UNESCO City of Design
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UNESCO Creative Cities Network (UCCN)
UNESCO Creative Cities Network (UCCN) July 16, 2020 The UNESCO Creative Cities Network (UCCN) was created in 2004 to promote cooperation with and among cities that have identified creativity as a strategic factor for sustainable urban development By joining the Network, cities commit to sharing their best practices and developing partnerships involving the public and private sectors as well as civil society in order to: strengthen the creation, production, distribution and dissemination of cultural activities, goods and services develop hubs of creativity and innovation and broaden opportunities for creators and professionals in the cultural sector improve access to and participation in cultural life, in particular for marginalized or vulnerable groups and individuals Fully integrate culture and creativity into sustainable development plans. The UNESCO Creative Cities Network now counts around 246 cities. The member cities that form part of the Network come from all continents and regions with different income levels and populations. The Creative Cities Network is a privileged partner of UNESCO, not only as a platform for reflection on the role of creativity as a lever for sustainable development but also as a breeding ground of action and innovation, notably for the implementation of the 2030 Agenda for Sustainable Development. They work together towards a common mission: placing creativity and the creative economy at the core of their urban development plans to make cities safe, resilient, inclusive and sustainable, in line with the United Nations 2030 Agenda for Sustainable Development. The 7 categories for recognition under UCCN are; Crafts and Folk Arts Design Film Gastronomy Music Media Arts Literature Indian Cities under UCCN In 2019 UNESCO designated Mumbai as a member of UNESCO Creative Cities Network (UCCN) in the field of FILM and Hyderabad in the field of GASTRONOMY. -
UNESCO Office, Jakarta Issue 1, Jan-June 2015 J a N Ua R Y – M a Y 2 0 1 5
ISSUE Issue 1, Jan - J u n e 2 0 1 5 1 UNESCO Office, Jakarta Issue 1, Jan-June 2015 J a n ua r y – M a y 2 0 1 5 This issue Sustainability Science 2015 P.2 UN Post 2015 Development Agenda P.3 Natural Sciences Category 2 Centres and Chairs P.4 Masterclass Reflections P.5 Water Seminar 2015 P.5 Regional Workshop on Tsunami Policy Prologue Support and Tsunami Exercise P.6 Dear colleagues, The Role of Broadcasting Media in Tsunami Early Warning System P.6 The recent programme developments at the Regional Science Bureau for Asia and Pacific are included in this newsletter for 1 Student, 1 Book P.7 your reference and feedback. The activities presented here are result of combined efforts of Post-Disaster Psychosocial Support UNESCO family (HQ, field offices, National Commissions, Teachers’ Training P.7 UNESCO Chairs, Category 2 Centres and networks). Pekalongan as a member of UNESCO's This newsletter also highlights activities related to Post 2015 Development Agenda in this region in the context of Creative Cities Network P. 8 Sustainable Development Summit in September 2015. Borobudur Conservation Office and Happy reading! Indonesia International Work Camp Shahbaz Khan Jointly Hosted Borobudur Youth Forum Officer-In-Charge 2015 P.8 National Workshop to Promote Social Inclusion of People Living with Disabilities P.9 World Press Freedom Day in Indonesia Contact person: P. 9 Rosinta Hutauruk ([email protected]). UNESCO Jakarta, Jl. Galuh (II) No. 5. Kebayoran Baru. Publications and Media Coverage P.10 Jakarta 12110. Tel: +62-21-7399818 Fax: +62-21-72796489; Email: [email protected]; Website: www.unesco.org/new/en/jakarta International Workshop I s s u e 1 , J a n - J u n e 2 0 1 5 , p . -
Annual Report 2016
Annual Report 2016 Left to right: Liz Cuddy of DUCoL, Director of DUCoL Jane Alger, Lord Mayor of Dublin Críona Ní Dhálaigh, Author Lia Mills, City Librarian Margaret Hayes and Jackie Lynam of DUCoL at the launch of Two Cities One Book 2016 Visit www.dublincityofliterature.ie email [email protected] dublincityofliterature @dublincityoflit CHAIR Our work this year has been guided by the Dublin UNESCO City of Literature Strategic Plan 2016 – 2018, which provides the development framework for the realisation of Dublin’s ambition across six themes, each with local, national and international dimensions. It also connects strongly to the aims and objectives of the UNESCO Creative Cities Network as a whole. The Irish National Decade of Commemoration 2012 to 2022 remembers, respects and reflects on the most important events in the history of the state. During 2016, the centenary year of the Easter Rising, Dublin has been a centre of activity and we were pleased and proud to contribute a strong literary strand to national events and to Dublin In June, DUCoL director Jane Alger resigned from City Council’s award winning programme, Dublin her post. Jane was the inaugural director of the Remembers 1916–2016: Is Cuimhin Linn. office and I would like to take this opportunity of thanking her for her outstanding contribution to This year, the successful Dublin One City, One Dublin UNESCO City of Literature – Annual Report 2016 the work of DUCoL, which has helped lay solid Book initiative partnered with Belfast City for the foundations for the city’s role as a leader in literary Two Cities, One Book programme of reading and and cultural development in the years ahead. -
AAA Midwest Traveler | September/October 2018 AAA.Com Walks
Feast for the These UNESCO Creative Cities give travelers a taste Sensesof American cuisine, art, design, and music. BY LISA WATERMAN GRAY On weekday mornings, Kansas City’s 18th & Vine Jazz District Tom’s on W. 19th Terrace. Visitors should also check out Green Lady is pretty quiet. But after dark, live performances at the Blue Room Lounge, Majestic Restaurant and Jazz Club, and The Phoenix KC. Jazz Club inside the American Jazz Museum get the place hopping. The UNESCO designation “… provides a unique opportunity for The iconic 1912 Gem Theater across the street and the Mutual our city to showcase its cultural significance and contributions to Musicians Foundation on Highland Avenue also draw fans amid music history,” says Scott Wagner, Kansas City’s mayor pro tem this birthplace neighborhood of Kansas City jazz. The historical and 1st District councilman at-large. “Our application showed the district also played a pivotal role in local African-American life. movement of jazz from Kansas City to (New York, New Orleans and O Last year, Kansas City, Mo., was named a UNESCO City of Music. Chicago) and the world – especially Europe.” Since 2004, the UNESCO (United Nations Educational, Scientific The Wendell Phillips Neighborhood Association, home to Kansas and Cultural Organization) Creative Cities Network has recognized City’s Historic 18th & Vine Jazz District, filed the winning application. member cities for their accomplishments in Music, Crafts and Folk While there is a four-year plan associated with UNESCO’s desig- Art, Design, Film, Gastronomy, Literature, and Media Arts. The nation, Wagner said it’s “less about museums and more about cul- network includes nearly 200 cities in 72 countries. -
UNESCO's Network of Creative Cities
UNESCO's Network of Creative Cities drishtiias.com/printpdf/unesco-s-network-of-creative-cities Why in News? United Nations Educational, Scientific and Cultural Organization (UNESCO) has included Mumbai and Hyderabad in its network of 'Creative Cities' among the 66 cities selected on the occasion of World Cities Day 2019 (31st October). With the addition of 66 new cities, the UNESCO Creative Cities Network counts a total of 246 cities. Mumbai has been designated as Creative City of Films and Hyderabad as a Creative City of Gastronomy. Earlier, Indian cities like Chennai and Varanasi have been included in UNESCO Cities of Music while Jaipur has been included in the City of Crafts and Folk Arts. Significance By joining the UNESCO Creative Cities Network (UCCN), the cities pledge to share best practices and develop partnerships involving public and private sectors as well as civil society to strengthen the creation, production, and distribution of cultural activities. UNESCO Creative Cities Network (UCCN) It was created in 2004. Currently (2019), 246 cities make up this network which aims towards a common objective of placing creativity and cultural industries at the heart of their development plans at the local level and cooperating actively at the international level. 1/2 The UNESCO Creative Cities aims to achieve Sustainable Development Goals through innovative thinking and action. Also, cities are championing sustainable development actions that directly benefit communities at the urban level. Sustainable Development Goal 11 aims for Sustainable Cities and Communities. The network covers seven creative fields: crafts and folk arts, media arts, film, design, gastronomy, literature and music. -
Download Annual Report 2014
REYKJAVIK EDINBURGH DUBLIN PRAGUE NORWICH KRAKOW IOWA CITY HEIDELBERG GRANADA MELBOURNE DUNEDIN Annual Report 2014 Celebrating Seamus Heaney Presented by Dublin City Council and Poetry Ireland THE NATIONAL CONCERT HALL, DUBLIN Wednesday 23 April 2014 CHAIR The UNESCO Creative Cities Network has a specific cultural mandate and 2014 saw the addition of 28 newly designated cities across the seven thematic areas - including the Irish city of Galway as a City of Film. Dublin is particularly pleased to welcome four new sister Cities of Literature - Dunedin in New Zealand, Granada in Spain, Heidelberg in Germany and Prague in the Czech Republic. Dublin UNESCO City of Literature (DUCoL) is proud to present this annual report which outlines the progress made in delivering on the UNESCO Creative Cities mandate during the past year. As chair of the DUCoL Management Group I am pleased to announce the beginning of a consultation process which will lead to a new events of which are now well established on the DUCoL strategic plan for the next three years. city’s literary calendar. Dublin UNESCO City of Literature – Annual Report 2014 “The Seamus Heaney It was encouraging to note that the Your Dublin I would like to take this opportunity of event was emotional, Your Voice survey*, carried out for Dublin congratulating Director Jane Alger and her staff dignified and a City Council in early June, found that 64% of for their dedicated work throughout the year. The wonderful tribute to his respondents were aware that Dublin is a UNESCO important role of the Management and Steering genius.” City of Literature and a further 71% were aware Groups in bringing together the many strands of of the Dublin: One City One Book Festival - one literary endeavour in the city is also acknowledged. -
The Problem of Democracy in the ASEAN Creative City: the Cases of Chiang Mai, Bandung, Cebu, and George Town
- 43 - The problem of democracy in the ASEAN Creative City: the cases of Chiang Mai, Bandung, Cebu, and George Town Phitchakan Chuangchai Article Information Issue 24: 2019: Special Issue ‘Development, Democracy and Culture’, Clammer, J. and Vickery, J., eds. This article was published on: 20th January 2020. Keywords: cities; urbanism; urban cultural policy; ASEAN; creative city movement; cultural democracy Journal ISSN: 1467-0437 Article DOI: https://doi.org/10.31273/LGD.2019.2403 Abstract The ‘Creative City’ is a global policy trend that has, evidently, been adopted by many cities around the world. At the beginning of the putative post-industrial era (early-1970s) major cities across the Europe and USA faced significant economic and social transition, specifically when their economic core was progressively hollowed out as industrial production migrated to Asia or to other, cheaper, regions. There were demonstrable urban impacts of this transition, including poverty, crime, and a generalised underdevelopment. The Creative City discourse dates to this period in the UK, when cultural consultants like Charles Landry and Franco Bianchini recognised the conditions of urban change and the potential role of culture as a framework for policy intervention. They proposed new strategic approaches, which evolved and became influential within international policy spheres — British Council, UNESCO, and regional networks, such as ASEAN. In the Southeast Asian region, the Creative City discourse was welcomed by the Association of the Southeast Asian Nations (ASEAN), and a significant number of the major cities of the associated ten countries are currently using the Creative City as a model or framework for economic growth, social progress and cultural development (and as a broader means of internationalisation, cultural diplomacy and benefitting from UN-level development framework participation). -
MEMBERSHIP MONITORING REPORT November 2017
MEMBERSHIP MONITORING REPORT November 2017 D A 1 A 1 067 OA 40 A D O Y RO A D D R A L BA N E R R D AY AY EA TO D LS A N N AD E HA RO O SH IPSTON E R L ESON R O TT A AD M PA D O R A D G HE RO A OA O KE S ON L CL A R T AT X M T BU R D S E H T T M A N SEY E RR A R T E R RO G UE V A T S A LL L O LD I MA W EE M O U SEH I R AL ENH NG A ER T Y RD D AC RE ST TR G D RK I S N BA D R EL OA FI R D R NG E R CE AG PI W O D E H O U O WI M SE ST TABLE OF CONTENTS N AD A R RO E S E D R ST ED 1. Executive Summary ________________________________________________________________KE SP 1 A V B W L T SILV I A ER S REE ST ST R RE TE B X ET A A E D 2. General Information ________________________________________________________________U SS 3 NG RK S CH WI ST E R EET M R O AT T OF A A R S HA C EN G ATE 3. Contribution to the KNetwork’s LGlobalD Management ___________________________________C O WG 4 TR GI D M RAC K S A R HE EE BA ST T PH R S E T L E CA I T T T GH E N 4. -
Thailand's Design Industry
CEA CREATIVE ECONOMY PROSPECTS | JULY - DECEMBER, 2019 02 THAILAND’S DESIGN INDUSTRY 02 CEA OUTLOOK About CEA In accordance with a Royal Decree and effective as of 14 August 2018, Thailand Creative and Design Center (TCDC) has been reestablished as the Creative Economy Agency (Public Organization) under the Office of the Prime Minister of Thailand. The Creative Economy Agency (CEA) is tasked with engaging with entrepreneurs whose businesses leverage innovation and creativity tools to offer products and services that enhance the prominence and competitiveness of Thailand’s intellectual property on the global market. To that end, the CEA uses a variety of approaches to help make creative and digital economy development a pillar of our national future. Through the provision of timely and useful data, the CEA assists in the formulation of policy whilst also establishing creative districts where the government’s agenda can be put into action. The CEA also offers training and support to aspiring creatives in conjunction with educational institutions and private sector entities at TCDC branded business incubation centers, where future luminaries of the Thai creative economy can make a start for themselves. Additionally, the CEA also serves as a repository of statistics and information that can be leveraged by domestic and international stakeholders seeking to help make Thailand a leader of creative economy in the twenty-first century. CEA CREATIVE ECONOMY PROSPECTS | JULY - DECEMBER, 2019 02 THAILAND’S DESIGN INDUSTRY 04 CEA OUTLOOK OUR TEAM CONSULTANT Apisit Laistrooglai EDITORIAL Montinee Yongvikul Sirion Hrimpranee Pannita Mitpakdee Nuttawee Tangnoi Peeradorn Keawlai Patcharawan Kunarattanapruek Rinrada Rachkeree DESIGN Kamolwan Neamsiri TRANSLATE Siritharin Charoensiri PUBLISHER CEA Creative Economy Agency (Public Organization) The Grand Postal Building 1160 Charoenkrung Road, Bangrak, Bangkok 10500 Thailand Tel: (66) 2 105 7400 Fax: (66) 2 105 7450 WWW.CEA.OR.TH PRINTER Sunta Press Co., Ltd. -
Reykjavík Unesco City of Literature
Reykjavík unesco City of Literature Reykjavík unesco City of Literature Reykjavík unesco City of Literature Reykjavík City of Steering Committee Fridbjörg Ingimarsdóttir Submission writers: Literature submission Svanhildur Konrádsdóttir Director Audur Rán Thorgeirsdóttir, (Committee Chair) Hagthenkir – Kristín Vidarsdóttir Audur Rán Thorgeirsdóttir Director Association of Writers (point person) Reykjavík City of Non-Fiction and Literature Trail: Project Manager Department of Culture Educational Material Reykjavík City Library; Reykjavík City and Tourism Kristín Vidarsdóttir and Department of Culture Esther Ýr Thorvaldsdóttir Úlfhildur Dagsdóttir and Tourism Signý Pálsdóttir Executive Director Tel: (354) 590 1524 Head of Cultural Office Nýhil Publishing Project Coordinator: [email protected] Reykjavík City Svanhildur Konradsdóttir audur.ran.thorgeirsdottir Department of Culture Gudrún Dís Jónatansdóttir @reykjavík.is and Tourism Director Translator: Gerduberg Culture Centre Helga Soffía Einarsdóttir Kristín Vidarsdóttir Anna Torfadóttir (point person) City Librarian Gudrún Nordal Date of submission: Project Manager/Editor Reykjavík City Library Director January 2011 Reykjavík City The Árni Magnússon Institute Department of Culture and Audur Árný Stefánsdóttir for Icelandic Studies Photography: Tourism/Reykjavík City Library Head of Primary and Lower Cover and chapter dividers Tel: (354) 411 6123/ (354) 590 1524 Secondary Schools Halldór Gudmundsson Raphael Pinho [email protected] Reykjavík City Director [email protected] -
Saint-Etienne UNESCO City of Design Activity Report 2014-2017
Saint-Etienne UNESCO City of Design Activity report 2014-2017 Saint-Etienne – 15 décembre 2017 Table of contents Introduction 3 1 Executive summary 7 2 General information 9 3 Contribution to the global network’s 11 management Building the network together 4 Major initiatives implemented 15 at the local level Saint-Etienne - a design lab city 5 Major initiatives implemented through 23 inter-city cooperation to achieve the UCCN objectives Welcoming and sharing 6 Proposed action plan for 37 the forthcoming 4 years mid-term period Annexes 39 3 4 In November 2010, Saint-Etienne companies , who would like to Introduction became the first French city to understand the benefits of design, join the UNESCO Creative Cities who want to innovate through the of Design Network. Saint-Etienne methodological tools of the Cité is a city in transformation, which du Design: Lupi®, Labos®, Labos adopted design as an agent of Express®. There are many success change of the living environment and stories. Research design expertise economic development engine for that generates numerous research the territory. programs with national and international companies. Designers The expertise and activities of and creators who have settled Cité du design and Higher School in Saint-Etienne and pool their of Art and Design Saint-Etienne knowledge in shared workspaces and (ESADSE) have largely contributed incubators created by Metropolitan to the designation of Saint-Etienne Government. A growing number of as a UNESCO City of Design. The creative people and communities Cité du design, which is the expert committed to revitalizing their and referent for Saint-Etienne, districts. -
English (ENGL) 1
English (ENGL) 1 ENGL 193 - Reading Disability (3 Hours) ENGLISH (ENGL) This course takes disability’s pervasiveness in literature—Oedipus’s blindness, Richard III’s humpback, Ahab’s peg leg—as an opportunity ENGL 185 - Critical Reading and Writing (4 Hours) to examine the meaning of disability itself. While it is easy to assume This course provides an intensive introduction to all of the skills that that “disability” refers only to a scientific category or medical diagnosis, go into good writing: critical reading, framing arguments for different reading literary texts that concentrate on disabled experience reveals audiences, mechanics, style, and research. The seminar must be taken how disability inevitably connects to cultural and historical concepts during a student’s first year at the College. The core curriculum will that have equal bearing on our perceptions of it. In fact, the cultural ask students to continue to refine their writing, but this course lays the connotations surrounding disability often condition how it is treated foundation for the kinds of writing expected of students throughout within the medical community. In surveying a wide variety of literary college. texts, this course will ask students to analyze the historical variations ENGL 190 - Midnight Tales (3 Hours) in disability’s meaning with the ultimate aim of contesting simplistic Ambrose Bierce once defined the ghost as “an outward and visible sign divisions between able-bodied (or “normal”) and disabled (“abnormal”) of an invisible fear.” He might have said the same of any number of other individuals. Partially fulfills the AOK requirement in Arts and Literature supernatural creatures: vampires, zombies, werewolves, that thing you (literature).