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Cds by Composer/Performer
CPCC MUSIC LIBRARY COMPACT DISCS Updated May 2007 Abercrombie, John (Furs on Ice and 9 other selections) guitar, bass, & synthesizer 1033 Academy for Ancient Music Berlin Works of Telemann, Blavet Geminiani 1226 Adams, John Short Ride, Chairman Dances, Harmonium (Andriessen) 876, 876A Adventures of Baron Munchausen (music composed and conducted by Michael Kamen) 1244 Adderley, Cannonball Somethin’ Else (Autumn Leaves; Love For Sale; Somethin’ Else; One for Daddy-O; Dancing in the Dark; Alison’s Uncle 1538 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 1 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 2 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 1 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 2 Aebersold, Jamey: Jazz Improvisation (vol 1) 1270 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 1 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 2 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 1 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 2 Aebersold, Jamey: The II-V7-1 Progression (vol 3) 1271 Aerosmith Get a Grip 1402 Airs d’Operettes Misc. arias (Barbara Hendricks; Philharmonia Orch./Foster) 928 Airwaves: Heritage of America Band, U.S. Air Force/Captain Larry H. Lang, cond. 1698 Albeniz, Echoes of Spain: Suite Espanola, Op.47 and misc. pieces (John Williams, guitar) 962 Albinoni, Tomaso (also Pachelbel, Vivaldi, Bach, Purcell) 1212 Albinoni, Tomaso Adagio in G Minor (also Pachelbel: Canon; Zipoli: Elevazione for Cello, Oboe; Gluck: Dance of the Furies, Dance of the Blessed Spirits, Interlude; Boyce: Symphony No. 4 in F Major; Purcell: The Indian Queen- Trumpet Overture)(Consort of London; R,Clark) 1569 Albinoni, Tomaso Concerto Pour 2 Trompettes in C; Concerto in C (Lionel Andre, trumpet) (also works by Tartini; Vivaldi; Maurice André, trumpet) 1520 Alderete, Ignacio: Harpe indienne et orgue 1019 Aloft: Heritage of America Band (United States Air Force/Captain Larry H. -
Sunday Times /Behaviour & Attitudes European Elections May 2014
Sunday Times /Behaviour & Attitudes European Elections May 2014 Opinion Poll 3rd – 15th May, 2014 Prepared for Prepared by Ian McShane J.5607 Technical Appendix 2 Technical Appendix ● The results of this opinion poll are based upon a representative sample of 1,545 eligible Irish voters aged 18 years +. ● A separate questionnaire was produced for each of three regions to take the three separate European Election constituencies into account. The number of interviews upon which the representative samples of eligible voters in each constituency is based is as follows: Dublin Constituency 521 Midlands-North-West 513 South Constituency 511 ● As such, the results for each constituency can be deemed to be accurate to within plus or minus 4.5 percentage points at the 95% confidence level. ● Fieldwork was conducted over the period 3rd – 14th May, 2014 with interviewing carried out at the Behaviour & Attitudes Computer Aided Telephone Interviewing (CATI) Unit at Milltown House in Dublin. ● Interviewing was conducted across all electoral constituencies in the country with households selected for interview by way of Random Digit Dialling (RDD). ● The sample is split across RDD landline numbers and RDD mobile telephone numbers, so as to ensure that individuals living in landline only households, mobile only households, and households with both a landline and mobile telephone are represented in their correct proportions. 3 Technical Appendix ● The subsequent survey results are weighted to reflect the known demographic profile of Irish adults, utilising the most recently published census population estimates from the Central Statistics Office (CSO). ● All aspects of the survey, including the Party Support adjustment factor, are implemented in accordance with the technical and ethical guidelines set down by the Association of Irish Market Research Organisations (AIMRO) and the European Society of Opinion & Market Research (ESOMAR). -
Brief Amicus Curiae of the Senate of the United Mexican States, Et
No. 08-987 IN THE RUBEN CAMPA, RENE GONZALEZ, ANTONIO GUERRERO, GERARDO HERNANDEZ, AND LUIS MEDINA, Petitioners, v. UNITED STATES OF AMERICA, Respondent. On Petition for a Writ of Certiorari to the United States Court of Appeals for the Eleventh Circuit BRIEF IN SUPPORT OF PETITION FOR A WRIT OF CERTIORARI ON BEHALF OF THE SENATE OF THE UNITED MEXICAN STATES, THE NATIONAL ASSEMBLY OF PANAMA, MARY ROBINSON (UNITED NATIONS HIGH COMMISSIONER FOR HUMAN RIGHTS, 1997- 2002; PRESIDENT OF IRELAND, 1992-1997) AND LEGISLATORS FROM THE EUROPEAN PARLIAMENT AND THE COUNTRIES OF BRAZIL, BELGIUM, CHILE, GERMANY, IRELAND, JAPAN, MEXICO, SCOTLAND AND THE UNITED KINGDOM ______________ Michael Avery Counsel of Record Suffolk Law School 120 Tremont Street Boston, MA 02108 617-573-8551 ii AMICI CURIAE The Senate of the United Mexican States The National Assembly of Panama Mary Robinson (United Nations High Commissioner for Human Rights, 1997-2002; President of Ireland, 1992-1997) Legislators from the European Parliament Josep Borrell Fontelles, former President Enrique Barón Crespo, former President Miguel Ángel Martínez, Vice-President Rodi Kratsa-Tsagaropoulou, Vice-President Luisa Morgantini, Vice-President Mia De Vits, Quaestor Jo Leinen, Chair of the Committee on Constitutional Affairs Richard Howitt, Vice-Chair of the Subcommittee on Human Rights Guisto Catania, Vice-Chair of the Committee on Civil Liberties, Justice and Home Affairs Willy Meyer Pleite, Vice-Chair of the Delegation to the Euro-Latin American Parliamentary Assembly Edite Estrela, Vice-Chair -
The Inventory of the Deborah Voigt Collection #1700
The Inventory of the Deborah Voigt Collection #1700 Howard Gotlieb Archival Research Center Voigt, Deborah #1700 6/29/05 Preliminary Listing I. Subject Files. Box 1 A Chronological files; includes printed material, photographs, memorabilia, professional material, other items. 1. 1987-1988. [F. 1] a. Mar. 1987; newsletters of The Riverside Opera Association, Verdi=s AUn Ballo in Maschera@ (role of Amelia). b. Apr. 1987; program from Honolulu Symphony (DV on p. 23). c. Nov. 1987; program of recital at Thorne Hall. d. Jan. 1988; program of Schwabacher Debut Recitals and review clippings from the San Francisco Examiner and an unknown newspaper. e. Mar. 1988; programs re: DeMunt=s ALa Monnaie@ and R. Strauss=s AElektra@ (role of Fünfte Magd). f. Apr. 1988; magazine of The Minnesota Orchestra Showcase, program for R. Wagner=s ADas Rheingold@ (role of Wellgunde; DV on pp. 19, 21), and review clippings from the Star Tribune and the St. Paul Pioneer Press Dispatch. g. Sep. - Oct. 1988; programs re: Opera Company of Philadelphia and the International Voice Competition (finalist competition 3; DV on p. 18), and newspaper clippings. 2. 1989. [F. 2] a. DV=s itineraries. (i) For Jan. 4 - Feb. 9, TS. (ii) For the Johann Strauss Orchestra on Vienna, Jan. 5 - Jan. 30, TS, 7 p. b. Items re: California State, Fullerton recital. (i) Copy of Daily Star Progress clipping, 2/10/89. (ii) Compendium of California State, Fullerton, 2/13/89. (iii) Newspaper clipping, preview, n.d. (iv) Orange County Register preview, 2/25/89. (v) Recital flyer, 2/25/89. (vi) Recital program, program notes, 2/25/89. -
Developing the Young Dramatic Soprano Voice Ages 15-22 Is Approved in Partial Fulfillment of the Requirements for the Degree Of
DEVELOPING THE YOUNG DRAMATIC SOPRANO VOICE AGES 15-22 By Monica Ariane Williams Bachelor of Arts – Vocal Arts University of Southern California 1993 Master of Music – Vocal Arts University of Southern California 1995 A dissertation submitted in partial fulfillment of the requirements for the Doctor of Musical Arts School of Music College of Fine Arts The Graduate College University of Nevada, Las Vegas December 2020 Copyright 2021 Monica Ariane Williams All Rights Reserved Dissertation Approval The Graduate College The University of Nevada, Las Vegas November 30, 2020 This dissertation prepared by Monica Ariane Williams entitled Developing the Young Dramatic Soprano Voice Ages 15-22 is approved in partial fulfillment of the requirements for the degree of Doctor of Musical Arts School of Music Alfonse Anderson, DMA. Kathryn Hausbeck Korgan, Ph.D. Examination Committee Chair Graduate College Dean Linda Lister, DMA. Examination Committee Member David Weiller, MM. Examination Committee Member Dean Gronemeier, DMA, JD. Examination Committee Member Joe Bynum, MFA. Graduate College Faculty Representative ii ABSTRACT This doctoral dissertation provides information on how to develop the young dramatic soprano, specifically through more concentrated focus on the breath. Proper breathing is considered the single most important skill a singer will learn, but its methodology continues to mystify multitudes of singers and voice teachers. Voice professionals often write treatises with a chapter or two devoted to breathing, whose explanations are extremely varied, complex or vague. Young dramatic sopranos, whose voices are unwieldy and take longer to develop are at a particular disadvantage for absorbing a solid vocal technique. First, a description, classification and brief history of the young dramatic soprano is discussed along with a retracing of breath methodologies relevant to the young dramatic soprano’s development. -
In 193X, Constance Rourke's Book American Humor Was Reviewed In
OUR LIVELY ARTS: AMERICAN CULTURE AS THEATRICAL CULTURE, 1922-1931 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Jennifer Schlueter, M.A. ***** The Ohio State University 2007 Dissertation Committee: Approved by Professor Thomas Postlewait, Adviser Professor Lesley Ferris Adviser Associate Professor Alan Woods Graduate Program in Theatre Copyright by Jennifer Schlueter c. 2007 ABSTRACT In the first decades of the twentieth century, critics like H.L. Mencken and Van Wyck Brooks vociferously expounded a deep and profound disenchantment with American art and culture. At a time when American popular entertainments were expanding exponentially, and at a time when European high modernism was in full flower, American culture appeared to these critics to be at best a quagmire of philistinism and at worst an oxymoron. Today there is still general agreement that American arts “came of age” or “arrived” in the 1920s, thanks in part to this flogging criticism, but also because of the powerful influence of European modernism. Yet, this assessment was not, at the time, unanimous, and its conclusions should not, I argue, be taken as foregone. In this dissertation, I present crucial case studies of Constance Rourke (1885-1941) and Gilbert Seldes (1893-1970), two astute but understudied cultural critics who saw the same popular culture denigrated by Brooks or Mencken as vibrant evidence of exactly the modern American culture they were seeking. In their writings of the 1920s and 1930s, Rourke and Seldes argued that our “lively arts” (Seldes’ formulation) of performance—vaudeville, minstrelsy, burlesque, jazz, radio, and film—contained both the roots of our own unique culture as well as the seeds of a burgeoning modernism. -
Guide to Equality and the Policies, Institutions and Programmes of the European Union
Guide to Equality and the Policies, Institutions and Programmes of the European Union Guide to Equality and the Policies, Institutions and Programmes of the European Union By Brian Harvey This document was commissioned by the Equality Authority and the views expressed herein are those of the author and do not necessarily represent those of the Equality Authority. Preface The European Union has played a valuable role in stimulating and shaping equality strategies in Ireland over the past three decades.The majority of key equality initiatives in Ireland can trace their origins to European Union directives, European case law or European Union action programmes. This influence continues to the present moment. However, innovation and ambition in our new equality legislation – the Employment Equality Act, 1998 and the Equal Status Act, 2000 – and our related equality institutions have changed this situation to one of mutual influencing. Europe now looks to the Irish experience of implementing a multi- ground equality agenda for learning. This publication provides an introductory briefing on approaches to equality at the level of the European Union – focusing on policy, institutions and funding programmes. It seeks to resource those who are engaging with the challenge to shape European Union policy and programmes in relation to equality. It aims to assist those addressing the impact of European Union policy and programmes on Ireland or to draw benefit from this influence. It is a unique document in bringing an integrated nine-ground equality focus to policy and programmes at European Union level.We are grateful to Brian Harvey for this work in drawing all this material together in this format.We are also grateful to Jenny Bulbulia B.L. -
Download a Copy of the Newsletter in Pdf Format
1 Slave, Soumana (on the left) with her master Abdoulaye. Abalak, Niger. Photo: © ILOlCrozet M. Global Solidarity News No. 14 Summer 2009 In this Issue Edward Phelan and the ILO3 Colombia 7 ICTU Women’s Seminar 3 The Tamil People’s national rights8 The Big Read 3 €61,263 to rebuild Cuba 8 Global Solidarity Summer School3 Lesotho 8 Gaza feature 4 – 5 Forced Labour feature 9 Global Solidarity Champions 6 Climate Change and Social Justice10 – 11 2 Solidarity Committees The Solidarity committees (NI and ROI) continue to be the vital link between Congress and affiliates on solidarity issues. These committees work closely with the ICTU Global Solidarity to ensure that it reaches affiliated unions of Congress and meet regularly during the year. They continue to act as a link between ICTU Global Solidarity, their individual union, and the membership. These Committees encourage affiliates to engage with ICTU Global Solidarity and look to embed solidarity linking within trade union structure. Welcome A recent peer review of Irish Aid by the OECD Development Some affiliates (NIPSA, IMPACT, PSEU and Assistance Committee commends the Government for its ESBOA) have formed their own structures to “impressive growth” in overseas development assistance (ODA) from engage with international solidarity issues. 2003 to 2008. The DAC praises Ireland as “a champion in making aid more effective”, and the report says “The Irish Government is committed to meeting the United Nations ODA target of 0.7 per cent Republic of Ireland of GNI by 2012.” “The challenge for the Government is to reach these targets despite severe economic downturn and increased budgetary Stellan Hermansson pressure”. -
Insurance Ireland Annu Al Report 2018
INSURANCE IRELAND ANNUAL REPORT 2018 OUR STRENGTH LIES IN THE NUMBER AND DIVERSITY OF OUR MEMBERS & ADVOCACY NETWORK Non-Life Life MIT Accenture: Innovation Health PwC: International Knowledge Reinsurance 6 KPMG: and Captive COUNCILS Conduct & the Customer STRATEGIC5 ALLIANCE INED COMMITTEES50+ PARTNERS & WORKING GROUPS 130 Deloitte: MEMBERS Talent Global Federation of Insurance Associations EVENTS3 SUPPORTING0 ADVOCACY WITH OVER Professional 31 Services GLOBAL1 ASSOCIATE Insurance VOICE MEMBERS Europe 3,500 Legal ATTENDEES Services Insurance Underwriting Ireland Brussels Office INSURTECH1 ECOSYSTEM IFS InsurTech IDA Ireland Members SFI Enterprise CeADAR Adapt Ireland Insight GCRT 2 TABLE OF CONTENTS President’s Review 2 Chief Executive’s Review 3 Representing the Insurance Industry in Ireland 4 2018: A Warm-up For the Future of the EU 6 Events and Strategic Alliances 8 Sustainable Finance – the 2018 Journey 10 The InsurTech Landscape 13 An Overview of EIF2018 14 Life Council address by the Chair 16 Non-Life Council address by the Chair 17 International Council address by the Chair 18 Reinsurance and Captive Council address by the Chair 19 Health Council address by the Chair 20 INED Council address by the Chair 21 Insurance Ireland's Insurance Information Service 22 Insurance Confidential – Fighting Fraud 23 Insurance Ireland – Accenture Innovation Strategic Alliance Partnership 24 Insurance Ireland – Deloitte Talent Strategic Alliance Partnership 25 Insurance Ireland – KPMG Conduct And The Customer Strategic Alliance Partnership 26 Insurance -
A Performer's Guide to the American Theater Songs of Kurt Weill
A Performer's Guide to the American Musical Theater Songs of Kurt Weill (1900-1950) Item Type text; Electronic Dissertation Authors Morales, Robin Lee Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 30/09/2021 16:09:05 Link to Item http://hdl.handle.net/10150/194115 A PERFORMER’S GUIDE TO THE AMERICAN MUSICAL THEATER SONGS OF KURT WEILL (1900-1950) by Robin Lee Morales ________________________________ A Document Submitted to the Faculty of the SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2 0 0 8 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As member of the Document Committee, we certify that we have read document prepared by Robin Lee Morales entitled A Performer’s Guide to the American Musical Theater Songs of Kurt Weill (1900-1950) and recommend that it be accepted as fulfilling the document requirement for the Degree of Doctor of Musical Arts. Faye L. Robinson_________________________ Date: May 5, 2008 Edmund V. Grayson Hirst__________________ Date: May 5, 2008 John T. Brobeck _________________________ Date: May 5, 2008 Final approval and acceptance of this document is contingent upon the candidate’s submission of the final copies of the document to the Graduate College. I hereby certify that I have read this document prepared under my direction and recommend that it be accepted as fulfilling the document requirement. -
Volume 60, Number 07 (July 1942) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 7-1-1942 Volume 60, Number 07 (July 1942) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Music Pedagogy Commons, and the Music Performance Commons Recommended Citation Cooke, James Francis. "Volume 60, Number 07 (July 1942)." , (1942). https://digitalcommons.gardner-webb.edu/etude/237 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. — . UNITED WE IMP SUMPS DR. ALFRED HOLLINS, eminent blino the organist and composer, who had held West position as organist at St. George's Church, Edinburgh, since 1337, died there Sep- on May 17. Dr. Hollins was bom He tember 11, 1865, in Hull, England. had made many concert appearances Li the United States and Canada. DR. CHARLES HF.1N- ROTH, Chairman of the Music Department of City College, New York, and for twenty-five years JAe M/ot£d o/Mmie organist and director of music at Carnegie In- stitute of Technology, Pittsburgh, has retired. Chaubs HERE, THERE. AND EVERYWHERE A former president of Hunkoth the American Associa- IN THE MUSICAL WORLD tion of Organists, Prof. Heinroth is said to be the first man to play organ music artists very active In great influence in Orchestra was assisted by visiting over the radio. -
Schriftenreihe Des Sophie Drinker Instituts Band 4
Schriftenreihe des Sophie Drinker Instituts Herausgegeben von Freia Hoffmann Band 4 Marion Gerards, Freia Hoffmann (Hrsg.) Musik – Frauen – Gender Bücherverzeichnis 1780–2004 BIS-Verlag der Carl von Ossietzky Universität Oldenburg 2006 Das Werk ist einschließlich aller seiner Teile urheberrechtlich ge- schützt. Jede Verwertung außerhalb der Grenzen des Urheberrechts bedarf der Zustimmung der Autorinnen. Dies gilt insbesondere für Vervielfältigungen, Übersetzungen, Mikroverfilmungen und die Einspeicherung und Verarbeitung in elektronischen Medien. © BIS-Verlag, Oldenburg 2006 Umschlaggestaltung: Marta Daul Layout und Satz: BIS-Verlag Verlag / Druck / BIS-Verlag Vertrieb: der Carl von Ossietzky Universität Oldenburg Postfach 25 41, 26015 Oldenburg Tel.: 0441/798 2261, Telefax: 0441/798 4040 e-mail: [email protected] Internet: www.bis.uni-oldenburg.de ISBN 3-8142-0966-4 Inhaltsverzeichnis Vorwort 3 Hinweise zur Benutzung 5 1 Nachschlagewerke 9 1.1 Lexika und biographische Nachschlagewerke 9 1.2 Bibliographien 14 1.3 Notenverzeichnisse 17 1.4 Diskographien 22 2 Einführende Literatur 24 2.1 Kunstmusik 24 2.2 Populäre Musik (Jazz, Rock, Pop, Volksmusik, Chansons, Weltmusik u. ä.) 42 2.3 Stilübergreifend und Sonstige 50 3 Personenbezogene Darstellungen 54 3.1 Kunstmusik 54 3.2 Populäre Musik (Jazz, Rock, Pop, Volksmusik, Chansons, Weltmusik u. ä.) 320 3.3 Stilübergreifend und Sonstige 433 4 Spezielle Literatur 446 4.1 Kunstmusik 446 4.2 Populäre Musik (Jazz, Rock, Pop, Volksmusik, Chansons, Weltmusik u. ä.) 462 4.3 Stilübergreifend