Penguin Random House and Disney India Bring Disney's Iconic Stories

Total Page:16

File Type:pdf, Size:1020Kb

Penguin Random House and Disney India Bring Disney's Iconic Stories PENGUIN RANDOM HOUSE AND DISNEY INDIA BRING DISNEY’S ICONIC STORIES AND CHARACTERS CLOSER TO INDIAN CHILDREN March 08, 2016, Delhi: Penguin Random House and Disney India’s Consumer Products business today announced the launch of Disney books. Penguin Random House will now hold the rights in India for publishing Disney’s iconic Mickey & Friends characters as well as – Aladdin, Peter Pan, Pinocchio, Dumbo and the cast of The Jungle Book. Published under the Puffin imprint and aimed at young readers, the fully-illustrated books will include readers, storybooks, colouring & activity as well as novelty books. The first series of titles will be available to consumers March 14, 2016 onwards and will include Dumbo and Aladdin colouring books, Jungle Book, Dumbo and Peter Pan Treasured Classic editions, Peter Pan and Dumbo storybooks and readers Mickey’s Round Up, Donald’s Special Delivery, Minnie’s Rainbow, Minnie Red Riding Hood and Mickey Mouse Flies the Christmas Mail. “Puffin India has long published some of India’s finest writing for children with generations brought up on books from authors including Ruskin Bond, Sudha Murty and Dr APJ Abdul Kalam. We are delighted to now be working with Disney India to bring their well-loved characters to readers with a specific range of Indian publishing”, said Gaurav Shrinagesh, CEO, Penguin Random House in India. “Disney is synonymous with storytelling. We all have grown up reading Disney stories and are familiar with Disney characters and classics such as Mickey & Friends, Aladdin, Pinocchio and many more. We are happy to be working with Puffin India to launch a series of Disney books for the new generation of readers in the country,” said Abhishek Maheshwari, VP & Head, Consumer Products, Disney India -END- For further details, please contact: Nisha Singh | Penguin India | +91 9953429248|[email protected] Namita Jadhav | Disney India | +91 98205 47660 | [email protected] Richa Anand | Disney India | + 91 98203 79152 | [email protected] About Penguin Random House: Headquartered in New York City Penguin Random House is the international home to nearly 250 publishing imprints, with operations in 20 countries across five continents, publishing 70,000 digital and 15,000 print titles annually and with more than 100,000 eBooks available worldwide. We publish more than 70 Nobel Prize laureates and hundreds of the world’s most widely read authors. Penguin Random House in India is part of The Penguin Random House Group worldwide. As India’s longest established international publishing company, we are the proud publishers of many of India and the subcontinent’s finest writers and publishing talent. Our authors have won prizes including the Nobel Prize, the Magsaysay Award, the Jnanpith Award, the Sahitya Akademi Award, Pulitzer Prize, Man Booker Prize, Man Booker International Prize, Commonwealth Writers Award, Shakti Bhatt Prize and the DSC Prize for South Asian Literature. In addition to our Indian publishing program, we also make available over 30,000 of Penguin Random House’s international titles to our readers across India and the subcontinent every year. Penguin Random House is committed to expanding our role as a cultural institution that serves society not only with the books we publish and investments we make in new ideas, creativity, and diverse voices, but also our belief in the power of books to connect and change lives. Together, our mission is to foster a universal passion for reading by partnering with authors to help create stories and communicate ideas that inform, entertain, and inspire, and to connect them with readers everywhere and across print and digital platforms. About Puffin India: Puffin Books India is the children’s imprint of Penguin Books India. Started in 1939, today Puffin is one of the largest, most diverse and successful children’s brands both in India and abroad. With an award-winning range of best-selling titles, Puffin’s ever expanding publishing list spans picture books, fiction, poetry and non-fiction. With a winning combination of literary classics and appealing commercial fiction, Puffin remains a children’s books innovator and perennial reader favourite. Some of Puffin India’s finest writers include Dr APJ Abdul Kalam, Ruskin Bond, Sudha Murty, R.K. Narayan, Anita Desai, Satyajit Ray, Devdutt Pattanaik, Jerry Pinto, Payal Kapadia, Anita Nair, Chitra Banerjee Divakaruni, Subroto Bagchi, Derek O' Brien, Paro Anand, Subhadra Sen Gupta, Ranjit Lal. About Disney India’s Consumer Products Business: Disney is the largest retail character licensor in the world with US$45 billion in character merchandising retail sales globally in 2013. The Consumer Products business includes: Toys; Fashion & Home; Food, Health & Beauty (FHB); Consumer Electronics; Stationery; Publishing and Retail Sales and Marketing. The Consumer Products business plays a critical role in providing Indian consumers a chance to bring a piece of the Disney magic home through a wide range of creative and locally appealing merchandise. Today, Disney-branded products are available across a million retail locations in India. Disney-branded products are present in close to 500 retail touch points including hypermarkets with more than 3,000 SKUs across categories. Working with over 150 licensees across categories, Disney India’s Consumer Products retail branding, such as the unique Disney-branded corners in prominent retail outlets including Hamley’s and Big Bazaar, continue to reach more and more consumers across the country. Disney-branded products are available across all the key online portals with branded pages on Amazon and Flipkart and with strategic presence in portals like Myntra, Jabong, Snapdeal and more. About Disney Publishing Worldwide: Disney Publishing Worldwide (DPW) is the world's largest publisher of children's books, magazines, and apps, igniting imagination through storytelling in ever-inventive ways. DPW creates and publishes books and magazines both vertically in-house and through an extensive worldwide licensing structure. As a leader in digital products, DPW creates best-selling eBook titles and best-in-class original apps. DPW is also committed to the educational development of children around the world through Disney Learning, which includes Disney Imagicademy, as well as Disney English and other Disney-themed learning products. Headquartered in Glendale, California, DPW publishes books, magazines and digital products in 85 countries in 75 languages. For more information, visit www.disneypublishing.com. .
Recommended publications
  • Arundhati Roy and New Inscription on Autumn Leaves Nazia Hassan
    Running Head: ARUNDHATI ROY AND NEW INSCRIPTION ON AUTUMN LEAVES 74 8ICLICE 2017-111 Nazia Hasan Arundhati Roy and New Inscription on Autumn Leaves Nazia Hassan Aligarh Muslim University India [email protected] Abstract New writings hold new truths and new hopes, as well. Arundhati Roy proves that once more. The God of Small things to The Ministry of Utmost Happiness weave an India and the world from North to South, from little joys to big agonies, small acts to huge rewards, grand shows to petty hearts…She once again speaks of the subalterns, the subjugated, the dismissed and the obliterated, the blinds and the hide-outs how the fists of resistance do not come down, the wish for rights, the dreams for dignity do not dim even as they bleed and endure like trees would treat witherings and autumns. Her works speak of high born ‘laltains’, the low born ‘mombatties’, the nowhere persons called eunuchs, orphans and the disowned; while worrying over drying river beds, dying birds and poachings rampant: she at least, wakes one up to the world! That’s the new writing which gives space to the unsaid and sheds light on the unrevealed. The history house doors are opened, the worm cans of Kasmir Military camps and Militant hide outs which indulge in something similar, the difference being the intention only which is a hair line one. We hear Dickens to Spivak in these new inscriptions. If Aftab is Anjum, then Anjum is the people called India, people called the world who are divided over caste, class, colour and deformity which no person inflicts on oneself.
    [Show full text]
  • BLOGS Dow Shalt Pay for Bhopal Just for the Record, and Those
    BLOGS Dow Shalt Pay For Bhopal Just for the record, and those who missed it earlier, thanks to a revival on Twitter -- and perhaps because of that the resulting emails today -- of the old Yes Men hoax/prank on BBC. The Yes Men explain the background: Dow claims the company inherited no liabilities for the Bhopal disaster, but the victims aren't buying it, and have continued to fight Dow just as hard as they fought Union Carbide. That's a heavy cross to bear for a multinational company; perhaps it's no wonder Dow can't quite face the truth. The Yes Men decided, in November 2002, to help them do so by explaining exactly why Dow can't do anything for the Bhopalis: they aren't shareholders. Dow responded in a masterfully clumsy way, resulting in a flurry of press. Two years later, in late November 2004, an invitation arrived at the 2002 website, neglected since. On the 20th anniversary of the Bhopal disaster, "Dow representative" "Jude Finisterra" went on BBC World TV to announce that the company was finally going to compensate the victims and clean up the mess in Bhopal. The story shot around the world, much to the chagrin of Dow, who briefly disavowed any responsibility as per policy. The Yes Men again helped Dow be clearer about their feelings. (See also this account, complete with a story of censorship.) Only months after Andy's face had been on most UK tellies, he appeared at a London banking conference as Dow rep "Erastus Hamm," this time to explain how Dow considers death acceptable so long as profits still roll in.
    [Show full text]
  • September 2019
    September 2019 Ranbir Kaleka, ‘Boy without Reflection’, oil on canvas, 305x152cm, 2004 About Us Culture matters. And it has to matter in India, with its diverse languages, dialects, regions and communities; its rich range of voices from the mainstream and the peripheries. This was the starting point for Guftugu (www.guftugu.in), a quarterly e-journal of poetry, prose, conversations, images and videos which the Indian Writers’ Forum runs as one of its programmes. The aim of the journal is to publish, with universal access online, the best works by Indian cultural practitioners in a place where they need not fear intimidation or irrational censorship, or be excluded by the profit demands of the marketplace. Such an inclusive platform sparks lively dialogue on literary and artistic issues that demand discussion and debate. The guiding spirit of the journal is that culture must have many narratives from many different voices – from the established to the marginal, from the conventional to the deeply experimental. To sum up our vision: Whatever our language, genre or medium, we will freely use our imagination to produce what we see as meaningful for our times. We insist on our freedom to speak and debate without hindrance, both to each other and to our readers and audience. Together, but in different voices, we will interpret and reinterpret the past, our common legacy of contesting narratives; and debate on the present through our creative work. Past issues of Guftugu can be downloaded as PDFs. Downloads of issues are for private reading only. All material in Guftugu is copyrighted.
    [Show full text]
  • An Interview with Author Jerry Pinto Edited by Maya Vinai1
    ‘We live and love on a fissure’: An Interview with author Jerry Pinto Edited by Maya Vinai1 Photo: Vedika Singhania Jerry Pinto is one of India’s most prominent names in literature; equally appropriated and applauded by staunch critics and connoisseurs. Apart from being an author, he has worked as a journalist and as a faculty member in his native city of Mumbai. Apart from his fiction, non- fiction, poems and memoir, he has written books for children and has put together some very well-received anthologies. Jerry Pinto’s works have won him a plethora of accolades. His first novel, Em and the Big Hoom (2012) was awarded India’s highest honour from the Academy of Letters, the Sahitya Akademi, for a novel in English; the Windham-Campbell Prize supervised by the Beinecke Library, Yale, USA; the Hindu ‘Lit for Life’ Award, and the Crossword Award for fiction. Helen: the Life and Times of a Bollywood H-Bomb (2006) won the National Award for the Best Book on Cinema. His translations from Marathi of Mallika Amar Sheikh’s autobiography I Want to Destroy Myself was shortlisted for the Crossword Award for Fiction. Furthermore, his graphic novel in collaboration with Garima Gupta was shortlisted for the Crossword Award for Children’s Fiction. His translation of the Dalit writer Baburao Bagul’s When I Hid My Caste won the Fiction Prize at the Bangalore Literary Festival in 2018 and his novel Murder in Mahim (2017) won the Valley of Words Prize, and was shortlisted for the Crossword Award for Fiction and the Mumbai Academy of the Moving Image Prize.
    [Show full text]
  • Imagining Bombay: the Literary Representations of a Postcolonial City
    Imagining Bombay: the Literary Representations of a Postcolonial City by Kelly Anne Minerva A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of English University of Toronto © Copyright by Kelly Anne Minerva 2014 Imagining Bombay: the Literary Representations of a Postcolonial City Doctor of Philosophy 2014 Kelly Anne Minerva Graduate Department of English University of Toronto Abstract This dissertation analyses Bombay novels written in English that construct the city through the narrative manipulation of time, space, and memory. I argue that these imaginative (re)constructions of the city emphasize the limitations of narrative agency as well as the multiplicity and competition between narratives that comprise Bombay’s identity. In the first chapter, I contend that the hegemonic narratives of postcolonial nationalism, British colonialism, and Hindu fundamentalism are reductive rhetorical strategies that limit interpretations of Bombay novels to singular conceptions of the city. I argue that the novels by Salman Rushdie, Rohinton Mistry, and Vikram Chandra reveal characters who actively struggle in different ways with the multiple and coexisting identity-narratives of Bombay that they encounter in their everyday lives. In Chapter Two, I argue that in Rushdie’s Midnight’s Children and The Ground Beneath Her Feet first-person narrators manipulate time, space, and memory from protected, private spaces in order to reclaim the endangered Bombay that is central to their individual identities. Chapter Three examines Mistry’s Parsi characters in Such a Long Journey and Family Matters, who have almost no power to exercise narrative agency and, consequently, must negotiate by other means the overwhelming crush of identity narratives that impinge upon their private spaces.
    [Show full text]
  • Inauguration Ceremony of GALF, 2016
    Inauguration Ceremony of GALF, 2016 Keynote Speakers: P. Sivakami – Eminent Writer and Activist Jorge Barreto Xavier – Former Secretary of State for Culture, Portugal Poetry Reading by Landeg White Exclusive book launch: The Permanent Resident written by Roanna Gonsalves. She will be in conversation with author Jerry Pinto Flash Point 2016: “What now in Trump’s World” Faisal Devji in conversation with Ben Judah Unveiling of GALF artwork: Padma Shri award winning artist, Laxman Pai P.Sivakami is a prolific Tamil writer. She has authored five novels, more than hundred short stories ,essays and poems. Several of her works have been translated into English and published by leading publishers. Formerly in the IAS, she took voluntary retirement in 2008 to work for the poor and disadvantaged sections of the society. She is an activist and her areas of activism are towards the upliftment and empowerment of dalits, women, tribes and transgender. She edits a literary magazine titled Pudhiya Kodangi from 1995 for the benefit of the subaltern and runs a political party by name Samuga Samatua Padai from 2009. https://dalitskerala.wordpress.com/2010/03/05/most-gender-atrocities-against-dalit- women-p-sivakami/ http://www.siliconindia.com/shownews/Most_gender_atrocities_against_Dalit_women_P_Si vakami-nid-65931-cid-1.html http://www.japantimes.co.jp/life/2005/03/19/people/p-sivakami/#.WBnED_l97IU Jorge Barreto Xavier was born in Goa, India, in 1965. In 1986, when Xavier was 20 years old, he founded the Portuguese Club of Arts and Ideas, which became the largest Portuguese non profit organization supporting young artists. In 1987, he coordinated the I Portuguese Arts and Ideas Show.
    [Show full text]
  • Indian English Novel After 1980: Encompassing the New Generation
    JOURNAL OF CRITICAL REVIEWS ISSN- 2394-5125 Vol 8, Issue 1, 2021 INDIAN ENGLISH NOVEL AFTER 1980: ENCOMPASSING THE NEW GENERATION Arnab Roy Research Scholar National Institute of Technology, Durgapur Email: [email protected] Abstract: Indian English Literature refers to authors' body of work in India whose native or mother tongues might be one of India's several languages. It is also related to the work of Indian Diaspora members. It is also named Indo-Anglian literature. As a genre, this development is part of the larger spectrum of postcolonial literature. This paper discusses about Indian English novels after 1980. 1. Introduction This article attempts to consolidate Indian English Literature after 1980. There are a variety of books by literary artists such as SrinivasaIyengar, C.D. Narasimmaiya, M. K. Naik etc. that describe the beginning and development up to 1980. But the timely collection is not enough to date and this report is useful for a briefing on contemporary literary pedalling in around three-and-a-half decades. Apart from the deficiency of the correctly written root of the works consulted by Wikipedia, this kind of history is regularly obligatory. In India, post-colonial pressures played a critical and special position rather than post-war circumstances. It is true that an Indian genre called English writing has flourished unlimitedly and immensely and continues to thrive only during that time, i.e. after 1980. This paper is a study of Post- modern Indian English Novel, highlighting its history, themes adopted, andother aspects. 2. Historical past English isn't a foreign tongue to us.
    [Show full text]
  • Utterly Persuasive and Deeply Affecting...[This] Is a Profoundly Moving Book: I Cannot Remember When I Last Read Something As Touching As This.’ —Amitav Ghosh
    Aleph is delighted to announce the launch of Em and the Big Hoom by Jerry Pinto on 26th April at the Cricket Club of India (CCI), Mumbai. Acclaimed journalist Naresh Fernandes will be in conversation with the author. ‘Utterly persuasive and deeply affecting...[This] is a profoundly moving book: I cannot remember when I last read something as touching as this.’ —Amitav Ghosh ‘[Em and The Big Hoom] plunged me into a world so vivid, that when I finished, I found something had shifted and changed within myself...This is a rare and brilliant book, unlike any other that I have read coming out of India.’ —Kiran Desai Em and The Big Hoom is set in Bombay in the late twentieth century and is about the Mendeses: mother, father, son and daughter. Between Em, the mother, driven frequently to hospital by her mental illness and failed suicide attempts, and The Big Hoom, the father, trying to hold things together as best he can, they are an extraordinarily brave and eccentric family. Searing and at times darkly funny, Jerry Pinto which was over twenty years in the writing, is also a deeply moving story of love and family relationships. ’s first novel, ~ Jerry Pinto lives and works in Mumbai. He has been a mathematics tutor, school librarian, journalist and columnist. He is now associated with MelJol, an NGO that works in the sphere of child rights. His published works include a book of poems, Asylum, and Helen: The Life and Times of an H-Bomb, which won the National Award for the Best Book on Cinema in 2007.
    [Show full text]
  • Programme Schedule
    10th Anniversary Edition of Goa Arts & Literature Festival - 2019 PROGRAMME SCHEDULE Date Venue Time Programme Featuring Performance: Konkani Lok Dhoon - Goan Folk Music 5.00 pm -5.25 pm Ravindra Kelekar Dnyanmandir Medley Hosted by Jose Lourenco Pushkar, Director - The International Centre Goa Damodar Mauzo, Co-curator - GALF, fiction writer & member - Goa Writers Keynote Address: Why we should all speak up - and what happens 5:30 pm - 6:30 pm Inaugural function when we do Laran by Priya Ramani, veteran journalist, editor and Amphitheatre commentator Lawn, ICG Keynote Address: 05-Dec Readers and Writers: Evolving Equations by Harish Trivedi, reputed scholar Unveiling of GALF artwork created by Savia Viegas, versatile author / artist 6:35 pm - 6:50 pm Exclusive Poetry reading Salil Chaturvedi 6:55 pm - 7:45 pm Flashpoint 2019: One Nation, One Narrative? Naresh Fernandes, Patricia Mukhim and Amita Kanekar in conversation with Samar Halarnkar Laran Amphitheatre 8:30 pm onwards Welcome dinner with cocktails for official delegates Lawn,ICG 1/8 Date Venue Time Programme Featuring Laran Annexe, Young GALF 2019 Sessions Jerry Pinto, Samhita Arni, Amruta Patil and Vidya 06-Dec 10:00 am - 12:30 pm ICG Conducted by Bookworm Goa Kamat Masood Hussain and David Devadas in conversation 10:00 am - 10:40 am Flashpoint 2019: Morning in Kashmir? with Ashley Dmello Ivo de Figueiredo in conversation with Vivek 10:45 am - 11:25 am Book Launch: A Stranger at my Table Menezes 11:30 am - 12:10 pm Book Launch: A song for Saligao Clarice Vaz in conversation with
    [Show full text]
  • Unit 13 - Week 11
    Indian Fiction in English - - Unit 13 - Week 11 https://onlinecourses.nptel.ac.in/noc18_hs33/un... X [email protected] ▼ Courses » Indian Fiction in English Announcements Course Ask a Question Progress Mentor FAQ Unit 13 - Week 11 Course outline Assignment 11 The due date for submitting this assignment has passed. How to access As per our records you have not submitted this Due on 2018-10-17, 23:59 IST. the portal assignment. Pre-requisite 1) ___________ is described as “the gossipy café of Indian writing in English at 1 point Assignment home” by Suman Gupta. Week 1 Metro reads Week 2 Literary fiction Commercial fiction Week 3 Chick lit Week 4 No, the answer is incorrect. Score: 0 Week 5 Accepted Answers: Week 6 Commercial fiction 2) Trust Me and The Zoya Factor fall under which genre? 1 point Week 7 Metro reads Week 8 Detective fiction Week 9 Campus novels Week 10 Chick lit Week 11 No, the answer is incorrect. Score: 0 Quiz : Accepted Answers: Assignment 11 Chick lit Indian Fiction in English - 3) Who did The Guardian refer to as “the biggest-selling writer in English 1 point Positioning you’ve never heard of”? Literary Studies New Writings in Anita Desai Contemporary Chetan Bhagat Indian Fiction in © 2014 NPTEL - Privacy & Terms - Honor Code - FAQs - A projectEnglish of Salman Rushdie In association with Graphic Novel Shobhaa De in India No, the answer is incorrect. Week 11 Funded by Score: 0 Feedback : 1 of 4 Thursday 08 November 2018 05:25 PM Indian Fiction in English - - Unit 13 - Week 11 https://onlinecourses.nptel.ac.in/noc18_hs33/un..
    [Show full text]
  • Contents More Information
    Cambridge University Press 978-1-107-07894-9 — A History of Indian Poetry in English Edited by Rosinka Chaudhuri Table of Contents More Information Contents Contributors page ix Acknowledgments xvii Introduction 1 Rosinka Chaudhuri section i the broad nineteenth century: indians in english and the english in india 1 The First Indian Poet in English: Henry Louis Vivian Derozio 21 Manu Samriti Chander 2 English Poetry in India: The Early Years 32 Suvir Kaul 3 From Albion’s Exile to India’s Prodigal Son: The English Poetry of Michael Madhusudan Datta (1824–1873) 48 Alexander Riddiford 4 Transforming Late Romanticism, Transforming Home: Women Poets in Colonial India 64 Mary Ellis Gibson 5 The Locations and Dislocations of Toru and Aru Dutt 82 Tricia Lootens 6 Poetry of the Everyday: Comic Verse in the Nineteenth Century 98 Máire ní Fhlathúin 7 Toru Dutt and “An Eurasian Poet” 114 Arvind Krishna Mehrotra v © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-07894-9 — A History of Indian Poetry in English Edited by Rosinka Chaudhuri Table of Contents More Information vi Contents 8 Rabindranath Translated to Tagore: Gitanjali Song Offerings (1912) 130 Rosinka Chaudhuri section ii publishers, publishing houses, and the periodical press 9 “Zig Zag sublimity”: John Grant, the Tank School of Poetry, and the India Gazette (1822–1829) 147 Daniel E. White 10 “The Torch Not the Sceptre”: Writers Workshop, Calcutta 162 Ananda Lal and Rubana Huq 11 The Blue Rexine Archive: A Short History of Clearing House, a Poets’ Cooperative of the 1970s 176 Jerry Pinto 12 “Melted Out of Circulation”: Little Magazines and Bombay Poetry in the 1960’s and 1970’s 190 Anjali Nerlekar section iii poetry: 1950–2000 13 Nissim Ezekiel: Poet of a Minor Literature 205 Amit Chaudhuri 14 Dom Moraes: A Poet’s Progress 223 Jeet Thayil 15 Interpretative Testimony: Kamala Das and Eunice de Souza 235 R.
    [Show full text]
  • (Rjelal) the Destiny of Postmodern Bourgeois
    Research Journal of English Language and Literature (RJELAL) Vol.1.Issue.3.;2013 A Peer Reviewed International Journal - http://www.rjelal.com RESEARCH ARTICLE ISSN 2321 – 3108 THE DESTINY OF POSTMODERN BOURGEOIS DERIVED FROM ARAVIND ADIGA’S THE WHITE TIGER, AND JERRY PINTO’S THE EM AND THE BIG HOOM M.SUBHA Ph.D. Research Scholar and Dr. T. Jayasudha, Associate Professor, Bharathi Women’s College, Chennai-108 ABSTRACT Indian postmodern novelists focus on Bourgeois life, Corruption and Class-conflicts. And they are writing the novels with all the latest advancement in the genre. Though it is an imported form as well as means of communication, it is irrefutable that it flourishes well, and provides something for everyone in the universe which is taken from its multi ethnic backdrop. And this universal appeal is the prime reason for its utmost reach. Aravind Adiga’s The White Tiger and Jerry Pinto’s Em and the Big Hoom are the selected novels of the study. The White Tiger won The Booker Prize for the year 2008 and Em and the Big Hoom won Hindu Literary Prize for the year 2012. An attempt is made to consolidate the common features of M.SUBHA contemporary men/women and their challenges in their own land and the possible linear and non-linear out comings with its own lapses, and also to highlight the Article Info: current features of Indian novels in English. Article Received: 05/08/2013 Revised on: 09/08/13 Accepted: 14/08/2013 The moral seriousness that is prevalent in Indian Tiger which turns out to be the destiny of society is undeniably the Centre of axis not only for postmodern bourgeois.
    [Show full text]