Apocalyptic Comedy
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The Zombie in Popular Culture from "Night of the Living Dead" to "Shaun of the Dead"
Brigham Young University BYU ScholarsArchive Theses and Dissertations 2010-03-17 Ghouls, Hell and Transcendence: The Zombie in Popular Culture from "Night of the Living Dead" to "Shaun of the Dead" Jasie Stokes Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Classics Commons, and the Comparative Literature Commons BYU ScholarsArchive Citation Stokes, Jasie, "Ghouls, Hell and Transcendence: The Zombie in Popular Culture from "Night of the Living Dead" to "Shaun of the Dead"" (2010). Theses and Dissertations. 2103. https://scholarsarchive.byu.edu/etd/2103 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Ghouls, Hell and Transcendence: the Zombie in Popular Culture from Night of the Living Dead to Shaun of the Dead Jasie Stokes A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Carl Sederholm Charlotte Stanford Kerry Soper Department of Humanities, Classics and Comparative Literature Brigham Young University April 2010 Copyright © 2010 Jasie Stokes All Rights Reserved ABSTRACT Ghouls, Hell and Transcendence: the Zombie in Popular Culture from Night of the Living Dead to Shaun of the Dead Jasie Stokes Department of Humanities, Classics and Comparative Literature Master of Arts Considering the amount of media created around the zombie and the sustained interest in its role in our society, we can clearly see that a cultural phenomenon is underway, and it is important for us to question this phenomenon in order to gain some understanding of how and why its appeal has stretched so far. -
Grimmfest Programming Team
partners Contents Introduction from the Festival Director 5 A huge ‘thank you’ to our partners: Preview Night 7 Film programme: Angst, Piss and Shit 14 Antisocial 22 Attack of the Brainsucker 13 Big Bad Wolves 29 The Body 33 The Borderlands 15 The Butterfly Room 32 The Conspiracy 29 Crazy For You 15 Curse of Chucky 9 Found 28 Girl at the Door 13 The Gloaming 11 The Guest 24 Hansel and Gretel Get Baked 7 Hellraiser (special event) 23 Home Sweet Home 12 ATTACK OFHouse THE With WEREWOLVES 100 Eyes 14 The Human Race 27 [LOBOS DEJohn ARGA] Dies at the End 31 Spain; 2012; Jug98 min Face 24 Kiss of the Damned 28 Director: Juan Martinez Moreno The Machine 34 Starring: Gorka Otxoa, Carlos Areces, Secun de la Make-up Workshop 22 Rosa Modus Anomali 26 Status: English Premiere My Amityville Horror 21 Screening: 6.45PM – 8.25PM Next Exit 12 The Bastard On Love Air Child Of… 15 Paul Naschy and John Landis Out There 25 After 15 yearsThe away, Plan Tomas, an unsuccessful writer, 22 returns to theRadio village Silence of Arga in his native Galicia, 9 sponsors supposedly toSamuel get an and award. Emily In reality,vs. The however,World he is 27 needed thereSFX to endSession a curse that has been hanging 23 over the village for the past hundred years. A huge ‘thank you’ to our sponsor: Shellshocked 34 GRIMM’s EYESleep VIEW: Working Achieving the same masterful 25 balance of blackSmiley comedy and genuine chills as the 21 classic AMERICANStalled WEREWOLF IN LONDON, Juan 33 Martinez Moreno’s gory and mordantly funny tribute to Thanatamorphose 31 the classic werewolf films of Spanish horror icon Paul To Jennifer 11 Naschy, and the Universal horror movies that inspired him, has beenThe a hugeWicker hit Man in Spain. -
SFX’S Horror Columnist Peers Into If You’Re New to the Netflix Catherine Zeta-Jones Movie
DOCTOR WHO JODIE WHITTAKER EXCLUSIVE SCI-FI 306 DAREDEVIL SEASON 3 On set with Over 30 pages the Man of pure terror! Without Fear featuring EXCLUSIVE! HALLOWEEN Jamie Lee Curtis and SUSPIRIA CHILLING John Carpenter on the ADVENTURES OF SABRINA return of Michael Myers THE HAUNTING OF HILL HOUSE OVERLORD BRUCE CAMPBELL SLAUGHTERHOUSE RULEZ AND LOADS MORE SCARES! ISSUE 306 NOVEMBER Contents2018 34 56 61 68 HALLOWEEN CHILLING DRACUL DOCTOR WHO Jamie Lee Curtis and John ADVENTURES Bram Stoker’s great-grandson We speak to the new Time Lord Carpenter tell us about new OF SABRINA unearths the iconic vamp for Jodie Whittaker about series 11 Michael Myers sightings in Remember Melissa Joan Hart another toothsome tale. and her Heroes & Inspirations. Haddonfield. That place really playing the teenage witch on CITV needs a Neighbourhood Watch. in the ’90s? Well this version is And a can of pepper spray. nothing like that. 62 74 OVERLORD TADE THOMPSON A WW2 zombie horror from the The award-winning Rosewater 48 56 JJ Abrams stable and it’s not a author tells us all about his THE HAUNTING OF Cloverfield movie? brilliant Nigeria-set novel. HILL HOUSE Shirley Jackson’s horror classic gets a new Netflix treatment. 66 76 Who knows, it might just be better PENNY DREADFUL DAREDEVIL than the 1999 Liam Neeson/ SFX’s horror columnist peers into If you’re new to the Netflix Catherine Zeta-Jones movie. her crystal ball to pick out the superhero shows, this third season Fingers crossed! hottest upcoming scares. is probably a bad place to start. -
Introduction
INTRODUCTION Having picked this book off the shelf, you’re probably asking yourself, “How could there be a neuroscience of zombies?” While yes, zombies do have brains (you have to destroy their brains in order “kill” them, or so the myth goes), we would be hard pressed to make a case that “zombie neuroscience” qualifies as its own field of study. Neuroscience— the study of the brain, particularly its relationship to behavior and cognition—already has its fair share of perhaps silly and fantastical “specialty” subfields; why add to the list? Well, did you know that we neuroscientists have the answer to every thing? Regular readers of the Opinion page of the New York Times or other popular media outlets will already know that neuroscience can explain why you are in love with your iPhone, why lying to your kids about Santa is a neurologically sound form of parenting, and why inducing a coma leads to proof of heaven. You see, by filtering all of human existence through our very muddy lens we can answer all of life’s questions. By our estimates, an fMRI study explaining the meaning of life should be coming out by sometime early 2015 (hint: it involves 42 brain regions). We hate to break it to our colleagues in the fields of philosophy, religion, and physics, but thanks to a few fancy brain imaging machines and a couple of decades of pretty hard think- ing about stuff, we neuroscientists now can understand every- thing, so they’ll probably need to seek employment elsewhere. If neuroscience is the panacea and explanation for everything else, why not the zombie apocalypse? There’s a market for that, right? Verstynen.indb 1 7/24/2014 8:15:00 AM 2 | Introduction Let’s return to the book you are holding in your hands. -
The Dead Don't Die — They Rise from Their Graves and Savagely Attack and Feast on the Living, and the Citizens of the Town Must Battle for Their Survival
THE DEAD DON’T DIE The Greatest Zombie Cast Ever Disassembled Bill Murray ~ Cliff Robertson Adam Driver ~ Ronnie Peterson Tilda Swinton ~ Zelda Wintson Chloë Sevigny ~ Mindy Morrison Steve Buscemi ~ Farmer Miller Danny Glover ~ Hank Thompson Caleb Landry Jones ~ Bobby Wiggins Rosie Perez ~ Posie Juarez Iggy Pop ~ Coffee Zombie Sara Driver ~ Coffee Zombie RZA ~ Dean Carol Kane ~ Mallory O’Brien Austin Butler ~ Jack Luka Sabbat ~ Zach Selena Gomez ~ Zoe and Tom Waits ~ Hermit Bob The Filmmakers Written and Directed by Jim Jarmusch Produced by Joshua Astrachan Carter Logan TABLE OF CONTENTS I. Synopsis . 4 II. “The Dead Don’t Die” Music and Lyrics by Sturgill Simpson 5 III. About the Production . 6 IV. Zombie Apocalypse Now . 8 V. State of the Nation . 11 VI. A Family Affair . 15 VII. Day For Night . 18 VIII. Bringing the Undead to Life . 20 IX. Anatomy of a Scene: Coffee! . 23 X. A Flurry of Zombies . 27 XI. Finding Centerville . 29 XII. Ghosts Inside a Dream . 31 XIII. About the Filmmaker – Jim Jarmusch . 33 XIV. About the Cast . 33 XV. About the Filmmakers . 49 XVI. Credits . 54 2 SYNOPSIS In the sleepy small town of Centerville, something is not quite right. The moon hangs large and low in the sky, the hours of daylight are becoming unpredictable, and animals are beginning to exhibit unusual behaviors. No one quite knows why. News reports are scary and scientists are concerned. But no one foresees the strangest and most dangerous repercussion that will soon start plaguing Centerville: The Dead Don't Die — they rise from their graves and savagely attack and feast on the living, and the citizens of the town must battle for their survival. -
White Zombie, I Walked with a Zombie, Night of the Living Dead, Dawn of the Dead, Day of the Dead, Victor Halperin, Georges A
Resisting Bodies: Power Crisis / Meaning Crisis in the Zombie Film from 1932 to Today David Roche To cite this version: David Roche. Resisting Bodies: Power Crisis / Meaning Crisis in the Zombie Film from 1932 to Today. Textes & Contextes, Université de Bourgogne, Centre Interlangues TIL, 2011, Discours autoritaires et résistances aux XXe et XXIe siècles, https://preo.u- bourgogne.fr/textesetcontextes/index.php?id=327. halshs-00682096 HAL Id: halshs-00682096 https://halshs.archives-ouvertes.fr/halshs-00682096 Submitted on 23 Mar 2012 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Resisting Bodies: Power Crisis / Meaning Crisis in the Zombie Film from 1932 to Today David Roche Maître de conférences, Centre Interlangues Texte, Image, Langage (EA 4182), Université de Bourgogne, 2 boulevard Gabriel, 21000 Dijon, mudrock [at] neuf.fr Critics have repeatedly focused on the political subtexts of the living dead films of George A. Romero, revealing, notably, how they reflect specific social concerns. In order to determine what makes the zombie movie and the figure of the zombie so productive of political readings, this article examines, first, the classic zombie movies influenced by voodoo lore, then Romero’s initial living dead trilogy (1968-1985), and finally some of the most successful films released in the 2000s. -
Zombie Times November 2014 FREE to All Zombie Lovers
The Zombie Times November 2014 FREE to all Zombie Lovers UK Zombie Festival Got your Ticket ? Two UK Film Premieres lead the 13 hours of Zombie and Adam Millard coming down to meet, greet & sign Films being shown at the UK Festival of Zombie Cul- zombie books for everyone coming... ture, will you be coming? So come on down for some of the gore-some action... The Best Dressed Zombie Competition is again on the cards with a spectacular prize for the best zombie in 15th November, 2014, will be our 8 th Annual Zombie attendance... Festival and yes, we have the same mix of classic, new, contemporary and foreign zombie feature films includ- There will also be Gavin Gore leading our Team of ing a UK Film Premiere from the US and a UK Film Make Up Artists, turning you into a rotting flesh Premiere from Australia... muncher, so if you need making up then dress as a zommer and get your make up done once you arrive… We will also have the Arcade of the Dead, featuring some of the Ultimate Zombie games of All Time! Con- There will also be Goodie Bags for the first people soles, tonnes of controllers, including the ever popular through the door, spot prizes, giveaways, book signings, key board for ‘Typing of the Dead…' horror traders, themed food and drink and loads to do through-out the entire event… We also have prolific Zombie Authors David Moody http://www.phoenix.org.uk/ The Zombie Times November 2014—Page 2 FREE to all Zombie Lovers when you see this sign in this issue means you will find out About the UK Festival oF Zombie Culture …… so keep your eyes peeled…! Make-up Artists for hire GoreFX is a Leicester based group with a large Database of Horror makeup artists from all around the country If you require makeup for Advertising, Short Films, Feature Films, Events etc. -
Laughing Off a Zombie Apocalypse: the Value of Comedic and Satirical Narratives1
International Studies Perspectives (2017) 18, 211–224 Laughing off a Zombie Apocalypse: The Value of Comedic and Satirical Narratives1 RODGER A. PAYNE University of Louisville In recent years, many international relations scholars have been discussing films, books, and television programs featuring zombies, largely because such narratives are thought to provide a compelling metaphor for thinking about a diverse array of contemporary threats. These range from relatively traditional threats posed by violent terrorists to nontraditional threats from epidemics or mass migration. However, because zombie narratives are gen- erally apocalyptic, employing them can provide a misleading and dangerous understanding of international security. By contrast, satirical and comedic zombie stories provide interesting alternative narratives that coincide with the emancipatory objectives of critical security studies. Satirical narratives fo- cusing on elites characteristically critique these powerful figures, often re- vealing them to be self-centered buffoons. Indeed, satire and black comedy can be quite subversive, reflecting critical and potentially transformative notions—about threats andotherdimensionsofsecurity politics. Comedies typically center upon ordinary people, emphasize their regular lives, and end happily—aligning with the aspirations of the human security agenda. Keywords: narrative, film, zombies, critical theory, human security In recent years, international relations (IR) scholars have revealed a strong and growing interest in popular books, films, and television programs. Many are study- ing and writing seriously about a diverse oeuvre of words and images, though with a notable tilt toward pop culture works of fantasy and science fiction. Some of the most prominent publications have focused on the Harry Potter series (Nexon and Neumann 2006), The Lord of the Rings trilogy (Ruane and James 2012), Star Trek (Weldes 1999), Battlestar Galactica (Buzan 2010), and Buffy the Vampire Slayer (Rowley and Weldes 2012). -
ETD Template
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by D-Scholarship@Pitt “The World Goes One Way and We Go Another”: Movement, Migration, and Myths of Irish Cinema by Dana C. Och B.A. in English, University of Pittsburgh, 1996 M.A. in English, University of Pittsburgh, 1999 Submitted to the Graduate Faculty of Department of English in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2006 UNIVERSITY OF PITTSBURGH FACULTY OF ARTS AND SCIENCES This dissertation was presented by Dana C. Och It was defended on 8-31-06 and approved by Dr. Nancy Condee Dr. Adam Lowenstein Dr. Colin MacCabe Dr. Marcia Landy Dissertation Director ii Copyright © by Dana C. Och 2006 iii “The World Goes One Way and We Go Another”: Movement, Migration and Myths of Irish Cinema Dana C. Och, Ph.D. University of Pittsburgh, 2006 The dissertation considers Irish films through the valence of movement and migration to conceptualize a cinema that can account for how films function locally and transnationally. I consider various forms of migration in films produced in Ireland to interrogate how identity and the nation are presented. Considering forms of migration opens a different approach to the films that enables questioning of the myths of the nation-state within globalized capital and culture. In Ireland, the land has given shape to the physical boundaries of imagined identity; land is understood as a material trace denoting a linear history of invasion, conquest, and ultimately independence – an evolution from colonial oppression to postcolonial identity. -
Ebook Download Zombie
ZOMBIE PDF, EPUB, EBOOK Joyce Carol Oates | 192 pages | 15 Sep 2009 | HarperCollins | 9780061778919 | English | New York, NY, United Kingdom Zombie PDF Book Movies List [Update Part 2]. Double agent Evil twin. The Serpent and the Rainbow. Zed and Addison work together to show Seabrook what they can achieve when they embrace their differences and celebrate what makes them a community. Log out. In the s and early s, the American horror author H. The kids in the audience were stunned. Retrieved 27 February Retrieved 31 October Save Word. Such stories are often squarely focused on the way their characters react to such an extreme catastrophe, and how their personalities are changed by the stress, often acting on more primal motivations fear, self-preservation than they would display in normal life. Retrieved 10 May These games were followed by a wave of low-budget Asian zombie films such as the zombie comedy Bio Zombie and action film Versus , and then a new wave of Western zombie films in the early s, including films featuring fast-running zombies such as 28 Days Later , the Resident Evil and House of the Dead films, and the Dawn of the Dead remake , while the British film Shaun of the Dead was in the zombie comedy subgenre. All Family,disney movies that I saw. Its first sequel, Dawn of the Dead , was released in There has been a growth in the number of zombie manga in the last decade, and in a list of "10 Great Zombie Manga", Anime News Network 's Jason Thompson placed I Am a Hero at number 1, considering it "probably the greatest zombie manga ever". -
Programm (Pdf)
VotreVotre cerveaucerveau NIFFF NEUCHÂTEL INTERNATIONAL nousnous intéresseintéresse FANTASTIC FILM FESTIVAL 02 – 10 JULY 2021 PROGRAMME THE SWISS EVENT FOR FANTASTIC FILM, ASIAN CINEMA & DIGITAL CREATION [email protected] SUPERMAFIA DESIGNED BY www.unine.ch 22 2222 i l’info devient de plus en plus Sincontrôlable – 22 pourquoi ne 22 plans mordants 22 qui vous glacent 22 pas préférer 2222 plans plans mordantsle mordantssang quiqui vous vous glacent glacent le sang des nouvelles le sang d’origine PartageonsPartageons contrôlée. d’autresPartageonsd’autres valeurs valeurs d’autres valeurs KHAKI AVIATION CONVERTER AIR ZERMATT AUTOMATIC CHRONOGRAPH LIMITED EDITION SWISS MADE Reconnectez-vous à votre quotidien. Presenting partner HAMILTONWATCH.COM BCN_NIFFF_108x148.5.indd 1 13.06.18 13:34 La marche du monde, sur LeTemps.ch Toute la Après l’attaque du Capitole, le FBI Suisse sur craint de nouveaux soulèvements vos écrans. Article publié le mardi 12 janvier 2021. Un accès illimité aux programmes de la SSR , sans frais supplémentaires. Des militants trumpistes, dont le désormais célèbre «QAnon Shaman», dans les couloirs du Capitole Inscrivez-vous gratuitement le 6 janvier 2021. playsuisse.ch © AP Photo/Manuel Balce Ceneta une idée SRG SSR LT_Annonce_NIFFF_105x148_5.indd 1 10.05.21 17:05 SOMMAIRE 6 CEREMONIES 34 CARTE BLANCHE À UNE OUVERTURE / CLÔTURE PERSONNALITÉ SUISSE : ERÖFFNUNGS-/SCHLUSSFEIER MARTIN VETTERLI 7 INTERNATIONAL 36 NIFFF 20TH EDITION COMPETITION ÉVÉNEMENTS SPÉCIAUX DANS LE CADRE LE MEILLEUR DE LA PRODUCTION FANTAS- DE LA 20E ÉDITION -
Dead Man Still Walking: a Critical Investigation Into the Rise and Fall
Dead Man Still Walking: A Critical Investigation into the Rise and Fall . and Rise of Zombie Cinema Item Type text; Electronic Dissertation Authors Bishop, Kyle William Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 24/09/2021 04:36:09 Link to Item http://hdl.handle.net/10150/194727 DEAD MAN STILL WALKING: A CRITICAL INVESTIGATION INTO THE RISE AND FALL . AND RISE OF ZOMBIE CINEMA by Kyle William Bishop ________________________ Copyright © Kyle William Bishop 2009 A Dissertation Submitted to the Faculty of the DEPARTMENT OF ENGLISH In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2009 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Kyle William Bishop entitled Dead Man Still Walking: A Critical Investigation into the Rise and Fall . and Rise of Zombie Cinema and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy _______________________________________________________________________ Date: 10 June 2009 Susan White _______________________________________________________________________ Date: 10 June 2009 Jerrold E. Hogle _______________________________________________________________________ Date: 10 June 2009 Carlos Gallego Final approval and acceptance of this dissertation is contingent upon the candidate’s submission of the final copies of the dissertation to the Graduate College.