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Dorothy Eugenie Brett (British-American Painter, 1883-1976)

Dorothy Brett was born to an aristocratic London family and educated in the court of . She attended the Slade School of Art and University College. For some time, she occupied a studio on the estate of , where she became a part of the artistic and literary Bloomsbury group. There, she became acquainted with many prominent English figures, such as Katherine Mansfield, Virginia Wolff, George Bernard Shaw, and D.H. Lawrence, several of whose portraits she painted.

In 1924, Brett traveled with D.H. Lawrence and his wife to visit Taos, New Mexico at the invitation of the prominent Taos society figure . The Lawrences came to New Mexico with the intention of starting a Utopian commune, but they returned to England after a short time. Brett, however, stayed in Taos. She became a United

Photograph courtesy of the Beinecke Rare Book and States citizen in 1938 and remained in New Mexico Manuscript Library, Yale University until her death.

In Taos, Brett became a close friend of the well-known art patron Millicent Rogers. Rogers played a significant role in Brett’s artistic career, buying and arranging exhibitions of her works. Rogers was responsible for Brett’s first solo exhibition in New York at the American British Art Gallery in 1950. Later that year, one of Brett’s works was exhibited at the Metropolitan Museum of Art.

Though Brett had a formal artistic education, she abandoned academic and landscape painting upon her arrival in New Mexico and began to paint Indian subjects. Brett had been fascinated by Indian dances and ceremonials since attending ’s Wild West show in London at the age of five. She traveled with Millicent Rogers to view and paint Indian dances. Her works are romantic and symbolic in nature, emphasizing her impressions of the Indians’ mysticism and

In the historic Spiegelberg House . Palace Avenue at Paseo de Peralta

237 East Palace Avenue Santa Fe, NM 87501

800 879-8898 505 989-9888 505 989-9889 Fax [email protected] spirituality. In her works, she sought to “paint the…Indian’s attitude towards life and the world around him. The Indian as he thinks and feels about himself…, the spirit of a Race, the Life behind the Life of a people” (Porter et. al. 1998: 295). According to Brett, her destiny was to “come all this way from England to find and give the Red Indian his hidden life on canvas”(Ibid).

Sources and Further Reading

Brett, Dorothy. 1974. Lawrence and Brett: A Friendship. Santa Fe, N.M.: Sunstone Press.

Campbell, Suzan and D’Emilio, Sandra. “Pioneering Spirits: early Women Modernists in Taos”. Antiques & Fine Art, July/August 1991.

D’Emilio, Sandra and Uduall, Sharyn. “Inner Voices, Outward Forms: Women Painters in New Mexico”, in Trenton, Patricia (ed.). 1995. Independent Spirits: Women Painters of the American West, 1890-1945. Berkeley, Ca: University of California Press.

Hahn, Emily. 1977. Mabel: A Biography of Mabel Dodge Luhan. Boston: Houghton Mifflin.

Morrill, Claire. 1973. A Taos Mosaic: Portrait of a New Mexico Village. Albuquerque: University of New Mexico Press.

Nelson, Mary Carroll. 1980. Legendary Artists of Taos. New York: Watson-Guptill Publications. Picturesque Images from Taos and Santa Fe. 1974. Denver, Co: Denver Art Museum.

Porter, Dean A. et. al. (eds.). 1998. Taos Artists and Their Patrons, 1898-1950. The Snite Museum of Art, University of Notre Dame.

Rudnick, Lois Palken. 1984. Mabel Dodge Luhan: New Woman, New Worlds. Albuquerque: University of New Mexico Press.

Samuels, Peggy and Harold. 1976. The Illustrated Biographical Encyclopedia of Artists of the American West. Garden City, N.Y.: Doubleday & Company, Inc.

Dorothy Brett Papers. 1923-26. University of New Mexico Zimmerman Library, Center for Southwest Research, Albuquerque, N.M.

In the historic Spiegelberg House . Palace Avenue at Paseo de Peralta

237 East Palace Avenue Santa Fe, NM 87501

800 879-8898 505 989-9888 505 989-9889 Fax [email protected]

In the historic Spiegelberg House . Palace Avenue at Paseo de Peralta