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CPCC MUSIC LIBRARY COMPACT DISCS Updated May 2007 Abercrombie, John (Furs on Ice and 9 other selections) guitar, bass, & synthesizer 1033 Academy for Ancient Music Berlin Works of Telemann, Blavet Geminiani 1226 Adams, John Short Ride, Chairman Dances, Harmonium (Andriessen) 876, 876A Adventures of Baron Munchausen (music composed and conducted by Michael Kamen) 1244 Adderley, Cannonball Somethin’ Else (Autumn Leaves; Love For Sale; Somethin’ Else; One for Daddy-O; Dancing in the Dark; Alison’s Uncle 1538 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 1 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 2 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 1 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 2 Aebersold, Jamey: Jazz Improvisation (vol 1) 1270 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 1 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 2 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 1 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 2 Aebersold, Jamey: The II-V7-1 Progression (vol 3) 1271 Aerosmith Get a Grip 1402 Airs d’Operettes Misc. arias (Barbara Hendricks; Philharmonia Orch./Foster) 928 Airwaves: Heritage of America Band, U.S. Air Force/Captain Larry H. Lang, cond. 1698 Albeniz, Echoes of Spain: Suite Espanola, Op.47 and misc. pieces (John Williams, guitar) 962 Albinoni, Tomaso (also Pachelbel, Vivaldi, Bach, Purcell) 1212 Albinoni, Tomaso Adagio in G Minor (also Pachelbel: Canon; Zipoli: Elevazione for Cello, Oboe; Gluck: Dance of the Furies, Dance of the Blessed Spirits, Interlude; Boyce: Symphony No. 4 in F Major; Purcell: The Indian Queen- Trumpet Overture)(Consort of London; R,Clark) 1569 Albinoni, Tomaso Concerto Pour 2 Trompettes in C; Concerto in C (Lionel Andre, trumpet) (also works by Tartini; Vivaldi; Maurice André, trumpet) 1520 Alderete, Ignacio: Harpe indienne et orgue 1019 Aloft: Heritage of America Band (United States Air Force/Captain Larry H. -
Blueprintsvolume XXVII, No
blueprintsVolume XXVII, No. 1–2 NATIONAL BUILDING MUSEUM In Between: The Other Pieces of the Green Puzzle in this issue: HEALTHY Communities, GREEN Communities Word s ,Word s ,Word s Winter & Spring 2008/2009 The Lay of the Landscape Annual Report 2008 in this issue... 2 8 13 18 19 21 23 In Between: The Other Pieces of the Green Puzzle The exhibition Green Community calls attention to important aspects of sustainable design and planning that are sometimes overshadowed by eye-catching works of architecture. The environmental implications of transportation systems, public services, recreational spaces, and other elements of infrastructure must be carefully considered in order to create responsible and livable communities. This issue of Blueprints focuses on the broad environmental imperative from the standpoints of public health, urban and town planning, and landscape architecture. Contents Healthy Communities, ! 2 Green Communities M Cardboard Reinvented Physician Howard Frumkin, of the Centers for Disease Cardboard: one person’s trash is another Control and Prevention, brings his diverse expertise as B an internist, an environmental and occupational health N person’s decorative sculpture, pen and pencil expert, and an epidemiologist to bear on the public health holder, vase, bowl, photo and business card holder, above: Beaverton Round, in suburban Portland, Oregon, was built as part of the metropolitan area’s Transit-Oriented Development Program. implications of community design and planning. p Photo courtesy of the American Planning Association and Portland Metro. stress toy, or whatever you can imagine. Bring out your o Creating Sustainable Landscapes creativity with these durable, versatile, eco-friendly LIQUID h CARDBOARD vases that can be transformed into a myriad from the executive director 8 In an interview, landscape architect Len Hopper discusses s his profession’s inherent commitment to sustainability and of shapes for a variety of uses in your home. -
The Inventory of the Deborah Voigt Collection #1700
The Inventory of the Deborah Voigt Collection #1700 Howard Gotlieb Archival Research Center Voigt, Deborah #1700 6/29/05 Preliminary Listing I. Subject Files. Box 1 A Chronological files; includes printed material, photographs, memorabilia, professional material, other items. 1. 1987-1988. [F. 1] a. Mar. 1987; newsletters of The Riverside Opera Association, Verdi=s AUn Ballo in Maschera@ (role of Amelia). b. Apr. 1987; program from Honolulu Symphony (DV on p. 23). c. Nov. 1987; program of recital at Thorne Hall. d. Jan. 1988; program of Schwabacher Debut Recitals and review clippings from the San Francisco Examiner and an unknown newspaper. e. Mar. 1988; programs re: DeMunt=s ALa Monnaie@ and R. Strauss=s AElektra@ (role of Fünfte Magd). f. Apr. 1988; magazine of The Minnesota Orchestra Showcase, program for R. Wagner=s ADas Rheingold@ (role of Wellgunde; DV on pp. 19, 21), and review clippings from the Star Tribune and the St. Paul Pioneer Press Dispatch. g. Sep. - Oct. 1988; programs re: Opera Company of Philadelphia and the International Voice Competition (finalist competition 3; DV on p. 18), and newspaper clippings. 2. 1989. [F. 2] a. DV=s itineraries. (i) For Jan. 4 - Feb. 9, TS. (ii) For the Johann Strauss Orchestra on Vienna, Jan. 5 - Jan. 30, TS, 7 p. b. Items re: California State, Fullerton recital. (i) Copy of Daily Star Progress clipping, 2/10/89. (ii) Compendium of California State, Fullerton, 2/13/89. (iii) Newspaper clipping, preview, n.d. (iv) Orange County Register preview, 2/25/89. (v) Recital flyer, 2/25/89. (vi) Recital program, program notes, 2/25/89. -
Developing the Young Dramatic Soprano Voice Ages 15-22 Is Approved in Partial Fulfillment of the Requirements for the Degree Of
DEVELOPING THE YOUNG DRAMATIC SOPRANO VOICE AGES 15-22 By Monica Ariane Williams Bachelor of Arts – Vocal Arts University of Southern California 1993 Master of Music – Vocal Arts University of Southern California 1995 A dissertation submitted in partial fulfillment of the requirements for the Doctor of Musical Arts School of Music College of Fine Arts The Graduate College University of Nevada, Las Vegas December 2020 Copyright 2021 Monica Ariane Williams All Rights Reserved Dissertation Approval The Graduate College The University of Nevada, Las Vegas November 30, 2020 This dissertation prepared by Monica Ariane Williams entitled Developing the Young Dramatic Soprano Voice Ages 15-22 is approved in partial fulfillment of the requirements for the degree of Doctor of Musical Arts School of Music Alfonse Anderson, DMA. Kathryn Hausbeck Korgan, Ph.D. Examination Committee Chair Graduate College Dean Linda Lister, DMA. Examination Committee Member David Weiller, MM. Examination Committee Member Dean Gronemeier, DMA, JD. Examination Committee Member Joe Bynum, MFA. Graduate College Faculty Representative ii ABSTRACT This doctoral dissertation provides information on how to develop the young dramatic soprano, specifically through more concentrated focus on the breath. Proper breathing is considered the single most important skill a singer will learn, but its methodology continues to mystify multitudes of singers and voice teachers. Voice professionals often write treatises with a chapter or two devoted to breathing, whose explanations are extremely varied, complex or vague. Young dramatic sopranos, whose voices are unwieldy and take longer to develop are at a particular disadvantage for absorbing a solid vocal technique. First, a description, classification and brief history of the young dramatic soprano is discussed along with a retracing of breath methodologies relevant to the young dramatic soprano’s development. -
Vincent Scully Masterclass Series Returns—Virtually—To the Chicago Architecture Center with “See Like an Architect”
Vincent Scully Masterclass Series returns—virtually—to the Chicago Architecture Center with “See Like an Architect” Registration now open for the second Scully Series, hosted by noted scholar and IIT College of Architecture dean Reed Kroloff and guests For immediate release January 26, 2021 High-resolution images with captions and credits downloadable here Media contact Zachary Whittenburg, Director of Communications, Chicago Architecture Center [email protected], 312-322-1134 CHICAGO – The Chicago Architecture Center (CAC) continues to offer online and remotely accessible programs for audiences of all ages, initiated in April 2020 with participants joining from across Chicago, the United States and overseas. Located at 111 East Wacker Drive in downtown Chicago, the Center remains temporarily closed to visitors. Chicago Architecture Foundation Center River Cruises aboard Chicago’s First Lady, CAC walking tours, admission to the Center itself and other in-person activities will resume in 2021 on dates to be announced. The CAC Design Store remains open 24 hours online at shop.architecture.org. 2021 Vincent Scully Masterclass Series: See Like an Architect Series pass $50, CAC members $40, students and seniors $30 Individual masterclasses $20 each, CAC members $15, students and seniors $10 Following up the inaugural three-part Vincent Scully Masterclass Series, “The Brilliance of American Architecture,” offered by the CAC in spring 2019, “See Like an Architect” examines timeless fundamentals in conceiving and communicating architecture. Three masterful, entertaining explorations of an architecture-informed worldview continue this series inspired by legendary professor, critic and author Vincent Joseph Scully, Jr. (1920−2017), who made his mark through more than 60 years of leading lectures at Yale University, inspiring countless students to pursue a wide variety of career paths. -
In 193X, Constance Rourke's Book American Humor Was Reviewed In
OUR LIVELY ARTS: AMERICAN CULTURE AS THEATRICAL CULTURE, 1922-1931 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Jennifer Schlueter, M.A. ***** The Ohio State University 2007 Dissertation Committee: Approved by Professor Thomas Postlewait, Adviser Professor Lesley Ferris Adviser Associate Professor Alan Woods Graduate Program in Theatre Copyright by Jennifer Schlueter c. 2007 ABSTRACT In the first decades of the twentieth century, critics like H.L. Mencken and Van Wyck Brooks vociferously expounded a deep and profound disenchantment with American art and culture. At a time when American popular entertainments were expanding exponentially, and at a time when European high modernism was in full flower, American culture appeared to these critics to be at best a quagmire of philistinism and at worst an oxymoron. Today there is still general agreement that American arts “came of age” or “arrived” in the 1920s, thanks in part to this flogging criticism, but also because of the powerful influence of European modernism. Yet, this assessment was not, at the time, unanimous, and its conclusions should not, I argue, be taken as foregone. In this dissertation, I present crucial case studies of Constance Rourke (1885-1941) and Gilbert Seldes (1893-1970), two astute but understudied cultural critics who saw the same popular culture denigrated by Brooks or Mencken as vibrant evidence of exactly the modern American culture they were seeking. In their writings of the 1920s and 1930s, Rourke and Seldes argued that our “lively arts” (Seldes’ formulation) of performance—vaudeville, minstrelsy, burlesque, jazz, radio, and film—contained both the roots of our own unique culture as well as the seeds of a burgeoning modernism. -
"The Architecture of Community" by Vincent Scully Twenty-Fourth
"The Architecture of Community" by Vincent Scully Twenty-fourth Annual Jefferson Lecture in the Humanities National Endowment for the Humanities Washington, D.C. May 15, 1995 IMPORTANT NOTE: For private use only. The text may not be reprinted without written permission from the author, Vincent Scully, and the National Endowment for the Humanities. For further information: NEH, Office of Publications and Public Affairs 1100 Pennsylvania Avenue, N.W., Room 402 Washington, D.C. 20506 Telephone: 202/606-8400 THE 24TH JEFFERSON LECTURE IN THE HUMANITIES May 15, 1995 The Architecture of Community by Vincent Scully Sterling Professor of Art History Emeritus, Yale University Thank you very much. Senator Dodd, I don’t know how I can thank you for that introduction, which is probably the best I’ve ever had. I shouldn’t be surprised, I suppose, since it came from a senator of the United States. I am touched. Also, ladies and gentlemen, I’m upset that you applaud me as I rise, since I fear that you won’t when I subside. However, if we can get past that, I have to say that this is something for which I feel more honored than anything that’s happened in my life. I am also more daunted. It’s the biggest audience, it’s the most distinguished audience, as I can see just by a rapid glance around, and it’s in the nation’s capital. Also, this is in fact a very inopportune time for me to try to give a lecture like this, because I’ve spent the last five months in Los Angeles, and now I haven’t the slightest idea what I think about anything. -
Remarks at a Presidential Luncheon in Little Rock November 18, 2004
2836 Nov. 18 / Administration of George W. Bush, 2004 of story that inspires people from every back- in our future. And Americans continued to ground, all over America. In this great Na- like the man that he so clearly liked. tion, it is always possible for a child to go One man’s journey from Hope, Arkansas, as far as their talent and vision can take them. to the White House, the story told in this Visitors to this place will be reminded of the library, is an American story. It’s a story of great promise of our country, and the dreams talent recognized early and lifelong friend- that came true in the life of our 42d Presi- ships and hard work that was rewarded. The dent. The William J. Clinton Presidential Li- boy who shook the hand of John F. Kennedy brary is a gift to the future by a man who in the Rose Garden has shaken the hands always believed in the future. And today we of many young people and inspired them thank him for loving and serving America. with his idealism. And this library will carry God bless. that message into the future. Americans look to our former Presidents NOTE: The President spoke at 12:20 p.m. In his as elder statesmen. In the case of President remarks, he referred to Gov. Mike Huckabee of Clinton, the elder statesman is about one Arkansas and his wife, Janet. month younger than I am. [Laughter] His public service came early, and his service to America has not ended. -
7350 NBM Blueprnts/REV
National Building Museum Annual Report 2005 Detail of the terra cotta frieze by sculptor Caspar Buberl, which surrounds the full, 1,200-foot-long perimeter of the National Building Museum. Photo: © Maxwell MacKenzie MESSAGE FROM THE CHAIR AND THE EXECUTIVE DIRECTOR year. Contributed income remained the most important component of the institution’s revenue, amounting to over $4.5 million, reflecting a 17 percent increase over 2004. The popular and well-regarded Museum Shop continued to do well financially, bring- RCHITECTURE IS THE UNIVERSAL ART, ing in more than $1 million in revenue. and construction the universal craft. As this exciting and successful AVirtually all of humankind ultimately fiscal year at the Museum was drawing to shares in the creation of the built environ- a close, we were shocked and saddened to ment in some way, whether by fabricating learn of the devastation wreaked by a rudimentary shelter or by developing a Hurricanes Katrina and Rita on the Gulf commercial office complex. The National Coast. Like the terrorist attacks of Building Museum, then, is arguably the September 2001, these natural disasters universal museum, dedicated to promoting served as tragic reminders of the deep a better understanding of the physical emotional resonance with which buildings world that we create for ourselves, in all of and communities are often imbued. In the its aspects. aftermath of the hurricanes, the Museum Carolyn Schwenker Brody Toward that end, the Museum began organizing an ongoing series of pub- Chair pursues a rigorous schedule of exhibitions, lic programs to address the impact of the Photo by Diana Walker education programs, and publications that disasters on the built environment. -
A Performer's Guide to the American Theater Songs of Kurt Weill
A Performer's Guide to the American Musical Theater Songs of Kurt Weill (1900-1950) Item Type text; Electronic Dissertation Authors Morales, Robin Lee Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 30/09/2021 16:09:05 Link to Item http://hdl.handle.net/10150/194115 A PERFORMER’S GUIDE TO THE AMERICAN MUSICAL THEATER SONGS OF KURT WEILL (1900-1950) by Robin Lee Morales ________________________________ A Document Submitted to the Faculty of the SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2 0 0 8 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As member of the Document Committee, we certify that we have read document prepared by Robin Lee Morales entitled A Performer’s Guide to the American Musical Theater Songs of Kurt Weill (1900-1950) and recommend that it be accepted as fulfilling the document requirement for the Degree of Doctor of Musical Arts. Faye L. Robinson_________________________ Date: May 5, 2008 Edmund V. Grayson Hirst__________________ Date: May 5, 2008 John T. Brobeck _________________________ Date: May 5, 2008 Final approval and acceptance of this document is contingent upon the candidate’s submission of the final copies of the document to the Graduate College. I hereby certify that I have read this document prepared under my direction and recommend that it be accepted as fulfilling the document requirement. -
Volume 60, Number 07 (July 1942) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 7-1-1942 Volume 60, Number 07 (July 1942) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Music Pedagogy Commons, and the Music Performance Commons Recommended Citation Cooke, James Francis. "Volume 60, Number 07 (July 1942)." , (1942). https://digitalcommons.gardner-webb.edu/etude/237 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. — . UNITED WE IMP SUMPS DR. ALFRED HOLLINS, eminent blino the organist and composer, who had held West position as organist at St. George's Church, Edinburgh, since 1337, died there Sep- on May 17. Dr. Hollins was bom He tember 11, 1865, in Hull, England. had made many concert appearances Li the United States and Canada. DR. CHARLES HF.1N- ROTH, Chairman of the Music Department of City College, New York, and for twenty-five years JAe M/ot£d o/Mmie organist and director of music at Carnegie In- stitute of Technology, Pittsburgh, has retired. Chaubs HERE, THERE. AND EVERYWHERE A former president of Hunkoth the American Associa- IN THE MUSICAL WORLD tion of Organists, Prof. Heinroth is said to be the first man to play organ music artists very active In great influence in Orchestra was assisted by visiting over the radio. -
Architectsnewspaper 20 4.2005
ARCHITECTSNEWSPAPER 20 4.2005 NEW YORK ARCHITECTURE AND DESIGN WWW.ARCHPAPER.COM $3.95 for Architecture (CCA) in Montreal. PARKS DEPARTMENT KICKS OFF The announcement closely follows the 10-11 DESIGN EXCELLENCE PROGRAM November ceremony for the sixth recipient, the Prince of Wales, who was selected earlier WANTED: this year for the prize but was unable to PARKS GET BOOST CURATORS receive it until his recent U.S. tour. The New York City Department of Parks AN EXAMINATION OF THAT RARE BREED- In addition to her CCA duties, Lambert, and Recreation (DPR) will be u.sing more THE ARCHITECTURE AND DESIGN CURATOR once referred to by Canadian Interiors mag• and more outside designers from now on: azine as "our undisputed grand doyenne On November 21, it released a list of eight CO 06 of architecture," is an accomplished author, landscape architectural firms that were I— a leading advocate for low-income housing granted the Requirements Contract for LU MTA, READY and neighborhood revitalization, and a Landscape Architecture Consulting Ser• trained architect who designed Montreal's vices. In October, the DPR released a simi• TO ROLL Saidye Bronfman Centre and led the reno• lar list of six firms that were awarded the O O vation of Los Angeles' Biltmore Hotel. Requirements Contract for Archi-tectural 12 "Lambert has gotten people to consider Consulting Services. The pre-selected GIFT GUIDE the built environment through the CCA, firms have been offered two-year renew• her writing, and her practice," said architect able contracts, guaranteeing millions of 17 David Schwarz, who chairs the Scully Prize dollars of work.