerts ~vill be violinist 'Holfe, oboist Robert Bloom, violist Halter Trampler, cellist Bernard Greenhouse, pianist Jacques Abram and flutist Julius Baker. Assistin~ artists in the first two concerts will be violinist Anita Brooker and cellist Christopher von Baeyer. The Festival Chamber Orchestra also lvill assist in the second concert. - more - NEH COLLEGE - Page 2. :n the first half of Saturday's concert, t-1ozart' s 0uartet in F Major ~ilill be performed by Bloom, Holfe, Trampler, and Greenhouse~ followed by Debussy's Sonata played by Greenhouse and Abram. A quintet of Baker, Holfe, Miss Brooker, Trampler, and Greenhouse \ilill conclude the openinp, half of the propram with Ginastera's lmpresiones de la Puna. After intermission, Abram, Holfe, Trampler, and Greenhouse ~-1111 play Brahm's 0uartet in G Hiner Opus 25. Sunday afternoon at the concert to be performed at 11JC, the group of Holfe, Hiss Brooker, Trampler, Greenhouse and von Baeyer will play Boccherini's Ouintet inC Major followed by Baker and Abrams performing Poulenc's Sonata. -
Jeffrey-Khaner-Bio-January-2015
Canadian-born flutist Jeffrey Khaner has been principal flute of The Philadelphia Orchestra since 1990. From 1982 to 1990 he was principal flute of the Cleveland Orchestra, and he has also served as principal of the New York Mostly Mozart Festival and the Atlantic Symphony in Halifax, and as co-principal of the Pittsburgh Symphony. A noted soloist, Mr. Khaner has performed concertos with orchestras throughout the United States, Canada, and Asia, collaborating with conductors including Matthias Bamert, Riccardo Chailly, Christoph von Dohnányi, Charles Dutoit, Christoph Eschenbach, Claus Peter Flor, Hans Werner Henze, Vladimir Jurowski, Erich Leinsdorf, Kurt Masur, Yannick Nezet-Seguin, Yutaka Sado, Wolfgang Sawallisch, Gerard Schwarz, José Serebrier, Robert Spano, Franz Welser- Möst, and David Zinman. Mr. Khaner’s concerto repertoire is extensive and he has premiered many works including the concertos by Ned Rorem, Behzad Ranjbaran, Jonathan Leshnoff, Eric Sessler, Daron Hagen and David Chesky, all written for him. As a recitalist, Mr. Khaner has appeared on four continents with pianists Charles Abramovic, Christoph Eschenbach, Lowell Liebermann, Wolfgang Sawallisch, Hugh Sung, and many others. He regularly incorporates into the programs the music of today’s composers, many of whom have written expressly for him. Mr. Khaner is a founding member of the Syrinx Trio (with former Philadelphia Orchestra Principal Viola Roberto Díaz and Philadelphia Orchestra Principal Harp Elizabeth Hainen), which made its Carnegie Hall debut in 2001 at Weill Recital Hall. A graduate of the Juilliard School, Mr. Khaner was named to the faculty as flute professor in 2004, holding the position formerly held by his mentor, the late Julius Baker. -
Featuring Program
Program Featuring Marina Piccinini, Flute Hailed by Gramophone 2014 as “the Heifetz of the flute,” flutist Marina Piccinini Sergei Prokofiev (1891 - 1953) is recognized as one of the world’s leading flute virtuosos. The first flutist to win the Sonata for Flute and Piano in D Major, Op. 94 Avery Fisher Career Award, she combines flawless technical command, profound Moderato interpretive instincts, and a charismatic stage presence. In January and February Scherzo 2016, she performed the World Premiere of the Aaron Jay Kernis Flute Concerto Andante written for her, with Leonard Slatkin and the Detroit Symphony Orchestra, and Allegro con brio Ward Stare and the Rochester Philharmonic. Marina enjoys an international career as soloist with major orchestras, including the Boston Symphony, the London Philharmonic, Tokyo Symphony, the National Symphony, Saint Paul Chamber Or- Pierre Boulez (1925 - 2016) chestra, Montreal Symphony, Hong Kong Philharmonic, and Rotterdam Philhar- Sonatine for Flute and Piano monic. A graduate of The Juilliard School, her mentors include Julius Baker, Jeanne Baxtresser, and Aurèle Nicolet. She is Professor of Flute at the Peabody Institute of The Johns Hopkins University and the Hochschule für Musik, Theater und Medien Intermission in Hannover, Germany, and frequently gives Master Classes around the world. Marc-André Dalbavie (1961 - ) Andreas Haefliger, Piano Nocturne (written for Marina Piccinini and Andreas Haefliger Andreas Haefliger, with his formidable technique and musicality, and his innate as a Wedding Anniversary gift, 2012) sense of architecture and phrasing, is widely recognized as a pianist of the first rank. He has had engagements with major U.S. orchestras, including the New York Philharmonic, Cleveland Orchestra, Los Angeles Philharmonic, Boston Symphony, César Franck (1822 - 1890) and the Pittsburgh, Chicago, and San Francisco Symphony Orchestras, among Sonata in A Major others. -
THE NATIONAL FLUTE ASSOCIATION RESEARCH TABLE HOLDINGS August 2010
THE NATIONAL FLUTE ASSOCIATION RESEARCH TABLE HOLDINGS August 2010 Adams, Carl. “The Flute Works of Joachim Andersen, A Pedagogical Study.” Thesis, Catholic University, 1982. Aitchison, Anne. “The Flute Family in Contemporary Practice: An Essay-Demonstration.” Master’s thesis, University of Michigan, 1965. Arnone, Francesca Marie. “A Performance Edition of Charles Koechlin’s Les Chants de Nectaire, opus 198.” DMA essay, University of Miami, 2000. Artaud, Pierre-Yves. La Flûte. J. C. Lattès, 1986. Averitt, Frances Lapp. “An Intonation Method for Flutists (Non-Exclusive of Other Instrumentalists and Singers) Based on the Use of Difference Tones as a Practical Guide to the Achievement of Perfectly Tuned Intervals.” DM thesis, Florida State University, 1973. Bailey, John Robert. “Maximilian Schwedler’s ‘Flute and Flute-Playing’: Translation and Study of Late Nineteenth-Century German Performance Practice.” DM thesis, Northwestern University, 1987. Ballatori, Cristina. “A Performer’s Guide: Suite Paysanne Hongroise for Flute and Piano by Béla Bartók/Arranged Paul Arma.” DMA major document, University of Colorado, 2006. Beard, Christine Elizabeth. “Excerpts for Flute from the Wind Band Literature: An Annotated Guide for Practice, Performance, and Audition Preparation, Presented as a Progressive Supplementary Teaching Method.” DMA treatise, The University of Texas at Austin, 2003. Becker, Janet Sue. “The Eighteenth Century Flute Concerto: A Study and Edition of Two Manuscripts from the Fuerst Thurn und Taxis HofBibliothek Regensburg with reference to Contemporary Treatises.” DM thesis, Northwestern University, 1993. Bent, Jane. “The Arranging of Flute Concerto Accompaniments for Band.” DMA thesis, University of Wisconsin-Madison, 1988. Billington, Robert David. “A Description and Application of Robert Aitken’s Concept of the Physical Flute.” DMA essay, University of Miami, Florida, 2000. -
SKIDMORE FLUTE FESTIVAL ARTISTS Marina Piccinini Widely
SKIDMORE FLUTE FESTIVAL ARTISTS Marina PIccinini Widely recognized as one of the world’s leading flute virtuosos, flutist Marina Piccinini combines flawless technical command, profound interpretive instincts, and a charismatic stage presence – qualities which make each of her performances a memorable event. Since making her acclaimed debuts in New York’s Town Hall, London’s Southbank Centre, and Tokyo’s Suntory Hall, Ms. Piccinini has been in demand both as a recitalist and soloist with orchestras in the United States, Canada, Europe, and Japan. She has been soloist with the Boston Symphony Orchestra, the London Philharmonic, the Tokyo Symphony, St. Paul Chamber Orchestra, Montreal Symphony, Rotterdam Philharmonic, National Symphony Orchestra, Saint Louis Symphony , Minnesota Orchestra, Ottawa’s National Arts Centre Orchestra; the Hannover Symphony in Germany, the Ravenna Chamber Orchestra in Italy and the Vienna Chamber Soloists; as well as the Cincinnati, New World, Toronto, Vancouver, Detroit, Phoenix, and Milwaukee symphony orchestras, and has worked with such conductors as Alan Gilbert, Seiji Ozawa, Kurt Masur, Pierre Boulez, Leonard Slatkin, Stanislaw Skrowaczewski, Peter Oundjian, Esa-Pekka Salonen, Myung-whun Chung, and Gianandrea Noseda. Ms. Piccinini also performs with great frequency in recitals worldwide, with recent appearances in London’s Wigmore Hall, Tokyo`s Casals Hall, the Seoul Arts Center, the Kennedy Center in Washington, and the Mozart Saal in Vienna’s Konzerthaus. Deeply committed to the music of the present, recent seasons have been highlighted by significant world premiere performances of concerti and solo works by Michael Colgrass, Paquito D’Rivera, Matthew Hindson, Miguel Kertsman, Lukas Foss, Michael Torke, John Harbison, Marc-André Dalbavie, David Ludwig and Roberto Sierra. -
Faculty Recital
program Monday, September 28, 2015 at 8:00 pm Dr. Bobbie Bailey & Family Performance Center, Morgan Hall Thirteenth Concert of the 2015-16 Concert Season Kennesaw State University School of Music presents Faculty Chamber Players JOSEPH HAYDN (1732-1809) Quartet Opus 76, No. 4 “Sunrise” I. Allegro con spirito II. Adagio III. Menuetto. Allegro IV. Finale. Allegro, ma non troppo Helen Kim, violin Kenn Wagner, violin Catherine Lynn,viola Charae Krueger, cello MARCEL TOURNIER (1879-1951) Suite for Flute, Violin, Viola, Cello and Harp, Op. 34 I. Soir II. Danse III. Lied IV. Fete Christina Smith, flute Helen Kim, violin Catherine Lynn,viola Charae Krueger, cello Elisabeth Remy Johnson, harp Intermission ALBERT ROUSSEL (1869-1937) Serenade, Op. 30 for Cello, Violin, Viola, Harp, Flute Allegro Andante Presto Christina Smith, flute Helen Kim, violin Catherine Lynn,viola Charae Krueger, cello Elisabeth Remy Johnson, harp MAURICE RAVEL (1875-1937) Introduction and Allegro Christina Smith, flute John Warren, clarinet Helen Kim, violin Catherine Lynn,viola Charae Krueger, cello Elisabeth Remy Johnson, harp personnel Christina Smith, flute John Warren, clarinet Helen Kim, violin Catherine Lynn,viola Charae Krueger, cello Elisabeth Remy Johnson, harp biographies Artist-in-Residence in Flute hristina Smith is one of the most sought-after flutists in the country as an orchestral player, Csoloist, chamber musician and teacher. The 2014-15 season was Ms. Smith’s twenty-fourth season as principal flutist of the Atlanta Symphony Orchestra, where she holds the Jill Hertz Principal Flute chair, endowed in perpetuity. Ms. Smith’s flute solos can be heard on 37 ASO recordings.