J.D. Marlow Editor

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811 Walton Ave # F9 J.D. Marlow (646) 456-3844 Bronx, NY 10451 Editor [email protected] Film & Video Credits: Editor “Love Fraud” 200 min 2020 4-Part Showtime Original Documentary Series Dirs. Heidi Ewing & Rachel Grady 2020 Sundance Film Festival Editor “Dogs” 60 min 2018 Netflix Original DoCumentary Series Exec. Prod. Amy Berg, Dir. Heidi Ewing Episode 2 – “The Kid With The Dog” Episode 6 – “Second Chances” Editor “One of Us” 95 min 2017 Netflix Original DoCumentary Feature Dirs. Heidi Ewing & Rachel Grady 2018 Oscar Short List, 2017 Toronto Film Festival Editor “Stay Woke: The Black Lives Matter Movement” 42 min 2016 BET The Truth Series – Broadcast Dir. Laurens Grant, Exec. Producer Jesse Williams 2017 Image Awards Nominee – Outstanding Series or Special Editor “Norman Lear: Just Another Version of You” 91 min 2015 PBS AmeriCan Masters – Documentary Feature Dirs. Heidi Ewing & Rachel Grady 2016 Sundance Film Festival (Opening Night Film) Editor / Co-ProduCer “Seeds of Time” 77 min 2013 PBS / Kino Lorber – Documentary Feature 2014 SXSW Film Festival, 2015 Berlinale Editor / ProduCer “After the Storm: Lessons from the Northern Edge” 54 min 2008 PBS Rhode Island – Broadcast Additional ExperienCe: In-House Post ProduCer Postworks Sep ‘08 – Aug ‘11 - Specialized in RED CAMERA, PHANTOM, & DSLR File Based Workflows - Conventional Film-to-tape, tape-to-tape dailies (HD & SD) & file-based dailies (RED, P2, XDCAM) - DI & Finishing workflows, delivery to major networks: HBO, PBS, Discovery, etc. Skills / Knowledge: Software: 10+ yrs experience Avid Media Composer, Adobe Premiere, Photoshop, and After Effects Hardware: Mac & PC Platform fluent, Blackmagic Decklink Studio, AJA Kona Formats: 16/35mm, HDCAM/HDCAM-SR, DigiBeta, Beta SP, DVCAM, Mini-DV / HDV RED, Phantom, P2 (AVCHD, AVC-INTRA), XDCAM / EX, SLR formats (Canon 5D/7D, H.264) EduCation: Emerson College (Boston, MA) May 2008 B.F.A. in Media ProduCtion: Film (Magna Cum Laude, Honors Program, Gold Key Honor) www.jdmarlow.com .

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One of Us Discussion Guide
www.influencefilmclub.com One of Us Discussion Guide Director: Heidi Ewing & Rachel Grady Year: 2017 Time: 95 min You might know this directorial team from: Norman Lear: Just Another Version of You (2016) Detropia (2012) 12th & Delaware (2010) Jesus Camp (2006) The Boys of Baraka (2005) FILM SUMMARY Much like trying to escape the clutches of an extreme religious cult, it turns out leaving Brooklyn’s Hasidic Jewish society without some sort of psychiatric (and in some cases physical) damage is rather difficult. As a cloistered community constructed in the wake of the Holocaust with the sole purpose of self-preservation, the Hasidic populace live under strict religious law and patriarchal control, with its own private school system and emergency services. With ONE OF US, co-directors Heidi Ewing and Rachel Grady had to develop a covert system for shooting in order to infiltrate this reticent community as they documented a trio of Jews whose curiosity led them away from the laws of their faith and into the secular world. Ari, the youngest at 18, discovers the wonders of the internet. He soon realizes just how much of the world has been kept from him, having been raised in religious schools without access to outside information in any form. Luzer, having left years prior, lives in a mobile home in Los Angeles with dreams of breaking into Hollywood and nightmares of religious upbringing. Both men are frank about their sheltered, stifling, abusive experiences growing up. And yet they continue to mourn their loss of purpose—something that all men of faith possess— while their curiosity about the greater world leaves them permanently searching.
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'Freakonomics' Documentary May Be a Rarity: Profitable
April 4, 2010 ‘Freakonomics’ Documentary May Be a Rarity: Profitable By MICHAEL CIEPLY If Steven D. Levitt and Stephen J. Dubner, the authors of “Freakonomics,” were to examine the movie business, they might ask: Why do documentary filmmakers keep doing it? It can’t be the money, because the world is awash in documentaries that make little at the box office or are not distributed at all. Occasionally, though, a documentary makes a buck for those involved — and the new documentary based on “Freakonomics” could do just that. Magnolia Pictures is expected to announce on Monday that it has acquired domestic distribution rights to the film, which was produced by the Green Film Company and directed, in parts, by a series of well-known documentarians. Those include Alex Gibney ( “Taxi to the Dark Side” ), Rachel Grady and Heidi Ewing ( “Jesus Camp” ), Morgan Spurlock ( “Super Size Me” ), Eugene Jarecki ( “Why We Fight” ) and Seth Gordon ( “The King of Kong” ). “Freakonomics,” the film, got started when Chad Troutwine, a producer who worked on an earlier multidirector movie, “Paris, Je T’aime,” became interested in the best-selling book, which looks into matters like the socioeconomic implications of baby naming. Dan O’Meara, who with Chris Romano and Mr. Troutwine is a producer of “Freakonomics,” said the movie cost just under $3 million, which is not small potatoes in the documentary world. One financial hurdle, Mr. O’Meara said, was that the big-name filmmakers, unlike many on the festival circuit, actually had to be paid. Mr. O’Meara declined to say exactly how much each received, but all were paid the same, he said, and the amounts were “a pretty reasonable fee, above guild minimums.” Mr.
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Behind-The-Scenes Information from 12Th & Delaware
Heartbeat International Behind-the-Scenes Information from 12th & Delaware The film 12th & Delaware is certainly going to be controversial in the pro-life community. It purports to show a “fly-on-the-wall” view of a pregnancy help center, in Fort Pierce, FL and an abortion clinic across the street at the corner of 12th & Delaware. Below you will find what we think is important background information. The Directors and Producer: Heidi Ewing and Rachel Grady, the co-directors of 12th & Delaware most recently won awards for their film, “Jesus Camp”. Because of the commercial success of “Jesus Camp” (read here - http://www.imdb.com/title/tt0486358/ for a synopsis) they were approached by HBO Films to do another film. In tossing ideas around, HBO was amazed to hear that one of the campers in “Jesus Camp” had a family member that worked in a pro-life pregnancy help center, something HBO was totally unfamiliar with. To HBO Films a Christian, pro-life, pregnancy help center sounded like “Jesus Camp” on steroids; controversial, shows two parallel Americaʼs, pro-life vs. pro-abortion, the obscurity of pregnancy help centers (in HBOʼs view), and the fact that the film would provide a glimpse into the conservative, counterculture world of Catholic and Evangelical Christianity. HBO was intrigued and commissioned the film. Before the first role of film was shot, HBO Films and the co-directorʼs Heidi Ewing and Rachael Grady were on a mission to produce a controversial ʻexposeʼ of pregnancy help centers under the guise of documentary objectivity. For more on filmʼs back story see Heidi and Rachelʼs interviewʼs here: http://www.youtube.com/watch?v=qirkhfMpdqo, http://www.youtube.com/watch?v=py6LhnM15fc& http://www.youtube.com/watch?v=Nk8hUKBX8AQ Heidi and Rachel blog at The Huffington Post (http://www.huffingtonpost.com/heidi- ewing-and-rachel-grady) read their blogs for more insight into potential bias they may bring into the making of 12th & Delaware.
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Freakonomics
Freakonomics KINOSTART: 24.10.2013 Pressematerial unter www.kinostar.com 1 Inhaltsverzeichnis Cast und Crew Seite 3 Technische Daten Seite 3 Inhalt Seite 4 Die Buchvorlage Seite 5 Über den Film Seite 6 Das „Freakonomics“-Phänomen Seite 7 Die fünf Elemente von „Freakonomics“ Seite 8 - 9 Die vier Segmente des Films Seite 10 - 16 Über die Filmemacher Seite 17 - 20 Kontakt Seite 21 2 Crew Regie Heidi Ewing, Alex Gibney, Seth Gordon, Rachel Grady, Eugene Jarecki, Morgan Spurlock Drehbuch Peter Bull, Alex Gibney, Jeremy Chilnick, Morgan Spurlock, Eugene Jarecki, Heidi Ewing, Rachel Grady, Seth Dordon Produktion Chad Troutwine, Chris Romano, Dan O'Meara Cast Carl Alleyne Freund Zoe Sloane Blake Adesuwa Addy Iyare Mutter von Temptress Jade Viggiano High School Schülerin Sammuel Soifer Jake Jalani McNair Loser Andrew Greiche Jake Alyssa Wheeldon High School Schülerin Amancaya Aguilar Mercedes Kellie Gerardi Lexus Technische Daten Länge 93 Minuten Produktionsland USA Produktionsjahr 2010 Sound Mix Dolby Digital 3 Inhalt Kann Bestechung eine gute Sache sein? Bestimmt dein Name dein Schicksal? Was haben Sumoringer und Lehrer gemeinsam? Was wäre wenn alles, was wir über die Natur des Menschen wissen, falsch ist? FREAKONOMICS gibt Aufschluss über diese und andere Fragen. Was steckt wirklich hin ter vielen Themen des Alltags? Oft ist die naheliegende nicht die richtige Erkenntnis. Sechs renommierte Dokumentarfilmregisseure befassen sich mit den eigenwilligen The sen des bekannten Ökonomen Steven Levitt und des erfolgreichen Schriftstellers Stephen Dubner aus dem gleichnamigen Sachbuch-Bestseller. 4 Die Buchvorlage Das Buch „Freakonomics“ ist eine Sammlung von Wirtschaftsartikeln, die Themen und Theorien behandeln, die in den traditionellen Wirtschaftswissenschaften so nicht vorkom men.
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Freakonomics
Name _____________________________________________ Date ___________________ Period __________ Freakonomics Summary: In 2005, economist Steven Levitt and journalist Stephen Dubner teamed-up to write the book Freakonomics. Covering a wide-range of topics, the two set out to demonstrate that statistics and figures can be used to belie things we previously believed to know as fact. Now, documentarians Seth Gordon, Alex Gibney, Morgan Spurlock, Eugene Jarecki, Heidi Ewing and Rachel Grady have created a documentary based on Levitt and Dubner’s findings that is not only endlessly fascinating, but also immensely entertaining. Separated into four chapters with interludes, each documentarian (or pair of documentarians in Ewing and Grady) takes on a different section of the book and analyzes it in their own style. First up is Spurlock (Super Size Me), who attempts to discover if a person’s first name can dictate their success in life. Next, Alex Gibney (Taxi to the Dark Side) investigates corruption in the thought-to-be sacred world of Japanese sumo wrestling. Eugene Jarecki (Why We Fight) then looks at the incredible drop in crime rates during the 1990s and finally, Ewing and Grady (Jesus Camp) aim to learn if cash incentives can motivate underachieving students in Chicago public schools. Fundamental ideas offered in the video: *Incentives are the corner stone of modern life. *The conventional wisdom is often wrong. *Dramatic effects often have distant, even subtle, causes. *“Experts”—from criminologists to real-estate agents—use their informational advantage to serve their own agenda. *Knowing what to measure and how to measure it makes a complicated world much less so.
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Documentarydirector/Biography Loki Films
documentarydirector/biography loki films Owned and operated by Academy Award nominated filmmakers ("Jesus Camp") Heidi Ewing and Rachel Grady, Loki Films is a New York production company that has been lauded for shining a light on unknown worlds and taking an honest approach to delicate subject matter. Noted films include: "Norman Lear: Just Another Version of You:" How did a poor Jewish kid from Connecticut bring us Archie Bunker and become one of the most successful television producers ever? Norman Lear brought provocative subjects like war, poverty, and prejudice into 120 million homes every week. He proved that social change was possible through an unlikely prism: laughter. World Premiere, Sundance Film Festival 2016, Opening Night Selection. Theatrical Release Nationwide, June 2016. "DETROPIA:" An arresting exploration of Detroit City and its struggle to transform itself into a new and innovative place. The film premiered at the 2012 Sundance Film Festival, winning the Editing Award. It enjoyed a successful theatrical run, won an Emmy and was broadcast on the Independent Lens series on PBS. "Jesus Camp:" An intimate look into an intense training ground that recruits Evangelical children to become political "soldiers in the army of God." Nominated for the 2007 Academy Award. "12th & Delaware:" A collaboration with HBO, the film premiered in competition at the Sundance Film Festival and was called "the best film ever made about the abortion issue" by the LA Times. The film was nominated for a Gotham and won the prestigious Peabody Award. "Freakonomics:" An all-star team of filmmakers adapt the bestselling book into a feature-length documentary.
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CMSI Journey to the Academy Awards -- Race and Gender in a Decade of Documentary 2008-2017 (2-20-17)
! Journey to the Academy Awards: A Decade of Race & Gender in Oscar-Shortlisted Documentaries (2008-2017) PRELIMINARY KEY FINDINGS Caty Borum Chattoo, Nesima Aberra, Michele Alexander, Chandler Green1 February 2017 In the Best Documentary Feature category of the Academy Awards, 2017 is a year of firsts. For the first time, four of the five Oscar-nominated documentary directors in the category are people of color (Roger Ross Williams, for Life, Animated; Ezra Edelman, for O.J.: Made in America; Ava DuVernay, for 13th; and Raoul Peck, for I Am Not Your Negro). In fact, 2017 reveals the largest percentage of Oscar-shortlisted documentary directors of color over at least the past decade. Almost a third (29%) of this year’s 17 credited Oscar-shortlisted documentary directors (in the Best Documentary Feature category) are people of color, up from 18 percent in 2016, none in 2015, and 17 percent in 2014. The percentage of recognized women documentary directors, while an increase from last year (24 percent of recognized shortlisted directors in 2017 are women, compared to 18 percent in 2016), remains at relatively the same low level of recognition over the past decade. In 2016, as a response to widespread criticism and negative media coverage, the Academy of Motion Picture Arts & Sciences welcomed a record number of new members to become part of the voting class to bestow Academy Awards: 683 film professionals (46 percent women, 41 percent people of color) were invited in.2 According to the Academy, prior to this new 2016 class, its membership was 92 percent white and 75 percent male.3 To represent the documentary category, 42 new documentary creative professionals (directors and producers) were invited as new members.
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FOR IMMEDIATE RELEASE CONTACT Voleine Amilcar 415
FOR IMMEDIATE RELEASE CONTACT Voleine Amilcar 415-356-8383 x 244 [email protected] Mary Lugo 770-623-8190 [email protected] Cara White 843-881-1480 [email protected] Go to the pressroom for more information and/or downloadable images: http://www.pbs.org/pressroom/ DETROPIA PREMIERES ON INDEPENDENT LENS ON MONDAY, MAY 27, 2013 ON PBS Award-winning Documentary Offers Unique Look at the Troubled Times and Indomitable Spirit of the Motor City "The most moving documentary I've seen in years. Both an ardent love letter to past vitality and a grateful salute to those who remain in place." – David Denby, The New Yorker (San Francisco, CA) – Detroit was the birthplace of the middle class, an industrial utopia where anyone who worked hard enough could experience the American Dream. Today, Detroit is on the brink of bankruptcy. In the past ten years, this iconic Midwestern city has lost 25 percent of its population and 50 percent of its manufacturing jobs. Local officials are in the midst of the most dramatic “downsizing” of an American city ever seen: demolishing thousands of homes, reconsolidating massive tracts of excess land, cutting basic services, and even encouraging Detroiters in the most marginal neighborhoods to move. Detroiters who have stuck with the city are at the breaking point. Despite these desperate conditions, there is still an allure to Detroit artists; curious outsiders flock to the city in search of inspiration and opportunity. Produced and directed by Heidi Ewing and Rachel Grady (12th & Delaware, Jesus Camp), Detropia premieres on Independent Lens, hosted by Stanley Tucci, on Monday, May 27, 2013 at 10 PM ET (check local listings).
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Freakonomics Movie Worksheet Answers
Freakonomics movie worksheet answers Continue Freakonomics: The Movie (available on Netflix and Hulu) is a documentary by Chad Troutwin's adaptation of a phenomenal bestseller about the stimuli-based thinking of Steven Levitt and Stephen Dubner. The film examines human behavior through consistently provocative and often hilarious case studies. Working with Dan O'Meara and Chris Romano, Troutwin assembled a team of filmmakers responsible for some of the most famous and entertaining documentaries of recent years. Making Freakonomics: The film After Chad Troutwin read Freakonomics and his study of neoclassical microeconomic principles in rational maximization of utility, he thought: This must be a movie! As an entrepreneur and director, he was actually able to continue his crackpot fantasy with the zeal of a young Howard Hughes. Pursuing agency talent authors for nearly a year, Troutwin eventually saw that his perseverance won the day. He optioned cinematic rights to Freakonomics and began assembling a team of directors for each solution to a different freaky theme. He met Morgan Spurlock (Super Size Me) at the Sundance Film Festival and quickly recruited him. Trautwin then hired Oscar winner Alex Gibney (Enron: The Smartest Guys in the Room), who offered to add the directorial team to Heidi Ewing and Rachel Grady (Jesus Camp). Spurlock recommended Sundance Grand Jury winner Eugene Jaretzkoy (Why We Fight), and Troutwin invited Seth Gordon (King Kong) to take part in the production duties and direct the introduction of the film and connecting interviews between the four main segments. Freakonomics: The film was the Closing Night Gala Film at the Tribeca Film Festival, premiering in front of a capacity crowd of more than 1,000 festival goers ..
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AM Norman Lear Production Bios
Press Contact: Natasha Padilla, WNET, 212.560.8824, [email protected] Press Materials: http://pbs.org/pressroom or http://thirteen.org/pressroom Websites: http://pbs.org/americanmasters , http://facebook.com/americanmasters , @PBSAmerMasters , http://pbsamericanmasters.tumblr.com , http://youtube.com/AmericanMastersPBS , http://instagram.com/pbsamericanmasters , #AmericanMastersPBS American Masters – Norman Lear: Just Another Version of You Premieres nationwide Tuesday, October 25 at 9:00 p.m. on PBS (check local listings) Production Biographies Heidi Ewing Director Originally from Detroit, Ewing is the co-director of DETROPIA (2012, Sundance and Emmy winner), a searing exploration of the rise and fall of her hometown. She is also the co-director of Oscar-nominated Jesus Camp (Magnolia/A&E Indie), The Boys of Baraka (PBS, ThinkFilm, Emmy nominee) and 12th & Delaware (HBO, Peabody winner). Ewing is currently at work on The Arrivals , about two successful Mexican immigrants searching for a path to legalization. Ewing is the co-owner of New York’s Loki Films. Rachel Grady Director Rachel Grady is the co-director of the Academy Award-nominated documentary Jesus Camp, which chronicles the Evangelical movement through the eyes of children. Grady also co-directed The Boys of Baraka , which won a NAACP Image Award. Grady won a Peabody Award for 12th & Delaware , and recently co-directed DETROPIA , an arresting exploration of Detroit City. The film won an Emmy and an Editing Award at the Sundance Film Festival. Grady is the co-owner of New York’s Loki Films. Brent Miller Producer Norman Lear: Just Another Version of You serves as Brent Miller’s debut producing credit for a feature film.
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CMSI Journey to the Academy Awards -- Race and Gender in a Decade of Documentary 2008-2017
! Journey to the Academy Awards: A Decade of Race & Gender in Oscar-Shortlisted Documentaries (2008-2017) PRELIMINARY KEY FINDINGS Caty Borum Chattoo, Nesima Aberra, Michele Alexander, Chandler Green1 February 2017 In the Best Documentary Feature category of the Academy Awards, 2017 is a year of firsts. For the first time, four of the five Oscar-nominated documentary directors in the category are people of color (Roger Ross Williams, for Life, Animated; Ezra Edelman, for O.J.: Made in America; Ava DuVernay, for 13th; and Raoul Peck, for I Am Not Your Negro). In fact, 2017 reveals the largest percentage of Oscar-shortlisted documentary directors of color over at least the past decade. Almost a third (29%) of this year’s 17 credited Oscar-shortlisted documentary directors (in the Best Documentary Feature category) are people of color, up from 18 percent in 2016, none in 2015, and 17 percent in 2014. The percentage of recognized women documentary directors, while an increase from last year (24 percent of recognized shortlisted directors in 2017 are women, compared to 18 percent in 2016), remains at relatively the same low level of recognition over the past decade. In 2016, as a response to widespread criticism and negative media coverage, the Academy of Motion Picture Arts & Sciences welcomed a record number of new members to become part of the voting class to bestow Academy Awards: 683 film professionals (46 percent women, 41 percent people of color) were invited in.2 According to the Academy, prior to this new 2016 class, its membership was 92 percent white and 75 percent male.3 To represent the documentary category, 42 new documentary creative professionals (directors and producers) were invited as new members.
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Doc Nyc, November 9-16, Announces Opening Night Film the Final Year
DOC NYC, NOVEMBER 9-16, ANNOUNCES OPENING NIGHT FILM THE FINAL YEAR VISIONARIES TRIBUTE AWARD RECIPIENTS HEIDI EWING, RACHEL GRADY, CARA MERTES 15-TITLE “SHORT LIST” SPOTLIGHTING AWARDS SEASON DOC CONTENDERS NEW YORK, Sept. 28, 2017 – DOC NYC, America’s largest documentary festival, running November 9-16, announced its Opening Night film will be The Final Year, directed by Greg Barker, which follows key members of Barack Obama’s administration during their last year in office. The screening will be followed by a conversation with Barker along with the film subject Ben Rhodes and other senior Obama Administration officials. The film will make its New York City premiere at the festival on Thursday, November 9 following its world premiere at September’s Toronto International Film Festival where it was hailed as “urgent” (Los Angeles Times) and “irresistible” (The Hollywood Reporter). It’s also among the 15 films on the DOC NYC Short List. DOC NYC also announced key awards being given at the November 9 Visionaries Tribute: filmmaking duo Heidi Ewing and Rachel Grady will receive the Robert and Anne Drew Award for observational filmmaking, and Cara Mertes, director of the JustFilms initiative at The Ford Foundation, will receive the Leading Light Award for serving documentary in a role other than filmmaking. Previously announced in August were two Lifetime Achievement Awards that will be given to filmmaker Errol Morris (The Thin Blue Line, The Fog of War) and Sheila Nevins, President of HBO Documentary Films. The festival unveiled the line-up of its Short List section of 15 of the year’s leading nonfiction films released theatrically that are being highlighted for special attention.
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