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European Regional Modernism $UFKLWHFWXUDO Canizaro, V 2014 European Regional Modernism. Architectural Histories, +LVWRULHV 2(1): 1, pp. 1-3, DOI: http://dx.doi.org/10.5334/ah.bc REVIEW European Regional Modernism Regionalism and Modernity: Architecture in Western Europe 1914–1940, Leen Meganck, Linda Van Santvoort, and Jan De Maeyer, editors, Leuven University Press, 240 pages, 2013 Vincent B. Canizaro* In recent years, beginning with the publication in 2003 be characterized by either conflict or maturation, and of Liane Lefaivre and Alexander Tzonis’ Critical Regional- in some instances both. By conflict, I referred to figures ism, followed by my Architectural Regionalism: Collected whose discourse posited modernism and regionalism as Writings on Place, Identity, Modernity and Tradition in antithetical (one progressive, the other retrograde). By 2007, there has been a quiet resurgence in the discourse maturation, I referred to the work and writings of archi- of architectural regionalism. Leuven University Press’s tects such as Walter Gropius, who sought to reconcile the Sources of Regionalism in the Nineteenth Century (2008) best characteristics of an emerging modern architecture introduced the older tradition of regionalism in European (functionality, anti-historicism, embrace of emancipatory thought and practice with a consideration of architecture, technology) with local conditions and understanding — art, and literature in the nineteenth century. Since then resulting in a regional modernism. In Regionalism and activity has continued in articles and essays with the aim Modernity, a more full and European perspective is pre- at documenting the longer history of this recurrent yet sented that suggests that in Europe, maturation was the neglected tendency in architectural thought and practice. dominant tendency, but full of and informed by a greater Publications such as Michelangelo Sabatino’s Pride and variety of issues than in the United States. The editors Modesty (2010), Lejeune and Sabatino’s Modern Archi- assert that regionalism in European countries was a ‘strat- tecture and the Mediterranean (2010), Eric Storm’s The egy for ensuring continuity within a modernizing society Culture of Regionalism (2010), Lefaivre and Tzonis’ Archi- which compensates for the increasing loss of landscape tectural Regionalism in the Age of Globalization (2012), and tradition’ (8). But the story contributed by the volume Antonio Petrov’s New Geographies 5: The Mediterranean as a whole is more complex. (2013), and Regionalism and Modernity are evidence of Regionalism and Modernity, as an edited volume, is a this direction. This work has been primarily historical, cov- thorough, detailed, and ultimately uneven account due ering the late nineteenth to the middle of the twentieth to the diversity of authors and the accompanying dif- century, and for this discourse, all are welcome additions ferential coverage of their respective topics and deploy- to architectural history and theory. ment of terminology. It comprises eleven chapters, with More likely to be attractive to other historians and six devoted to Belgian history, two to events in France, scholars than designers, Regionalism and Modernity is a and the remainder with one each on regionalist efforts rewarding yet difficult contribution to this discourse. The in Britain, Italy, and Germany. The most comprehensive specific intent of the editors is to shed light on the lesser- and best written are the first chapter, by Jean-Claude known architectural developments in the years between Vigato, which covers regionalism in France as manifest the two world wars in Europe. They achieve this through in debates among writers, architects, and critics, includ- a fragmented (as is the nature of edited volumes) histori- ing Vaillatas, Clozier, Umbdenstock, Mauclair, and Le ography of architecture and regionalism in France, Italy, Corbusier; the fourth chapter, by editor Leen Meganck, Germany, England, and Belgium in the years between which discusses Belgian regionalism well enough to 1914 and 1940. Their specific aim is to demonstrate that serve as a micro-cosmic case study for the debates, dilem- architectural regionalism in the interwar period was more mas, and developments across all of western Europe; continuous and synthetic with modernist principles than Vanessa Berghe’s contribution (chapter 10), which pre- it was in conflict, as is more commonly assumed. In my sents regionalism in Britain via the work of Oliver Hill, own book, Architectural Regionalism, I posited, based who, like William Wurster and Harwell Hamilton Harris mostly on regionalism in the American context, that the in the US, was both prolific and influential in his time relationship between modernism and regionalism could yet forgotten in subsequent historiography; and Michel- angelo Sabatino’s contribution (chapter 11), which reveals the regionalist tendencies in Italian Rationalism, * University of Texas San Antonio, United States Neo-Rationalism, and the affinity for Mediterraneità, or [email protected] Mediterranean-ness. Art. 1, page 2 of 3 Canizaro: European Regional Modernism There is much in common between the American destroyed communities required a kind of healing that and European contexts of architecture and regionalism. took the form of reconstruction. At the same time, However, Europe during this time was marked by events regionalism also related well to the variety of societal and reactions that revise, reframe, and give architectural reform movements, mostly anti-urban, whose propo- regionalism in the European context a distinctive charac- nents sought to reconnect with the rural landscape and ter. These included the rise of various factional national- vernacular architecture and who were uncomfortable isms, large-scale urban migrations, the displacement and with the pace and dis-embedding character of modernity. traumas associated with world wars, post-war reconstruc- For some, the attraction to regionalism was antipathy tion, and the rapid modernization of work and lifestyle, towards the rootless urban lifestyle that ‘promoted’ crime which affected all cultures. As such, Europe provided and avarice and a desire to connect to an idealized agrar- a differentiated but fertile ground for the regional and ian lifestyle. For others, it was felt that vernacular archi- modernist debates that go beyond those familiar to an tecture not only represented pragmatic and well-adapted American audience. Taken together the events between buildings, but also ties to past traditions, building tech- and including the two world wars provide a more serious niques, and materials. In this context, early modernist basis for regionalist and modernist debates, leaving them buildings, stripped of details and ornament, represented less about aesthetics and more about meaning and cul- a kind of threat and at best, an expression of placeless- tural and collective identity. ness, otherness, and rootlessness — at it worst, ‘Bolshe- Interwar regionalism in the U.S., by contrast, was pri- vism’. The quote from Alexander Kropholler in chapter 4 marily a cultural and political movement mounted by is particularly insightful: intellectuals and artists, who sought to preserve the diversity of America’s regions and derive inspiration So we prefer to draw the contrast between Tradi- from the diversity of language, art, geographies, and tionalism and Internationalism, in other words cultures found in America’s many regions. It was also, between proud independence and thoughtless to a degree, a reaction against the rising commercial- leveling, between the individual and the mass, … ism and consumerism that accompanied the emerging and between an objectivity that is permanent and metropolitan culture and the hegemony over taste and New Objectivity. After the turmoil of the 1920s and quality that appeared to becoming centralized in the 1930s when many of us bowed down before the so-called cultural capitals of New York and Los Angeles. international Jew, … we once again worship our In Europe, the regionalist debate shared some of these own pan-Dutch blood…. Nothing is so effortless as concerns of the American regionalists but was often also this ‘International architecture’. (83) part of nation-building or nationalist agendas. European regionalisms, as presented here, often hinged on racial, Regionalism and Modernity is a valuable contribution to ethnic, or national distinctions that contributed to the the discourse that will prove useful for both U.S. and Euro- wars, racism, and ethnic cleansing. To these tendencies, pean audiences. For the U.S. audience, it situates region- architecture in various European nations was not neu- alism, modernism, historicism, and eclecticism within tral but often played a rather significant role in cultural a social and political framework, while also demonstrat- affairs. The chapter by Johan Van den Mooter, on German ing architecture’s cultural and artistic relevance. Rather reconstruction in Belgium, illustrates both the absurd- than simply a debate about style (regionalism, modern- ity and the seriousness of architectural regionalism in ism, colonial, or neo-Tuscan?), as is often the case in the Europe. Van den Mooter documents the German attempt discussions about architectural style in the U.S., events to rebuild the very same Belgian towns they had earlier in Europe demonstrate a closer and deeper relationship destroyed, while later occupying them, during World War between culture, meaning and architecture. Of value to I. Their efforts
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