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Ralph W. Judd Collection on Cross-Dressing in the Performing Arts
http://oac.cdlib.org/findaid/ark:/13030/kt487035r5 No online items Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. ONE National Gay and Lesbian Archives 909 West Adams Boulevard Los Angeles, California 90007 Phone: (213) 741-0094 Fax: (213) 741-0220 Email: [email protected] URL: http://www.onearchives.org © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Finding Aid to the Ralph W. Judd Coll2007-020 1 Collection on Cross-Dressing in the Performing Arts Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Collection number: Coll2007-020 ONE National Gay and Lesbian Archives Los Angeles, California Processed by: Michael P. Palmer, Jim Deeton, and David Hensley Date Completed: September 30, 2009 Encoded by: Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Descriptive Summary Title: Ralph W. Judd collection on Cross-Dressing in the Performing Arts Dates: 1848-circa 2000 Collection number: Coll2007-020 Creator: Judd, Ralph W., 1930-2007 Collection Size: 11 archive cartons + 2 archive half-cartons + 1 records box + 8 oversize boxes + 19 clamshell albums + 14 albums.(20 linear feet). Repository: ONE National Gay and Lesbian Archives. Los Angeles, California 90007 Abstract: Materials collected by Ralph Judd relating to the history of cross-dressing in the performing arts. The collection is focused on popular music and vaudeville from the 1890s through the 1930s, and on film and television: it contains few materials on musical theater, non-musical theater, ballet, opera, or contemporary popular music. -
Die Beach-Party-Filme (1963-1968) Zusammengestellt Von Katja Bruns Und James Zu Hüningen
Kieler Beiträge zur Filmmusikforschung, 5.4, 2011 // 623 Die Beach-Party-Filme (1963-1968) Zusammengestellt von Katja Bruns und James zu Hüningen Inhalt: Alphabetisches Verzeichnis der Filme Chronologisches Verzeichnis der Filme Literatur Als Beach Party Movies bezeichnet man ein kleines Genre von Filmen, das sich um die Produktionen der American International Pictures (AIP) versammelt. Zwar gab es eine Reihe von Vorläufern – zuallererst ist die Columbia-Produktion GIDGET aus dem Jahre 1959 zu nennen (nach einem Erfolgsroman von Frederick Kohner), in dem Sandra Dee als Surferin aufgetreten war –, doch beginnt die kurze Erfolgsgeschichte des Genres erst mit BEACH PARTY (1963), einer AIP-Produktion, die einen ebenso unerwarteten wie großen Kassenerfolg hatte. AIP hatte das Grundmuster der Gidget-Filme kopiert, die Geschichte um diverse Musiknummern angereichert, die oft auch als performances seinerzeit populärer Bands im Film selbst szenisch ausgeführt wurden, und die Darstellerinnen in zahlreichen Bikini-Szenen ausgestellt (exponierte männliche Körper traten erst in den Surfer-Szenen etwas später hinzu). Das AIP-Konzept spekulierte auf einen primär jugendlichen Kreis von Zuschauern, weshalb – anders, als noch in der GIDGET-Geschichte – die Rollen der Eltern und anderer Erziehungsberechtigter deutlich zurückgenommen wurden. Allerdings spielen die Auseinandersetzungen mit Eltern, vor allem das Erlernen eines selbstbestimmten Umgangs mit der eigenen Sexualität in allen Filmen eine zentrale dramatische Rolle. Dass die Jugendlichen meist in peer groups auftreten und dass es dabei zu Rang- oder Machtkämpfen kommt, tritt dagegen ganz zurück. Es handelte sich ausschließlich um minimal budgetierte Filme, die on location vor allem an den Stränden Kaliforniens (meist am Paradise Cove) aufgenommen wurden; später kamen auch Aufnahmen auf Hawaii und an anderen berühmten Surfer-Stränden zustande. -
Vision, Desire and Economies of Transgression in the Films of Jess Franco
A University of Sussex DPhil thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details 1 Journeys into Perversion: Vision, Desire and Economies of Transgression in the Films of Jess Franco Glenn Ward Doctor of Philosophy University of Sussex May 2011 2 I hereby declare that this thesis has not been, and will not be, submitted whole or in part to another University for the award of any other degree. Signature:……………………………………… 3 Summary Due to their characteristic themes (such as „perverse‟ desire and monstrosity) and form (incoherence and excess), exploitation films are often celebrated as inherently subversive or transgressive. I critically assess such claims through a close reading of the films of the Spanish „sex and horror‟ specialist Jess Franco. My textual and contextual analysis shows that Franco‟s films are shaped by inter-relationships between authorship, international genre codes and the economic and ideological conditions of exploitation cinema. Within these conditions, Franco‟s treatment of „aberrant‟ and gothic desiring subjectivities appears contradictory. Contestation and critique can, for example, be found in Franco‟s portrayal of emasculated male characters, and his female vampires may offer opportunities for resistant appropriation. -
COMPLETE MUSIC LIST by ARTIST ] [ No of Tunes = 6773 ]
[ COMPLETE MUSIC LIST by ARTIST ] [ No of Tunes = 6773 ] 001 PRODUCTIONS >> BIG BROTHER THEME 10CC >> ART FOR ART SAKE 10CC >> DREADLOCK HOLIDAY 10CC >> GOOD MORNING JUDGE 10CC >> I'M NOT IN LOVE {K} 10CC >> LIFE IS A MINESTRONE 10CC >> RUBBER BULLETS {K} 10CC >> THE DEAN AND I 10CC >> THE THINGS WE DO FOR LOVE 112 >> DANCE WITH ME 1200 TECHNIQUES >> KARMA 1910 FRUITGUM CO >> SIMPLE SIMON SAYS {K} 1927 >> IF I COULD {K} 1927 >> TELL ME A STORY 1927 >> THAT'S WHEN I THINK OF YOU 24KGOLDN >> CITY OF ANGELS 28 DAYS >> SONG FOR JASMINE 28 DAYS >> SUCKER 2PAC >> THUGS MANSION 3 DOORS DOWN >> BE LIKE THAT 3 DOORS DOWN >> HERE WITHOUT YOU {K} 3 DOORS DOWN >> KRYPTONITE {K} 3 DOORS DOWN >> LOSER 3 L W >> NO MORE ( BABY I'M A DO RIGHT ) 30 SECONDS TO MARS >> CLOSER TO THE EDGE 360 >> LIVE IT UP 360 >> PRICE OF FAME 360 >> RUN ALONE 360 FEAT GOSSLING >> BOYS LIKE YOU 3OH!3 >> DON'T TRUST ME 3OH!3 FEAT KATY PERRY >> STARSTRUKK 3OH!3 FEAT KESHA >> MY FIRST KISS 4 THE CAUSE >> AIN'T NO SUNSHINE 4 THE CAUSE >> STAND BY ME {K} 4PM >> SUKIYAKI 5 SECONDS OF SUMMER >> DON'T STOP 5 SECONDS OF SUMMER >> GIRLS TALK BOYS {K} 5 SECONDS OF SUMMER >> LIE TO ME {K} 5 SECONDS OF SUMMER >> SHE LOOKS SO PERFECT 5 SECONDS OF SUMMER >> SHE'S KINDA HOT {K} 5 SECONDS OF SUMMER >> TEETH 5 SECONDS OF SUMMER >> WANT YOU BACK 5 SECONDS OF SUMMER >> YOUNGBLOOD {K} 50 CENT >> 21 QUESTIONS 50 CENT >> AYO TECHNOLOGY 50 CENT >> CANDY SHOP 50 CENT >> IF I CAN'T 50 CENT >> IN DA CLUB 50 CENT >> P I M P 50 CENT >> PLACES TO GO 50 CENT >> WANKSTA 5000 VOLTS >> I'M ON FIRE 5TH DIMENSION -
TAXI DRIVER Screenplay by Paul Schrader Produced by Michael
TAXI DRIVER Screenplay by Paul Schrader Produced by Michael Phillips Julia Phillips Directed by Martin Scorsese Cast: Actor Character _______________ _________ Robert De Niro Travis Bickle Cybill Shepherd Betsy Jodie Foster Iris Steensman Peter Boyle Wizard Harvey Keitel Sport Albert Brooks Tom Leonard Harris Charles Palantine Martin Scorsese Passenger Diahnne Harris Concession Girl Frank Adu Angry Black Man "The whole conviction of my life now rests upon the belief that loneliness, far from being a rare and curious phenomenon, is the central and inevitable fact of human existence." Thomas Wolfe, "God's Lonely Man" TRAVIS BICKLE Age 26, lean, hard, the consummate loner. On the surface he appears good-looking, even handsome; he has a quiet steady look and a disarming smile which flashes from nowhere, lighting up his whole face. But behind that smile, around his dark eyes, in his gaunt cheeks, one can see the ominous stains caused by a life of private fear, emptiness and loneliness. He seems to have wandered in from a land where it is always cold, a country where the inhabitants seldom speak. The head moves, the expression changes, but the eyes remain ever-fixed, unblinking, piercing empty space. Travis is now drifting in and out of the New York City night life, a dark shadow among darker shadows. Not noticed , no reason to be noticed, Travis is one with his surroundings. He wears rider jeans, cowboy boots, a plaid western shirt and a worn beige Army jacket with a patch reading, "King Kong Company 1968-70". He has the smell of sex about him: Sick sex, repressed sex, lonely sex, but sex nonetheless. -
97-Year-Old Resident Has Been Playing the Harmonica for 86 Years | Jackson News - - Mlive.Com 11/25/09 9:05 AM
97-year-old resident has been playing the harmonica for 86 years | Jackson News - - MLive.com 11/25/09 9:05 AM Brought to you by: Sign in to MLive.com » Site Search Search Local Business Listings Not a member? Register Now » Search by keyword, town name, Web ID and more... Home News Business Sports Entertainment Living Interact Jobs Autos Real Estate Classifieds Shop Place An Ad News Michigan News Opinion Obituaries Crime Education Lottery Weather See another view of this page by choosing local coverage below. How to set your local coverage Jackson Ann Arbor Bay City Detroit Flint Grand Rapids Kalamazoo Muskegon Saginaw Statewide JACKSON NEWS JACKSON WEATHER The Latest Community, Education & Government News, Blogs, Photos & Videos Jackson, MI change location 47° Cloudy JACKSON NEWS 97-year-old resident has been playing the • Other Cities, Radar, More ... Resources harmonica for 86 years • RSS | Newsletters By Jackson Citizen Patriot staff • Follow on Twitter November 24, 2009, 6:35PM • Facebook us! Forms • Engagement | Wedding • Commitment Ceremony • Anniversary • Religious Ceremony • Honors and Birthdays • Graduation Contacts • Jackson Citizen Patriot • MLive.com Jackson News headlines Related • Building damaged in S. Jackson Street blaze was uninsured; Studio of Jackson • Jackson Jobs artist destroyed in blaze 9:26 PM • Jackson Real Estate Katie Rausch | Jackson Citizen Patriot • Police focusing on drunken drivers in • Jackson Autos Jackson during holidays 11:38 PM Orville Emerson, 97, has been playing the harmonica for most of his life. Currently, • Jackson Classifieds he plays with the Rose City Harmonica Club. • Three people injured in crash on Airport Road in Jackson County 10:45 PM • Daybook for Nov. -
The Complete Poetry of James Hearst
The Complete Poetry of James Hearst THE COMPLETE POETRY OF JAMES HEARST Edited by Scott Cawelti Foreword by Nancy Price university of iowa press iowa city University of Iowa Press, Iowa City 52242 Copyright ᭧ 2001 by the University of Iowa Press All rights reserved Printed in the United States of America Design by Sara T. Sauers http://www.uiowa.edu/ϳuipress No part of this book may be reproduced or used in any form or by any means without permission in writing from the publisher. All reasonable steps have been taken to contact copyright holders of material used in this book. The publisher would be pleased to make suitable arrangements with any whom it has not been possible to reach. The publication of this book was generously supported by the University of Iowa Foundation, the College of Humanities and Fine Arts at the University of Northern Iowa, Dr. and Mrs. James McCutcheon, Norman Swanson, and the family of Dr. Robert J. Ward. Permission to print James Hearst’s poetry has been granted by the University of Northern Iowa Foundation, which owns the copyrights to Hearst’s work. Art on page iii by Gary Kelley Printed on acid-free paper Library of Congress Cataloging-in-Publication Data Hearst, James, 1900–1983. [Poems] The complete poetry of James Hearst / edited by Scott Cawelti; foreword by Nancy Price. p. cm. Includes index. isbn 0-87745-756-5 (cloth), isbn 0-87745-757-3 (pbk.) I. Cawelti, G. Scott. II. Title. ps3515.e146 a17 2001 811Ј.52—dc21 00-066997 01 02 03 04 05 c 54321 01 02 03 04 05 p 54321 CONTENTS An Introduction to James Hearst by Nancy Price xxix Editor’s Preface xxxiii A journeyman takes what the journey will bring. -
Madrigal Brass Quintet
Illinois State University ISU ReD: Research and eData School of Music Programs Music 4-16-2007 Madrigal Brass Quintet Tim Dillow Trumpet Illinois State University Becky Gawron Trumpet Kayla Jahnke Horn Nick Benson Trombone Dakota Pawlicki Tuba Follow this and additional works at: https://ir.library.illinoisstate.edu/somp Part of the Music Performance Commons Recommended Citation Dillow, Tim Trumpet; Gawron, Becky Trumpet; Jahnke, Kayla Horn; Benson, Nick Trombone; and Pawlicki, Dakota Tuba, "Madrigal Brass Quintet" (2007). School of Music Programs. 3161. https://ir.library.illinoisstate.edu/somp/3161 This Concert Program is brought to you for free and open access by the Music at ISU ReD: Research and eData. It has been accepted for inclusion in School of Music Programs by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. I Illinois State (jniversit_y College offine Arts I School of Music Madrigal l)rass Quintet I Tim Dillow & l)eck:i Gawron, Trumpd Ka:ila Jahnke, Horn Nick E,enson, Trombone! I Dakota F awlicki, Tuba I Flease tum oft cell phones and pagers for the duration of the concert. Thank You. Mini Overture Witold Lutoslawski I (1913-1994) Colchester Fantasy Eric Ewazen The Rose and Crown (born 1954) The Marquis of Granby I, The Dragoon The Red Lion - I ~Intermission~ I Three Dance Impressions Morley Calvert With dignity (1928-1991) With elegance I With humour 0 Magnum Mysterium Morten Lauridsen (born 1943) I Firedance Anthony DiLorenzo · (born 1967) I Kemp R.ecital Hall April I 6, 2007 I Monda_y E_vening 8:+5 p.m. -
00:00:00 Music Music “Crown Ones” Off the Album Stepfather by People Under the Stairs
00:00:00 Music Music “Crown Ones” off the album Stepfather by People Under The Stairs 00:00:05 Oliver Wang Host Hello, I’m Oliver Wang. 00:00:06 Morgan Host And I’m Morgan Rhodes. You’re listening to Heat Rocks. Rhodes Every episode we invite a guest to join us to talk about a heat rock. You know, fire, combustibles, an album that bumps eternally. And today we will be deep diving together into Nina Simone’s 1969 album, To Love Somebody. 00:00:22 Music Music “I Can’t See Nobody” off the album To Love Somebody by Nina Simone fades in. A jazz-pop song with steady drums and flourishing strings. I used to smile and say “hello” Guess I was just a happy girl Then you happened This feeling that possesses me [Music fades out as Morgan speaks] 00:00:42 Morgan Host Nina Simone’s To Love Somebody turned fifty this year. It was released on the first day of 1969, the same day the Ohio State beat the University of Southern California at the Rose Bowl for the National College Football Championship. It was her 21st studio album. There were dozens more still to come. You know them. Black Gold, Baltimore, Fodder on My Wings, stacks of albums. By the time we met up with Nina again for these nine songs, she had already talked about on “Mississippi Goddamn”, “Backlash Blues,” and “Strange Fruit,” and been about it with her activism, lived, spoken, suffered for. To Love Somebody is an oral representation of what breathing on a track means. -
Rose Culture for Georgia Gardeners Contents
Rose Culture for Georgia Gardeners Contents Picking the Planting Site ................................................. 3 Preparing the Soil ...................................................... 3 Buying Plants ......................................................... 4 Selecting Rose Cultivars ................................................. 4 Planting .............................................................. 5 Mulching ............................................................. 6 Watering ............................................................. 6 Fertilizing ........................................................... 1 0 Pruning and Grooming ................................................. 1 0 Cutting Roses ........................................................ 1 1 Controlling Pests ...................................................... 1 1 Diseases ......................................................... 1 2 Viral Diseases .................................................... 1 3 Insects and Mites .................................................. 1 3 Rose Societies in Georgia ............................................... 1 4 Rose Culture for Georgia Gardeners Gary L. Wade and James T. Midcap (Retired), Extension Horticulturists Jean Williams-Woodward, Extension Plant Pathologist Beverly Sparks, Associate Dean for Extension and Entomologist oses are a favorite of Georgia gardeners. Today, Next to sunlight, nothing is more important for suc- R thanks to selective breeding programs of cessful rose culture than the -
Promising Young Woman
Promising Young Woman Written and Directed by Emerald Fennell 1 INT. SWEET SIXTEEN’S DANCEFLOOR - NIGHT A super-depressing dancefloor on a Thursday night. 2-For-1 shots and a sticky floor. The kind of last-resort place people end up after work having accidentally nailed ten “just one” drinks. A bored DJ plays the DROELOE remix of “Boys” by Charlie XCX, while the thin and kind of tragic crowd dances. We linger on the men dancing in particular, their bodies, the sweat running down their backs as they grind and thrust. The slow-mo, the lascivious pan-up, the sort of erotic gaze normally reserved for oiled-up music-video hotties. Except we’re looking at regular dudes in chinos with absolutely no dancing ability. INT. SWEET SIXTEEN’S UPSTAIRS BAR - NIGHT By the bar, is a group of guys still in their work suits, ties loosened. They’re mostly good-looking, in their early- thirties, bantering and eyeing up the diminishing talent pool. Among them are JEZ, a shy, sweet guy who is clearly dying to leave, and PAUL, a sweaty Alpha-bro whose super- fragile masculinity is always one rejection away from shattering to pieces. PAUL Fuck her, man. It’s how things are done. It’s just a fucking round of golf! You’d think we were taking clients to a strip club or something- JIM -which we can’t anymore- PAUL -Exactly we can’t even do that anymore because of last year’s Christmas party. JEZ I think it’s because the golf club doesn’t let women play there. -
Emotional and Descriptive Meaning- Making in Online Non-Professional Discussions About Science
` “Nah, musing is fine. You don't have to be 'doing science'” Emotional and Descriptive Meaning- Making in Online Non-Professional Discussions about Science Oliver Martin Marsh UCL Department of Science and Technology Studies Submitted for the degree of Doctor of Philosophy August 2017 1 ` Declaration I, Oliver Martin Marsh, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. 2 ` Abstract In this thesis I use online settings to explore how descriptive and emotional forms of meaning-making interact in non-professional discussions around ‘science’. Data was collected from four participatory online fora, from March 2015 to February 2016. Posts and comments from these fora were examined through discourse analysis, supplemented by interviews with participants and computer-aided text analysis, over the period August 2015 to August 2017. Theoretical background drew on Science and Technology Studies (STS) and Fan Studies (FS), to examine how science was presented in both descriptive and emotional terms. There were two main findings. Firstly, discussions were shaped by an expectation that members should respect mainstream scientific consensus. In a manner familiar from STS, participants treated claims which went against scientific consensus as incorrect or non- credible. Responses also showed emotional aspects which shaped participation. Respect for scientific consensus facilitated social bonding and expression of community values, while disrespect was met with anger and/or ridicule. Through normalisation of such behaviour, scientific authority was maintained by communal sanctions rather than accredited expertise. The second main finding was a distinction between two forms of discourse, which I refer to as musing and identifying.