Orn33 5 Fursuitingandfurrycult
THE ANIMAL OUTSIDE US ALL FURSUITING AND THE FURRY CULTURE 46 ORNAMENT 33.5.2010 Patrick R. Benesh-Liu 33_5_DeviantArtAnimals.7.Final.indd 46 9/2/10 5:38 PM THE ANIMAL OUTSIDE US ALL t is difficult to fathom today that only a few hundred years ago, the culture of North America was based not I around celebrities, reality TV shows, YouTube, and hip hop, but ceremonies, dances, the hunt, and the harvest. Prior to colonization, life centered around survival; there were few cities and roads, and certainly neither television nor computers to separate oneself from the environment. Housing was carved from a cliff, built of mud or stone, or formed from hides, with the trampled grass or dusty desert just a few feet outside the entrance. People dressed in the skins of animals, or from woven plant material, if that. They ornamented themselves in a wide variety of ways, utilizing bone, feathers, stones, and shells. They lived in such a fashion, although surely undergoing gradual changes, for millennia. Of course cultures were different in Europe and on the other populated continents of Africa, Asia, Australia, and HIGHLAND BULL by Deanna Larsson, of faux fur, upholstery foam, resin, 2009. South America. Each had their own traditions and rituals, which had up to some point in time worked for them. Then can their admirers, and detractors, but it is with the former the European settlers came to America, setting in motion a that emphasis should be placed. Between these admirers and radical series of changes that lead to the present day’s hip artists lies a mutual appreciation for the subject of the art, and hop and YouTube.
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