Disney in Concert: Around the World Saturday, February 20, 2021 at 7:30 P.M

Total Page:16

File Type:pdf, Size:1020Kb

Disney in Concert: Around the World Saturday, February 20, 2021 at 7:30 P.M listener’s guide 2020 - 2021 SEASON Celebrating 100 Years Disney in Concert: Around the World Saturday, February 20, 2021 at 7:30 p.m. | Sunday, February 21, 2021 at 2 p.m. Holland Performing Arts Center Ernest Richardson, conductor (biography on page 2) Arranged by Bruce Healey Disney Classics Overture © 1993 Walt Disney Music Co. (ASCAP) & Wonderland Music Co., Inc. (BMI) Music by Alan Menken Disney’s The Little Mermaid Orchestral Suite Arranged by A. Menken, R. Merkin, T. Pasatieri, and T.Ricketts © 1990 Wonderland Music Co., Inc. (BMI) Music by Alan Menken Disney’s Beauty and the Beast Orchestral Suite Arranged by Danny Troob © 1992 Wonderland Music Co., Inc. (BMI) Music and Lyrics by Kristen Anderson-Lopez and Robert Lopez Music from Disney’s Frozen Underscore composed by Christophe Beck © 2013 Wonderland Music Co. Inc. and Five Hundred South Songs Music by Alan Menken Disney’s Aladdin Orchestral Suite Arranged by Danny Troob © 1992 Wonderland Music Co., Inc. (BMI) Score by Jerry Goldsmith Suite from Disney’s Mulan Songs by Matthew Wilder and David Zippel © 1998 Wonderland Music Co., Inc. (BMI) Orchestrated by Alexander Courage Music by Klaus Badelt Pirates of the Caribbean Suite © 2003 Walt Disney Music Company Music by Elton John; Words by Tim Rice; Score by Hans Zimmer Disney’s The Lion King Orchestral Suite Arranged by Brad Kelley © 1994 Wonderland Music Co., Inc. (BMI) SPONSORED BY: 1 ERNEST RICHARDSON principal pops conductor and resident conductor The versatile Ernest Richardson is in high demand as conductor, composer, arranger, organizational leader and inspirational speaker. His versatility finds him within one season conducting Stravinsky’s Firebird Suite or Broadway artists in the works of Leonard Bernstein, a live-to-movie production of Harry Potter, facilitating strategic decision-making for leading arts organizations, or training young musicians for the passionate, persistent pursuit of perfection. He has been at the forefront of symphonic video/live music productions, conducting live-to- movie scores of the Harry Potter series with CineConcerts, Indiana Jones and the Raiders of the Lost Ark, Jurassic Park, Back to the Future, Pirates of the Caribbean, Singing in the Rain, Casablanca, Ratatouille, Star Trek (2009), the Charlie Chaplin silent film The Gold Rush and most recently Star Wars. May 2020 marks his live-in-concert album debut with indie rock band Guster on OMAGAH! for their live performance with the Omaha Symphony in collaboration with the MAHA Music Festival in February 2019. The recording is available on guster.bandcamp.com or gustermerch.com. Richardson is presently the principal pops conductor and resident conductor of the Omaha Symphony at his appointment in 2015. Since 1993, he has laid the groundwork for and led in the development of the Omaha Symphony’s vaunted education and community engagement programs. In addition to his artistic leadership in the creation of the annual sold-out Christmas Celebration production and internationally performed “Only in Omaha” productions, he leads the successful Symphony Pops, Symphony Rocks and Movie Music Series. The highly successful Family Series was created under his artistic leadership and he is one of the visionary forces behind the new and innovative Symphony Joslyn Series. As chief architect of the Omaha Symphony’s education and community engagement programs, Richardson has been at the forefront of crafting the vision for the programs and their impact on the community. The pivotal point in his leadership can be traced to the first education report written in the beginning of his tenure with the Omaha Symphony. This report paved the way for the structure, function and programming of the education department leading to innovations in all programming including the creation of Choral Collaborative, Celebrate Creativity, Music Alive!, the Family Series and Mission: Imagination. Richardson holds the position of music director and principal conductor of the Steamboat Symphony Orchestra in Steamboat Springs, Colo. Under his leadership this organization has grown from a community orchestra to a resident professional orchestra. As one of the up and coming orchestras in the Front Range of Colorado, the Steamboat Symphony attracts the area’s finest musicians. Audiences continue to grow with each concert heralded with standing ovations and standing room only houses. Recent guest conducting engagements include the Rochester Philharmonic Orchestra and Des Moines Symphony in Star Wars: A New Hope in concert, Quad Cities Symphony Orchestra for the Harry Potter in Concert series, Houston Symphony in a performance with singer/songwriter Michael Cavanaugh and the Florida Orchestra and the Phoenix Symphony. He has also conducted with the Nashville Symphony, Fort Collins Symphony, Battle Creek Symphony, Colorado Symphony Orchestra, Jacksonville Symphony and Cheyenne Symphony as well as Opera Omaha. He has been guest conductor and clinician for regional and all-state orchestras in Arizona and Nebraska, the Phoenix Symphony Guild Youth Orchestra, Omaha Area Youth Orchestra, Santa Barbara City College, as well as festivals in Albuquerque, N. Mex. and the University of Georgia. Richardson has been lauded for his crossover work with singers and choral ensembles. He is equally comfortable encouraging and training singers on healthy technique and sensitive attention to inflection and the meaning of text. He has worked with countless numbers of Broadway and international opera artists, professional chamber ensembles such as Résonance, the Omaha Chamber Singers, the Opera Omaha Chorus and community choruses Golden Concert Choir, Madrigali et. al, Omaha Symphonic Chorus, Tara Choral Guild, the Steamboat Chamber Singers and Steamboat Festival Chorus of Yampa Valley Choral Society. Richardson conducts annually the 500-voice choir of Choral Collaborative with the Omaha Symphony. A recipient of the 2016 Nebraska Governor’s Arts Award for Excellence in Arts Education, Richardson has encouraged and supported countless young musicians. As the founding artistic director and CEO of the innovative Rocky Mountain Summer Conservatory, the program is based on four foundational principles: the passionate, persistent pursuit of perfection can reveal the extraordinary within us; vision-directed leadership; the musician as athlete; and in all things – balance, which catapulted the program to national attention. Since 1997, this concept has attracted the finest faculty and leading young musicians from around the world. Graduates from the program are teaching, performing and leading arts organizations throughout the country. From 2012 through 2015, Richardson held the position of music director and principal conductor for the Santa Barbara Music and Arts Conservatory. He also enjoys engaging with and training students in the Omaha Conservatory of Music Summer Institute. 2 An accomplished composer and arranger, Richardson composed the symphonic work Three Scenes for Chamber Orchestra, which was debuted by the Omaha Symphony in 2011. His works are featured largely in the annual Omaha Symphony Christmas production and on many education and outreach programs. His compositions and arrangements for orchestra have been performed by the Neue Philharmonie Westfalen in Gelsenkirchen, Germany, by the Phoenix Chamber Players, Phoenix Symphony, Steamboat Symphony Orchestra, the orchestras of Omaha Conservatory of Music, the Triskelion Trio and elsewhere throughout the United States. Commissions for voice and chamber ensemble have been performed by Opera Omaha, the Omaha Symphony and have been featured on the Omaha Chamber Music Society concert series. His credits also include a broadcast performance of his Fall of a Man-made Star composition on Boston’s WGBH. In 2019, the Lincoln Youth Symphony Orchestra premiered his chamber work Saying Hello and his Trio for Horn, Trombone and Piano was premiered by the Triskelion Trio at Central Washington University. In addition to his work with musicians, Richardson brings understanding of organizational issues in the industry and provides strategic planning facilitation to a variety of nonprofit organizations. His ability to offer insight and empathy provides the capacity to help each organization clarify and articulate goals for reaching desired and measurable outcomes. Richardson’s achievements in Omaha were foreshadowed by his success with the Phoenix Symphony Orchestra, where he began his conducting career. He founded and served as music director and conductor for the Phoenix Chamber Players (1987) and the Phoenix Symphony Baroque Ensemble (1989). Richardson came to the Phoenix Symphony as a viola player in 1984, appearing later as a soloist and acting associate principal. In 1990, his talents were added to the Phoenix Symphony String Quartet. While with the Phoenix Symphony, Richardson also served as the musician’s International Conference of Symphony and Opera Musicians representative and as the chair of the Orchestra Committee. In addition, he served as volunteer coordinator and acting director of operations for the organization. Richardson began studying the violin at the age of three with his father, Dr. Vernal Richardson. He continued his string education at Indiana University with Tadeusz Wronski, later concentrating on the viola at the University of Michigan with Donald McInnes. He studied conducting with Samuel Krachmalnick and Gustav Meier. While attending the University of Michigan, Richardson also studied composition with William Albright and William Bolcom. An avid fly fisherman, Richardson can be found on the trout streams in Colorado and municipal lakes in Nebraska. He has also earned a black belt in tae kwon do. He has been known to help his sons build award-winning pinewood derby cars and craft his own batons. He lives in Omaha with his wife and children plus a varied menagerie of cattle dogs, cats and exotic birds. 2 3.
Recommended publications
  • July 8-18, 2021
    July 8-18, 2021 Val Underwood Artistic Director ExecutiveFrom Directorthe Dear Friends: to offer a world-class training and performance program, to improve Throughout education, and to elevate the spirit of history, global all who participate. pandemics have shaped society, We are delighted to begin our season culture, and with Stars of Tomorrow, featuring institutions. As many successful young alumni of our we find ourselves Young Singer Program—including exiting the Becca Barrett, Stacee Firestone, and COVID-19 crisis, one pandemic and many others. Under the direction subsequent recovery that comes to of both Beth Dunnington and Val mind is the bubonic plague—or Black Underwood, this performance will Death—which devastated Europe and celebrate the art of storytelling in its Asia in the 14th century. There was a most simple and elegant state. The silver lining, however, as it’s believed season also includes performances that the socio-economic impacts of by many of our very own, long- the Plague on European society— time Festival favorites, and two of particularly in Italy—helped create Broadway’s finest, including HPAF the conditions necessary for what is Alumna and 1st Place Winner of arguably the greatest post-pandemic the 2020 HPAF Musical Theatre recovery of all time—the Renaissance. Competition, Nyla Watson (Wicked, The Color Purple). Though our 2021 Summer Festival is not what was initially envisioned, As we enter the recovery phase and we are thrilled to return to in-person many of us eagerly await a return to programming for the first time in 24 “normal,” let’s remember one thing: we months.
    [Show full text]
  • The-Music-Of-Andrew-Lloyd-Webber Programme.Pdf
    Photograph: Yash Rao We’re thrilled to welcome you safely back to Curve for production, in particular Team Curve and Associate this very special Made at Curve concert production of Director Lee Proud, who has been instrumental in The Music of Andrew Lloyd Webber. bringing this show to life. Over the course of his astonishing career, Andrew It’s a joy to welcome Curve Youth and Community has brought to life countless incredible characters Company (CYCC) members back to our stage. Young and stories with his thrilling music, bringing the joy of people are the beating heart of Curve and after such MUSIC BY theatre to millions of people across the world. In the a long time away from the building, it’s wonderful to ANDREW LLOYD WEBBER last 15 months, Andrew has been at the forefront of have them back and part of this production. Guiding conversations surrounding the importance of theatre, our young ensemble with movement direction is our fighting for the survival of our industry and we are Curve Associate Mel Knott and we’re also thrilled CYCC LYRICS BY indebted to him for his tireless advocacy and also for alumna Alyshia Dhakk joins us to perform Pie Jesu, in TIM RICE, DON BLACK, CHARLES HART, CHRISTOPHER HAMPTON, this gift of a show, celebrating musical theatre, artists memory of all those we have lost to the pandemic. GLENN SLATER, DAVID ZIPPEL, RICHARD STILGOE AND JIM STEINMAN and our brilliant, resilient city. Known for its longstanding Through reopening our theatre we are not only able to appreciation of musicals, Leicester plays a key role make live work once more and employ 100s of freelance in this production through Andrew’s pre-recorded DIRECTED BY theatre workers, but we are also able to play an active scenes, filmed on-location in and around Curve by our role in helping our city begin to recover from the impact NIKOLAI FOSTER colleagues at Crosscut Media.
    [Show full text]
  • Television Academy Awards
    2021 Primetime Emmy® Awards Ballot Outstanding Music Composition For A Series (Original Dramatic Score) The Alienist: Angel Of Darkness Belly Of The Beast After the horrific murder of a Lying-In Hospital employee, the team are now hot on the heels of the murderer. Sara enlists the help of Joanna to tail their prime suspect. Sara, Kreizler and Moore try and put the pieces together. Bobby Krlic, Composer All Creatures Great And Small (MASTERPIECE) Episode 1 James Herriot interviews for a job with harried Yorkshire veterinarian Siegfried Farnon. His first day is full of surprises. Alexandra Harwood, Composer American Dad! 300 It’s the 300th episode of American Dad! The Smiths reminisce about the funniest thing that has ever happened to them in order to complete the application for a TV gameshow. Walter Murphy, Composer American Dad! The Last Ride Of The Dodge City Rambler The Smiths take the Dodge City Rambler train to visit Francine’s Aunt Karen in Dodge City, Kansas. Joel McNeely, Composer American Gods Conscience Of The King Despite his past following him to Lakeside, Shadow makes himself at home and builds relationships with the town’s residents. Laura and Salim continue to hunt for Wednesday, who attempts one final gambit to win over Demeter. Andrew Lockington, Composer Archer Best Friends Archer is head over heels for his new valet, Aleister. Will Archer do Aleister’s recommended rehabilitation exercises or just eat himself to death? JG Thirwell, Composer Away Go As the mission launches, Emma finds her mettle as commander tested by an onboard accident, a divided crew and a family emergency back on Earth.
    [Show full text]
  • NEW YEAR EDITION Inside Scoop
    Volume 1, Issue 1 January—February Edition NEWNEW YEARYEAR EDITIONEDITION Letter to the Readers, This is our very first edition of the GPA Scoop and we appreciate your pa- tience. We have incorporated different writers to make this edition appeal to every- one’s interests. We have pieces from what to wear and Not to wear to how to start your new year off right. We have interesting articles about the “Shining Dia- monds” this month that we hope will capture your attention. As a club, we are con- stantly opening ourselves up to new possibilities whether it be new writers or new piec- es. Your creativity is always welcomed, so enjoy this edition and keep your eyes open to try and win this month’s prize! Enjoy, GREAT PATH ACADEMY Selena & Ashley GPA Scoop Editors Pg.2 - GPA News Pg.10 - New Year Edition Pg.17 - Editorial & GPA Resolutions Pg.3 - Did You Know? Pg.18 - ASK Bella GPA Scoop GPA Scoop GPA Scoop & Weird Facts Pg.12 - Sports - Year in The Pg.20 - GPA Community The Review / GPA Student Pg.4 - Shining Athletes Diamonds Pg.22 - GPA Mind Bind Pg.14 nside-nside Entertainment TV Puzzles*Contests*Prizes Pg.6 - Fashion II Favorites & Music Pg.8 - Brain Food Pg.16 - Teen Speak Out ScoopScoop GPAGPA -- 411411 Message from Mrs. Niles - Outler I understand that this year has been an awkward year with all of the changes, but I am so proud of the way GPA students have risen to the occasion! For instance, there has been an increase in the number of students taking college courses.
    [Show full text]
  • Marvin Hamlisch
    tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE MUSIC OF MARVIN HAMLISCH Monday, October 19, 2015 ~ 8 pm Coolidge Auditorium Library of Congress, Thomas Jefferson Building The Ira and Leonore Gershwin Fund in the Library of Congress was established in 1992 by a bequest from Mrs. Gershwin to perpetuate the name and works of her husband, Ira, and his brother, George, and to provide support for worthy related music and literary projects. "LIKE" us at facebook.com/libraryofcongressperformingarts loc.gov/concerts Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. • Please take note: Unauthorized use of photographic and sound recording equipment is strictly prohibited. Patrons are requested to turn off their cellular phones, alarm watches, and any other noise-making devices that would disrupt the performance. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. The Library of Congress Coolidge Auditorium Monday, October 19, 2015 — 8 pm tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE mUSIC OF MARVIN hAMLISCH WHITNEY BASHOR, VOCALIST | CAPATHIA JENKINS, VOCALIST LINDSAY MENDEZ, VOCALIST | BRYCE PINKHAM, VOCALIST
    [Show full text]
  • A Level Music
    A level Music Areas of Study – Other Perspectives NB: updates to this document were made in April 2021 and these are highlighted in yellow. © artwork: Mark Bolitho | Origami photography Pearson Education Ltd/Justin Hoffman Introduction This qualification features a Component entitled Appraising. The purpose of this component is for students to develop their listening and appraising skills through the study of music across a variety of styles and genres. The content is grouped into six areas of study, containing either two or three set works. This component gives students the opportunity to reflect on, analyse and evaluate music in aural and/or written form. To achieve this objective, students need to use their knowledge and understanding of musical elements, context and language to make critical judgements about the repertoire and context of music within the areas of study. Students should also study a range of pieces beyond these set works. The suggested other musical pieces for each area of study (see Appendix 4 of the specification) provide students with breadth, enabling them to place their knowledge of musical elements, context and language in a wider context, and apply their knowledge and understanding to more pieces of music. The suggested other music can help students to relate their learning to music in the set works, but their study is not compulsory. Teachers can identify and teach other pieces of music to support their students’ learning. The following music and musicians are examples of how each of the areas of study can be approached from a diverse range of other perspectives. The pieces have been chosen to encourage students to think beyond the mainstream and over-represented composers and styles of music, and instead to consider alternative and less well-known types and origins of music.
    [Show full text]
  • Pre-Assessment
    Name: _________________________________________________ Date: ____________________________ Film Music Unit Pretest 6th Grade Music Multiple Choice 1. What is a melody? a. The main line in music b. The background line in music c. A song that we sing d. The rhythmic drive in music. 2. The line of music associated with Luke Skywalker in the movie Star Wars is called a ___________________. a. Sequence b. Ostinato c. Leitmotif d. Melody 3. What was the first movie with an entire original score? a. Gone with the Wind b. King Kong c. Casablanca d. Star Wars 4. What year did synthesizers become introduced as a part of film music? a. 1958 b. 1968 c. 1978 d. 1980 True or False 5. Music was included as a part of film starting with the first motion picture. True False 6. Film composers are not always well-respected in their careers. True False 7. Film music is played by a symphony. True False 8. Ascending melodies are generally happy, while descending melodies are generally sad. True False Matching Match each film with the composer who wrote the film score. 9. ___________ Star Trek a) Hans Zimmer 10. ___________ Edward Scissorhands b) Jerry Goldsmith 11. ___________ Titanic c) Max Steiner 12. ___________ The Lion King d) Danny Elfman 13. ___________ The Pink Panther e) John Williams 14. ___________ King Kong f) James Horner 15. ___________ Star Wars g) Henry Mancini Name: _________________________________________________ Date: ____________________________ Fill in the Blank Insert the best word into each blank. Not all words will be used. character consonance dissonance geographic harmony historic piano tension timbre 16.
    [Show full text]
  • Musikliste Zu Terra X „Unsere Wälder“ Titel Sortiert in Der Reihenfolge, in Der Sie in Der Doku Zu Hören Sind
    Z Musikliste zu Terra X „Unsere Wälder“ Titel sortiert in der Reihenfolge, in der sie in der Doku zu hören sind. Folge 1 MUSIK - Titel CD / Interpret Composer Trailer Terra X Trailer Terra X Main Title Theme – Westworld - Season 1 / Ramin Djawadi Westworld Ramin Djawadi Dr. Ford Westworld - Season 1 / Ramin Djawadi Ramin Djawadi Photos in the Woods Stranger Things Vol. 1 / Kyle Dixon Kyle Dixon Eleven Stranger Things Vol. 1 / Kyle Dixon Kyle Dixon Race To Mark's Flat Bridget Jones's Baby / Craig Armstrong Craig Armstrong Boggis, Bunce and Fantastic Mr. Fox / Alexandre Desplat Alexandre Desplat Bean Hibernation Pod 1625 Passengers / Thomas Newman Thomas Newman Jack It Up Steve Jobs / Daniel Pemberton Daniel Pemberton The Dream and the Collateral Beauty / Theodore Shapiro Letters Theodore Shapiro Reporters Swarm Confirmation / Harry Gregson Williams Harry Gregson Williams Persistence Burnt / Rob Simonsen Rob Simonsen Introducing Howard Collateral Beauty / Theodore Shapiro Inlet Theodore Shapiro The Dream and the Collateral Beauty / Theodore Shapiro Theodore Shapiro Letters Main Title Theme – Westworld - Season 1 / Ramin Djawadi Westworld Ramin Djawadi Fell Captain Fantastic / Alex Somers Alex Somers Me Before You Me Before You / Craig Armstrong Craig Armstrong Orchestral This Isn't You Stranger Things Vol. 1 / Kyle Dixon Kyle Dixon The Skylab Plan Steve Jobs / Daniel Pemberton Daniel Pemberton Photos in the Woods Stranger Things Vol. 1 / Kyle Dixon Kyle Dixon Speight Lived Here The Knick (Season 2) / Cliff Martinez Cliff Martinez This Isn't You Stranger Things Vol. 1 / Kyle Dixon Kyle Dixon 3 Minutes Of Moderat A New Beginning Captain Fantastic / Alex Somers Alex Somers 3 Minutes Of Moderat The Walk The Walk / Alan Silvestri Alan Silvestri Dr.
    [Show full text]
  • Track 1 Juke Box Jury
    CD1: 1959-1965 CD4: 1971-1977 Track 1 Juke Box Jury Tracks 1-6 Mary, Queen Of Scots Track 2 Beat Girl Track 7 The Persuaders Track 3 Never Let Go Track 8 They Might Be Giants Track 4 Beat for Beatniks Track 9 Alice’s Adventures In Wonderland Track 5 The Girl With The Sun In Her Hair Tracks 10-11 The Man With The Golden Gun Track 6 Dr. No Track 12 The Dove Track 7 From Russia With Love Track 13 The Tamarind Seed Tracks 8-9 Goldfinger Track 14 Love Among The Ruins Tracks 10-17 Zulu Tracks 15-19 Robin And Marian Track 18 Séance On A Wet Afternoon Track 20 King Kong Tracks 19-20 Thunderball Track 21 Eleanor And Franklin Track 21 The Ipcress File Track 22 The Deep Track 22 The Knack... And How To Get It CD5: 1978-1983 CD2: 1965-1969 Track 1 The Betsy Track 1 King Rat Tracks 2-3 Moonraker Track 2 Mister Moses Track 4 The Black Hole Track 3 Born Free Track 5 Hanover Street Track 4 The Wrong Box Track 6 The Corn Is Green Track 5 The Chase Tracks 7-12 Raise The Titanic Track 6 The Quiller Memorandum Track 13 Somewhere In Time Track 7-8 You Only Live Twice Track 14 Body Heat Tracks 9-14 The Lion In Winter Track 15 Frances Track 15 Deadfall Track 16 Hammett Tracks 16-17 On Her Majesty’s Secret Service Tracks 17-18 Octopussy CD3: 1969-1971 CD6: 1983-2001 Track 1 Midnight Cowboy Track 1 High Road To China Track 2 The Appointment Track 2 The Cotton Club Tracks 3-9 The Last Valley Track 3 Until September Track 10 Monte Walsh Track 4 A View To A Kill Tracks 11-12 Diamonds Are Forever Track 5 Out Of Africa Tracks 13-21 Walkabout Track 6 My Sister’s Keeper
    [Show full text]
  • Fantasia the Famous Soundtracks of Walt Disney's Masterpieces Program
    Fantasia The famous soundtracks of Walt Disney's masterpieces Sang Eun Kim soprano Luigi Giachino piano and transcriptions The Korean soprano Angela Kim with her wonderful voice and endearing presence on the stage meets the harmonies of the pianist Luigi Giachino, a great expert in film music, in a repertoire dedicated to the famous soundtracks of Walt Disney's masterpieces. The concert can be realized with the cinematographic projections made by Alba Film Festival. Since 1923 the Disney Studios have presented films that built the international history of cinema and animation, becoming immortal masterpieces as well, released from a mere function of entertainment and projected into a more “philosophical” dimension, to the point of rightfully becoming part of a worldwide popular culture. Despite the changes of time, aesthetics and lifestyles, Disney's lesson always remains current and reminds us that, despite the small and big difficulties of the life, we must continue to look forward, using the resources we have and finding solutions, never feeling lost and always listening to our emotions. The repertoire of this concert program embraces half a century of the Disney production and is a tribute to his unique style which also influenced the soundtracks. In the selected pieces, the atmospheres of poetry and dream are alternated with more playful and light-hearted moments, enhancing the versatility and great technical preparation of our artists. The concert can also be realized with the cinematic projections of the films, created by Alba Film
    [Show full text]
  • Dream Cast Announced for Disney's Aladdin
    DREAM CAST ANNOUNCED FOR DISNEY’S ALADDIN An exceptional group of Australia and New Zealand’s most outstanding musical theatre performers and exciting fresh faces has been announced for Disney’s new musical comedy, Aladdin. They will be joined by Broadway performer Michael James Scott in the role of the Genie. Based on the classic Academy Award®-winning animated film,Aladdin will open in Sydney at the Capitol Theatre in August 2016. Tickets go on sale to the GP 8th March 2016. The dream cast for Aladdin has been achieved after intense and competitive auditions throughout Australia. It will be one of the most diverse multi-cultural casts to appear on the Australian stage. American performer Michael James Scott will play the pivotal role of the Genie. Michael has performed in many Broadway shows including the original company of The Book of Mormon, the 2010 Broadway and London revival of Hair, as well as the standby Genie in the original Broadway cast of Aladdin. He was most recently seen in Casey Nicholaw’s third current Broadway hit, Something Rotten. Joining him will be the exciting new discovery Ainsley Melham making his mainstage debut in the title role of Aladdin. Ainsley is a graduate of the Western Australian Academy of Performing Arts (WAAPA). The principal cast features international musical theatre star Adam Jon Fiorentino (Saturday Night Fever, Mary Poppins) as Kassim, stage & television performer Adam Murphy as Jafar and Robert Tripolino in the role of Omar. Filling out the principal ranks is one of Australia’s most accomplished character actors and musical theatre stars Troy Sussman as Babkak and stage and television actor Aljin Abella as Iago.
    [Show full text]
  • Contemporary Film Music
    Edited by LINDSAY COLEMAN & JOAKIM TILLMAN CONTEMPORARY FILM MUSIC INVESTIGATING CINEMA NARRATIVES AND COMPOSITION Contemporary Film Music Lindsay Coleman • Joakim Tillman Editors Contemporary Film Music Investigating Cinema Narratives and Composition Editors Lindsay Coleman Joakim Tillman Melbourne, Australia Stockholm, Sweden ISBN 978-1-137-57374-2 ISBN 978-1-137-57375-9 (eBook) DOI 10.1057/978-1-137-57375-9 Library of Congress Control Number: 2017931555 © The Editor(s) (if applicable) and The Author(s) 2017 The author(s) has/have asserted their right(s) to be identified as the author(s) of this work in accordance with the Copyright, Designs and Patents Act 1988. This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made.
    [Show full text]