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Vente De Décembre
COMPAGNIE MAROCAINE DES ŒUVRES ET OBJETS D’ART VENTE DE DÉCEMBRE CASABLANCA JEUDI 22 DÉCEMBRE 2016 À 18 H VENTE DE DÉCEMBRE Pour enchérir To bid en personne in person Si vous souhaitez participer à la vente en personne, il faudra If you wish to attend the sale in person, you will first be FRANÇOISE CASTE-DEBURAUX HICHAM DAOUDI FARID GHAZAOUI vous enregistrer au préalable auprès de notre personnel required to register before the auction with our staff who Commissaire-Priseur à Paris Gérant de Art Holding Morocco / CMOOA Directeur de CMOOA qui vous remettra une raquette numérotée (ou « paddle ») will give you a numbered paddle. When registering, please Auctioneer in Paris Manager of Art Holding Morocco / CMOOA Ventes Aux Enchères avant le début de la vente. Lors de votre enregistrement, show your identity card, which will be given back to you at Tél. +212 5 22 26 10 48 Director of CMOOA Ventes Aux Enchères [email protected] nous vous saurons gré de bien vouloir présenter une pièce the end of the sale. Tél. +212 6 61 19 00 22 d’identité, qui vous sera restituée à l’issue de la vente. When bidding, you will need to raise your numbered [email protected] Pour enchérir, il vous suffira alors de lever votre raquette paddle in a visible and clear way, so that the auctioneer numérotée et ce, de manière bien visible, afin que le can validate your bid. Please make sure the mentioned commissaire-priseur puisse valider votre enchère. Soyez number is the one you were given. -
Thesis Title
Inhabiting the Exotic: Paul Bowles and Morocco by Bouchra Benlemlih B.A. (Sidi Mohammed Ben Abdellah University) M.A. (Toulouse-Le Mirail University) Ph.D. (Toulouse-Le Mirail University) Thesis submitted to The University of Nottingham in candidacy for the degree of Doctor of Philosophy May 2009 1 Abstract The American writer Paul Bowles lived in Morocco from 1947 until his death in 1999, apart from visits to North Africa, Europe, Ceylon, India and the United States during this period. Bowles‘ expatriation and subsequent itineraries are quite well known, but this thesis explores his interest in – indeed, preoccupation with – mediations and a state of being ‗in-between‘ in a selection of his texts: the translations, his autobiography and his fiction. Only a few commentators on Bowles‘ work have noted a meta-fictional dimension in his texts, possibly because the facts of his life are so intriguing and even startling. Though not explicitly meta-fictional, in the manner of somewhat later writers, Bowles does not tell us directly how he understands the various in- betweens that may be identified in his work, and their relationship to the individual and social crises about which he writes. His work unravels the effects of crises as not directly redeemable but as mediated and over-determined in complex and subtle forms. There are no explicit postmodern textual strategies; rather, Bowles draws on the basic resources of fiction to locate, temporally and spatially, the in-between: plot, character, description and background are intertwined in order, at once, to give a work its unity and to reveal, sometimes quite incidentally, a supplementary quality that threatens to undermine that unity. -
Inhabiting the Exotic: Paul Bowles and Morocco. Phd Thesis, University of Nottingham
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Nottingham ePrints Benlemlih, Bouchra (2009) Inhabiting the exotic: Paul Bowles and Morocco. PhD thesis, University of Nottingham. Access from the University of Nottingham repository: http://eprints.nottingham.ac.uk/10900/1/Inhabiting_the_Exotic.pdf Copyright and reuse: The Nottingham ePrints service makes this work by researchers of the University of Nottingham available open access under the following conditions. · Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. · To the extent reasonable and practicable the material made available in Nottingham ePrints has been checked for eligibility before being made available. · Copies of full items can be used for personal research or study, educational, or not- for-profit purposes without prior permission or charge provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. · Quotations or similar reproductions must be sufficiently acknowledged. Please see our full end user licence at: http://eprints.nottingham.ac.uk/end_user_agreement.pdf A note on versions: The version presented here may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the repository url above for details on accessing the published version and note that access may require a subscription. For more information, please contact [email protected] Inhabiting the Exotic: Paul Bowles and Morocco by Bouchra Benlemlih B.A. -
A Selectively Annotated Bibliography of William S. Burroughs V. 3.0
I ANYTHING BUT ROUTINE: A Selectively Annotated Bibliography of William S. Burroughs v. 3.0 by Brian E. C. Schottlaender The Audrey Geisel University Librarian UC San Diego Libraries 2012 II PREFACE to v. 3.0 This third edition of Anything but Routine includes an entirely new section, “Video Recordings” (Section F). Not only is Burroughs’ film work with Antony Balch and others well documented in various video formats, but a number of Burroughs’ readings over the years are likewise well documented. Section F represents a first attempt to pull these disparate materials together in one place. In addition, particular attention has been paid in this v. 3.0 to promotional materials, including: • Press Kits • Press Releases • Posters, and • Publishers’ Prospectuses. These can be found in Section G. Quantitatively, v. 3.0 includes 1,127 numbered entries (and hundreds more sub-entries), as compared to the 1,077 entries in v 2.0., an increase of almost 5%. III INTRODUCTION The bibliography of William S. Burroughs is as challenging as the man was himself. He wrote voluminously and kaleidoscopically. He rearranged, recycled, and reiterated obsessively. He produced across five decades and four continents. He was a novelist, a poet, an essayist, and a correspondent at home in all media. He never met a “little magazine” or an interviewer he wouldn’t share with. There have been a few attempts at documenting the range of Burroughs’ prodigious output over the years—some better than others. I initially conceived of this bibliography as an update of Joe Maynard’s and Barry Miles’ definitive William S. -
Beat Generation Writing and the Worlding of U.S. Literature Zachary Mccleod Hutchins, Editor, Community Without Consent: New Perspectives on the Stamp Act Kate A
WORLDBeat Generation Writing BEATS and the Worlding of U.S. Literature JIMMY FAZZINO World Beats re-Mapping the transnational A Dartmouth Series in American Studies series editor Donald E. Pease Avalon Foundation Chair of Humanities Founding Director of the Futures of American Studies Institute Dartmouth College The emergence of Transnational American Studies in the wake of the Cold War marks the most significant reconfiguration of American Studies since its inception. The shock waves generated by a newly globalized world order de- manded an understanding of America’s embeddedness within global and local processes rather than scholarly reaffirmations of its splendid isolation. The se- ries Re-Mapping the Transnational seeks to foster the cross-national dialogues needed to sustain the vitality of this emergent field. To advance a truly compar- ativist understanding of this scholarly endeavor, Dartmouth College Press wel- comes monographs from scholars both inside and outside the United States. For a complete list of books available in this series, see www.upne.com. Jimmy Fazzino, World Beats: Beat Generation Writing and the Worlding of U.S. Literature Zachary McCleod Hutchins, editor, Community without Consent: New Perspectives on the Stamp Act Kate A. Baldwin, The Racial Imaginary of the Cold War Kitchen: From Sokol’niki Park to Chicago’s South Side Yuan Shu and Donald E. Pease, American Studies as Transnational Practice: Turning Towards the Transpacific Melissa M. Adams-Campbell, New World Courtships: Transatlantic Alterna- tives to Companionate Marriage David LaRocca and Ricardo Miguel-Alfonso, editors, A Power to Translate the World: New Essays on Emerson and International Culture Elèna Mortara, Writing for Justice: Victor Séjour, the Mortara Case, and the Age of Transatlantic Emancipations Rob Kroes, Prison Area, Independence Valley: American Paradoxes in Political Life and Popular Culture Jimmy Fazzino World Beats Beat Generation Writing and the Worlding of U.S.