Freakonomics Movie Worksheet Answers
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Civil Rights Violations = Broken Windows: De Minimis Curet Lex
CIVIL RIGHTS VIOLATIONS = BROKEN WINDOWS: DE MINIMIS CURET LEX Anita Bernstein * Abstract Civil rights violations that appear relatively slight may warrant judicial redress despite their small size; some of them point up important principles. Leaving these violations unremedied may contribute to an ambient lawlessness that can foster bigger harms. A small infringement in this respect resembles the criminological construct of “broken windows,” which in its prescriptive form urges governments to view de minimis violations as harbingers of more disorder to come. Using broken windows to understand privately initiated civil rights claims honors a statutory mandate and helps to achieve progressive ends. This application is potentially better than the one that police impose on the street, which has raised concerns about both justice and efficacy. Rendered as a maxim, the precept that this Article commends is De minimis curet lex : The law ought to concern itself with some affronts that appear small. INTRODUCTION ................................................................................... 897 I. “B ROKEN WINDOWS ” AS METAPHOR AND REPARATIVE TECHNIQUE .................................................................................... 902 A. The Hypothesis ...................................................................... 902 1. Disorder (in Contradistinction to Crime)....................... 902 2. Order .............................................................................. 902 3. Order and Disorder as Transitions ................................ -
One of Us Discussion Guide
www.influencefilmclub.com One of Us Discussion Guide Director: Heidi Ewing & Rachel Grady Year: 2017 Time: 95 min You might know this directorial team from: Norman Lear: Just Another Version of You (2016) Detropia (2012) 12th & Delaware (2010) Jesus Camp (2006) The Boys of Baraka (2005) FILM SUMMARY Much like trying to escape the clutches of an extreme religious cult, it turns out leaving Brooklyn’s Hasidic Jewish society without some sort of psychiatric (and in some cases physical) damage is rather difficult. As a cloistered community constructed in the wake of the Holocaust with the sole purpose of self-preservation, the Hasidic populace live under strict religious law and patriarchal control, with its own private school system and emergency services. With ONE OF US, co-directors Heidi Ewing and Rachel Grady had to develop a covert system for shooting in order to infiltrate this reticent community as they documented a trio of Jews whose curiosity led them away from the laws of their faith and into the secular world. Ari, the youngest at 18, discovers the wonders of the internet. He soon realizes just how much of the world has been kept from him, having been raised in religious schools without access to outside information in any form. Luzer, having left years prior, lives in a mobile home in Los Angeles with dreams of breaking into Hollywood and nightmares of religious upbringing. Both men are frank about their sheltered, stifling, abusive experiences growing up. And yet they continue to mourn their loss of purpose—something that all men of faith possess— while their curiosity about the greater world leaves them permanently searching. -
The Kimmel Center Cultural Campus Brings the Outrageous and Informative Game-Show Freakonomics Radio Live! to Philadelphia June 6, 2019
Tweet It! .@NPR hit show, @Freakonomics is coming to the @KimmelCenter! Join host Stephen J. Dubner for a rousing live game-show version of @TMSIDK_Show at the Merriam Theater on 6/6/19. More info @ kimmelcenter.org Press Contact: Lauren Woodard Jessica Christopher 215-790-5835 267-765-3738 [email protected] [email protected] THE KIMMEL CENTER CULTURAL CAMPUS BRINGS THE OUTRAGEOUS AND INFORMATIVE GAME-SHOW FREAKONOMICS RADIO LIVE! TO PHILADELPHIA JUNE 6, 2019 FOR IMMEDIATE RELEASE (Philadelphia, PA, June 7, 2019) – The Kimmel Center Cultural Campus is excited to welcome the entertaining and occasionally ridiculous journalism game-show Freakonomics Radio Live! to the Kimmel Center’s Merriam Theater stage on Saturday, June 6, 2019 at 7:30 p.m., in association with AEG. Born out of NPR’s popular podcast, Freakonomics Radio, award-winning author, journalist and host Stephen J. Dubner takes the stage to play “Tell Me Something I Don’t Know,” where contestants get a chance to try and wow Stephen and his co-host with a fascinating fact – a historical wrinkle, a new line of research – anything, really, as long as it’s factual, useful, and true! Complete with a human fact checker, an audience vote decides the winner of this outrageous and educational night. (P.S. watch out for prizes!) “We look forward to presenting this fascinating, fun and uniquely freaky take on education,” said Anne Ewers, President and CEO of the Kimmel Center for the Performing Arts. “As we pursue our Campus vision to be a catalyst for conversation in the Philadelphia community, our hope is that this event invites the audience to share in learning, through humor and an up-close-and-personal look at the making of this podcast.” Stephen J. -
J.D. Marlow Editor
811 Walton Ave # F9 J.D. Marlow (646) 456-3844 Bronx, NY 10451 Editor [email protected] Film & Video Credits: Editor “Love Fraud” 200 min 2020 4-Part Showtime Original Documentary Series Dirs. Heidi Ewing & Rachel Grady 2020 Sundance Film Festival Editor “Dogs” 60 min 2018 Netflix Original DoCumentary Series Exec. Prod. Amy Berg, Dir. Heidi Ewing Episode 2 – “The Kid With The Dog” Episode 6 – “Second Chances” Editor “One of Us” 95 min 2017 Netflix Original DoCumentary Feature Dirs. Heidi Ewing & Rachel Grady 2018 Oscar Short List, 2017 Toronto Film Festival Editor “Stay Woke: The Black Lives Matter Movement” 42 min 2016 BET The Truth Series – Broadcast Dir. Laurens Grant, Exec. Producer Jesse Williams 2017 Image Awards Nominee – Outstanding Series or Special Editor “Norman Lear: Just Another Version of You” 91 min 2015 PBS AmeriCan Masters – Documentary Feature Dirs. Heidi Ewing & Rachel Grady 2016 Sundance Film Festival (Opening Night Film) Editor / Co-ProduCer “Seeds of Time” 77 min 2013 PBS / Kino Lorber – Documentary Feature 2014 SXSW Film Festival, 2015 Berlinale Editor / ProduCer “After the Storm: Lessons from the Northern Edge” 54 min 2008 PBS Rhode Island – Broadcast Additional ExperienCe: In-House Post ProduCer Postworks Sep ‘08 – Aug ‘11 - Specialized in RED CAMERA, PHANTOM, & DSLR File Based Workflows - Conventional Film-to-tape, tape-to-tape dailies (HD & SD) & file-based dailies (RED, P2, XDCAM) - DI & Finishing workflows, delivery to major networks: HBO, PBS, Discovery, etc. Skills / Knowledge: Software: 10+ yrs experience Avid Media Composer, Adobe Premiere, Photoshop, and After Effects Hardware: Mac & PC Platform fluent, Blackmagic Decklink Studio, AJA Kona Formats: 16/35mm, HDCAM/HDCAM-SR, DigiBeta, Beta SP, DVCAM, Mini-DV / HDV RED, Phantom, P2 (AVCHD, AVC-INTRA), XDCAM / EX, SLR formats (Canon 5D/7D, H.264) EduCation: Emerson College (Boston, MA) May 2008 B.F.A. -
Workplace Freakonomics
Workplace Freakonomics MATTHEW T. BODIE* CONTENTS I. DEFINING WORKPLACE FREAKONOMICS ..................... 39 A. 24/7 Monitoring ..................... ............. 45 B. Health and Biometric Monitoring .................... 46 C. Misdirection and Subterfuge..................... 47 II. WORKPLACE FREAKONOMICS AND THE LAW OF EMPLOYEE PRIVACY .............................................. 48 III. WORKPLACE FREAKONOMICS AND ANTIDISCRIMINATION LAW..... 55 IV. CONCLUSION ........................................... 59 Data analytics has revolutionized our economy. Our ability to capture larger and larger pools of data, and then to crunch that data in increasingly sophisticated ways, has transformed endeavors such as scientific research, advertising, consumer choice, and health care. We now know a lot more about patterns of human behaviors and the relationships within those behaviors, and employment is no exception. Companies have long analyzed their workers in order to reward their most talented employees, punish slackers, and increase everyone's productivity. However, data analytics-often called "people analytics"' in this context-offers new opportunities to reveal heretofore undiscovered insights about job performance. * Callis Family Professor, Saint Louis University School of Law. Many thanks to Dennis Hirsch, Peter Shane, an anonymous reviewer, Sara Coulter, and the editors of I/S: A Journalof Law and Policyfor the Information Society, as well as fellow participants at the 2017 I/S Predictive Analytics Symposium. I See Matthew T. Bodie, Miriam A. Cherry, Marcia L. McCormick & Jintong Tang, The Law & Policy ofPeople Analytics, 88 U. COLO. L. REV. 961 (2017). 38 I/S: A JOURNAL OF LAW AND POLICY [Vol. 14.1 Much of the recent people analytics phenomenon is simply new technology applied to old questions. We have long sought to measure the value of employees' performances, and data analytics provides us with new ways of measuring and analyzing those performances. -
'Freakonomics' Documentary May Be a Rarity: Profitable
April 4, 2010 ‘Freakonomics’ Documentary May Be a Rarity: Profitable By MICHAEL CIEPLY If Steven D. Levitt and Stephen J. Dubner, the authors of “Freakonomics,” were to examine the movie business, they might ask: Why do documentary filmmakers keep doing it? It can’t be the money, because the world is awash in documentaries that make little at the box office or are not distributed at all. Occasionally, though, a documentary makes a buck for those involved — and the new documentary based on “Freakonomics” could do just that. Magnolia Pictures is expected to announce on Monday that it has acquired domestic distribution rights to the film, which was produced by the Green Film Company and directed, in parts, by a series of well-known documentarians. Those include Alex Gibney ( “Taxi to the Dark Side” ), Rachel Grady and Heidi Ewing ( “Jesus Camp” ), Morgan Spurlock ( “Super Size Me” ), Eugene Jarecki ( “Why We Fight” ) and Seth Gordon ( “The King of Kong” ). “Freakonomics,” the film, got started when Chad Troutwine, a producer who worked on an earlier multidirector movie, “Paris, Je T’aime,” became interested in the best-selling book, which looks into matters like the socioeconomic implications of baby naming. Dan O’Meara, who with Chris Romano and Mr. Troutwine is a producer of “Freakonomics,” said the movie cost just under $3 million, which is not small potatoes in the documentary world. One financial hurdle, Mr. O’Meara said, was that the big-name filmmakers, unlike many on the festival circuit, actually had to be paid. Mr. O’Meara declined to say exactly how much each received, but all were paid the same, he said, and the amounts were “a pretty reasonable fee, above guild minimums.” Mr. -
Drug Prohibition and Developing Countries: Uncertain Benefi Ts, Certain Costs 9 Philip Keefer, Norman Loayza, and Rodrigo R
Public Disclosure Authorized Public Disclosure Authorized Public Disclosure Authorized Public Disclosure Authorized INNOCENT BYSTANDERS INNOCENT Philip Keefer and Norman Loayza, Editors andNormanLoayza, Philip Keefer Developing Countries and the War onDrugs War Countriesandthe Developing INNOCENT BYSTANDERS INNOCENT BYSTANDERS Developing Countries and the War on Drugs PHILIP KEEFER AND NORMAN LOAYZA Editors A COPUBLICATION OF PALGRAVE MACMILLAN AND THE WORLD BANK © 2010 The International Bank for Reconstruction and Development / The World Bank 1818 H Street NW Washington, DC 20433 Telephone: 202-473-1000 Internet: www.worldbank.org E-mail: [email protected] All rights reserved 1 2 3 4 13 12 11 10 A copublication of The World Bank and Palgrave Macmillan. PALGRAVE MACMILLAN Palgrave Macmillan in the United Kingdom is an imprint of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire, RG21 6XS. Palgrave Macmillan in the United States is a division of St. Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave® and Macmillan® are registered trademarks in the United States, the United Kingdom, Europe, and other countries. This volume is a product of the staff of the International Bank for Reconstruction and Development / The World Bank. The fi ndings, interpretations, and conclusions expressed in this volume do not nec- essarily refl ect World Bank policy or the views of the Executive Directors of The World Bank or the governments they represent. The publication of this volume should not be construed as an endorse- ment by The World Bank of any arguments, either for or against, the legalization of drugs. -
AP Macroeconomics Summer Assignment
AP Macroeconomics Summer Assignment Ms. Kasey Dunn Social Studies Department, NHS 105b, [email protected] #1: Read the following book: This book can be found on Amazon or numerous book stores (used or new is acceptable). Consider asking past students for their copies. Freakonomics By Steven D. Levitt and Stephen J. Dubner --------------------------------------------------------------------------------------------------------------------------------------------------- #2: Answer the below questions for Freakonomics using direct references from the book. Responses need to be typed using 12font, 1 inch margins, Times New Roman or Arial. These responses should also be single-spaced; 2 pages in length. Due the first day of school. 1. Most people think of economics as a dry subject matter concerning monetary and fiscal matters. How does Freakonomics change this definition? 2. Freakonomics argues that morality represent the way we’d like the world to work, whereas economics can show how the world really does work. Do you agree? 3. Freakonomics lists three varieties of incentives: social, moral, and financial. Can you think of others? 4. Freakonomics shows how the conventional wisdom is often shoddily formed. What are some instances of conventional wisdom that you’ve always doubted? 5. Does it seem as though “experts” truly hold too much power in the modern world, or are we lucky to have them? 6. What are some issues in your daily life toward which you can apply some Freakonomics-style thinking? 7. What were some of the most convincing arguments put forth in Freakonomics? What were some of the least convincing? 8. How does the argument linking Roe vs. Wade to a drop in crime change your thinking on abortion? 9. -
Behind-The-Scenes Information from 12Th & Delaware
Heartbeat International Behind-the-Scenes Information from 12th & Delaware The film 12th & Delaware is certainly going to be controversial in the pro-life community. It purports to show a “fly-on-the-wall” view of a pregnancy help center, in Fort Pierce, FL and an abortion clinic across the street at the corner of 12th & Delaware. Below you will find what we think is important background information. The Directors and Producer: Heidi Ewing and Rachel Grady, the co-directors of 12th & Delaware most recently won awards for their film, “Jesus Camp”. Because of the commercial success of “Jesus Camp” (read here - http://www.imdb.com/title/tt0486358/ for a synopsis) they were approached by HBO Films to do another film. In tossing ideas around, HBO was amazed to hear that one of the campers in “Jesus Camp” had a family member that worked in a pro-life pregnancy help center, something HBO was totally unfamiliar with. To HBO Films a Christian, pro-life, pregnancy help center sounded like “Jesus Camp” on steroids; controversial, shows two parallel Americaʼs, pro-life vs. pro-abortion, the obscurity of pregnancy help centers (in HBOʼs view), and the fact that the film would provide a glimpse into the conservative, counterculture world of Catholic and Evangelical Christianity. HBO was intrigued and commissioned the film. Before the first role of film was shot, HBO Films and the co-directorʼs Heidi Ewing and Rachael Grady were on a mission to produce a controversial ʻexposeʼ of pregnancy help centers under the guise of documentary objectivity. For more on filmʼs back story see Heidi and Rachelʼs interviewʼs here: http://www.youtube.com/watch?v=qirkhfMpdqo, http://www.youtube.com/watch?v=py6LhnM15fc& http://www.youtube.com/watch?v=Nk8hUKBX8AQ Heidi and Rachel blog at The Huffington Post (http://www.huffingtonpost.com/heidi- ewing-and-rachel-grady) read their blogs for more insight into potential bias they may bring into the making of 12th & Delaware. -
Freakonomics
Freakonomics KINOSTART: 24.10.2013 Pressematerial unter www.kinostar.com 1 Inhaltsverzeichnis Cast und Crew Seite 3 Technische Daten Seite 3 Inhalt Seite 4 Die Buchvorlage Seite 5 Über den Film Seite 6 Das „Freakonomics“-Phänomen Seite 7 Die fünf Elemente von „Freakonomics“ Seite 8 - 9 Die vier Segmente des Films Seite 10 - 16 Über die Filmemacher Seite 17 - 20 Kontakt Seite 21 2 Crew Regie Heidi Ewing, Alex Gibney, Seth Gordon, Rachel Grady, Eugene Jarecki, Morgan Spurlock Drehbuch Peter Bull, Alex Gibney, Jeremy Chilnick, Morgan Spurlock, Eugene Jarecki, Heidi Ewing, Rachel Grady, Seth Dordon Produktion Chad Troutwine, Chris Romano, Dan O'Meara Cast Carl Alleyne Freund Zoe Sloane Blake Adesuwa Addy Iyare Mutter von Temptress Jade Viggiano High School Schülerin Sammuel Soifer Jake Jalani McNair Loser Andrew Greiche Jake Alyssa Wheeldon High School Schülerin Amancaya Aguilar Mercedes Kellie Gerardi Lexus Technische Daten Länge 93 Minuten Produktionsland USA Produktionsjahr 2010 Sound Mix Dolby Digital 3 Inhalt Kann Bestechung eine gute Sache sein? Bestimmt dein Name dein Schicksal? Was haben Sumoringer und Lehrer gemeinsam? Was wäre wenn alles, was wir über die Natur des Menschen wissen, falsch ist? FREAKONOMICS gibt Aufschluss über diese und andere Fragen. Was steckt wirklich hin ter vielen Themen des Alltags? Oft ist die naheliegende nicht die richtige Erkenntnis. Sechs renommierte Dokumentarfilmregisseure befassen sich mit den eigenwilligen The sen des bekannten Ökonomen Steven Levitt und des erfolgreichen Schriftstellers Stephen Dubner aus dem gleichnamigen Sachbuch-Bestseller. 4 Die Buchvorlage Das Buch „Freakonomics“ ist eine Sammlung von Wirtschaftsartikeln, die Themen und Theorien behandeln, die in den traditionellen Wirtschaftswissenschaften so nicht vorkom men. -
Freakonomics
Name _____________________________________________ Date ___________________ Period __________ Freakonomics Summary: In 2005, economist Steven Levitt and journalist Stephen Dubner teamed-up to write the book Freakonomics. Covering a wide-range of topics, the two set out to demonstrate that statistics and figures can be used to belie things we previously believed to know as fact. Now, documentarians Seth Gordon, Alex Gibney, Morgan Spurlock, Eugene Jarecki, Heidi Ewing and Rachel Grady have created a documentary based on Levitt and Dubner’s findings that is not only endlessly fascinating, but also immensely entertaining. Separated into four chapters with interludes, each documentarian (or pair of documentarians in Ewing and Grady) takes on a different section of the book and analyzes it in their own style. First up is Spurlock (Super Size Me), who attempts to discover if a person’s first name can dictate their success in life. Next, Alex Gibney (Taxi to the Dark Side) investigates corruption in the thought-to-be sacred world of Japanese sumo wrestling. Eugene Jarecki (Why We Fight) then looks at the incredible drop in crime rates during the 1990s and finally, Ewing and Grady (Jesus Camp) aim to learn if cash incentives can motivate underachieving students in Chicago public schools. Fundamental ideas offered in the video: *Incentives are the corner stone of modern life. *The conventional wisdom is often wrong. *Dramatic effects often have distant, even subtle, causes. *“Experts”—from criminologists to real-estate agents—use their informational advantage to serve their own agenda. *Knowing what to measure and how to measure it makes a complicated world much less so. -
Documentarydirector/Biography Loki Films
documentarydirector/biography loki films Owned and operated by Academy Award nominated filmmakers ("Jesus Camp") Heidi Ewing and Rachel Grady, Loki Films is a New York production company that has been lauded for shining a light on unknown worlds and taking an honest approach to delicate subject matter. Noted films include: "Norman Lear: Just Another Version of You:" How did a poor Jewish kid from Connecticut bring us Archie Bunker and become one of the most successful television producers ever? Norman Lear brought provocative subjects like war, poverty, and prejudice into 120 million homes every week. He proved that social change was possible through an unlikely prism: laughter. World Premiere, Sundance Film Festival 2016, Opening Night Selection. Theatrical Release Nationwide, June 2016. "DETROPIA:" An arresting exploration of Detroit City and its struggle to transform itself into a new and innovative place. The film premiered at the 2012 Sundance Film Festival, winning the Editing Award. It enjoyed a successful theatrical run, won an Emmy and was broadcast on the Independent Lens series on PBS. "Jesus Camp:" An intimate look into an intense training ground that recruits Evangelical children to become political "soldiers in the army of God." Nominated for the 2007 Academy Award. "12th & Delaware:" A collaboration with HBO, the film premiered in competition at the Sundance Film Festival and was called "the best film ever made about the abortion issue" by the LA Times. The film was nominated for a Gotham and won the prestigious Peabody Award. "Freakonomics:" An all-star team of filmmakers adapt the bestselling book into a feature-length documentary.