UNESCO's Network of Creative Cities

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UNESCO's Network of Creative Cities drishtiias.com/printpdf/unesco-s-network-of-creative-cities Why in News? United Nations Educational, Scientific and Cultural Organization (UNESCO) has included Mumbai and Hyderabad in its network of 'Creative Cities' among the 66 cities selected on the occasion of World Cities Day 2019 (31st October). With the addition of 66 new cities, the UNESCO Creative Cities Network counts a total of 246 cities. Mumbai has been designated as Creative City of Films and Hyderabad as a Creative City of Gastronomy. Earlier, Indian cities like Chennai and Varanasi have been included in UNESCO Cities of Music while Jaipur has been included in the City of Crafts and Folk Arts. Significance By joining the UNESCO Creative Cities Network (UCCN), the cities pledge to share best practices and develop partnerships involving public and private sectors as well as civil society to strengthen the creation, production, and distribution of cultural activities. UNESCO Creative Cities Network (UCCN) It was created in 2004. Currently (2019), 246 cities make up this network which aims towards a common objective of placing creativity and cultural industries at the heart of their development plans at the local level and cooperating actively at the international level. 1/2 The UNESCO Creative Cities aims to achieve Sustainable Development Goals through innovative thinking and action. Also, cities are championing sustainable development actions that directly benefit communities at the urban level. Sustainable Development Goal 11 aims for Sustainable Cities and Communities. The network covers seven creative fields: crafts and folk arts, media arts, film, design, gastronomy, literature and music. World Cities Day 2019 The United Nations General Assembly has designated the 31st of October as World Cities Day. The theme for World Cities Day,2019 is, “Changing the world: innovations and a better life for future generations”. Source: BS 2/2.

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UNESCO Creative Cities Network (UCCN)
UNESCO Creative Cities Network (UCCN) July 16, 2020 The UNESCO Creative Cities Network (UCCN) was created in 2004 to promote cooperation with and among cities that have identified creativity as a strategic factor for sustainable urban development By joining the Network, cities commit to sharing their best practices and developing partnerships involving the public and private sectors as well as civil society in order to: strengthen the creation, production, distribution and dissemination of cultural activities, goods and services develop hubs of creativity and innovation and broaden opportunities for creators and professionals in the cultural sector improve access to and participation in cultural life, in particular for marginalized or vulnerable groups and individuals Fully integrate culture and creativity into sustainable development plans. The UNESCO Creative Cities Network now counts around 246 cities. The member cities that form part of the Network come from all continents and regions with different income levels and populations. The Creative Cities Network is a privileged partner of UNESCO, not only as a platform for reflection on the role of creativity as a lever for sustainable development but also as a breeding ground of action and innovation, notably for the implementation of the 2030 Agenda for Sustainable Development. They work together towards a common mission: placing creativity and the creative economy at the core of their urban development plans to make cities safe, resilient, inclusive and sustainable, in line with the United Nations 2030 Agenda for Sustainable Development. The 7 categories for recognition under UCCN are; Crafts and Folk Arts Design Film Gastronomy Music Media Arts Literature Indian Cities under UCCN In 2019 UNESCO designated Mumbai as a member of UNESCO Creative Cities Network (UCCN) in the field of FILM and Hyderabad in the field of GASTRONOMY.
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UNESCO Office, Jakarta Issue 1, Jan-June 2015 J a N Ua R Y – M a Y 2 0 1 5
ISSUE Issue 1, Jan - J u n e 2 0 1 5 1 UNESCO Office, Jakarta Issue 1, Jan-June 2015 J a n ua r y – M a y 2 0 1 5 This issue Sustainability Science 2015 P.2 UN Post 2015 Development Agenda P.3 Natural Sciences Category 2 Centres and Chairs P.4 Masterclass Reflections P.5 Water Seminar 2015 P.5 Regional Workshop on Tsunami Policy Prologue Support and Tsunami Exercise P.6 Dear colleagues, The Role of Broadcasting Media in Tsunami Early Warning System P.6 The recent programme developments at the Regional Science Bureau for Asia and Pacific are included in this newsletter for 1 Student, 1 Book P.7 your reference and feedback. The activities presented here are result of combined efforts of Post-Disaster Psychosocial Support UNESCO family (HQ, field offices, National Commissions, Teachers’ Training P.7 UNESCO Chairs, Category 2 Centres and networks). Pekalongan as a member of UNESCO's This newsletter also highlights activities related to Post 2015 Development Agenda in this region in the context of Creative Cities Network P. 8 Sustainable Development Summit in September 2015. Borobudur Conservation Office and Happy reading! Indonesia International Work Camp Shahbaz Khan Jointly Hosted Borobudur Youth Forum Officer-In-Charge 2015 P.8 National Workshop to Promote Social Inclusion of People Living with Disabilities P.9 World Press Freedom Day in Indonesia Contact person: P. 9 Rosinta Hutauruk ([email protected]). UNESCO Jakarta, Jl. Galuh (II) No. 5. Kebayoran Baru. Publications and Media Coverage P.10 Jakarta 12110. Tel: +62-21-7399818 Fax: +62-21-72796489; Email: [email protected]; Website: www.unesco.org/new/en/jakarta International Workshop I s s u e 1 , J a n - J u n e 2 0 1 5 , p .
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The Problem of Democracy in the ASEAN Creative City: the Cases of Chiang Mai, Bandung, Cebu, and George Town
- 43 - The problem of democracy in the ASEAN Creative City: the cases of Chiang Mai, Bandung, Cebu, and George Town Phitchakan Chuangchai Article Information Issue 24: 2019: Special Issue ‘Development, Democracy and Culture’, Clammer, J. and Vickery, J., eds. This article was published on: 20th January 2020. Keywords: cities; urbanism; urban cultural policy; ASEAN; creative city movement; cultural democracy Journal ISSN: 1467-0437 Article DOI: https://doi.org/10.31273/LGD.2019.2403 Abstract The ‘Creative City’ is a global policy trend that has, evidently, been adopted by many cities around the world. At the beginning of the putative post-industrial era (early-1970s) major cities across the Europe and USA faced significant economic and social transition, specifically when their economic core was progressively hollowed out as industrial production migrated to Asia or to other, cheaper, regions. There were demonstrable urban impacts of this transition, including poverty, crime, and a generalised underdevelopment. The Creative City discourse dates to this period in the UK, when cultural consultants like Charles Landry and Franco Bianchini recognised the conditions of urban change and the potential role of culture as a framework for policy intervention. They proposed new strategic approaches, which evolved and became influential within international policy spheres — British Council, UNESCO, and regional networks, such as ASEAN. In the Southeast Asian region, the Creative City discourse was welcomed by the Association of the Southeast Asian Nations (ASEAN), and a significant number of the major cities of the associated ten countries are currently using the Creative City as a model or framework for economic growth, social progress and cultural development (and as a broader means of internationalisation, cultural diplomacy and benefitting from UN-level development framework participation).
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Thailand's Design Industry
CEA CREATIVE ECONOMY PROSPECTS | JULY - DECEMBER, 2019 02 THAILAND’S DESIGN INDUSTRY 02 CEA OUTLOOK About CEA In accordance with a Royal Decree and effective as of 14 August 2018, Thailand Creative and Design Center (TCDC) has been reestablished as the Creative Economy Agency (Public Organization) under the Office of the Prime Minister of Thailand. The Creative Economy Agency (CEA) is tasked with engaging with entrepreneurs whose businesses leverage innovation and creativity tools to offer products and services that enhance the prominence and competitiveness of Thailand’s intellectual property on the global market. To that end, the CEA uses a variety of approaches to help make creative and digital economy development a pillar of our national future. Through the provision of timely and useful data, the CEA assists in the formulation of policy whilst also establishing creative districts where the government’s agenda can be put into action. The CEA also offers training and support to aspiring creatives in conjunction with educational institutions and private sector entities at TCDC branded business incubation centers, where future luminaries of the Thai creative economy can make a start for themselves. Additionally, the CEA also serves as a repository of statistics and information that can be leveraged by domestic and international stakeholders seeking to help make Thailand a leader of creative economy in the twenty-first century. CEA CREATIVE ECONOMY PROSPECTS | JULY - DECEMBER, 2019 02 THAILAND’S DESIGN INDUSTRY 04 CEA OUTLOOK OUR TEAM CONSULTANT Apisit Laistrooglai EDITORIAL Montinee Yongvikul Sirion Hrimpranee Pannita Mitpakdee Nuttawee Tangnoi Peeradorn Keawlai Patcharawan Kunarattanapruek Rinrada Rachkeree DESIGN Kamolwan Neamsiri TRANSLATE Siritharin Charoensiri PUBLISHER CEA Creative Economy Agency (Public Organization) The Grand Postal Building 1160 Charoenkrung Road, Bangrak, Bangkok 10500 Thailand Tel: (66) 2 105 7400 Fax: (66) 2 105 7450 WWW.CEA.OR.TH PRINTER Sunta Press Co., Ltd.
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Bangkok and Sukhothai Included in the List of UNESCO Creative Cities (7/11/2019)
Bangkok and Sukhothai Included in the List of UNESCO Creative Cities (7/11/2019) The United Nations Educational, Scientific, and Cultural Organization (UNESCO) has designated Bangkok and Sukhothai among 66 new members of its Creative Cities Network (UCCN). Bangkok was designated a \"Creative City of Design and Sukhothai a \"Creative City of Crafts and Folk Art, according to an announcement made by UNESCO on 30 October 2019. The UNESCO Creative Cities Network now counts a total of 246 cities. The member cities that form part of the Network come from all continents and regions with different income levels and populations. They work together toward a common mission: placing creativity and the creative economy at the core of their urban development plans to make cities safe, resilient, inclusive and sustainable, in line with the United Nations 2030 Agenda for Sustainable Development. Earlier, Phuket was named a \"Creative City of Gastronomy in 2015, while Chiang Mai was named a \"Creative City of Crafts and Folk Art in 2017. \"All over the world, these cities, each in its own way, make culture the pillar, not an accessory, of their strategy, said UNESCO Director-General Audrey Azoulay. \"This favors political and social innovation and is particularly important for the young generations. Other cities chosen to join the network this year include Ambon in Indonesia for music, Cebu City in the Philippines and Hanoi in Vietnam for design, Mumbai in India for film, Nanjing in China for literature, and Bendigo in Australia for gastronomy. Since the first nomination in 2015, UNESCO has listed Creative Cities in seven categories: crafts and folk arts, media arts, film, design, gastronomy, literature and music.
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Sharing Participating Contributing Taking Part Promoting Engaging Sharing Participating Contributing Taking Part Promoting Enga
Sharing Participating Contributing Taking Part Promoting Engaging Sharing Participating Contributing2018 Taking Part Promoting Engaging UNESCO SharingANNU ParticipatingAL Contributing Taking Part PromotingREPO R EngagingT Sharing Participating Contributing Taking Part Promoting Engaging Sharing Participating Contributing Taking Part Promoting Engaging Sharing Participating Contributing Taking Part Promoting Engaging Sharing Participating Contributing Taking Part Promoting Engaging Sharing Participating Contributing Taking Part Promoting Engaging Sharing Participating Contributing Taking Part Promoting Engaging Sharing Participating Contributing Taking Part Promoting Engaging Greetings from the Creative City of Paducah, a small city with a large personality! Paducah is a creative community, and sometimes creativity shows up in the most surprising ways. The cornerstone of creativity is a willingness to explore new or challenging ideas. The citizens of Paducah recently embraced two difficult conversations, one about race and the other about gender identities, worldwide concerns. This compassionate city had these conversations with dignity and respect. I attended my first UNESCO Creative Cities Network meeting in Enghien-les-Bains (Media Arts). I enjoyed blogging about the experience and sharing options for participating in the Network, including film festivals, literary contests and opportunities to engage in international arts festivals. In September 2017, Paducah welcomed the Creative Cities of Crafts & Folk Art for the first annual meeting of the sub-network and the first UNESCO Creative Cities meeting to be held in the United States. Focused on the 2030 Agenda for Sustainable Development, speakers led discussions on topics from tourism to economic development and natural resources. Paducah has “leaned in” to the Creative City designation, taking flight after five years with UNESCO as our guiding post.
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Creative Cities. Mapping Creativity Driven Cities
Creativity has become a mantra of our age, endowed almost exclusively with positive virtues. At the last count, over 160 cities worldwide called themselves “creative city” from Creative Manchester to Creative Bristol and, of course, Creative London, in Britain. And ditto Canada: Toronto with its Culture Plan for the Creative City; Vancouver and the Creative City Task Force and Ottawa’s plan to be a creative city. In Australia we ﬁnd the Brisbane Creative City strategy and there is Creative Auckland. In the United States, there is Creative Cincinnati, Creative Tampa Bay and the welter of creative regions such as Creative New England. This document aims to bring together the experience of cities which have developed successful projects in order to achieve urban transformation, social inclusion, economic development and cultural prosperity through creativity. We are looking for the City 360° where the change has been driven by creativity. Milica Matovic, Anartz Madariaga Hernani & Roberto San Salvador del Valle Mapping creativity driven cities 12 good practices from UNESCO Creative Cities Network Supported by Milica Matovic Anartz Madariaga Hernani Roberto San Salvador del Valle Mapping creativity driven cities ner group 1 Cities Lab Katedra Milica Matovic Anartz Madariaga Hernani Roberto San Salvador del Valle Creative Cities Mapping creativity driven cities 12 good practices from UNESCO Creative Cities Network 2018 Deusto Cities Lab Katedra University of Deusto Bilbao Creative Cities Mapping creativity driven cities 12 good practices from
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“City of Gastronomy” of UNESCO Creative Cities Network: from International Criteria to Local Practice
特集号『社会システム研究』 2017年 7 月 55 “City of Gastronomy” of UNESCO Creative Cities Network: From International Criteria to Local Practice Cheng Xiaomin * Abstract China is among the few countries that have two cities who are granted as “City of Gastronomy” of UNESCO Creative Cities Network,but “City of Gastronomy” in China are less prominent in the orientation of creative industry and the development of creative city. On basis of analyzing the relationship between food and creativity and describing the practice of “Creative Cities Network” from the perspective of creative city, the article uses”Text Analysis” to refine the criteria of “City of Gastronomy” and use Delphi Method to select key dimensions and index in that criteria.Following the specific and filtered index of “City of Gastronomy”,the article reflects the existing problems of the construction of “City of Gastronomy” of China through the comparison of the practice of “City of Gastronomy” from international and local aspects, and proposes that China should carry on the the construction of localization of “City of Gastronomy” in many ways of the orientation of creative industry, folk wisdom of gastronomy, certification system of authentic food,heritage value of gastronomy and creative environment of gastronomy . Keywords Creative City, UNESCO Creative Cities Network, “City of Gastronomy”, Criteria I. Introduction Currently covering seven creative fields, the UNESCO Creative Cities Network (“the Network”) is spearheading the efforts to foster the growth of keys areas within the cultural and creative sector around the world. The designations of “City of Design”, “City of Film” * Correspondence to: Cheng Xiaomin Ph. D student, National Research Center of Cultural Industries, Central China Normal University The 3rd Floor, South building of the Science Hall, No.152.
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Reimagining Creative Cities in Twenty-First Century in Asia 14 August 2021, 13.00-15.00 (Bangkok Time)
Reimagining Creative Cities in Twenty-First Century in Asia 14 August 2021, 13.00-15.00 (Bangkok Time) First panel discussions: Book Launch Re-imagining Creative Cities in Twenty- First Century Asia About the book launch Dr. Xin Gu, Dr. Michael Kho Lim and Prof. Justin O’Connor are thrilled to invite you to the book launch of Re-imagining Creative Cities in Twenty-First Century Asia. This book project is a shared research interest for ‘Creative Cities’ in Asia. Along with emerging scholars from the Asia Pacific, the team have managed to create together a different narrative of creative cities with publisher Palgrave Macmillan, and would love for you to join them to celebrate their journey of exciting research, deep reflection and insightful conversations. This will be a fabulous session of knowledge sharing as part of Thailand’s International Creative Economy Week, co-sponsored by UNESCO Bangkok Office and CEA. The book launch event will focus on the context of Thai creative cities, the process they went through, the challenges they faced, how these were overcome, and the benefits they gained from becoming a member of the UNESCO Creative Cities Network. The forum/ panel discussion will also look at (new) policy initiatives that can be considered or reconsidered, as these creative cities move forward post-pandemic. About the book This book responds to the lack of Asian representation in creative cities literature. It aims to use the creative cities paradigm as part of a wider process involving first, a rapid de- industrialisation in Asia that has left a void for new development models, resulting in a popular uptake of cultural economies in Asian cities; and second, the congruence and conflicts of traditional and modern cultural values leading to a necessary re-interpretation and re-imagination of cities as places for cultural production and cultural consumption.
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Legal Texts on National Commissions Reflect the New Realities and the Ways the Network of National Commissions Would Need to Operate?
Internal Oversight Service Evaluation Section IOS/EVS/PI/112 Original: English Review of the Cooperation of UNESCO’s Secretariat with the National Commissions for UNESCO FINAL REPORT December 2011 Tera Economics: Thierry Senechal Internal Oversight Service, Evaluation Section: Barbara Torggler Ekaterina Sediakina Acknowledgements The team would like to thank National Commissions, Permanent Delegations and all UNESCO staff who contributed to and supported this review. Particular gratitude is owed to the National Commissions and Field Offices who welcomed the reviewers in their respective countries. The team would also like to thank Ms. Leslie Lovo for her assistance with data collection. This report is the product of its authors, and responsibility for the accuracy of data included therein rests with the authors. i List of Acronyms ASPNet UNESCO's Associated Schools Project Network BFC Bureau of Field Coordination DaO Delivering As One EFA Education For All ERI UNESCO Sector for External Relations and Public Information ESD Education for Sustainable Development IFCD International Fund for Cultural Diversity ICCN Inter-City Intangible Cultural Cooperation Network ICT Information and Communication Technology INGO International Non-Governmental Organization IOC Intergovernmental Oceanographic Commission IOS Internal Oversight Office MAB Man and Biosphere MDG Millennium Development Goal MOE Ministry of Education MoU Memorandum of Understanding NAC Section of National Commissions and Related Networks NGO Non-Governmental Organization PCPD Post
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UNESCO City of Music’
Report to Community and Protective Services Committee To: Chair and Members Community and Protective Services Committee From: Scott Stafford, Managing Director, Parks and Recreation Subject: Application to UNESCO for London to be designated a ‘UNESCO City of Music’ Date: March 30, 2021 Recommendation That, on the recommendation of the Managing Director, Parks and Recreation, the following actions be taken with respect to the potential designation of the City of London as a UNESCO City of Music: a) the above noted initiative BE APPROVED; b) the Mayor BE DIRECTED to provide the required letter of formal introduction and support of the application, on behalf of the Municipal Council; and, c) the Civic Administration BE DIRECTED to undertake the application process with respect to this matter. Executive Summary The purpose of this report is to seek Council direction to apply to the UNESCO Creative Cities Network (UCCN) for London to be designated a ‘UNESCO City of Music’. The application form is attached as Appendix A. The Mayor of an applicant city must provide a formal introduction of support at the beginning of the UNESCO Creative Cities Network application. Linkage to the Corporate Strategic Plan The ‘UNESCO City of Music’ designation supports the City of London’s 2019 – 2023 Strategic Plan and would be aligned with the following strategic area of focus: Growing our Economy • London will develop a top-quality workforce • London is a leader in Ontario for attracting new jobs and investments • London creates a supportive environment where
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Global Report on Culture and Sustainable Urban Development and Presentation of the First Results of the Regional Surveys
INTERNATIONAL CONFERENCE ON CULTURE FOR SUSTAINABLE CITIES Hangzhou, People’s Republic of China 10-12 December 2015 Plenary IV ‐ Introduction to the draft Global Report on Culture and Sustainable Urban Development and presentation of the first results of the regional surveys POWERPOINT PRESENTATIONS Moderator: Minja Yang (Japan), President and Professor of the Raymond Lemaire International Centre for Conservation of Katholieke Universiteit Leuven (RLICC/KU Leuven) Speakers: - Fernando Pérez Oyarzun (Chile), Representative of the Catholic Pontifical University of Chile - Walter Rossa Ferreira da Silva (Portugal), Associate Professor, University of Coimbra - Peter Rorvik (South Africa), Secretary‐General, Arterial Network - Zhou Jian (China), Secretary‐General of the World Heritage Training and Research Institute for Asia and the Pacific (WHITR‐AP) and Director of WHITRAP Shanghai Branch - Jyoti Hosagrahar (India), UNESCO Chair Professor, Srishti Institute, India and Director, SUI, GSAPP, Columbia University, New York - Hayet Guermazi (Tunisia) Director of the Culture Department, the Arab League Educational, Scientific and Cultural Organization (ALECSO) - Julian Smith (Canada), Dean of Faculty, Willowbank School and Centre - Enrico Fontanari (Italy), Professor of Urbanism, Pro‐Vice‐Chancellor for International Affairs of University Iuav of Venice - Elizaveta Levitskaya (Russian Federation), Project Manager and representative of the Strelka Institute for Media, Architecture and Design LATIN AMERICA: URBAN HERITAGE AND QUALITY OF LIFE UNESCO
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