A Poetics of Exile in Spanish Autobiographical Writing by Women
The Displaced I: A Poetics of Exile in Spanish Autobiographical Writing by Women Jennifer Cadman Thesis submitted for the degree of PhD at the University of St Andrews September 2012 2 ABSTRACT Literary responses to Republican exile are diverse and autobiographical works have emerged as a significant modality of this exilic literature. Utilising poetics as a mode of inquiry, this thesis aims to examine some of the complex and nuanced ways in which exile has shaped autobiographical writing by both first and second-generation female exiles. To this end, I trace a poetics of exile in a selected corpus of nineteen autobiographical works by twelve authors: Constancia de la Mora, Isabel Oyarzábal de Palencia, Silvia Mistral, Clara Campoamor, Victoria Kent, Luisa Carnés, Remedios Oliva Berenguer, Francisca Muñoz Alday, Angelina Muñiz-Huberman, María Rosa Lojo, María Luisa Elío and Arantzazu Amezaga Iribarren. These texts were published across a seventy year period (1939 – 2009) in a number of geographical locations and written in a variety of circumstances. Exilic autobiographical texts are not homogeneous and relatively few have adhered to traditional models of autobiography. As such, the works examined are drawn from a variety of autobiographical sub-genres including propagandistic autobiographies, diaries, political essays, hybrid texts, autofiction, memoirs, childhood autobiographies, more experimental semi-autobiographical texts and a film. The main body of this thesis presents six aspects of a poetics of exile — the notion of the addressee, generic hybridization, polyphony, the propagation of collective memory, postmemory, and retroprogressive representations of childhood — and adopts a multi-disciplinary approach that draws upon a number of fields.
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