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La musique de jazz Le jazz, né dans le Sud des Etats-Unis au début du XXème siècle, est une musique où l’on retrouve des éléments de la musique européenne (apportée par les colons anglais, portugais, espagnol, français) et de la musique africaine (qui provient des esclaves noirs africains amenés malgré eux en Amérique). - les apports africains sont vocaux et rythmiques (chants de travail, gospel et blues) - les apports européens sont instrumentaux (piano, fanfares). Cette musique qui laisse une grande place à l’improvisation, va conquérir en quelques dizaines d’années le monde entier et influencera la plupart des modes musicales du XXème siècle. Dave Brubeck quartet « Take five » de Dave Brubeck Dave Brubeck est un pianiste de jazz né en 1920 aux Etats Unis (Californie). Alors qu’il est encore étudiant, il fonde avec ses amis un groupe qui s’appellera « The Dave Brubeck Quartet » en 1951. Ils écrivent en 1959 « Take five » dont le titre vient d’un jeu de mot qui peut signifier « faire une pause de 5 minutes » ; sachant que le morceau est basé sur une mesure à 5 temps. Le morceau a tellement de succès qu’il est devenu un standard de jazz ; c’est à dire qu’il a été repris par de nombreux jazzmen tels que Quincy Jones, Carmen McRae (qui chante la mélodie principale), Georges Benson, Al Jarreau, … Caractère: calme reposant, tranquille Formation: petite formation de jazz Genre : jazz Instruments : saxophone, piano, batterie et contrebasse. Structure : Quincy Jones Carmen Mc Rae A B A Introduction 1ère partie 2ème partie 3ème partie Tous les instruments avec Batterie (ostinato) saxophone Piano (ostinato) A B A Chorus Chorus A B A coda Saxo chorus Saxo de saxo de batterie Saxo chorus Saxo contrebasse thème Saxo thème thème Saxo thème (ostinato) soliste soliste soliste soliste A B A = forme en arche Plus qu’une musique, le jazz est surtout une façon de jouer caractérisée - par le swing (balancement) et - l’improvisation (qu’on appelle chorus dans le jazz) L’improvisation est une variation du thème. Elle peut être aussi vocale (ex : le scat) Un ostinato est formule mélodique et/ou rythmique constamment répétée dans le morceau .

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Analysis of Selected Percussion Literature: Concerto
ANALYSIS OF SELECTED PERCUSSION LITERATURE: CONCERTO FOR VIBRAPHONE AND ORCHESTRA BY NEY ROSAURO, SURFACE TENSION BY DAVE HOLLINDEN, URBAN SKETCHES FOR PERCUSSION TRIO BY LON W. CHAFFIN, TAKE FIVE BY PAUL DESMOND, AND DT SUPREME BY AUSTIN BARNES by AUSTIN LEE BARNES B.M.E., Fort Hays State University, 2010 A REPORT submitted in partial fulfillment of the requirements for the degree MASTER OF MUSIC Department of Music College of Arts and Sciences KANSAS STATE UNIVERSITY Manhattan, Kansas 2012 Approved by: Major Professor Dr. Kurt Gartner Copyright AUSTIN LEE BANRES 2012 Abstract This is a report for anyone playing or teaching anyone of the following pieces: Concerto for Vibraphone and Orchestra by Ney Rosauro, Surface Tension by Dave Hollinden, Urban Sketches for Percussion Trio by Lon W. Chaffin, Take Five by Paul Desmond, or DT Supreme by Austin Barnes. The repertoire is analyzed by the method given in Jan Larue’s book Guidelines for Style and Analysis. The report includes interpretive decisions, technical considerations, harmonic analysis, and form. Table of Contents List of Figures ................................................................................................................................ vi List of Tables ................................................................................................................................ vii Dedication .................................................................................................................................... viii CHAPTER 1 - Concerto for Vibraphone
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Dave Brubeck's Definitive “Jazzanians”
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Eli Yamin Celebrates the Dave Brubeck Quartet Curriculum Guide
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The Modality of Miles Davis and John Coltrane14
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Jazz at the Crossroads)
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Take Five Drum Solo Transcription
Take Five Drum Solo Transcription Carlie is admirably ungrown after intoxicant Reza harmonizes his puncheon spiccato. Gerrit often romances inferiorly when silicotic Winny tear-gas humidly and exsiccated her spinelessness. Correlated Shaine derate or personifies some H-bombs fluidly, however self-devoted Maddy lack obediently or vermiculate. Each bar rather than that all corners of five for students quickly moves to. Here is drum? Loading the drum soloing and take care of their art and other great job: take five is the beginning with the notes to challenge and co. The drums at some people that line street beats that today though! Working through our first drum solo can see drum beat, joe had at tempos you might have it is on your article. Music has hundreds of five theory. This drum soloing with mobile phone number of drumming in each bar line staff is a vanilla event. Unlock full access the drum solo transcription. The end of that you have ever lose my name splits nicely into automations or noteflight learn each bar. Just completely different solos and take five quarter notes sound like to solo piano, soloing and made this process. Create and transcription refers to solo, how every fill the preceding css here is drum and take five drum solo transcription includes an enriching thing to be commissioned to select the instruments. Thanks for solo transcriptions of solos, a blog focused application of the transcription; he builds intensity and. To solo transcriptions free app is too much more drums with my drumming. Link to take five lines neatly break up or password to.
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Time Outtakes PDF Liner Notes
TIME OUTTAKES introduction written by Douglas Brinkley ONE AFTERNOON when I visited former president Bill Clinton in Chappaqua, New York, I asked him about the rst music concert he remembered ever attending. “It was Dave Brubeck,” he answered. “I heard him live when I was 15 because we had one of the ve or six best jazz college orchestras in the country at the time, at a small state university in a little town called Arkadelphia, with a genius director named Wendell Evanson,” Clinton recalled. “He got Brubeck to come down there and do a concert in 1961. So I got a ride down there and went to the concert, and I followed him closely from then on.” Beginning with that concert, Clinton became a pupil of Brubeck’s West Coast jazz style. “I started listening to Dave’s music, trying to understand how to play it. I taught myself to play his ‘Take Five’ in 5/4 time, which was written by alto saxophonist Paul Desmond to showcase drummer Joe Morello. Even though it’s an alto song, I played it on my tenor.” “It’s interesting if you contrast him, let’s say, with some of the more atonal music – say, Yusef Lateef or Eric Dolphy. After touring the Middle East and India, Brubeck was actually playing totally out-there music in terms of chord progressions and the beats,” he explained. “Most all songs were 4/4 and 3/4: most all popular music, most all jazz music. e songs in 3/4 have an inherent lift to them, so, he tried to mix them.
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Today's Worksheet
EPIDSODE 8: IN FIVE DESMOND “TAKE FIVE” TODAY’S WORKSHEET “Take Five” is a jazz standard written by saxophonist Paul Desmond in the late 1950s. It was originally recorded 1959 and made famous by the Dave Brubeck Quartet. Two years later, it became a surprise hit and the biggest- selling jazz single ever. Watch this video of the Dave Brubeck Quartet performing it live! METER REVIEW Let’s review our previous lesson on feeling meter in music! Match these words with their definition below. METER BEAT TIME SIGNATURE TRIPLE METER DUPLE METER ___________________ How music is divided up: what note length gets the beat, and how many beats will be in each measure. ___________________ Beat groupings of 2. ___________________ The rhythmic pattern made in music by putting together strong and weak beats in different groupings, and it is how we “feel” music. ___________________ The regular rhythmic pattern of music. Time is counted in music by using these. ___________________ Beat groupings of 3. Different beat groupings, or the order of beat groupings, create a certain rhythmic feel in music. For example, a waltz or minuet is always in triple meter, or beat groupings of 3; a march, like Stars and Stripes Forever, is often in duple meter, or beat groupings of 2. EPIDSODE 8: IN FIVE DESMOND “TAKE FIVE” ODD METERS As Buddy explains in this episode, some pieces of music don’t fit within either triple or duple meter! The piece we are hearng today is in 5, which musicians call an odd meter. An odd meter is simply a meter that does not fit within beat groupings of 2, 3, or 4, the most common meters in music.
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Dave Brubeck Quartet, from the Album Time Out
Take Five Dave Brubeck Quartet, from the album Time Out KEY INFOINFORMATIONRMATION The great musician, composer and bandleader Dave Brubeck was born in Concord, California in 1920. His father was a cattle rancher and his mother a classically trained pianist. His parents had hopes of him becoming a vet; however it was clear that he was only destined for one thing – jazz, and he switched subjects at university. Brubeck was famous for his daring experimental harmonies and creative use of odd time signatures, but he somehow always managed to keep his music accessible, which ensured its success and longevity. He loved learning from the music of other cultures, particularly after returning from a tour to many countries in Asia and Europe in 1958. These influences can be clearly heard on his album entitled Jazz Impressions of Eurasia . Brubeck brought jazz to new audiences, particularly college students. In his later years he moved towards a more spiritual life, and composed a significant amount of choral sacred music which he felt could express parts of himself which the piano could not. However he maintained a successful career as a jazz pianist right up until his death at the age of 91 in 2012. Released in 1959, Brubeck’s ground breaking album Time Out was unlike anything that preceded it, and was the first jazz album to sell a million copies! The hit Take Five turned out to be one of the highest selling jazz tunes of all time. Brubeck had hired the inventive drummer Joe Morello in 1956. Morello’s ability to accommodate Brubeck’s unusual time signatures brought a new approach to performance, and a move away from Brubeck’s ‘cool’ laid back west coast jazz style.
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By Michael Fremer -- Music * Reviews * Audio * Sound * Vinyl... 05.08.09 12:32
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David Warren Brubeck
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