Ss-5205 Project 2 2013
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Brunei 2019 International Religious Freedom Report
BRUNEI 2019 INTERNATIONAL RELIGIOUS FREEDOM REPORT Executive Summary The constitution states that while the official religion is the Shafi’i School of Islam, all other religions may be practiced “in peace and harmony.” In April the government implemented the second and third phases of the Sharia Penal Code (SPC), which includes offenses punishable by corporal and capital punishments, including stoning to death, amputation of hands or feet, and caning. The SPC, which is in force in parallel with the common-law-based secular penal code, applies to both Muslims and non-Muslims, including foreigners, with non-Muslims exempted from certain sections. Under full SPC implementation, Royal Brunei Police Force (RBPF) and Religious Enforcement Division officers cooperate on investigations of crimes covered by both secular law and sharia. Following international condemnation, the sultan announced in May that the de facto moratorium on the death penalty would be extended to include cases under the SPC and that “individual privacy” would be respected. He also declared the government would ratify the United Nations Convention against Torture (UNCAT). Responding to UN expressions of concern regarding the SPC, the foreign minister reiterated that the constitution recognizes the right of non- Muslims to practice their religions “in peace and harmony.” Non-Muslims reported no significant changes with respect to the practice of minority religions following the full implementation of the SPC but noted that the law imposes new restrictions on the ability of non-Muslims to proselytize other non-Muslims, which until April had been legal. The government continued to prohibit non-Muslims from proselytizing among Muslims or persons with no religious affiliation. -
KUPIAH MEUKEUTOB DI DESA GAROT CUT KECAMATAN INDRAJAYA PIDIE (Kajian Estetika)
KUPIAH MEUKEUTOB DI DESA GAROT CUT KECAMATAN INDRAJAYA PIDIE (Kajian Estetika) Diajukan sebagai salah satu syarat untuk Memperoleh gelar Sarjana Seni Diajukan oleh: AISYAH AMELIA NIM 15124112 PROGRAM STUDI KRIYA SENI JURUSAN SENI RUPA DAN DESAIN INSTITUT SENI BUDAYA INDONESIA ACEH 2019 ABSTRACT Kupiah meukeutob is the one of culture product had been being since the goverment of Sultan Iskandar Muda. The title of this research is kupiah Meukeutob at Garot Cut village In Indrajaya Pidie district that raise the issue about aesthetic of kupiah meukeutob. The research at Garot Cut village in Indrajaya Pidie district aims to discribe about aesthetic subject, aesthetic object and aesthetic value of kupiah Meukeutob at Garot Cut village In Indrajaya Pidie distric. Garot Cut is the one of the village that the aunthentic creator of kupiah meukeutob in Pidie district that producing kupiah meukeutob until now by actively. The method of research use the qualitative method with the type of descriptive research. The technique of data collection used the literature studied, observation, interview and documentation. The technique to collecting the data by using the data reduction, categorization, synthesis and compilation. The result of analysis in this research show the result of type of aesthetic subject, aesthetic object and aesthetic value of kupiah Meukeutob at Garot Cut village In Indrajaya Pidie district. Basically, the aesthetic actors of kupiah meukeutob has two aesthetic actors as the subject that are creator which one the craftman of kupiah meukeutob and spectator is the connoisseur of handicraft of kupiah meukeutob. Beside that in aesthetic object explained the history of kupiah meukeutob, form and accessories. -
Feminism, Gender, Woman
Feminism, Gender, Woman... A List of Articles, Books, Chapters in western languages available at the École Française d'Extrême-Orient Library in Chiang Mai, 131 Charoen Prathet Road Opposite The Alliance Française or at Louis Gabaude's home in Sansai Louis GABAUDE Chiang Mai - Sansai July 2016 Feminism, Gender, Woman... A List of Articles, Books, Chapters in western languages available at the École Française d'Extrême-Orient Library in Chiang Mai, 131 Charoen Prathet Road - Opposite The Alliance Française or at Louis Gabaude's home in Sansai (Contact: <[email protected]> More than 2000 References Note 1: This list includes records entered up to 2007 [Before my retirement from the EFEO]. For later acquisitions, consult the EFEO librarian, Dr. Rosakhon, at the library, or Louis Gabaude <[email protected]> Note 2: Records with "Inv. LGTAP" are located in Louis Gabaude's home in Sansai Note 3: Records with "Inv. LG + a number higher than 35000" are located in Louis Gabaude's home in Sansai L.G. ---. "Women and Buddhism in Thailand: A changing identity for religious women". 21 p. - NOTE: Manuscrit. - CALL Nr.: TAP. W872W: Inv. LGTAP 04544. [4544] A. A. "Enceintes dès le seuil de l'adolescence". >>> Croix (La) - L'Evénement (2001/02/21), p. 13. - CALL Nr.: TAP. A???E: Inv. LGTAP ???. [90000] Abbott, Susan M. "[Review of] Simmer-Brown, Judith. Dakini's Warm Breath: The Feminine Principle in Tibetan Buddhism. Boston: Shambhala Publication, 2001. xxv, 404 p.". >>> Pacific World (The) [Third Series], 04 (2002), p. 281-287. - CALL Nr.: PER. E. P001[3]-04: Inv. LGPER. E. -
Conserving and Sustaining Culture Through Sarawak Traditional Malay Woman Headscarves
Conserving and Sustaining Culture through Sarawak Traditional Malay Woman Headscarves Conserving and Sustaining Culture through Sarawak Traditional Malay Woman Headscarves Conserving and Sustaining Culture through Sarawak Traditional Malay Woman Headscarves Awang Rozaimie1*, Rashidah Bolhassan2, Regina Garai Abdullah3 and Aiza Johari4 1&4Universiti Teknologi MARA, Cawangan Sarawak, MALAYSIA 2Pustaka Negeri Sarawak, Sarawak, MALAYSIA 3Universiti Malaysia Sarawak, Sarawak, MALAYSIA [email protected]; [email protected]; [email protected]; [email protected] Received: 2 February 2020 Accepted: 30 April 2020 Published: 30 June 2020 ABSTRACT The traditionally Sarawak Malay woman headscarf is known as Tudong Selayah Keringkam. It is a hand-made identical embroidery headscarf, produced with articulate skills, creativity, and imagination and worn as a social identity among the Malay women in Sarawak. This paper argues that the Selayah and the Keringkam are two different pieces of headscarves artwork. This paper also foresees the reasons behind the depletion of interest and skills of producing this artifact among the younger generation, to a large extent, making the cultural sustainability of the traditional headscarves in Sarawak to become less significant. Hence, the objectives of this paper are to explore the distinction between Selayah and Keringkam. In this transcendental phenomenological paper, the ‘framing approach’ is used in the in-depth interviews conducted with Selayah Keringkam weavers and Malay elders. This paper apparently has found the little provision to the distinction between Selayah and Keringkam. However, there are five elements posited which have contributed to the depletion of interest among the young generation in the production of Selayah Keringkam. Those elements are labelled as Price, Realism, Technology, Proficient and Insight. -
Panduan Pendaftaran Pelajar Baharu Sesi 2/2021
LAMPIRAN 3 PANDUAN PENDAFTARAN PELAJAR BAHARU SESI 2/2021 PUSAT LATIHAN TEKNOLOGI TINGGI (ADTEC) KEMAMAN JABATAN TENAGA MANUSIA KEMENTERIAN SUMBER MANUSIA PAYOH, 24210 KEMASIK TERENGGANU DARUL IMAN www.adteckmn.gov.my TEL : 09-8664000 FAKS : 09-8671020 SENARAI KEPERLUAN & BAYARAN BAGI PELAJAR BAHARU SESI JULAI 2021ADTEC KEMAMAN _______________________________________________________________________________________ Sila baca butiran panduan dan keperluan pendaftaran dengan teliti bagi memastikan proses pendaftaran dapat dijalankan dengan cepat dan sempurna. 1. BAYARAN BAGI KEPERLUAN DAN AKTIVITI PELAJAR BAHARU Berikut adalah senarai keperluan dan aktiviti pelajar baharu yang perlu dibayar semasa Hari Pendaftaran : BAYARAN (RM) BIL SENARAI KEPERLUAN & AKTIVITI PELAJAR 2 Tahun 3 Tahun 1. Insurans Berkelompok RM30/tahun 60.00 90.00* 2. Aktiviti Sukan / Riadah 20.00 20.00 JUMLAH BAYARAN (RM) 80.00 110.00 *RM90.00 : Pelajar DT BOM (lepasan SPM) sahaja (tempoh latihan - 3 tahun) 2. BARANGAN KEPERLUAN PELAJAR UNTUK LATIHAN DAN ASRAMA Berikut adalah senarai keperluan pelajar yang boleh didapati di institut pada Hari Pendaftaran : BIL SENARAI KEPERLUAN HARGA (RM) 1. Kad Matrik 15.00 2. Fail Portfolio RM 16.00 x 2 unit 32.00 3. Fail aktiviti MSR 70.00 4. Beg sandang MSR 32.00 5. Jaket Bengkel 56.00 6. Baju Korporat 68.00 7. Kasut keselamatan 66.00 8. Cadar & Sarung Bantal RM 27.00 X 2 set 60.00 9. Token Dobi (1 semester) 50.00 10. Tali Leher JTM (lelaki sahaja) 27.00 11. T-Shirt Latihan RM 32.00 x 2 helai (lelaki sahaja) 64.00 12. T-Shirt Latihan RM 33.00 x 2 helai (perempuan sahaja) 66.00 Jumlah Keperluan Pelajar Lelaki 540.00 Jumlah Keperluan Pelajar Perempuan 515.00 Semua urusniaga pembelian barangan dibuat secara TUNAI pada hari pendaftaran. -
Motif Ragam Hias Kupiah Aceh
Jurnal Ilmiah Mahasiswa Program Studi Pendidikan Seni Drama, Tari dan Musik Fakultas Keguruan dan Ilmu Pendidikan Unsyiah Volume 1, Nomor2:147-154 Mei 2016 MOTIF RAGAM HIAS KUPIAH ACEH T Ikkin Nurmuttaqin1*, Ismawan1, Cut Zuriana1 1 Program Studi Pendidikan Seni Drama Tari dan Musik, Fakultas Keguruan dan Ilmu Pendidikan, Universitas Syiah Kuala ABSTRAK Penelitian ini berjudul “Motif Ragam Hias Kupiah Aceh”. Adapun yang menjadi masalah dalam penelitian ini adalah apa saja macam-macam jenis kupiah Aceh dan motif ragam hias yang terdapat pada kupiah Aceh. Penelitian ini bertujuan untuk mendeskripsikan macam-macam jenis kupiah Aceh dan mendeskripsikan motif ragam hias yang terdapat pada kupiah Aceh. Pendekatan yang digunakan dalam penelitian ini adalah pendekatan kualitatif dengan jenis penelitian deskriptif. Teknik pengumpulan data dalam penelitian ini dilakukan dengan teknik observasi, wawancara, dan dokumentasi. Teknik analisis data dilakukan dengan reduksi data, penyajian data, dan verifikasi data. Hasil penelitian menunjukkan bahwa macam-macam jenis kupiah Aceh terdapat pada koleksi Museum Aceh adalah kupiah Puteh, kupiah Teureuboih, kupiah Ija Tjam, kupiah Gayo Lues, kupiah Aceh Tengah-Bener Meriah, kupiah Beludru Hitam dan kupiah Beludru Motif Aceh). Motif-motif yang ada pada kupiah Aceh tersebut adalah sebagai berikut: Motif Bungong Kundo, Motif Bungong Renue Leue, , Motif Bungong Sise Meuriah, Motif Bungong Johang, Motif Bungong Pucuk Rebung, Motif Buah Delima dan Awan, Motif Putekh Tali, Motif Gelombang, Motif Cecengkuk Anak, Motif Lempang Ketang, Motif Emun Berangkat, Motif Tei Kukor, Motif Putar Tali, Motif Bintang dan Motif Gesek. Kata Kunci: motif ragam hias kupiah Aceh, motif Aceh PENDAHULUAN Aceh adalah sebuah provinsi di Indonesia. Aceh terletak di ujung utara pulau Sumatra dan merupakan provinsi paling barat di Indonesia. -
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BAB I PENDAHULUAN A. Latar Belakang Masalah Nanggro Aceh Darussalam adalah sebuah provinsi di Indonesia dengan Ibukota Banda Aceh. Aceh merupakan salah satu provinsi di Indonesia yang diberi status sebagai Daerah Istimewa dan juga kewenangan otonomi khusus.`Aceh terletak diujung utara pulau Sumatera dan merupakan provinsi paling Barat di Indonesia. Masyarakat Aceh dibagi 8 suku yaitu suku Singkil, suku Gayo, suku Aneuk Jame, suku Tamiang, suku Aceh Tenggara (Alas), suku Kluet, suku Pidie, dan suku Aceh. Dalam kehidupan budaya Aceh, Agama Islam membawa pengaruh sangat besar terhadap segala aspek kehidupan masyarakat dan budayanya. Keistimewaan Aceh yaitu adanya berbagai objek wisata yang cocok untuk liburan akhir pekan salah satunya kota Banda Aceh. Kota Banda Aceh adalah kota tempat tinggal raja pada masa dahulu, sehingga peninggalan budayanya dapat menarik wisata yang datang di Banda Aceh, seperti Mesjid Raya Baiturrahman, Mesjid Tua Indra Puri, Rumoh Aceh, Rumoh Cut Nyak Dien, Taman Sari Gunongan, dan lainya. Selain melihat peninggalan raja juga kita dapat melihat berbagai pemandangan alam seperti Pantai Lampuuk, Pantai Lhoknga, Ulee Lheue, Air Terjun Kuta Malaka, Air Terjun Pekan Bilui dan lainnya, juga wisata lain adanya peninggalan bekas bencana Aceh yaitu Museum tsunami dan Kapal Apung. Selain melihat wisata, para wisatawan juga dapat membawa pulang oleh-oleh dalam bentuk makanan khas dan berbagai karya seni khususnya kerajinan khas Banda Aceh. 1 2 Seni kriya adalah karya seni yang dapat digunakan dalam kehidupan sehari- hari yang memiliki nilai dan fungsi tertentu disamping nilai seni yang ada di dalamnya, contohnya seperti : karya batik, topeng, vas bunga, tas rajut, ukiran kayu, pajangan, peralatan rumah tangga, karya seni dari bahan daur ulang, dan kerajinan tangan lainnya. -
Colonial Collecting and Its Motivations Vattier Kraane, a Businessman in the Dutch East Indies
Colonial Collecting and its Motivations Vattier Kraane, a businessman in the Dutch East Indies Colonial Collecting and its Motivations Vattier Kraane, a businessman in the Dutch East Indies Name: Ervée van der Wilk Student number: S0629758 Email address: [email protected] First reader: W. van Damme Second reader: M.A. Leigh Specialization: Arts and culture; museums and collections Academic year: 2014/2015 Date: 24-07-2015 List of contents Introduction.................................................................................................................................1 Chapter 1: The Dutch Colonial Empire......................................................................................7 1.1 The 19th century...................................................................................................................8 1.2 The early 20th century........................................................................................................12 1.3 Changing colonial culture...................................................................................................15 Chapter 2: Dutch Colonial Collecting.......................................................................................16 2.1 The advancement of knowledge.........................................................................................16 2.2 Commercialism...................................................................................................................18 2.3 Expanding the ethnographic frontier...................................................................................20 -
ICAS 10 Programme Book
ICAS 10 CONFERENCE PROGRAMME 20-23 JULY 2017 THE 10TH INTERNATIONAL CONVENTION OF ASIA SCHOLARS CONFERENCE PROGRAMME 20–23 JULY 2017 CHIANG MAI THAILAND ICAS 10 CONFERENCE PROGRAMME 20-23 JULY 2017 CONTENTS 2-3 Welcome 4-5 Venue Floor Plan 6-7 Schedule at a Glance 8-11 Special Events 12-21 Film Screenings 22-27 Exhibitions THE 10TH 28-107 Panel Schedule INTERNATIONAL 108-127 CONVENTION OF Advertisements ASIA SCHOLARS 128-136 List of Participants CONFERENCE 137-144 List of Participant PROGRAMME Affiliated Institutions Notes 20–23 JULY 2017 CHIANG MAI THAILAND CO-SPONSORS Chiang Mai City Arts & Cultural Center Konrad Adenauer Stiftung Thailand Convention & Exhibition Bureau ICAS 10 WELCOME 20-23 JULY 2017 WELCOME TO ALL ICAS 10 PARTICIPANTS On behalf the Local Organising Committee, I would like to extend our warm welcome to all participants of ICAS10, taking place from 20-23July 2017 in Chiang Mai. As the 10th edition of ICAS is taking place in Asia, it will be greatly beneficial and intellectually challenging to invite Asia scholars to use this platform to discuss and exchange ideas on how we can better understand the changes that are happening in this region today. The conference is envisaged as an opportunity for participants to question the old paradigms and to search for new ones that can help us to analytically investigate the emerging economic, political and social order, as well as to conceive a realisation of the need for a new methodology to help us in better dealing with the problems of environment degradation, migration, authoritarianism, ethnic conflict, inequality, commoditisation of culture, and so forth. -
List of Delegations to the Seventieth Session of the General Assembly
UNITED NATIONS ST /SG/SER.C/L.624 _____________________________________________________________________________ Secretariat Distr.: Limited 18 December 2015 PROTOCOL AND LIAISON SERVICE LIST OF DELEGATIONS TO THE SEVENTIETH SESSION OF THE GENERAL ASSEMBLY I. MEMBER STATES Page Page Afghanistan......................................................................... 5 Chile ................................................................................. 47 Albania ............................................................................... 6 China ................................................................................ 49 Algeria ................................................................................ 7 Colombia .......................................................................... 50 Andorra ............................................................................... 8 Comoros ........................................................................... 51 Angola ................................................................................ 9 Congo ............................................................................... 52 Antigua and Barbuda ........................................................ 11 Costa Rica ........................................................................ 53 Argentina .......................................................................... 12 Côte d’Ivoire .................................................................... 54 Armenia ........................................................................... -
Becoming Bruneian
Becoming Bruneian Negotiating cultural and linguistic identities in the 21st century Breda O’Hara-Davies Doctor of Philosophy 2017 Certificate of Original Authorship I certify that the work in this thesis has not previously been submitted for a degree nor has it been submitted as part of requirements for a degree except as fully acknowledged within the text. I also certify that this thesis has been written by me. Any help that I have received in my research work and the preparation of the thesis itself has been acknowledged. In addition, I certify that all information sources and literature used are indicated in the thesis. Signature of candidate ________________________ ii Negara Brunei Darussalam iii Acknowledgments This long journey has been nothing if not emotional. I would now like to thank the many people who have supported me along the way. To my renowned supervisor, Professor Alastair Pennycook: You have been endlessly patient and understanding. Your insightful feedback and probing comments have guided me to produce what is hopefully a more focused account. Reading your body of work continues to inspire me to rethink my identity as language teacher and to adopt a critical approach to everything that this involves. To Associate Professor Liam Morgan, thank you for your enthusiastic support for my topic and for rescuing me when I almost gave up. To the wonderful participants who took part so graciously in this research and who have allowed me into their minds and hearts: Your friendship, trust and belief in me are truly humbling. I hope I have done justice to your contributions. -
The Symbolic Meaning of the Bridal Attire on Alek Gulai Manih Marriage in Solok
Advances in Social Science, Education and Humanities Research, volume 301 Seventh International Conference on Languages and Arts (ICLA 2018) THE SYMBOLIC MEANING OF THE BRIDAL ATTIRE ON ALEK GULAI MANIH MARRIAGE IN SOLOK Nurrahmania Hasanah1, Agusti Efi2, and Daryusti3 Universitas Negeri Padang, Indonesia, e-mail : [email protected] Universitas Negeri Padang, Indonesia, e-mail : [email protected] Universitas Negeri Padang, Indonesia, e-mail : [email protected] Abstract Alek gulai manih wedding is the second level wedding at Solok, one of the cities in west Sumatera. This wedding is symbolized by slaughtering a buffalo and a long speech or pidato panjang. The cloth worn by the groom is called Marapulai indak babaju or Marapulai basanda kain barangkok. This cloth surely has unique characteristics and implied values derived from its uniqueness. This study employed qualitative approach which was undertaken at Solok. Furthermore, the data were collected through observation, interview and documentation. Testing the validity of the data was done through trustworthiness, transferability and confirmation.The findings showed that the philosophic meaning was still obeyed as the rules at Solok. Sarawa tapak itik, kain serong balapak/ sisamping, kabek pinggang patah sambilan, keris, salua, kain barangkok, kaduik barantai sagama are the parts of groom’s traditional wedding dress. While, bungo sangua, kupiah tatah ameh, baju kurung basiba hitam batabua ameh, salendang bajambua jo jalo, tanti, dukuh, galang mungu, galang daun, galang rago rago, and sarung balapak that were made by the old women are the parts of bride’s dress. All parts of wedding dress had very deep meanings. Keyword :The Symbolic Meaning, The Bridal Attire, Marriage Introduction The Minangkabau community is a united society, and the impact of pluralism is that there are various customary rituals and traditions carried out and maintained by individual supporters, according to the Malay proverb "lain lubuaklain ikannyo, lain padang lainbilalangnyo, lain nagari lain adatnyo".