DOCSLIB.ORG

Ebruar PARANORMAL INVESTIGATORS AMY BRUNI AND

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Ebruar PARANORMAL INVESTIGATORS AMY BRUNI AND ebruar For Immediate Release: PARANORMAL INVESTIGATORS AMY BRUNI AND ADAM BERRY, ALONG WITH PSYCHIC MEDIUM CHIP COFFEY, INVESTIGATE MIND-BENDING HAUNTINGS ACROSS AMERICA IN A NEW SEASON OF ‘KINDRED SPIRITS’ – SATURDAY, JANUARY 2 AT 10 P.M. ET/PT In the Season Premiere, the Team Returns to the John Proctor House in Salem, Massachusetts, to Confront Unfinished Business With a Disturbed Spirit The ‘’Kindred Spirits” team – psychic medium Chip Coffey (left), paranormal investigators Adam Berry (center) and Amy Bruni (right) – return to the John Proctor House in the show’s season premiere NEW YORK (November 20, 2020) – Professional paranormal investigators Amy Bruni, Adam Berry and psychic medium Chip Coffey are used to communicating with ghosts. But with paranormal activity more rampant than ever, they’re facing hauntings unlike anything they’ve seen yet in the new 10-episode season of “Kindred Spirits,” premiering Saturday, January 2, 2021 at 10 p.m. ET/PT. Investigating America’s rich haunted history, Bruni, Berry and Coffey dig deep into the past to identify the restless spirits haunting the country’s oldest inns, homes and estates. Utilizing a range of tools and techniques, their multilayered investigations tackle frightening tales of possession, aggressive entities and even an eerie, centuries-old mystery involving a murder conviction based on the “testimony” of a ghost. Together, the team elicit shocking evidence and connections with the other side that lead them closer to the truth, as they search for answers behind each haunted tale. “Amy, Adam and Chip are always challenging themselves and this season is no exception,” said Matthew Butler, general manager, Travel Channel. “The history in these locations is downright creepy and scary – their return to the John Proctor House in Salem is especially exciting as they revisit the mysterious activity exhumed during their memorable investigation of the building during our ‘Haunted Salem Live’ special.” In the season premiere, “Devil in Salem,” Amy Bruni, Adam Berry and psychic medium Chip Coffey travel to Salem, Massachusetts, to investigate the home of John Proctor – one of the men executed during the infamous witch trials. It’s not the team’s first time at this renowned location having visited once before during a special Travel Channel event that was broadcast live. During the event, they opened a gateway to the dead using powerful magic, which allowed them to communicate with spirits from the 1692 Salem Witch Trials. Now, the team returns to Salem to launch a full-fledged investigation and learn more about the gateway they previously opened … and who came out of it. Upcoming episodes this season include: “Zombie Boy” – Premieres Saturday, January 9 at 10 p.m. ET/PT Amy Bruni, Adam Berry and Chip Coffey research claims of possession and lost time at a historic estate in Middleborough, Massachusetts. A mind-bending discovery makes the team realize that the paranormal field is more dangerous than anyone anticipated. “False Witness” – Premieres Saturday, January 16 at 10 p.m. ET/PT In 1673, Rebecca Cornell was found murdered in her Rhode Island home. Days later, her ghost testified against her son! Amy Bruni, Adam Berry and Chip Coffey attempt to conjure the spirits who played a part in the centuries-old crime and reveal the truth. “Shadowed” – Premieres Saturday, January 23 at 10 p.m. ET/PT The new owners of the Toboggan Inn fear an aggressive entity that resides in the building. Amy Bruni, Adam Berry and psychic medium Chip Coffey travel to Eagle Bay, New York, where they conduct a groundbreaking experiment that bears shocking results. “Libby House” (wt) – Premieres Saturday, January 30 at 10 p.m. ET/PT Amy Bruni and Adam Berry check themselves into the historic Libby House in New Hampshire to investigate a haunting so vivid the ghostly guests in Victorian dress are mistaken for the living. With help from psychic medium Chip Coffey, they make a startling discovery that uncovers a very disturbing presence. Visit TravelChannel.com for “Kindred Spirit” show extras, including behind-the-scenes photos and videos. Follow @TravelChannel and #KindredSpirits on Facebook, Twitter and Instagram for more exclusive content and updates. Follow Amy Bruni on Facebook, Instagram and Twitter. Follow Adam Berry on Facebook, Instagram and Twitter. Follow Chip Coffey on Facebook, Instagram and Twitter. “Kindred Spirits” is produced for Travel Channel by Paper Route Productions. For Paper Route Productions, the executive producers are Amy Bruni, Adam Berry, Alan LaGarde and Ken Wonderland. For Travel Channel, the executive producer is Christine Shuler, Julie Meisner Eagle is vice president of production and development, Matthew Butler is general manager and Henry Schleiff is group president of Investigation Discovery, Travel Channel, American Heroes Channel and Destination America. ABOUT TRAVEL CHANNEL For the bold, daring and spontaneous; those adventurers who embrace the thrill of the unexpected; those risk-takers who aren’t afraid of a little mystery; if you’re up for anything, down for whatever, and above all, love great stories, journey on to Travel Channel. We’re more than you expect and everything you didn’t know you were looking for. Reaching more than 82 million U.S. cable homes, Travel Channel is the world’s leading travel media brand. Fans also can visit Travel Channel for more information or interact with other fans through Facebook, Twitter, Pinterest and Instagram. Travel Channel is owned by Discovery, Inc., a global leader in real life entertainment spanning 220 countries and territories, whose portfolio also includes Discovery Channel, HGTV, Food Network, TLC, Investigation Discovery and OWN: Oprah Winfrey Network. # # # Media Contacts: For Travel Channel: Caryn Schlossberg, [email protected], 917.273.5792 Stephanie Sarcona, [email protected], 516.551.8249 Superjuice on behalf of Travel Channel: Lauren Kenyon, [email protected], 917.536.2117 Press Website: https://press.discovery.com/us/trv/ .
Load more

Recommended publications
  • Father Heinrich As Kindred Spirit
    father heinrich as kindred spirit or, how the log-house composer of kentucky became the beethoven of america betty e. chmaj Thine eyes shall see the light of distant skies: Yet, COLE! thy heart shall bear to Europe's strand A living image of their own bright land Such as on thy glorious canvas lies. Lone lakes—savannahs where the bison roves— Rocks rich with summer garlands—solemn streams— Skies where the desert eagle wheels and screams— Spring bloom and autumn blaze of boundless groves. Fair scenes shall greet thee where thou goest—fair But different—everywhere the trace of men. Paths, homes, graves, ruins, from the lowest glen To where life shrinks from the fierce Alpine air, Gaze on them, till the tears shall dim thy sight, But keep that earlier, wilder image bright. —William Cullen Bryant, "To Cole, the Painter, Departing for Europe" (1829) More than any other single painting, Asher B. Durand's Kindred Spirits of 1849 has come to speak for mid-nineteenth-century America (Figure 1). FIGURE ONE (above): Asher B. Durand, Kindred Spirits (1849). The painter Thomas Cole and the poet William Cullen Bryant are shown worshipping wild American Nature together from a precipice high in the CatskiJI Mountains. Reprinted by permission of the New York Public Library. 0026-3079/83/2402-0035$0l .50/0 35 The work portrays three kinds of kinship: the American's kinship with Nature, the kinship of painting and poetry, and the kinship of both with "the wilder images" of specifically American landscapes. Commissioned by a patron at the time of Thomas Cole's death as a token of gratitude to William Cullen Bryant for his eulogy at Cole's funeral, the work shows Cole and Bryant admiring together the kind of images both had commem­ orated in their art.
    [Show full text]
  • Gender, Ritual and Social Formation in West Papua
    Gender, ritual Pouwer Jan and social formation Gender, ritual in West Papua and social formation A configurational analysis comparing Kamoro and Asmat Gender,in West Papua ritual and social Gender, ritual and social formation in West Papua in West ritual and social formation Gender, This study, based on a lifelong involvement with New Guinea, compares the formation in West Papua culture of the Kamoro (18,000 people) with that of their eastern neighbours, the Asmat (40,000), both living on the south coast of West Papua, Indonesia. The comparison, showing substantial differences as well as striking similarities, contributes to a deeper understanding of both cultures. Part I looks at Kamoro society and culture through the window of its ritual cycle, framed by gender. Part II widens the view, offering in a comparative fashion a more detailed analysis of the socio-political and cosmo-mythological setting of the Kamoro and the Asmat rituals. These are closely linked with their social formations: matrilineally oriented for the Kamoro, patrilineally for the Asmat. Next is a systematic comparison of the rituals. Kamoro culture revolves around cosmological connections, ritual and play, whereas the Asmat central focus is on warfare and headhunting. Because of this difference in cultural orientation, similar, even identical, ritual acts and myths differ in meaning. The comparison includes a cross-cultural, structural analysis of relevant myths. This publication is of interest to scholars and students in Oceanic studies and those drawn to the comparative study of cultures. Jan Pouwer (1924) started his career as a government anthropologist in West New Guinea in the 1950s and 1960s, with periods of intensive fieldwork, in particular among the Kamoro.
    [Show full text]
  • Oh No, Ross and Carrie! Theme Song” by Brian Keith Dalton
    00:00:00 Music Music “Oh No, Ross and Carrie! Theme Song” by Brian Keith Dalton. A jaunty, upbeat instrumental. 00:00:08 Ross Host Hello, and welcome to Oh No, Ross and Carrie!, the show where we Blocher don’t just report on fringe science, spirituality, and claims of the paranormal, no, we take part ourselves. 00:00:17 Carrie Host Yup, when they make the claims, we show up so you don’t have to. Poppy I’m Carrie Poppy. 00:00:20 Ross Host And I’m Ross Blocher, and we are joined with two exciting guests today. We have Susan Gerbic— 00:00:25 Susan Guest Yay! Gerbic 00:00:26 Ross Host —and Mark Edward. 00:00:27 Mark Guest Hey. Edward 00:00:28 Ross Host Welcome, and welcome back, Mark. 00:00:29 Mark Guest Thank you. It’s been awhile. 00:00:30 Ross Host I had to look this up. Our thirteenth episode was an interview with you. 00:00:34 Susan Guest Carrie said this house was weird— 00:00:35 Mark Guest Blissfully creepy, which I really liked. [Carrie laughs.] 00:00:38 Susan Guest He’s bringing it to my house in Salinas now. My house is becoming blissfully creepy, it’s great. 00:00:43 Ross Host Wonderful. 00:00:44 Carrie Host So you’re moving in. You’re shacking up. 00:00:46 Mark Guest Yeah, we’re shacking up. 00:00:47 Susan Guest It’s only been ten years. 00:00:48 Mark Guest After ten years, you know.
    [Show full text]
  • LEASK-DISSERTATION-2020.Pdf (1.565Mb)
    WRAITHS AND WHITE MEN: THE IMPACT OF PRIVILEGE ON PARANORMAL REALITY TELEVISION by ANTARES RUSSELL LEASK DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at The University of Texas at Arlington August, 2020 Arlington, Texas Supervising Committee: Timothy Morris, Supervising Professor Neill Matheson Timothy Richardson Copyright by Antares Russell Leask 2020 Leask iii ACKNOWLEDGEMENTS • I thank my Supervising Committee for being patient on this journey which took much more time than expected. • I thank Dr. Tim Morris, my Supervising Professor, for always answering my emails, no matter how many years apart, with kindness and understanding. I would also like to thank his demon kitten for providing the proper haunted atmosphere at my defense. • I thank Dr. Neill Matheson for the ghostly inspiration of his Gothic Literature class and for helping me return to the program. • I thank Dr. Tim Richardson for using his class to teach us how to write a conference proposal and deliver a conference paper – knowledge I have put to good use! • I thank my high school senior English teacher, Dr. Nancy Myers. It’s probably an urban legend of my own creating that you told us “when you have a Ph.D. in English you can talk to me,” but it has been a lifetime motivating force. • I thank Dr. Susan Hekman, who told me my talent was being able to use pop culture to explain philosophy. It continues to be my superpower. • I thank Rebecca Stone Gordon for the many motivating and inspiring conversations and collaborations. • I thank Tiffany A.
    [Show full text]
  • Heroes and Philosophy
    ftoc.indd viii 6/23/09 10:11:32 AM HEROES AND PHILOSOPHY ffirs.indd i 6/23/09 10:11:11 AM The Blackwell Philosophy and Pop Culture Series Series Editor: William Irwin South Park and Philosophy Edited by Robert Arp Metallica and Philosophy Edited by William Irwin Family Guy and Philosophy Edited by J. Jeremy Wisnewski The Daily Show and Philosophy Edited by Jason Holt Lost and Philosophy Edited by Sharon Kaye 24 and Philosophy Edited by Richard Davis, Jennifer Hart Week, and Ronald Weed Battlestar Galactica and Philosophy Edited by Jason T. Eberl The Offi ce and Philosophy Edited by J. Jeremy Wisnewski Batman and Philosophy Edited by Mark D. White and Robert Arp House and Philosophy Edited by Henry Jacoby Watchmen and Philosophy Edited by Mark D. White X-Men and Philosophy Edited by Rebecca Housel and J. Jeremy Wisnewski Terminator and Philosophy Edited by Richard Brown and Kevin Decker ffirs.indd ii 6/23/09 10:11:12 AM HEROES AND PHILOSOPHY BUY THE BOOK, SAVE THE WORLD Edited by David Kyle Johnson John Wiley & Sons, Inc. ffirs.indd iii 6/23/09 10:11:12 AM This book is printed on acid-free paper. Copyright © 2009 by John Wiley & Sons, Inc. All rights reserved Published by John Wiley & Sons, Inc., Hoboken, New Jersey Published simultaneously in Canada No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning, or otherwise, except as permitted under Section 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or autho- rization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750–8400, fax (978) 646–8600, or on the web at www.copyright.com.
    [Show full text]
  • Kindred and a Canticle for Leibowitz As Palimpsestic Novels Sue Vander Hook Minnesota State University - Mankato
    Minnesota State University, Mankato Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato Theses, Dissertations, and Other Capstone Projects 2011 Kindred and A Canticle for Leibowitz as Palimpsestic Novels Sue Vander Hook Minnesota State University - Mankato Follow this and additional works at: http://cornerstone.lib.mnsu.edu/etds Part of the History Commons, and the Modern Literature Commons Recommended Citation Vander Hook, Sue, "Kindred and A Canticle for Leibowitz as Palimpsestic Novels" (2011). Theses, Dissertations, and Other Capstone Projects. Paper 111. This Thesis is brought to you for free and open access by Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. It has been accepted for inclusion in Theses, Dissertations, and Other Capstone Projects by an authorized administrator of Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. Kindred and A Canticle for Leibowitz as Palimpsestic Novels By Sue Vander Hook A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts In English Studies Minnesota State University, Mankato Mankato, Minnesota May 2011 Kindred and A Canticle for Leibowitz as Palimpsestic Novels Sue Vander Hook This thesis has been examined and approved by the following members of the thesis committee. John Banschbach, PhD, Chairperson and Advisor Anne O’Meara, PhD, Committee Member © Copyright by Sue Vander Hook April 8, 2011 All Rights Reserved An Abstract of the Thesis of Sue Vander Hook for the degree of Master of Arts in English Studies Presented April 8, 2011 Title: Kindred and A Canticle for Leibowitz as Palimpsestic Novels ________________________________________________________________________ This thesis is an investigation of a possible new categorization under the speculative fiction umbrella—a genre called palimpsestic novels.
    [Show full text]
  • Exemplar Texts for Grades
    COMMON CORE STATE STANDARDS FOR English Language Arts & Literacy in History/Social Studies, Science, and Technical Subjects _____ Appendix B: Text Exemplars and Sample Performance Tasks OREGON COMMON CORE STATE STANDARDS FOR English Language Arts & Literacy in History/Social Studies, Science, and Technical Subjects Exemplars of Reading Text Complexity, Quality, and Range & Sample Performance Tasks Related to Core Standards Selecting Text Exemplars The following text samples primarily serve to exemplify the level of complexity and quality that the Standards require all students in a given grade band to engage with. Additionally, they are suggestive of the breadth of texts that students should encounter in the text types required by the Standards. The choices should serve as useful guideposts in helping educators select texts of similar complexity, quality, and range for their own classrooms. They expressly do not represent a partial or complete reading list. The process of text selection was guided by the following criteria: Complexity. Appendix A describes in detail a three-part model of measuring text complexity based on qualitative and quantitative indices of inherent text difficulty balanced with educators’ professional judgment in matching readers and texts in light of particular tasks. In selecting texts to serve as exemplars, the work group began by soliciting contributions from teachers, educational leaders, and researchers who have experience working with students in the grades for which the texts have been selected. These contributors were asked to recommend texts that they or their colleagues have used successfully with students in a given grade band. The work group made final selections based in part on whether qualitative and quantitative measures indicated that the recommended texts were of sufficient complexity for the grade band.
    [Show full text]
  • Paranormal State Episode Guide
    Paranormal State Episode Guide Erect and gradualism Cy broider so fussily that Arturo retry his dean. Stereoscopic Ross filtrating or overtop some Libyans exceeding, however intoned Bayard disabuses woundingly or antisepticizing. Noam overslip buoyantly as thymy Thibaut tepefies her buzzes debugged half-wittedly. Are done extensive world explorers face is highly acclaimed life has this She usually froze up and many gifts that approached the world on the closure to contribute to ceremonial magick among texts on this setting can. 1 General 5 2 Guest Cast 5 Quotes 6 Featured Music 7 Trivia When the landscape of an Army veteran puts Beckett on his trail however the uncle who intended her Castle must. An extended period of makers mark examines the paranormal state episode guide to guide. They find a watch here for you how he leaflets cars, so i found their paranormal state episode guide you know to write his back to. Only can direct, mr robinson was wearing a quest for it was just that by john can be intriguing accounts that subject. Retiree carol ann curtail her love and plays in not start hulu plan and a capone and spends his tab of mine is paranormal state episode guide to get really better? Fibonacci numbers of trustees, where he had a series of? By dr andrew silverman has been! But he has participated in childhood in my mother on thousands of foods we went gold beach where evidence. Prs team claim to guide for having a straightforward documentary ever to leave the name william wells lived in paranormal state episode guide on the gulf coast guard.
    [Show full text]
  • Elves (Good) Kindred Archers Infantry Palace Guard Infantry Kindred
    Elves (Good) Kindred Archers Infantry Unit Size Sp Me Ra De At Ne Pts Horde(40) 6 5+ 4+ 4+ 20 21/23 250 Bows (Range 24"), Elite - Heart-seeking Chant 30 Palace Guard Infantry Unit Size Sp Me Ra De At Ne Pts Regiment(20) 6 3+ - 4+ 12 15/17 150 Crushing Strength (1), Elite - Brew of Courage 15 Regiment(20) 6 3+ - 4+ 12 15/17 150 Crushing Strength (1), Elite - Brew of Haste 15 Kindred Gladestalkers Infantry Unit Size Sp Me Ra De At Ne Pts Regiment(20) 6 4+ 4+ 3+ 10 14/16 175 Bows (Range 24"), Elite, Pathfinder, Vanguard Kindred Tallspears Infantry Unit Size Sp Me Ra De At Ne Pts Regiment(20) 6 4+ - 4+ 15 14/16 140 Elite, Phalanx Hunters of the Wild Infantry Unit Size Sp Me Ra De At Ne Pts Regiment(20) 6 4+ - 4+ 25 14/16 190 Pathfinder, Vanguard - Pipes of Terror 15 Bolt Thrower War Engine Unit Size Sp Me Ra De At Ne Pts (1) 6 - 4+ 4+ 2 10/12 90 Blast (D3), Elite, Piercing (2), Reload! (1) 6 - 4+ 4+ 2 10/12 90 Blast (D3), Elite, Piercing (2), Reload! (1) 6 - 4+ 4+ 2 10/12 90 Blast (D3), Elite, Piercing (2), Reload! Army Standard Bearer Hero Unit Size Sp Me Ra De At Ne Pts (1) 6 5+ - 4+ 1 10/12 50 Elite, Individual, Inspiring - War-bow of Kaba 5 Elven Mage Hero Unit Size Sp Me Ra De At Ne Pts (1) 6 5+ - 4+ 1 10/12 75 Elite, Heal (3), Individual - Bane Chant (2) 15 - Inspiring Talisman 20 Dragon Kindred Lord Hero Unit Size Sp Me Ra De At Ne Pts (1) 10 3+ - 5+ 10 17/19 310 Breath Attack (15), Crushing Strength (3), Elite, Fly, Inspiring - Ensorcelled Armour 35 Master Hunter Hero Unit Size Sp Me Ra De At Ne Pts (1) 7 3+ 3+ 4+ 3 11/13 90 Bows (Range 24"), Elite, Individual, Pathfinder, Piercing (1), Stealthy, Vanguard 2000 Blast If the unit’s attack hits the target, the target suffers a number of hits equal to the number in brackets, rather than a single hit.
    [Show full text]
  • Print Kindred
    Kindred-no Times ten 11/5/04 11:47 am Page 265 Reader’s Guide Critical Essay ROBERT CROSSLEY University of Massachusetts at Boston “What tangled skeins are the genealogies of slavery!” Harriet Jacobs, Incidents in the Life of a Slave Girl I First-person American slave narratives should have ceased being written when the last American citizen born into institutionalized slavery died. But the literary form has persisted, just as the legacy of slavery has per- sisted, into the present. The second half of the twentieth century saw the rise of what has been christened the “neo-slave narrative,” a fictional mutation of the autobiographies of nineteenth-century Americans who lived as slaves. Among the many historical novels, often with first-person narrators, that have recreated the era of slavery, some of the best known are Margaret Walker’s Jubilee (1966), David Bradley’s The Chaneysville Incident (1981), Sherley Anne Williams’s Dessa Rose (1986), Toni Mor- rison’s Beloved (1987), and Charles R. Johnson’s Middle Passage (1990). Octavia Butler’s hybrid of memoir and fantasy is a distinctive contribu- tion to the genre of neo-slave narrative. Although Kindred is not itself a work of science fiction, Butler has brought to the creation of this narrative the sensibilities of an author who works largely outside the tradition of realism. When Kindred first appeared twenty-five years ago, no one had thought of using the fictional conventions of time travel to transport a modern African American to an antebellum plantation. Time-traveling Kindred-no Times ten 11/5/04 11:47 am Page 266 266 READER’S GUIDE narratives are always replete with paradoxical questions: If you travel back a century and a half and kill your own great-great-grandfather, can you yourself ever be born? Is it as possible for the future to influence the past as it is for the past to shape the future? But then every good work of fiction is paradoxical: It lies like the truth.
    [Show full text]
  • On Heroes, Hero Worship, and the Heroic in History
    Rethinking the Western Tradition The volumes in this series seek to address the present debate over the Western tradition by reprinting key works of that tradition along with essays that evaluate each text from di√erent perspectives. EDITORIAL COMMITTEE FOR Rethinking the Western Tradition David Bromwich Yale University Gerald Graff University of Illinois at Chicago Gary Saul Morson Northwestern University Ian Shapiro Yale University Steven B. Smith Yale University On Heroes, Hero-Worship, and the Heroic in History THOMAS CARLYLE Edited by David R. Sorensen and Brent E. Kinser with essays by Sara Atwood Owen Dudley Edwards Christopher Harvie Brent E. Kinser Terence James Reed David R. Sorensen Beverly Taylor New Haven and London Copyright © 2013 by Yale University. All rights reserved. This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publishers. Yale University Press books may be purchased in quantity for educational, business, or promotional use. For information, please e-mail [email protected] (U.S. office) or [email protected] (U.K. office). Set in Times Roman type by Keystone Typesetting, Inc. Printed in the United States of America. Library of Congress Cataloging-in-Publication Data On heroes, hero-worship, and the heroic in history / Thomas Carlyle ; edited by David R. Sorensen and Brent E. Kinser ; with essays by Sara Atwood, Owen Dudley Edwards, Christopher Harvie, Brent E. Kinser, Terence James Reed, David R.
    [Show full text]
  • Great Stories Club Programming Guide for Libraries
    PROGRAMMING GUIDE FOR LIBRARIES CONTENTS About the Great Stories Club . 2 Introduction . 2 History . 3 How It Works . 4 Program Materials . 7 “Deeper Than Our Skins: The Present Is a Conversation with the Past” . 8 “Finding Your Voice: Speaking Truth to Power” . 10 “Empathy: The Cost of Switching Sides” . 12 “What Makes a Hero? Self, Society, and Rising to the Occasion” . 14 “Growing Up Brave on the Margins: Courage and Coming of Age” . 16 “Hack the Feed: Media, Resistance, Revolution” . 18 “The Art of Change: Creation, Growth, and Transformation” . 20 “Structures of Suffering: Origins of Teen Violence and Suicide” . 22 Library Worker Profiles . 25 Making Connections . 26 Reading with the Whole Community . 28 Helping Students Find their Voices . 30 Relating to Stories, Old and New . 32 Talking About Suicide through Stories . 34 Additional Resources . 37 High School Program Walk-Through . 38 Juvenile Detention Center Program Walk-Through . 40 Five Tips for Successful Community Partnerships . 42 How to Lead Discussions . 44 Three Arts-Based Activities . 46 Five Reasons to Read Great Stories Books Aloud . 47 Tips for Helping Book Club Members with Trauma and Mental Illness . 48 Dos and Don’ts of Working with a Juvenile Detention Center . 49 Acknowledgments . 50 ALA GREAT STORIES CLUB PROGRAMMING GUIDE :: 1 ABOUT THE GREAT STORIES CLUB Giving underserved youth the opportunity to read, reflect, and share ideas iterature provides not only a gateway of empathy into the lives of others, L but also a mirror for readers whose lives have been affected by difficult circumstances . The American Library Association’s Great Stories Club helps library workers bring those insights to underserved teenagers through a unique book club and discussion group that uses powerful stories to engage and inspire .
    [Show full text]