Christmas Concert
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
24 August 2021
24 August 2021 12:01 AM Bruno Bjelinski (1909-1992) Concerto da primavera (1978) Tonko Ninic (violin), Zagreb Soloists HRHRTR 12:11 AM Wolfgang Amadeus Mozart (1756-1791) Piano Sonata in C major K.545 Young-Lan Han (piano) KRKBS 12:21 AM Johannes Brahms (1833-1897) 3 Songs for chorus, Op 42 Danish National Radio Choir, Stefan Parkman (conductor) DKDR 12:32 AM Giovanni Battista Viotti (1755-1824) Serenade for 2 violins in A major, Op 23 no 1 Angel Stankov (violin), Yossif Radionov (violin) BGBNR 12:41 AM Joseph Haydn (1732-1809),Ignace Joseph Pleyel (1757-1831), Harold Perry (arranger) Divertimento 'Feldpartita' in B flat major, Hob.2.46 Academic Wind Quintet BGBNR 12:50 AM Joaquin Nin (1879-1949) Seguida Espanola Henry-David Varema (cello), Heiki Matlik (guitar) EEER 12:59 AM Toivo Kuula (1883-1918) 3 Satukuvaa (Fairy-tale pictures) for piano (Op.19) Juhani Lagerspetz (piano) FIYLE 01:15 AM Edmund Rubbra (1901-1986) Trio in one movement, Op 68 Hertz Trio CACBC 01:35 AM Edvard Grieg (1843-1907) Peer Gynt - Suite No 1 Op 46 Bergen Philharmonic Orchestra, Ole Kristian Ruud (conductor) NONRK 02:01 AM Richard Strauss (1864-1949) Metamorphosen Auckland Philharmonia Orchestra, Giordano Bellincampi (conductor) NZRNZ 02:28 AM Max Bruch (1838-1920) Violin Concerto No. 1 in G minor, op. 26 James Ehnes (violin), Auckland Philharmonia Orchestra, Giordano Bellincampi (conductor) NZRNZ 02:52 AM Eugene Ysaye (1858-1931) Sonata for Solo Violin in D minor, op. 27/3 James Ehnes (violin) NZRNZ 02:59 AM Robert Schumann (1810-1856) Symphony No. -
German Arias Concert Program
Graduate Vocal Arts Program Bard College Conservatory of Music OPERA WORKSHOP Stephanie Blythe and Howard Watkins, instructors “Thank you, do you have anything in German?” Friday, March 5 at 8pm Wo bin ich? Engelbert Humperdinck (1854 - 1921) from Hänsel und Gretel Diana Schwam, soprano Ryan McCullough, piano Nimmermehr wird mein Herze sich grämen Friedrich von Flotow (1812 - 1883) from Martha Joanne Evans, mezzo-soprano Elias Dagher, piano Glück, das mir verblieb Erich Wolfgang Korngold (1897 - 1957) from Die tote Stadt Jardena Gertler-Jaffe, soprano Diana Borshcheva, piano Einst träumte meiner sel’gen Base Carl Maria von Weber (1786 - 1826) from Der Freischütz Kirby Burgess, soprano Gwyyon Sin, piano Witch’s Aria Humperdinck from Hänsel und Gretel Maximillian Jansen, tenor Diana Borshcheva, piano Da Anagilda sich geehret… Ich bete sie an Reinhard Kaiser (1674 - 1739) from Die Macht der Tugend Chuanyuan Liu, countertenor Ryan McCullough, piano Arabien, mein Heimatland Weber from Oberon Micah Gleason, mezzo-soprano Gwyyon Sin, piano Da schlägt die Abschiedsstunde Wolfgang Amadeus Mozart (1756 - 1791) from Der Schauspieldirektor Meg Jones, soprano Sung-Soo Cho, piano Mein Sehnen, mein Wähnen Korngold from Die tote Stadt Louis Tiemann, baritone Diana Borshcheva, piano Wie du warst Richard Strauss (1864 - 1949) from Der Rosenkavalier Melanie Dubil, mezzo-soprano Elias Dagher, piano Presentation of the Rose Strauss from Der Rosenkavalier Samantha Martin, soprano Elias Dagher, piano Arie des Trommlers Viktor Ullman (1898 - 1944) from Der Kaiser von Atlantis Sarah Rauch, mezzo-soprano Gwyyon Sin, piano Weiche, Wotan, weiche! Richard Wagner (1813 - 1883) from Das Rheingold Pauline Tan, mezzo-soprano Sung-Soo Cho, piano Nun eilt herbei! Otto Nicolai (1810 - 1849) from Die lustigen Weiber von Windsor Alexis Seminario, soprano Elias Dagher, piano SYNOPSES: Wo bin ich? Hänsel und Gretel Engelbert Humperdinck, Adelheid Wette, 1893 Gretel has just awakened from a deep sleep in the forest. -
Verdi Otello
VERDI OTELLO RICCARDO MUTI CHICAGO SYMPHONY ORCHESTRA ALEKSANDRS ANTONENKO KRASSIMIRA STOYANOVA CARLO GUELFI CHICAGO SYMPHONY CHORUS / DUAIN WOLFE Giuseppe Verdi (1813-1901) OTELLO CHICAGO SYMPHONY ORCHESTRA RICCARDO MUTI 3 verdi OTELLO Riccardo Muti, conductor Chicago Symphony Orchestra Otello (1887) Opera in four acts Music BY Giuseppe Verdi LIBretto Based on Shakespeare’S tragedy Othello, BY Arrigo Boito Othello, a Moor, general of the Venetian forces .........................Aleksandrs Antonenko Tenor Iago, his ensign .........................................................................Carlo Guelfi Baritone Cassio, a captain .......................................................................Juan Francisco Gatell Tenor Roderigo, a Venetian gentleman ................................................Michael Spyres Tenor Lodovico, ambassador of the Venetian Republic .......................Eric Owens Bass-baritone Montano, Otello’s predecessor as governor of Cyprus ..............Paolo Battaglia Bass A Herald ....................................................................................David Govertsen Bass Desdemona, wife of Otello ........................................................Krassimira Stoyanova Soprano Emilia, wife of Iago ....................................................................BarBara DI Castri Mezzo-soprano Soldiers and sailors of the Venetian Republic; Venetian ladies and gentlemen; Cypriot men, women, and children; men of the Greek, Dalmatian, and Albanian armies; an innkeeper and his four servers; -
The Development of English Choral Style in Two Early Works of Ralph Vaughan Williams
Connecticut College Digital Commons @ Connecticut College Music Department Honors Papers Music Department 1-1-2011 The evelopmeD nt of English Choral Style in Two Early Works of Ralph Vaughan Williams Currie Huntington Connecticut College, [email protected] Follow this and additional works at: http://digitalcommons.conncoll.edu/musichp Recommended Citation Huntington, Currie, "The eD velopment of English Choral Style in Two Early Works of Ralph Vaughan Williams" (2011). Music Department Honors Papers. Paper 2. http://digitalcommons.conncoll.edu/musichp/2 This Honors Paper is brought to you for free and open access by the Music Department at Digital Commons @ Connecticut College. It has been accepted for inclusion in Music Department Honors Papers by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. THE DEVELOPMENT OF ENGLISH CHORAL STYLE IN TWO EARLY WORKS OF RALPH VAUGHAN WILLIAMS An Honors Thesis presented by Currie Huntington to the Department of Music at Connecticut College in partial fulfillment of the requirements for Honors in the Major Field and for the Concentration in Historical Musicology Connecticut College New London, Connecticut May 5th, 2011 ABSTRACT The late 19th century was a time when England was seen from the outside as musically unoriginal. The music community was active, certainly, but no English composer since Handel had reached the level of esteem granted the leading continental composers. Leading up to the turn of the 20th century, though, the early stages of a musical renaissance could be seen, with the rise to prominence of Charles Stanford and Hubert Parry, followed by Elgar and Delius. -
Chicago Symphony Orchestra Riccardo Muti Zell Music Director Y H P a R G O T O H P
ChiCago Symphony orCheStra riCCardo muti zell muSiC direCtor y h p a r g o t o h P g r e b n e s o R d d o T OCTOBER 13 @15, 2017 ZELLERBACH HALL, UC BERKELEY FALL 2017 ORCHESTRA RESIDENCY ABOUT THE ARTISTS Salzburg mozarteum and the golden Johann Strauss award by the Johann Strauss Society of Vienna. he is also an honorary member of Vienna’s gesellschaft der musikfreunde, the Vienna hofmusikkapelle, the Vienna philhar - monic, and the Vienna State opera. in addition to his distinguished appoint - ments as music director, muti has received innumerable international honors. he is a Cavaliere di gran Croce of the italian republic, officer of the French legion of honor, and a recipient of the german Verdienstkreuz. Queen elizabeth ii bestowed on him the title of hon - y h orary Knight Commander of the British em - p a r g pire, russian president Vladimir putin awarded o t o h P him the order of Friendship, and pope Bene - g r e dict XVi made him a Knight of the grand b n e s Cross First Class of the order of Saint gregory o R d d the great—the highest papal honor. muti also o T has received israel’s Wolf prize for the arts, Riccardo Muti Sweden’s prestigious Birgit nilsson prize, Spain’s Born in naples, italy, riccardo muti is one of prince of asturias award for the arts, Japan’s the preeminent conductors of our day. in 2010, order of the rising Sun gold and Silver when he became the 10th music director of the Star decoration, and the gold medal from italy’s Chicago Symphony orchestra (CSo), he had ministry of Foreign affairs as well as the more than 40 years of experience at the helm of prestigious “presidente della repubblica” award maggio musicale Fiorentino (1968–1980), the from the italian government. -
Vienna Philharmonic Orchestra Probably No Individual Composer Has Ever En- Gether, “I Was Leader of the Second Violins
CAL PERFORMANCES PRESENTS PROGRAM NOTES Friday, February 25, 2011, 8pm Franz Schubert (1797–1828) anything else, he learned it all from God him- Zellerbach Hall Symphony No. 2 in B-flat major, D. 125 self”) and the famed Antonio Salieri (“You can do everything, you are a genius”), but also by his Composed in 1815. fellow students. Josef von Spaun, who became a lifelong friend, wrote of their school days to- Vienna Philharmonic Orchestra Probably no individual composer has ever en- gether, “I was leader of the second violins. Little gendered such an avalanche of new music as Schubert stood behind me and fiddled. [Many Semyon Bychkov, conductor flowed from Franz Schubert’s pen in 1815. There orchestras, except for the cellists, performed are almost 200 separate works from that one standing until the mid-19th century.] Very soon, year: the Second and Third Symphonies, a string I noticed that the little musician far surpassed quartet, two piano sonatas and four other large me in rhythmic surety. This aroused my interest PROGRAM piano works, two Masses, four choral composi- and made me realize with what animation the tions, five operas and 146 songs, eight coming in lad, who seemed otherwise quiet and indifferent, a single day in May. Schubert capped the year’s gave himself up to the impression of the beauti- Franz Schubert (1797–1828) Symphony No. 2 in B-flat major, D. 125 (1815) activities by producing Der Erlkönig on New ful symphonies which we played.” The school or- Year’s Eve. He was 18. chestra tackled works by Haydn, Mozart (“You Largo — Allegro vivace A year earlier, in the autumn of 1814, could hear the angels sing,” Schubert wrote of Andante Schubert had been exempted from compul- the G minor Symphony) and early Beethoven, Menuetto: Allegro vivace sory 13-year (!) military service because of his as well as such lesser masters as Krommer, Presto vivace short stature (barely five feet) and terrible eye- Kozeluch, Méhul and Weigl. -
Choral Ensembles Holiday Concert, "Hodie Christus Natus Est"
program Kennesaw State University School of Music Thursday, December 4, 2014 at 8:00 pm Dr. Bobbie Bailey & Family Performance Center, Morgan Hall Forty-eighth Concert of the 2014-15 Concert Season Choral Ensembles Holiday Concert "Hodie Christus natus est" Alison Mann, conductor Leslie J. Blackwell, conductor Brenda Brent, piano Sherri N. Barrett, piano UNIVERSITY CHORALE arr. Jeremy D. Silverman (b. 1981) Ding, Dong! Merrily On High SPECTACLE BRASS John Thomas Burson, Justin Rowen, trumpets David Anders, horn Michael Lockwood, trombone Melinda Mason, tuba DANIEL KANTOR (b. 1960) Night of Silence with Silent Night Brittany Griffith, Terrell Flemings, soloists KSU Women's Choir PAUL CALDWELL and SEAN IVORY Go Where I Send Thee LEE MENDELSON and VINCE GUARALDI arr. Michele Weir Christmas Time is Here Brian Reid, piano Cameron Austin, percussion arr. Drew Collins and Brenda Ellis The Virgin Mary Had a Baby Boy Cameron Austin, Joseph Donohue, Levi Lyman, percussion WOMEN'S CHOIR BENJAMIN BRITTEN (1913-1976) Wolcum Yole! Grace Mantelone, harp FRODE FJELLHEIM Eatnemen Vuelie arr. Joan Szymko A la Media Noche Annie Lovvorn, soprano Corinne Veale, flute JOHN RUTTER Candlelight Carol arr. Michele Weir A Christmas Jazz Trio I. Santa Claus is Coming to Town II. O Christmas Tree III. Winter Wonderland Intermission MEN’S ENSEMBLE REGINALD UNTERSEHER (b. 1951) Alleluia BRIAN SCHMIDT (b.1980) O magnum mysterium ALEX RYBECK (b. 1957) God Rest Ye Merry, Gentlemen arr. Ronn Huff (b. 1938) transcription Dennis Nance O Holy Night JAY ALTHOUSE (b. 1951) Goin’ to Bethlehem CHAMBER SINGERS ALEXANDER KOPYLOW (1854-1911) Heavenly Light Two Latin Motets HANS LEO HASSLER (1564-1612) Verbum caro factum est CÉSAR ALEJANDRO CARRILLO (b. -
In Consideration of the Performers and Other Members of the Audience, Please Enter Or Leave a Performance at the End of a Composition
In consideration of the performers and other members of the audience, please enter or leave a performance at the end of a composition. Cameras and recording equipment are not permitted. Please turn off all electronic devices, and be sure that all emergency contact cell phones and pagers are set to silent or vibrate. This event is free to all UNI students, courtesy of the Panther Pass Program. Performances like this are made possible through private support from patrons like you! Please consider contributing to School of Music scholarships or guest artist programs. Call 319-273-3915 or visit www.uni.edu/music to make your gift. The Merry Wives of Windsor by Otto Nicolai Directed by Mitra Sadeghpour* based on the play by Shakespeare, adapted by Hermann von Mosenthal Music Preparation by Korey Barrett*+ and Tina Su* Conducted by Rebecca Burkhardt* ACT I Scene 1: A courtyard outside the Ford and Page houses Stage Manager . .Dylan Nicole Martin Scene 2: A room in the Ford house Assistant Stage Manager . Nick Mayhugh Choreographers . Mandy Masmar*+ and Jennifer Hampton Scenic and Lighting Design . Lawrence Guadagnoli+ and Chris Tuzicka ACT II Technical Director, Scenic and Props Design . Lawrence Guadagnoli+ Scene 1: A room at the Garter Inn Costume Coordinator . .Danielle Mason Scene 2: A courtyard outside the Ford and Page houses Musical Preparation and Rehearsal Pianists . .Korey Barrett*+ and Tina Su* Scene 3: A room in the Ford house Chorus Master . .Korey Barrett*+ Assistant Chorus Master . Morgan Kramer Scenic . .Jenna Guy and Michael Hellman Hair and Makeup . Mallory Rustad ACT III Poster and Cover Design . -
A Conductor's Guide to the Da Vinci Requiem by Cecilia Mcdowall
University of South Carolina Scholar Commons Theses and Dissertations Spring 2020 A Conductor’s Guide to the Da Vinci Requiem by Cecilia McDowall Jantsen Blake Touchstone Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the Music Commons Recommended Citation Touchstone, J. B.(2020). A Conductor’s Guide to the Da Vinci Requiem by Cecilia McDowall. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/5920 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. A CONDUCTOR’S GUIDE TO THE DA VINCI REQUIEM BY CECILIA MCDOWALL by Jantsen Blake Touchstone BaChelor of MusiC Mississippi College, 2011 BaChelor of MusiC Education Mississippi College, 2013 Master of MusiC Mississippi College, 2013 Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of MusiCal Arts in Conducting SChool of MusiC University of South Carolina 2020 ACCepted by: AliCia W. Walker, Major Professor Jabarie Glass, Committee Member Andrew Gowan, Committee Member J. Daniel Jenkins, Committee Member Cheryl L. Addy, ViCe Provost and Dean of the Graduate SChool © Copyright by Jantsen Blake Touchstone, 2020 All Rights Reserved ii DEDICATION To my wife, Amy Touchstone, for your endless support, patience, love, and saCrifiCe. Your support, patience and understanding have allowed me to complete this projeCt; I thank you. iii ACKNOWLEDGEMENTS I would begin by thanking CeCilia MCDowall for writing such wonderful choral musiC and allowing such aCCess to her life and thoughts. -
A Survey of Choral Music of Mexico During the Renaissance and Baroque Periods Eladio Valenzuela III University of Texas at El Paso, [email protected]
University of Texas at El Paso DigitalCommons@UTEP Open Access Theses & Dissertations 2010-01-01 A Survey of Choral Music of Mexico during the Renaissance and Baroque Periods Eladio Valenzuela III University of Texas at El Paso, [email protected] Follow this and additional works at: https://digitalcommons.utep.edu/open_etd Part of the Music Commons Recommended Citation Valenzuela, Eladio III, "A Survey of Choral Music of Mexico during the Renaissance and Baroque Periods" (2010). Open Access Theses & Dissertations. 2797. https://digitalcommons.utep.edu/open_etd/2797 This is brought to you for free and open access by DigitalCommons@UTEP. It has been accepted for inclusion in Open Access Theses & Dissertations by an authorized administrator of DigitalCommons@UTEP. For more information, please contact [email protected]. A SURVEY OF CHORAL MUSIC OF MEXICO DURING THE RENAISSANCE AND BAROQUE PERIODS ELADIO VALENZUELA III Department of Music APPROVED: ____________________________________ William McMillan, D.A., CHAIR ____________________________________ Elisa Fraser Wilson, D.M.A. ____________________________________ Curtis Tredway, Ph.D. ____________________________________ Allan D. McIntyre, M.Ed. _______________________________ Patricia D. Witherspoon, Ph.D. Dean of the Graduate School A SURVEY OF CHORAL MUSIC OF MEXICO DURING THE RENAISSANCE AND BAROQUE PERIODS BY ELADIO VALENZUELA III, B.M., M.A. THESIS Presented to the Faculty of the Graduate School of The University of Texas at El Paso in Partial Fulfillment of the Requirements for the Degree of MASTER OF MUSIC Department of Music THE UNIVERSITY OF TEXAS EL PASO MAY 2010 ACKNOWLEDGEMENTS First and foremost I want to thank God for the patience it took to be able to manage this project, my work, and my family life. -
Bärenreiter Chormusik Eine Auswahl 2019/2020
Y O U R N E X T P E R F O R M A N C E I S W O R T H I T Bärenreiter Chormusik Eine Auswahl 2019/2020 Bärenreiter-Verlag Karl Vötterle GmbH & Co. KG · Heinrich-Schütz-Allee 35–37 · 34131 Kassel · Germany Discover baerenreiter.com 1 [email protected] · www.baerenreiter.com · SPA 481 INHALT GEMISCHTER CHOR Gemischter Chor Komponisten Johannes-Passion Matthäus-Passion BWV 245 für Soli (T [Evangelist], BWV 244 für Soli (T [Evangelist], Komponisten und ihre Werke in alphabetischer Folge ..................4 B [Jesus], SATB), Chor (SATB), B [Jesus], SATB), zwei Chöre Sammlungen .............................................................................................42 Altenburg, Michael Orchester und Orgel. Nach dem (SATB+SATB) und Orchester. (1584–1640) Für 3 Stimmen .......................................................................................... 46 Urtext der Neuen Bach-Ausgabe Nach dem Urtext der Neuen Ed. A. Mendel (4) ° Bach-Ausgabe. Ed. A. Dürr, BA 5037-01 Partitur Ln € 114,– Vorarbeiten M. Schneider (4) ° Männerchor .........................................................................................47 BA 5037-02 BA 5038-01 Partitur Ln € 124,– Dirigierpartitur kart. € 69,– BA 5038-02 Dirigierpart. kart. KlA von W. H. Bernstein (Durch- ET: Oktober 2019 ca. € 79,– 49 Frauenchor .......................................................................................... sicht u. Überarbeitung von A. Köhs) KlA von E. Müller (Durchsicht BA 5037-90 u. Überarbeitung von A. Köhs) KlA rev. (dt/engl) € 15,50 Kinderchor .......................................................................................... 53 BA 5038-90 BA 5037-96, -97, -98, -99 KlA rev. (dt/engl) € 17,50 ChSt (dt/engl) je € 4,95▼ 55 BA 5038-96, -97, -98, -99 Musikbücher ..................................................................................... TP 197 € 21,95 ▼ Faksimiles ........................................................................... 59 ChSt (dt/engl) je € 6,50 Werkeinführung S. 57 TP 196 € 21,95 Werkeinführung S. 57 Magnificat D-Dur Register Faksimile S. -
Much to Look Forward To
Journal of the No.18 June 2000 EDITOR Stephen Connock RVW (see address below) Society In this issue... Much to look forward to... Vaughan Williams and Bach The RVW Society is involved in a Members will also be delighted to learn number of important and exciting that Sir John in Love will be performed G R.V.W. & J.S.B. projects, some of which will come to in Newcastle City Hall by the Northern fruition quickly and others will take Sinfonia under Richard Hickox on by Michael Kennedy place in the 2002-2003 season. Of the September 29th 2000 as part of the Page 4 greatest interest to RVW Society preparation for the recording. There is members is the major Festival of such marvellous, heart warming music symphonies and choral works being in this opera that all members are urged G Lewis Foreman reviews VW planned under the title Toward the to get to Newcastle, somehow, for the conducting the St. Matthew Unknown Region. concert performance on 29th September. Passion. Page 7 Toward the Unknown Region Charterhouse Symposium G This Festival will be conducted by Following the success of the Conference VW and ‘the greatest of all Richard Hickox using his new orchestra Vaughan Williams in a New Century at composers’ the BBC National Orchestra of Wales. the British Library last November, Robin by Timothy Day Eight concerts are being planned for Wells of Charterhouse and Byron Adams Wales and there are likely to be four of the University of California have Page 10 concerts in London. The Festival begins jointly planned a superb series of at the end of 2002 and many rare choral lectures, concerts and other events at works will be programmed alongside all Charterhouse School from 23rd to 29th Postscripts on George the nine symphonies.