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Firstgroup Plc Half-Yearly Results for the Six Months to 30 September 2009
Embargoed until 07:00hrs on Wednesday 4 November 2009 FIRSTGROUP PLC HALF-YEARLY RESULTS FOR THE SIX MONTHS TO 30 SEPTEMBER 2009 GOOD PERFORMANCE UNDERPINNED BY DIVERSE, RESILIENT PORTFOLIO AND COST REDUCTION PROGRAMME • Robust results against a tough economic backdrop • 50% of Group revenues contract backed – greater insulation against fast changing economy • Cost reduction actions largely mitigate impact on operating profit of increased fuel costs and reduced Greyhound revenues • Increase in hedged fuel costs this year c.£100m – set to recover in 2010/11 • Cost reduction programme implemented – annual savings of at least £200m • Demonstrated ability to flex operating models to match changing demand • On course to achieve cash generation targets – £100m per annum to reduce net debt • Debt duration now extended to 6.4 yrs, no major re-financing requirement until 2012 • Actions taken ensure Group is well placed for future economic recovery NORTH AMERICA – 75% OF REVENUES FROM CONTRACT BUSINESSES • First Student: o Strong contract retention >90% o Good progress with margin improvement programme • First Transit: o Good margin development and new contract wins GREYHOUND – FLEXING BUSINESS MODEL TO PROTECT REVENUE PER MILE • Revenue trends stabilising, beginning to show some improvement towards end of Q2 • Matching supply to demand through flexible business model – mileage reduced by 13% UK BUS – STEADY PERFORMANCE, CONTINUED REVENUE GROWTH • Like-for-like passenger revenue growth up 2.4% • Management actions ensure profits in line with our -
Tickets Are Accepted but Not Sold on This Service
May 2015 Guide to Bus Route Frequencies Route Frequency (minutes/journeys) Route Frequency (minutes/journeys) No. Route Description / Days of Operation Operator Mon-Sat (day) Eves Suns No. Route Description / Days of Operation Operator Mon-Sat (day) Eves Suns 21 Musgrove Park Hospital , Taunton (Bus Station), Monkton Heathfield, North Petherton, Bridgwater, Dunball, Huntspill, BS 30 1-2 jnys 60 626 Wotton-under-Edge, Kingswood, Charfield, Leyhill, Cromhall, Rangeworthy, Frampton Cotterell, Winterbourne, Frenchay, SS 1 return jny Highbridge, Burnham-on-Sea, Brean, Lympsham, Uphill, Weston-super-Mare Daily Early morning/early evening journeys (early evening) Broadmead, Bristol Monday to Friday (Mon-Fri) start from/terminate at Bridgwater. Avonrider and WestonRider tickets are accepted but not sold on this service. 634 Tormarton, Hinton, Dyrham, Doyton, Wick, Bridgeyate, Kingswood Infrequent WS 2 jnys (M, W, F) – – One Ticket... 21 Lulsgate Bottom, Felton, Winford, Bedminster, Bristol Temple Meads, Bristol City Centre Monday to Friday FW 2 jnys –– 1 jny (Tu, Th) (Mon-Fri) 635 Marshfield, Colerne, Ford, Biddestone, Chippenham Monday to Friday FS 2-3 jnys –– Any Bus*... 26 Weston-super-Mare , Locking, Banwell, Sandford, Winscombe, Axbridge, Cheddar, Draycott, Haybridge, WB 60 –– (Mon-Fri) Wells (Bus Station) Monday to Saturday 640 Bishop Sutton, Chew Stoke, Chew Magna, Stanton Drew, Stanton Wick, Pensford, Publow, Woollard, Compton Dando, SB 1 jny (Fri) –– All Day! 35 Bristol Broad Quay, Redfield, Kingswood, Wick, Marshfield Monday to Saturday -
Maiden Bradley Parish Plan and Handbook 2012 About This
Maiden Bradley Parish Plan and Handbook 2012 About this Publication In 2005 the Parish Council oversaw the preparation and publication of the first version of our Parish Plan. Three years later, in 2008, the Editorial Team of the Parish News produced the Handbook. The former, making use of an extensive survey, offered evidence of what residents in the Parish most valued, what they wanted to see preserved and enhanced, what they disliked and wanted changed, and the new developments they desired. The latter set out to provide a directory of useful information about the Parish, its people, facilities and activities, which might be useful to residents, new arrivals, and anyone wanting to know more about our community. Towards the end of 2011 pressure grew to update both documents. The Parish Council wanted to feed relevant material in to the community planning of Warminster and the cluster of surrounding villages, which Maiden Bradley had joined when Salisbury District Council came to an end. In order to do this, the existing Parish Plan needed a review and update, to see how things had progressed in the 6 years since its publication. Although newer, the Handbook was seriously out of date. In the 3 years since first publication there had been big changes internally, in contact details for clubs and societies for instance, and externally, especially with major changes in our local government structure. Following discussions between the Clerk to the Parish Council and Bryan Glastonbury (at that time Editor of the Parish News, and one of the authors of both the original Parish Plan and the Handbook) a proposal was agreed. -
INSTITUTE of TRANSPORT and LOGISTICS STUDIES WORKING
WORKING PAPER ITLS-WP-19-05 Collaboration as a service (CaaS) to fully integrate public transportation – lessons from long distance travel to reimagine Mobility as a Service By Rico Merkert, James Bushell and Matthew Beck Institute of Transport and Logistics Studies (ITLS), The University of Sydney Business School, Australia March 2019 ISSN 1832-570X INSTITUTE of TRANSPORT and LOGISTICS STUDIES The Australian Key Centre in Transport and Logistics Management The University of Sydney Established under the Australian Research Council’s Key Centre Program. NUMBER: Working Paper ITLS-WP-19-05 TITLE: Collaboration as a service (CaaS) to fully integrate public transportation – lessons from long distance travel to reimagine Mobility as a Service Integrated mobility aims to improve multimodal integration to ABSTRACT: make public transport an attractive alternative to private transport. This paper critically reviews extant literature and current public transport governance frameworks of both macro and micro transport operators. Our aim is to extent the concept of Mobility-as-a-Service (MaaS), a proposed coordination mechanism for public transport that in our view is yet to prove its commercial viability and general acceptance. Drawing from the airline experience, we propose that smart ticketing systems, providing Software-as-a-Service (SaaS) can be extended with governance and operational processes that enhance their ability to facilitate Collaboration-as-a-Service (CaaS) to offer a reimagined MaaS 2.0 = CaaS + SaaS. Rather than using the traditional MaaS broker, CaaS incorporates operators more fully and utilises their commercial self-interest to deliver commercially viable and attractive integrated public transport solutions to consumers. This would also facilitate more collaboration of private sector operators into public transport with potentially new opportunities for taxi/rideshare/bikeshare operators and cross geographical transport providers (i.e. -
The Phenomenological Aesthetics of the French Action Film
Les Sensations fortes: The phenomenological aesthetics of the French action film DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Matthew Alexander Roesch Graduate Program in French and Italian The Ohio State University 2017 Dissertation Committee: Margaret Flinn, Advisor Patrick Bray Dana Renga Copyrighted by Matthew Alexander Roesch 2017 Abstract This dissertation treats les sensations fortes, or “thrills”, that can be accessed through the experience of viewing a French action film. Throughout the last few decades, French cinema has produced an increasing number of “genre” films, a trend that is remarked by the appearance of more generic variety and the increased labeling of these films – as generic variety – in France. Regardless of the critical or even public support for these projects, these films engage in a spectatorial experience that is unique to the action genre. But how do these films accomplish their experiential phenomenology? Starting with the appearance of Luc Besson in the 1980s, and following with the increased hybrid mixing of the genre with other popular genres, as well as the recurrence of sequels in the 2000s and 2010s, action films portray a growing emphasis on the importance of the film experience and its relation to everyday life. Rather than being direct copies of Hollywood or Hong Kong action cinema, French films are uniquely sensational based on their spectacular visuals, their narrative tendencies, and their presentation of the corporeal form. Relying on a phenomenological examination of the action film filtered through the philosophical texts of Maurice Merleau-Ponty, Paul Ricoeur, Mikel Dufrenne, and Jean- Luc Marion, in this dissertation I show that French action cinema is pre-eminently concerned with the thrill that comes from the experience, and less concerned with a ii political or ideological commentary on the state of French culture or cinema. -
Les Genres Du Cinema Francais Qui S’Exportent Le Mieux? 13 Genres 20 Ans De Données
QUELS SONT LES GENRES DU CINEMA FRANCAIS QUI S’EXPORTENT LE MIEUX? 13 GENRES 20 ANS DE DONNÉES Avec cette étude sur le cinéma français vu à travers les diférents genres qui le composent, il ressort, plus que jamais, que l’international est le lieu de la diversité de leur difusion. La production française a connu ces quinze dernières années une extension de ses champs d’intervention. Contrairement aux idées reçues, le cinéma français ne se limite pas aux drames et aux comédies. Films d’animation, documentaires (animaliers ou non), thrillers (souvent en langue anglaise), biopics de grandes fgures nationales connues dans le monde, le cinéma français s’est décomplexé face aux genres et ce sont les spectateurs étrangers qui semblent l’avoir le mieux compris. Ainsi les pays étrangers apportent plus de spectateurs qu’en France aux documentaires, aux thrillers, aux flms historiques ou fantastiques, et aux biopics. C’est notamment dû au fait que la comédie, qui est le genre prépondérant du box ofce français (66% des entrées des flms français), l’est aussi à l’étranger, mais dans une moindre mesure (35% des entrées à l’étranger). Cela permet aux autres genres d’exister de façon beaucoup plus visible que sur le marché national. La comédie demeure toutefois le genre qui propose le plus grand nombre de productions en circulation – autant à lui seul que l’ensemble des autres réunis. Le drame (qui s’apparente aux flms art et essai) fournit le deuxième plus gros contingent de flms français à l’international derrière les comédies. C’est aussi le genre le plus représenté dans cette autre forme de circulation des flms que sont les festivals internationaux, mais les drames réalisent moins d’entrées dans les salles étrangères qu’en France. -
Liste Alphabétique Des DVD Du Club Vidéo De La Bibliothèque
Liste alphabétique des DVD du club vidéo de la bibliothèque Merci à nos donateurs : Fonds de développement du collège Édouard-Montpetit (FDCEM) Librairie coopérative Édouard-Montpetit Formation continue – ÉNA Conseil de vie étudiante (CVE) – ÉNA septembre 2013 A 791.4372F251sd 2 fast 2 furious / directed by John Singleton A 791.4372 D487pd 2 Frogs dans l'Ouest [enregistrement vidéo] = 2 Frogs in the West / réalisation, Dany Papineau. A 791.4372 T845hd Les 3 p'tits cochons [enregistrement vidéo] = The 3 little pigs / réalisation, Patrick Huard . A 791.4372 F216asd Les 4 fantastiques et le surfer d'argent [enregistrement vidéo] = Fantastic 4. Rise of the silver surfer / réalisation, Tim Story. A 791.4372 Z587fd 007 Quantum [enregistrement vidéo] = Quantum of solace / réalisation, Marc Forster. A 791.4372 H911od 8 femmes [enregistrement vidéo] / réalisation, François Ozon. A 791.4372E34hd 8 Mile / directed by Curtis Hanson A 791.4372N714nd 9/11 / directed by James Hanlon, Gédéon Naudet, Jules Naudet A 791.4372 D619pd 10 1/2 [enregistrement vidéo] / réalisation, Daniel Grou (Podz). A 791.4372O59bd 11'09''01-September 11 / produit par Alain Brigand A 791.4372T447wd 13 going on 30 / directed by Gary Winick A 791.4372 Q7fd 15 février 1839 [enregistrement vidéo] / scénario et réalisation, Pierre Falardeau. A 791.4372 S625dd 16 rues [enregistrement vidéo] = 16 blocks / réalisation, Richard Donner. A 791.4372D619sd 18 ans après / scénario et réalisation, Coline Serreau A 791.4372V784ed 20 h 17, rue Darling / scénario et réalisation, Bernard Émond A 791.4372T971gad 21 grams / directed by Alejandro Gonzalez Inarritu ©Cégep Édouard-Montpetit – Bibliothèque de l’École nationale d'aérotechnique - Mise à jour : 30 septembre 2013 Page 1 A 791.4372 T971Ld 21 Jump Street [enregistrement vidéo] / réalisation, Phil Lord, Christopher Miller. -
Pints of View Autumn 2016
Pints Of View Autumn 2016 300 year old pub re-opens Free: please read here or take away 1 CAMPAIGN FOR REAL ALE 230 Hatfield Road,St Albans, Herts, AL1 4LW Telephone: 01727 867201. www.camra.org.uk Forthcoming Events Branch Meetings: 12th September: Cottage Inn, Wellington 10th October: Kildare Lodge, Minehead 14th November: Firehouse, Curry Rivel 12th December: Brewers Arms South Petherton (Christmas Social) WEBSITE:- www.somerset.camra.org.uk Branch Chairman Mick Cleveland: [email protected] Branch Contact & Secretary: Katie Redgate 01823 279962. [email protected] Vice Chairman: Kevin Woodley 01823 431872 Social Secretary & Whats Brewing Contact: John Hesketh 01278 663764 Branch Treasurer: Lyn Heapy [email protected] Membership Secretary: Stephen Walker 01823 413988 Discounts, Loc-Ale and Real Cider Promotion & Apple/Perry Officer: Steve Hawkins [email protected] Public Transport: Phil Emond [email protected] Pub Protection Officer: Barrie Childs 01823 323642 Pubs Officer & What Pub: Andy Jones [email protected] Branch Website; colin.heapy@ yahoo.com Newsletter: Paul Davey [email protected]. 01935 329975 Pints of View Somerset Pints of View is published by the Somerset Branch of the Campaign For Real Ale Ltd. (CAMRA) The views expressed therein are not, necessarily, those of either the Campaign or the Editor. Contributions/Letters are always welcome. Advertising Advertising Rates: Full Page £90; Half Page £55; Quarter Page £25. Repeat advertisements are reduced by 10%. For more information contact Paul Davey by e mail or telephone as above. Copy should be JPG or PDF. Advertisement updates are the responsibility of the advertiser 2 Pints Of View Somerset Pints of view is published in February, May, August and November. -
View Annual Report
FirstGroupplc Principal and registered office London office FirstGroup plc FirstGroup plc 395 King Street 50 Eastbourne Terrace Aberdeen AB24 5RP Paddington Keeping people Tel. +44 (0)1224 650100 London W2 6LG Fax. +44 (0)1224 650140 Tel. +44 (0)20 7291 0505 Ann Registered in Scotland Fax. +44 (0)20 7436 3337 ualReport and Accounts 2012 number SC157176 www.firstgroup.com moving and Printed in the UK by Royle Print, a Carbon Neutral printing company, on material made from 100% post consumer waste; the printer and paper communities manufacturing mill are both accredited with ISO 14001 environmental management systems standard and both are Forestry Stewardship Council certified. When you have finished with this report, please dispose of it in your recycled waste stream. prospering www.firstgroup.com Annual Report and Accounts 2012 Overview About us Shareholder profile At 23 May 2012 Number of shareholders % Shares held % Performance By category FirstGroup plc is the leading transport Individuals 37,892 95.0 46,748,910 9.7 operator in the UK and North America. Banks and Nominees 1,695 4.3 427,940,406 88.8 Insurance and assurance 1 – 300 – With revenues of over £6.5 billion per Other companies 114 0.3 1,889,454 0.4 Other institutions 150 0.4 5,488,100 1.1 annum and approximately 124,000 39,852 100.0 482,067,170 100.0 employees we transport more than By size of holding 1-1,000 30,642 76.9 8,011,808 1.7 Governance 2.5 billion passengers every year. 1,001-5,000 7,138 17.9 15,759,366 3.3 5,001-10,000 1,072 2.7 7,428,005 1.5 In our increasingly congested world 10,001-100,000 699 1.7 19,184,334 4.0 we help to keep people moving and Over 100,000 301 0.8 431,683,657 89.5 39,852 100.0 482,067,170 100.0 communities prospering. -
Dossier De Presse
DOSSIER DE PRESSE Sommaire Contacts / Spécificités techniques……………………………………………………………………………….…...page 3 Synopsis…………………………………………………………………………………………………………….…….……….page 4 Notes de production……………………..…………………………………………………………………………………page 5 DEVANT LA CAMERA…………………………………………..……………………………………………..…………….page 9 Zoe Saldana / Cataleya……………………………………………………………………………………………….…..page 9 Jordi Mollà / Marco……………………………………………………………………….………………..………..……page 10 Cliff Curtis / Emilio…………………………………………………………………………………………..……………..page 11 Lennie James / Agent James Ross.…..………………………………………………………………….………….page 12 Michael Vartan / Danny….………………………………………………………………………………….…………..page 13 DERRIERE LA CAMERA …………………………………………………………………………..……………………….page 14 Olivier Megaton / réalisateur….…………………………………………………………………………………...…page 14 Romain Lacourbas / directeur de la Photographie….…………………………………..…………….…...page 15 Alain Figlarz / chorégraphe de combat….………………………………………………………………..…..….page 16 Michel Julienne / coordinateur de cascades….……………………………………………………….……….page 17 Nathaniel Mechaly / compositeur….……………………………………………………………………………….page 18 Liste artistique / Liste technique………………………………………………………………………………….…page 19 2 Distribution France 137 rue du Faubourg Saint-Honoré 75008 Paris Tel +33 1 53 83 03 03 Fax +33 1 53 83 02 04 Presse 213 COMMUNICATION Laura Gouadain - Emilie Maison assistées par Bénédicte Dubois Tel +33 1 46 97 03 20 [email protected] Spécifications techniques Durée : 1h47 Format : 2.35 Son : Dolby – SRD – DTS Sortie française : 27 juillet 2011 www.colombiana-lefilm.com -
Developing Collaborative and Innovative Approaches to the Delivery of Rural Services a Report for Defra's Rural Community Policy
Developing Collaborative and Innovative Approaches to the Delivery of Rural Services A Report for Defra's Rural Community Policy Unit By Rob Hindle and Ivan Annibal September 2011 Table of Contents Executive Summary .................................................. 4 Introduction ........................................................... 7 Consultant Team............................................................. 10 Acknowledgements .......................................................... 10 Methodology Health Warning............................................... 10 How Rurality Affects Service Delivery............................11 Emerging Challenges to Rural Service Delivery .................14 Library Services .............................................................. 15 Primary Schools .............................................................. 17 Rural Bus Services ........................................................... 20 Highway Maintenance ....................................................... 24 Collaborative Local Solutions ......................................26 Library Services .............................................................. 26 Primary Schools .............................................................. 28 Rural Bus Services ........................................................... 30 Using ICT to Support Local Solutions...................................... 32 Enabling the Transition .............................................34 Enabling Local Solutions ................................................... -
Gérard KRAWCZYK
Gérard KRAWCZYK Gérard Krawczyk est diplômé de l’université Paris IX Dauphine (maîtrise de Gestion et d’Economie) et de l’IDHEC / FEMIS, Réalisation et Prises de vues. En 1986, il signe l’écriture et la réalisation de son premier long métrage, JE HAIS LES ACTEURS (Jean Poiret, Michel Blanc, Bernard Blier, Wojteck Pszoniak, Pauline Lafont, Guy Marchand, Michel Galabru…), nommé aux Césars et prix Michel Audiard bientôt suivi de L’ETE EN PENTE DOUCE (Jean-Pierre Bacri, Jacques Villeret, Pauline Lafont, Jean Bouise, Guy Marchand...). En 1997 après avoir réalisé de nombreux films publicitaires, Gérard Krawczyk revient au long-métrage avec HEROÏNES (Virginie Ledoyen, Maïdi Roth, Marc Duret, Saïd Taghmaoui, Marie Laforêt, Charlotte de Turckheim, Serge Reggiani...), film musical et prémonitoire des Star Academy et autres The Voice. La même année, il démarre le tournage du premier TAXI (Sami Nacéri, Frédéric Diefenthal, Marion Cotillard, Emma Sojsberg, Bernard Farcy, Jean- Christophe Bouvet…). Ce sera aussi le début de neuf ans de collaboration avec Luc Besson producteur : TAXI 2, WASABI (Jean Réno, Ryoko Hirosué, Michel Muller…), TAXI 3, TAXI 4 et FANFAN LA TULIPE (Vincent Pérez, Pénélope Cruz, Didier Bourdon, Philippe Dormoy, Hélène de Fougerolles, Guillaume Gallienne…) Ouverture hors compétition du 56ième Festival de Cannes. En 2005, il coproduit et réalise LA VIE EST A NOUS ! (Sylvie Testud, Josiane Balasko, Éric Cantona, Michel Muller, Catherine Hiégel...) où il retrouve l’univers de ses premiers films intimistes. Son dixième film L’AUBERGE ROUGE (Josiane Balasko, Christian Clavier, Gérard Jugnot, F-X Demaison, Sylvie Joly, Anne Girouard, Jean-Baptiste Maunier, Fred Epaud...) nous fait entrer dans un univers visuel et sonore de conte fantastique, rare dans une comédie.