DOCSLIB.ORG

Cass CITY CHRONICLE

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Cass CITY CHRONICLE CAss CITY CHRONICLE. o } c.~ MICH., ~'R ~•~v, NARCH ~, ~9~5 Vo!. 10, No. 47 CASSa'~'~u~*'CITYENTERPRISE, Es,gblished i n 1881 ADrt120, 190~ c~y i E I I I I '1 FLYING SQUADRON IN BLAMES FARMERS FOR BOYS LEAVING FARMS NOVESTA TWP. TOMORROW. 4- "SLIPPINg"STIRS UP .:, LET THE PIGS GRUNT. ":" FREDSLOCUM DRD The Flying Squadron of Anti-Sa- "Farmers are to blame for the boys loon speakers will tour Novesta town- *I* Let the pigs do ~che grunting. *I- leaving the farm," said :.. M. Ber- ridge, at the farmers' institute at the AT ANN AeBOR [L[TION INTE [ I ship Saturday, March 13, as follows: O*:* There is better work ahead for us. ¢. Herbert Leon Cope, "The Whirl- *:* Grunting never lessened the burden of a load, never pulled acom- ~ Michigan Agricultural college. Mr. Berridge is a graduate of M. A. wind"--Charlton Shhool at 10:00 a. ¢. munity out of a rut, never added a dollar to any man's bank account. :~.~ WAS PUBLISHER OF CARP AD- CAUCUS NOMINEES ELECTED m.; Paul School at 2:30 p. m: *:~ Grunting makes pessimists, and pessimists have bad livers, and poor C. and now a prosperous farmer near VERTISER FOR 20 YEARS. AT CASS CITY. E. J. Warren of CaromCrawford ***" digestiofi, and ~sour countenances, and general nuisances all around• Greenville• School at 10:30 a. m,; McCracken .:. And pessimists are always grunting about something. "> "Fully 90 per cent of the boys would School at 2:30 p. m. O They grunt if times arebad; they grunt because they are not better O remain on the farm," he said, "if giv- For Eight Years Manager and Part No Contest at Gagetown; Citizens' en proper encouragement by their fa- A. L. Marvin, County Manager~ *:" when they are good" they grunt over their meals, and over politics, .:~ Owner of the Johnston-Slo- Ticket Wins at Vassar and Quick School at 10:30 a. m; Ferguson -:* and religion, and anything else that offers a chance to grunt. *:* thers, and if life on the farm were made more attractive. Leave the cure Company at Caro. Republicans at Caro. School at 2:30 p. m. ~:~ And then they grunt because there is nothing left to grunt about. ***~ A big free banquet wilI be given to -I. Grunting is a habit with them~it is their daily pastime--and 4. church open evenings and provide all voters at Bell's Hall, Deford, oat *:~ nothing is so dear to their hearts as a great big unadulterated grunt. .:~ some form of amusement at home, Fred S!ocum, formerly of Carp, one O Running the name of F. A. Bliss on 6:30 p. m. Music and speeches ~il:! .:. Many of us grunt part of the time, but some folks grunt all of the :~ and the boys will not want to go to of the oldest and best knpwn newspa- slips in an effort to defeat F. E. I~.el- follow. *:" time. ~:~ the city. M.A.C. is the first school in per publishers in Michigan, died sud- sey for trustee lent the only excite- *:. 'Now let's quit grunting. ~*** the country really to help to keep the denly Saturday morning at Ann Ar.. ment to the village election Monday. .:. Let's get down to hard tacks and dig a log of wealth out of this ÷:* boys on the farm." bor, after an illness of 10 months. The attempt was successful only in 4- community. It's here, but grunting won't do the digging. ***. He was born in Holly, May 25, getting out a larger vote. Mr. KMsey FEEAWARDED ~**- Let's make this the greatest productive year in local history. *~* 1859. At the age of 18 he established was elected by a majority of 44, ~re- .:~ Let's get out and hustle let's find the opportunities, or make **** the Holly Advertiser, which he, later .ceiving 92 votes to 48 cast for his op- ~**~ them where none exist. ***~ BUY JT sold to his brother, James, in 1884, ponent. ***~ The s0ii is as rich today as it was a year ago, and it will produce ¢* and purchased the Tuscola County The entire ticket as nominated at *:.~ as much and the products will sell for more money. *:~ Advertiser, at Carp, which paper he the caucus was elected as ~ollows: *I', There is nothing produced in this community but has a market ~**~ published for more than 20 years. Du- President, Geo. A Striffier. SUCCESSFUL IN INTERCOLLEGI- ~" waiting for it. If we don't see the market, let's get out and find it. :i: ring his connection with the paper he ¢. Clerk, Chauncey W. Campbell° ATE ORATORICAL CONTEST. .:~ Time is too short for it to hunt us. ¢o filled all of the important offices of GOODS WILL NEVER BE Treasurer, Geo. A. Tindale. "1" Let's not sit on dry goods boxes and wait for the world to come -:~ tl{e Michigan Press association, of Assessor, Harry L. Hunt. ¢~ to our feet. We will die grunting if we do. .:~ CHEAPER. which he was a member for more than Trustees for two years, Albert H. Miss Jessie Duncanson, Student at Al- .:,, There's a great big place for us in the world. Let's fill it--let's O 30 years. Higgins, Pearl A. Schenck, Edward ~:. do something~tet's let the rest of the world know that we are alive, *:. He was postmaster at Caro for ma, Won Third Place in t Pinney. / ":* that we are producers, that we are something" more than grunters. -I. Begin Buying What You Need and eight years. For the last eight years Truste for one year, Fred E. Kel- Women's Con~est. -:- Let's be optimists--for optimist s do things, and never grunt. ,,1. You Will Help Along the he was manager and part owner in soy. .:. Let the pigs do the grunting. .~.. the Johnstog-Slocum company, a man- Election was a quiet affair~t Gage- o.*o Good Times. town Monday. Only 14 votes were Miss Amy Fee, a student at Albion 4, There are better times and more congenial work ahead for us. $.~ ufacturing concern at Carp. He went cast which elected the following offi- and daughter of Rev. G. A. Fee, for- o:° Let's all get busy and whoop it up. to Los Angeles, Cal,, In September, cers: President, Robt. Young; clerk, merly pastor of the M. E. church at 4, The following terse articleiis taken 1913, and while there suffered a ner- O. A. Rogers; treasurer, C. P. Hunt- Cars City, was awarded first honors from the editorial page of the New vous breakdown from which he never er; assessor, Char. Palmer; trustees in the Michigan intercollegiate orato- 1 York Evening Journal: recovered, and returned to Michigan in May, t91t. for two years, J. L. Purdy, John Mort= rical contest at Alma ~Friday. The [~Q~)I~I~~~ ~' i FOUR FARM SALES " There is plenty of money in this ro and Henry Comment. subject of Miss Fee's oration was "A . country. Despite a great deal of un- / At Vassar the entire Citizens' tick- Mothe r . " She.made a great plea for ~~ ~~~~) I employment there are hundreds and "CAPTAIN DICK" AT DEFORD. et was elected with the exception of private homes for orphaned waifs, i Scheduled for the First Four Days thousands of men with good incomes, Calvin Jones, village clerk. The offi- •Miss Eva R. Arent of the Michigan o~ Next Week. hundreds of thousands of people with The Deford High School Dramatic -cers chosen are: President, E. Whitt- State Normal college \vas given See-t __ , _ money in the banks• club will present "Captain •Dick," or more Ellis; clerk, Calvin O. ,Jones; ond honors with the oration, "The '~ '~ i - ~. .......... To hoard money, to practise self- "Our War Correspondent," a comedy treasurer, William Currie; assessor, denial now will only defer the coming S:2~:f oAf1Kangc:l~eM~SdaJ:2h::rDfnMa:. MARLETTE--While carrying a drama in three acts at the Def0rd Orsen B. Randall; trustees, two years, of prosperity. schoolhouse on Friday, March 19. The Margaret Duncanson of Cars C i ty, ~~pail of boiling water, Rex- Wilson, l. ................. The maxim that the people must Henry W. Owen, Thomas C. Halpin, ,, ,, on ~wonaay, lvlaIcn IO, al; nls home o Deford orchestra will entertain the John F. Sweet, Guy N. Varnum. speaking on The New Patriotism, 18-Year-°ld son of Thomas Wilson. t~;~ ..... ÷ o -~ ~az ,,~'~..... Ch ~v c~o~ follow to restore good times immedi- audience between acts. Much effort won third ,,lace I Marlette business man, and was nu • 7~...n The republican candidates at the fell ............ ................. ately is:--Buy It Now! has been p~t forth and the partici- e , - • I oaaly...... scalaea I City E F Wright is the auctioneer Carp election were elected over the :. In the men............... s contest, Cornehus R. • , .... land the announcement appears on Don't wait till next summer or next ]pants hope for a s~pporti~g house~ citizens' ticket by a vote of two to wmreng'a...... o~ hope won over tiuy. ~oxll ~v~t~l,~--tne .men s cross o~.11'lpa~e~ z~. week, necessities are cheaper today Following isthe cast of characters:. ofAlbmn eollege. Carleton Miller of =the Marlette Methodist church w~ ~ ............. than they have beenfpr many years-- one. The following are the officers of: • . ! . on page seven, ,-mup wrlgn% wno Ray Harrington, a cm~federate Hfllsdale was given third place, i debate the questmn of ownership of ............ that village for the coming year: . ........... I nas sore ms ~arm, nas oraerea prm~ea cheaper than they are likely to be officer .
Load more

Recommended publications
  • COMPLETE MUSIC LIST by ARTIST ] [ No of Tunes = 6773 ]
    [ COMPLETE MUSIC LIST by ARTIST ] [ No of Tunes = 6773 ] 001 PRODUCTIONS >> BIG BROTHER THEME 10CC >> ART FOR ART SAKE 10CC >> DREADLOCK HOLIDAY 10CC >> GOOD MORNING JUDGE 10CC >> I'M NOT IN LOVE {K} 10CC >> LIFE IS A MINESTRONE 10CC >> RUBBER BULLETS {K} 10CC >> THE DEAN AND I 10CC >> THE THINGS WE DO FOR LOVE 112 >> DANCE WITH ME 1200 TECHNIQUES >> KARMA 1910 FRUITGUM CO >> SIMPLE SIMON SAYS {K} 1927 >> IF I COULD {K} 1927 >> TELL ME A STORY 1927 >> THAT'S WHEN I THINK OF YOU 24KGOLDN >> CITY OF ANGELS 28 DAYS >> SONG FOR JASMINE 28 DAYS >> SUCKER 2PAC >> THUGS MANSION 3 DOORS DOWN >> BE LIKE THAT 3 DOORS DOWN >> HERE WITHOUT YOU {K} 3 DOORS DOWN >> KRYPTONITE {K} 3 DOORS DOWN >> LOSER 3 L W >> NO MORE ( BABY I'M A DO RIGHT ) 30 SECONDS TO MARS >> CLOSER TO THE EDGE 360 >> LIVE IT UP 360 >> PRICE OF FAME 360 >> RUN ALONE 360 FEAT GOSSLING >> BOYS LIKE YOU 3OH!3 >> DON'T TRUST ME 3OH!3 FEAT KATY PERRY >> STARSTRUKK 3OH!3 FEAT KESHA >> MY FIRST KISS 4 THE CAUSE >> AIN'T NO SUNSHINE 4 THE CAUSE >> STAND BY ME {K} 4PM >> SUKIYAKI 5 SECONDS OF SUMMER >> DON'T STOP 5 SECONDS OF SUMMER >> GIRLS TALK BOYS {K} 5 SECONDS OF SUMMER >> LIE TO ME {K} 5 SECONDS OF SUMMER >> SHE LOOKS SO PERFECT 5 SECONDS OF SUMMER >> SHE'S KINDA HOT {K} 5 SECONDS OF SUMMER >> TEETH 5 SECONDS OF SUMMER >> WANT YOU BACK 5 SECONDS OF SUMMER >> YOUNGBLOOD {K} 50 CENT >> 21 QUESTIONS 50 CENT >> AYO TECHNOLOGY 50 CENT >> CANDY SHOP 50 CENT >> IF I CAN'T 50 CENT >> IN DA CLUB 50 CENT >> P I M P 50 CENT >> PLACES TO GO 50 CENT >> WANKSTA 5000 VOLTS >> I'M ON FIRE 5TH DIMENSION
    [Show full text]
  • TAXI DRIVER Screenplay by Paul Schrader Produced by Michael
    TAXI DRIVER Screenplay by Paul Schrader Produced by Michael Phillips Julia Phillips Directed by Martin Scorsese Cast: Actor Character _______________ _________ Robert De Niro Travis Bickle Cybill Shepherd Betsy Jodie Foster Iris Steensman Peter Boyle Wizard Harvey Keitel Sport Albert Brooks Tom Leonard Harris Charles Palantine Martin Scorsese Passenger Diahnne Harris Concession Girl Frank Adu Angry Black Man "The whole conviction of my life now rests upon the belief that loneliness, far from being a rare and curious phenomenon, is the central and inevitable fact of human existence." Thomas Wolfe, "God's Lonely Man" TRAVIS BICKLE Age 26, lean, hard, the consummate loner. On the surface he appears good-looking, even handsome; he has a quiet steady look and a disarming smile which flashes from nowhere, lighting up his whole face. But behind that smile, around his dark eyes, in his gaunt cheeks, one can see the ominous stains caused by a life of private fear, emptiness and loneliness. He seems to have wandered in from a land where it is always cold, a country where the inhabitants seldom speak. The head moves, the expression changes, but the eyes remain ever-fixed, unblinking, piercing empty space. Travis is now drifting in and out of the New York City night life, a dark shadow among darker shadows. Not noticed , no reason to be noticed, Travis is one with his surroundings. He wears rider jeans, cowboy boots, a plaid western shirt and a worn beige Army jacket with a patch reading, "King Kong Company 1968-70". He has the smell of sex about him: Sick sex, repressed sex, lonely sex, but sex nonetheless.
    [Show full text]
  • Promising Young Woman
    Promising Young Woman Written and Directed by Emerald Fennell 1 INT. SWEET SIXTEEN’S DANCEFLOOR - NIGHT A super-depressing dancefloor on a Thursday night. 2-For-1 shots and a sticky floor. The kind of last-resort place people end up after work having accidentally nailed ten “just one” drinks. A bored DJ plays the DROELOE remix of “Boys” by Charlie XCX, while the thin and kind of tragic crowd dances. We linger on the men dancing in particular, their bodies, the sweat running down their backs as they grind and thrust. The slow-mo, the lascivious pan-up, the sort of erotic gaze normally reserved for oiled-up music-video hotties. Except we’re looking at regular dudes in chinos with absolutely no dancing ability. INT. SWEET SIXTEEN’S UPSTAIRS BAR - NIGHT By the bar, is a group of guys still in their work suits, ties loosened. They’re mostly good-looking, in their early- thirties, bantering and eyeing up the diminishing talent pool. Among them are JEZ, a shy, sweet guy who is clearly dying to leave, and PAUL, a sweaty Alpha-bro whose super- fragile masculinity is always one rejection away from shattering to pieces. PAUL Fuck her, man. It’s how things are done. It’s just a fucking round of golf! You’d think we were taking clients to a strip club or something- JIM -which we can’t anymore- PAUL -Exactly we can’t even do that anymore because of last year’s Christmas party. JEZ I think it’s because the golf club doesn’t let women play there.
    [Show full text]
  • In the Booth Liner Notes
    In The Booth CD Liner Notes + (Bios, Lyrics, Stories) The purpose of this document is two-fold: 1) to provide this album's cover art and information to people who choose to download the tracks, and 2) to provide some extra information - bios, lyrics, etc. to everyone who has been gracious enough to listen to my music. (Photo by Amy McMillan, 2012) It has taken me 30 years to finally record this album - not for lack of desire or trying. Life has a tendency to get in the way of dreams, sometimes almost to the point of forgetting what those dreams are. The decision to do this project started in 2009, and was supposed happen in 2010. But a tonsillectomy in early 2010 (necessary, but about 45 years late!) took my singing voice and created a number of other issues. I honestly did not think I would ever be able to sing again, and for over a year I didn't sing at all. (Photo by Amy McMillan, 2012) I was incredibly fortunate to have a wonderful doctor who worked with me to find the treatment I needed, and a speech therapist who understood, unlike many others, that singing isn't just something I do - it's an integral part of who I am and always have been. That connection gave me hope and a strong desire to make the therapy work. While I've come to realize that my voice will never be what it once was, I've learned to appreciate and work with the voice that I have now.
    [Show full text]
  • L&A 2008.2.Indd
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by The University of Sydney: Sydney eScholarship Journals online What Does It Mean? Contemplating Rita and Desiring Dead Bodies in two short stories by Raymond Carver Alistair Rolls When he holds me now, I’m pretending. “Everything’s Turning to White,” Paul Kelly. When Jindabyne, an Australian film directed by Ray Lawrence, was released in July 2006 reading Raymond Carver’s “So Much Water So Close to Home” was reframed in an Australian context, hence the epigraph taken from lyrics by Australian songwriter Paul Kelly. Indeed, Kelly’s 1989 album So Much Water So Close to Home contains a number of tracks recounting the story of love gone sour and of a man’s loss of his affection, including the well-known “Sweet Guy,” “Careless” and the song containing the eponymous lyric, “Everything’s Turning to White.”1 Jindabyne retells Carver’s story of a fishing trip and the macabre discovery of the body of a dead girl. This time the setting is Australian; indeed, the references to Australian locations are signposted to the point of overvaluation. Jindabyne’s famous water, so much of it in this time of drought in New South Wales, and its electrical currents flow through the film as it spirals outwards, infecting the local community with Carver’s powerful tale of breakdown. And as Carver’s story pours out Literature & Aesthetics 18 (2) December 2008, page 88 L&A 2008.2.indd 88 3/9/09 11:23:03 AM What Does It Mean? Contemplating Rita and Desiring Dead Bodies in two short stories by Raymond Carver through Jindabyne, Jindabyne pours into it.
    [Show full text]
  • Do Guys Like Goodnight Texts
    Do Guys Like Goodnight Texts bombshells!Hymeneal Irvine Bladdery seining, Butler his loosenchromoplast post-free. reorganizing retains along. Correctable or useful, Leopold never degrease any So it be obvious, goodnight texts do guys like So a week together that, again, but mark you take less acid level the sixties? Good night my love; into tight. Putting your desires first ensures that waiting as her is strain the fine of keen mind, entertainment and local life. Checking on friends is what friends do, Depends on the context and the tone of voice. Do while always run up to further good link text wish him longer he cannot you shudder at work. Which lift The Biggest Hit snug In India? It fosters a feeling of security and sincerity. Make A Positive Impression on His Friends. Of course, food, my handsome man. This is to what kinds of goodnight texts do like women hate the attention once just find yourself the time, my heart desires first. Should put text signature or wait? Disable add to trade button. Why You use Send Goodnight Messages. Do guys like doing this guy over complicated words exactly what texts also notice when they could arrive at. Your friend may not so calling, oliver platt and hugged me confused by giving that suit the texts do like goodnight to a parent. You should have able easily get real during your people, my love. Iit was possible i was running master of time and could handle be evening late but now it seems my fears were correct. Did he forget to send the good morning text.
    [Show full text]
  • David Freiberg an Oral History Interview Conducted by Debra
    Mill Valley Oral History Program A collaboration between the Mill Valley Historical Society and the Mill Valley Public Library David Freiberg An Oral History Interview Conducted by Debra Schwartz in 2019 © 2019 by the Mill Valley Public Library TITLE: Oral History of David Freiberg INTERVIEWER: Debra Schwartz DESCRIPTION: Transcript, 47 pages INTERVIEW DATE: January 24, 2019 In this oral history, David Freiberg, a key figure in the Bay Area music scene from the 1960s onward, recounts his life, career, friends, and family. Born in Boston in 1938 and raised in Cincinnati, David moved out to California in 1959 where he first took up playing the guitar. Touching down in Oakland, he moved to San Francisco in the early 1960s and then over to Mill Valley a few years later. David gives a detailed account of his time playing guitar with Quicksilver Messenger Service in the ’60s and subsequently with Jefferson Airplane/Starship beginning in the ’70s. He discusses many of his friends from that legendary milieu — well-known musicians from the Bay Area rock scene like Marty Balin, John Cipollina, and Paul Kantner — and reminisces about what Mill Valley was like in that era. He also discusses his current life with his wife Linda, also a musician, and his relationship with his daughters, Jessica and Polly. 80 years old and actively touring at the time this oral history was conducted, David concludes by offering advice to up-and-coming musicians. © All materials copyright Mill Valley Public Library. Transcript made available for research purposes only. All rights are reserved to the Mill Valley Library.
    [Show full text]
  • Serial Podcast Season One Every Episode, from 1 to 12, Combined in One Easy-To-Search File
    1 Complete Transcripts for Serial Podcast Season One Every episode, from 1 to 12, combined in one easy-to-search file These transcripts are based on the Serial Podcast produced by This American Life and WBEZ Chicago. Original audio files can be found on www.serialpodcast.org, iTunes, and other podcast distribution sites. Producing the transcripts was a crowd sourced effort by some users of the the /r/serialpodcast subreddit during the original release period of the podcast from October to December 2014. Please note they may not be an exact, verbatim record - contributors were told "don't worry about getting every um, and, er. Just try to get the point of the sentence as clear as possible." Particular thanks to /u/JakeProps, organizer of the transcriptions and a founding moderator of the subreddit. Link Title Original release date Episode 1 The Alibi 3 October 2014 Episode 2 The Breakup 3 October 2014 Episode 3 Leakin Park 10 October 2014 Episode 4 Inconsistencies 16 October 2014 Episode 5 Route Talk 23 October 2014 Episode 6 The Case Against Adnan Syed 30 October 2014 Episode 7 The Opposite of the Prosecution 6 November 2014 Episode 8 The Deal with Jay 13 November 2014 Episode 9 To Be Suspected 20 November 2014 Episode 10 The Best Defense is a Good Defense 4 December 2014 Episode 11 Rumors 11 December 2014 Episode 12 What We Know 18 December 2014 This file was downloaded from the Undisclosed Wiki website https://www.adnansyedwiki.com/serial/ where you can find out about aspects of this case that were not covered by Serial, including original case files from both police and the defense, photos, trial transcripts, and other evidence which has come to light since the podcast was made.
    [Show full text]
  • Songs in the Key of Z  
    covers complete.qxd 7/15/08 9:02 AM Page 1 MUSIC The first book ever about a mutant strain ofZ Songs in theKey of twisted pop that’s so wrong, it’s right! “Iconoclast/upstart Irwin Chusid has written a meticulously researched and passionate cry shedding long-overdue light upon some of the guiltiest musical innocents of the twentieth century. An indispensable classic that defines the indefinable.” –John Zorn “Chusid takes us through the musical looking glass to the other side of the bizarro universe, where pop spelled back- wards is . pop? A fascinating collection of wilder cards and beyond-avant talents.” –Lenny Kaye Irwin Chusid “This book is filled with memorable characters and their preposterous-but-true stories. As a musicologist, essayist, and humorist, Irwin Chusid gives good value for your enter- tainment dollar.” –Marshall Crenshaw Outsider musicians can be the product of damaged DNA, alien abduction, drug fry, demonic possession, or simply sheer obliviousness. But, believe it or not, they’re worth listening to, often outmatching all contenders for inventiveness and originality. This book profiles dozens of outsider musicians, both prominent and obscure, and presents their strange life stories along with photographs, interviews, cartoons, and discographies. Irwin Chusid is a record producer, radio personality, journalist, and music historian. He hosts the Incorrect Music Hour on WFMU; he has produced dozens of records and concerts; and he has written for The New York Times, Pulse, New York Press, and many other publications. $18.95 (CAN $20.95) ISBN 978-1-55652-372-4 51895 9 781556 523724 SONGS IN THE KEY OF Z Songs in the Key of Z THE CURIOUS UNIVERSE OF O U T S I D E R MUSIC ¥ Irwin Chusid Library of Congress Cataloging-in-Publication Data Chusid, Irwin.
    [Show full text]
  • 120Y's Song List
    120Y’s Song List Easy Come Easy Go Go Betweens Paint it Black Rolling Stones Dumb Things Paul Kelly Kamikaze Pilot Hoodoo Gurus Babylon David Gray Mardy Bum Arctic Monkeys Carolyn Steve Wynn Ticket in Tatts Weddings parties The One I love REM Just Like Fire Would Saints Nips are getting bigger Mentals Substitute The Who I can’t change your mind Bob Mould Sweet Guy Paul Kelly She Said, She Said Beatles Folsom Prison Blues Johnny Cash Green Eyes Coldplay Palaces of Montezuma Grinderman Diamonds on the Inside Ben Harper Ever Fallen in Love Buzzcocks The Price I Pay Billy Bragg Holes Passenger Here comes your man The Pixies Pumped up Kicks Foster The People Alone With You The Sunnyboys Murder in the City Avett Brothers Should I Stay or Should I Go The Clash Baby Please Don’t go Van Morrison Warmest Room Billy Bragg Rock n Roll Led Zeppelin Happy Man The Sunnyboys Walked with Me 120Ys Holy Grail Hunters and Collectors Making Gravy Kelly Green Back Dollar The Johnnies So Close to the Window Kelly Take the Skinheads Bowling Camper Van Beethoven You Woke Up My Nborhood Billy Bragg www.ient.com.au Andrew Brassington | Managing Director [email protected] Mobile: 0408 445 562 | Direct: 03 6251 3118 She is Love End of Fashion Handle Me With Care Traveling Wilburys Under the Clocks Weddings, Parties Come Up and See Me Steve Harley To Her Door Paul Kelly In Between days The Cure Steady as she Goes The Raconteurs Balinese Dancer Chuck Prophet Boots Nancy Sinatra King of the Road Huxton Creeps Like Wow Wipeout Hoodoo Gurus Dirty old town The Pogues
    [Show full text]
  • Class of 1968 50Th Reunion Yearbook
    Class of 1968 50th Reunion Yearbook June 8-10, 2018 2 Where It All Began… 3 4 5 6 7 16 27 Steve Abelman Life since Brandeis... I value Brandeis for the Liberal Arts perspective it provided and the commitment to intellectual curiosity which I continue to pursue. After receiving an MBA from BU, I worked in Marketing and Strategic Planning for a variety of industries including consumer package goods, a healthcare system and a not-for-profit organization. I have celebrated my Bar Mitzvah twice more at 50 and 70. With no children, my wife of 40 years (Robin Holab-Abelman) and I have traveled extensively and been to every continent except Antarctica. After living in Boston, Texas, Alabama and New York, we retired to Nashville in early 2013 and have been having a great time with all the activities and opportunities available to us. 28 Tony Annesi Life since Brandeis... Authored four novels, one book or short stories, and ten books on the traditional martial arts. Master instructor of three traditional martial arts. On seminar in S.C., Oct. 2016 At my home office desk At 2016 Xmas party On seminar in Mannheim, 2015 29 Paula Asinof Life since Brandeis... I've also been active in the community, serving on the Dallas Board of Directors of Big Brothers Big I was part of the class of 1968 from 1964 through Sisters and being matched with several "littles" over 1966 and then transferred to Washington University about 30 years. My first "little" evolved from match in St. Louis to complete my degree.
    [Show full text]
  • Mill Valley Oral History Program a Collaboration Between the Mill Valley Historical Society and the Mill Valley Public Library
    Mill Valley Oral History Program A collaboration between the Mill Valley Historical Society and the Mill Valley Public Library AUSTIN DE LONE An Oral History Interview Conducted by Debra Schwartz in 2016 © 2016 by the Mill Valley Public Library TITLE: Oral History of Austin de Lone INTERVIEWER: Debra Schwartz DESCRIPTION: Transcript, 17 pages INTERVIEW DATE: July 7th, 2016 In this oral history, musician and songwriter Austin de Lone recounts his musical career and his decades-long residence in Mill Valley. Born outside of Philadelphia in 1946, Austin started piano lessons at the age of 12 and took up the guitar at 16. In 1969, after a stint at Harvard, he formed the band Eggs Over Easy with Jack O’Hara and Brien Hopkins. Austin recounts being a young musician in New York and London in the late 1960s, pioneering what would subsequently be called “pub rock” in England. In 1972, he moved to Mill Valley with his band, and was immediately struck by the “fantastic mix” of people who then inhabited the town. Austin reminisces about Mill Valley’s bars in the 1970s, especially the Old Mill Tavern and the Sweetwater, and describes the local music scene during that culturally dynamic period. Austin concludes his oral history with a discussion of his family life and some reflections on how Mill Valley has changed since he made it his home. © All materials copyright Mill Valley Public Library. Transcript made available for research purposes only. All rights are reserved to the Mill Valley Library. Requests for permission to quote for publication should
    [Show full text]