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L Oca Tion Condominiums by the East Side Gallery
CONDOMINIUMS BY THE EAST SIDE GALLERY SIDE EAST THE BY CONDOMINIUMS LOCATION LOCATION e the food and nightlife and nightlife e the food PAGE 2 INTRODUCTION In the midst of the inspiring bustle of the metropolis, around a lovingly landscaped garden courtyard, a pleasant refuge that lends its inhabitants peace and energy for the vibrant life outside its front entrance is emerging. The enduring, timeless elegance of the architecture and the stylish serenity of the mate- rials and surfaces sourced with self-assured taste create this pure reflection of a distinctive residential lifestyle. Few places in Berlin condense the city’s new cosmopolitan places in Berlin condense the city’s Few Spree. of the River on the banks Anschutz site the flair like new world a whole of Friedrichshain, district In the vibrant busi- and lifestyle work-life shopping, of entertainment, and labels with an international hip Berlin startups nesses, all from the same time, visitors At is opening up. reputation and the Gallery Side the East to flocking are the world over neighbourhoods wher surrounding Berlin flair. with a pure entice Berlin flair Pure lifestyle residential of a distinctive expression Pure Berlin – world-class metropolis by the Spree PAGE 4 LOCATION As established as Paris, as liveable as Copenhagen, as hip as New York – the German capital is very popular in many respects. Visitors are flocking to Berlin to experience its diverse cultural landscape and retrace European history. Students, artists and those with great ambitions are mov- ing to Berlin to be part of the vibrant art or startup scene and experience the spirit of the city that is constantly reinventing itself. -
An Oral History of Berlin Minimal Techno
Menu Search Red Bull Music Academy Daily An Oral History of Berlin Minimal Techno A look back at the stripped-down subgenre that defined the German capital from 1998-2008 September 7, 2018 By Joshua Glazer In 1998, the rave scene that gripped Germany after reunification was at its apex. What had started in the literal underground spaces of post-GDR Berlin after the fall of the Wall had gone mainstream, with millions of young people celebrating the colorful culture of electronic dance music all across the country. But the techno utopia envisioned by many as the new millenium approached was already starting to come undone. The trend was swiftly co-opted – ironically, by some of the same capitalist forces that had defeated the communist system a decade earlier. The bubble soon burst, and many of those truly dedicated to the music were forced to rebuild. The result was something that was the opposite of rave’s over-the- top excess, a movement that idealized a minimalist aesthetic in sound, visuals and fashion. It was a lifestyle that resisted the unbridled exuberance of rave in favor of something more sustainable – and sustain it did, with tracks that filled whole sides of vinyl and parties that went on for days at a time. Berlin became the center for this new creative community, drawing in techno practitioners and aficionados from around the world who came for the party and stayed for the ease of living made possible by cheap rents and easy access to artist visas. “Minimal” became the buzzword around this scene, and while overindulgences were aplenty in freewheeling afterhours, the “arm, aber sexy” (poor but sexy) slogan coined by then-mayor Klaus Wowereit could not have been a more accurate appraisal of Berlin’s appeal. -
Marcel Dettmann Title: Conducted Label: Music Man Release: 14.11.2011
Artist: Marcel Dettmann Title: Conducted Label: Music Man Release: 14.11.2011 Music Man Records is proud to present the long awaited second mix-cd from Marcel Dettmann, resident at the notorious Berghain club in Berlin since it's oldest incarnation as Ostgut and a key artist on their label Ostgut Ton. Marcel Dettmann’s previous mix-cd was named best mix-cd of 2008 by Resident Advisor and last year he released his debut album ‘Dettmann’ to high critical acclaim. In the meantime he’s also built the profile of his own label MDR, and is a hugely in demand remixer for the likes of Emika, Ellen Allien, Radioslave, Scuba and O/V/R. The tracklist of ‘Conducted’ includes a mixture of new to be discovered talents, alongside older ready to be re-discovered gems, and those you may expect such as Sandwell District, Redshape or Shed. ‘Conducted’ is simply a timeless mix from one of the most important DJs and producers of the current techno scene. Tracklist CD/Digital 1. Sandwell District - Immolare (First) 2. Signal - Wismut 3. Roman Lindau - Sub Suggestion 4. Mono Junk - Channel B 5. Reel By Real - Sundog Tracklist 12’’ sampler 6. Bluemoon Productions - Night 7. The Analogue Cops - Why You Love Me 12” sampler 1: 8. Vril - V3 A1. Bluemoon Productions – Night 9. Milton Bradley - Don't Phonk A2. Morphosis - Too Far 10. Silent Servant - El Mar B1. Signal – Wismut 11. Morphosis - Too Far B2. FBK – Nanomal 12. Redshape - The Lesson 13. Shed - Hello Bleep! 12” sampler 2: 14. Cheeba Starks presents The Toupe Committee - GoGo A1. -
The Queer of Color Sound Economy in Electronic Dance Music
The Queer of Color Sound Economy in Electronic Dance Music Blair Black Within electronic dance music cultures (EDMCs), musicality and experi- mentation have been indebted to black and Latinx DJs of color since its inception in the 1980s. Even today, queer DJs of color continue to push the envelope of experimental EDM by showcasing dance music from the “global south,” centering remix styles that border between hip hop and EDM, and sampling cultural references popular in queer communities of color. This article explores music’s complex entanglements with identity and community for queer people of color in underground electronic dance music scenes. To be specific, the individuals within these communities self-identify as racial/ethnic minorities on the genderqueer spectrum of non-normative gender and sexual identities (gay/lesbian, trans, non- binary, etc.). Moreover, I argue that these socio-economic positions act as an impetus of a sound economy – the shared system of socio-cultural aesthetics – for queer communities of color in EDM. The first section dis- cusses the identity politics that underlie this sound economy by tracing how intertextuality allows DJs to display these minoritarian1 perspectives. I then highlight why (re)centering racialized queer identities is radical by tracing EDM’s political shifts. Specifically, I highlight how narratives sur- rounding EDM changed due to the demographic turn in Europe during the 1990s. The last section explores the re-emergence of pivotal queer DJs of color and the scenes they founded in Los Angeles, Chicago, and New York by focusing on the flows of culture and people between cities to point to a more extensive global network of racialized queer communities in constant musical and political dialogue. -
Nrf Magazine 18
EDITORIAL SECCIONES 06 Noticias 18 Festivales 15 Novedades NUEVAS SECCIONES 12 Sesiones 22 Charts 14 Agenda Ibiza 20 Agenda BIOGRAFIA 32 HARDWELL REPORTAJES 13 Opening Space Ibiza 31 app deej ENTREVISTAS 24 SOUND OF STEREO NOTICIAS ULTRA EUROPE, nuevas confirmaciones Avance MONEGROS DESERT FESTIVAL 2013 NOTICIAS Tercer Avance ELECTROBEACH 2013 Tercer Avance del DREAMBEACH Villaricos ELECTRIC DAISY CARNIVAL también en Londres NOTICIAS Primeros nombres ELECTRIC ZOO 2013 Primeras confirmaciones TOMORROWWORLD FIB 2013 cierra cartel. NOTICIAS FENNSOOTTTIIVICCAIILAAESSS Lo último de Crookers Nervo nos presenta su nuevo tema ‘Hold On’ BOT ExCrookers se estrena en solitario Nuevo EP de Knife Party Rusty Warriors se unen a Dim Mak NOTICIAS Disponible el álbum de Henry Saiz en Nuevo trabajo de Remute PREORDER Headhunterz presenta su nuevo sello NOTICIAS Daft Punk – “Random Access Memories” – Tracklist completo John Digweed presenta su nuevo directo SESIONES NEW NOISE ZEDS DEAD CHEWY CHOCOLATE COOKIES MAINROOM Space Ibiza Opening Party 2013 Después de un largo y triste invierno, por fin, es la hora del sol, el calor, la playa, el mar y, como ya es tradición, el Opening de Space Ibiza que es, sin duda, lo que marca el comienzo de la temporada estival en esta isla paradisiaca, pero, ¿qué es lo que le hace tan especial? Tras tantos años en el “mundo” del entretenimiento es my difícil seguir manteniendo la línea de crecimiento y de asistencia pública, sin embargo, parece que Space Ibiza ha dado con la receta. Esta discoteca es considerada una de las Mecas de la música electrónica por la que cualquier dj importante tiene que haber actuado alguna vez. -
January 2012
JANUAR 2012 Freitag 06.01.2012 Start 24 Uhr ... get perlonized! Panorama Bar > Daniel Bell Sammy Dee Zip Samstag 07.01.2012 Start 24 Uhr Klubnacht Berghain > Mathew Jonson LIVE Levon Vincent Objekt Ron Albrecht Panorama Bar > Âme Oskar Offermann & Edward Shonky Freitag 13.01.2012 Start 24 Uhr Clink Nacht Freitag 06.01.2012 Start 24 Uhr ... get perlonized! SONNTAGS: Marc Schneider Jan Krüger Nico Purman Panorama Bar Panorama Bar Donnerstag 12.01.2012 Start 20 Uhr Certain People 3 Daniel Bell Sammy Dee Zip Heartthrob LIVE m_nus Ambivalent m_nus Tim Xavier clink Camea clink Berghain > Star Slinger Niki & The Dove Vondelpark Jörg Franzmann VIDEO Ein Technolabel, das von einer Frau geführt wird, ist nach wie vor keine Selbstverständlichkeit. Dienstag 17.01.2012 Start 20 Uhr Elektroakustischer Salon Freitag 27.01.2012 Start 24 Uhr Moodmusic Freitag 13.01.2012 Start 24 Uhr Clink Nacht Blip. Blurp. Bleep. Daniel Bell hat die Essenz seiner Musik schon selbst bestens auf den Camea Hoffman hat Clink vor sechs Jahren in Brooklyn, New York gegründet, inzwischen Panorama Bar Panorama Bar > Heartthrob LIVE Ambivalent Tim Xavier Camea Punkt gebracht. Der große schweigsame Nomade des Technos hat sich vor allem mit seinem Berghain ist sie nach Berlin übergesiedelt. Ihr Label steht mit Künstlern wie Alexi Delano, Tony Rohr, Projekt DBX und dessen radikal entschlacktem, futuristischem Funk für immer in die Dance- Jon Rose The Palimpolin Project Martin Dawson LIVE Samstag 14.01.2012 Start 24 Uhr Klubnacht Tim Xavier oder Mark Henning für einen puristischen Minimal Techno Sound, der genauso Geschichtsbücher eingeschrieben. Bisher hat sich noch jede neue Generation an DJs und Francisco Lopez Sonopolis Sasse Alexander Maier La Fleur Michelle Owen Berghain > LIVE abstrakt wie kickend ist. -
ENJOY RIGHT NOW Het Spanningsveld Tussen Nieuwe Media En De Kernwaarden Van Clubcultuur
ENJOY RIGHT NOW Het spanningsveld tussen nieuwe media en de kernwaarden van clubcultuur Beau Louisse 7 april 2015 Master Kunst- & cultuurwetenschappen Radboud Universiteit Nijmegen Abstract Enjoy Right Now. The field of tension between new media and the core values of club culture. Recently more and more clubs started to ban smartphones and cameras from their dancefloors. The club scene is divided in two sides: one that happily uses club photography and aftermovies as marketing for their events and another that wishes to ban all wearable technology. That gave rise to the suspicion that new media clash with elements of the clubbing ideology. This study therefore examines how new media create a field of tension between the core values of club culture and the practice on the dancefloor. It analyses how core values such as freedom, escapism, collectivity, and hedonism fit within the media saturated club environment and how new media influence the functioning of club culture. Finally, there will be explored how new technologies have possibly influenced the core values of club culture. The research focuses on clubs and festivals in the Benelux and Germany (Berlin) between 2010 and 2014. The new media that are being examined are mainly smartphones, digital cameras, social media and websites. Statements made in the media by clubbing insiders such as clubbers, organizers, dj’s, and other club culture affiliates are analyzed in order to map out how new media are being used in club culture and also how they affect the dance scene. Editorials by websites on electronic music and dance culture make up another important part of the primary sources. -
Politics of Electronic Music Purism: Social Space and Label Authenticity in the Netherlands
Politics of electronic music purism: Social space and label authenticity in the Netherlands Master Thesis Student Name: Marko Polovina Student Number: 465938 Supervisor: Erik Hitters Erasmus School of History, Culture and Communication Erasmus University Rotterdam June, 2018 i Abstract Since electronic music’s emergence in the mid-1980s, the genre has gained considerable recognition as an unusual and an interesting case study for cultural production dynamics and socio-cultural values in regards to what is considered authentic. The scene in the Netherlands has seen large-scale consumption of more mainstream/accessible off-shoots of electronic music genres such as trance, techno, and house for over two decades. The most significant case studies on electronic music are presented by Thornton (1995) and Hesmondhalgh (1998), generally taking a more broad approach in understanding these definitions within the electronic music dance industry; both share key ideas of technology innovation and convergence of these practices within identity. This thesis attempts to look at the label perspective of the Dutch scene because of its independent and historical connotations associated with the music genre, similarly done by Grote (2014) and Strachan (2007) in other locations and genres in the label perspective. The fact that these labels are independent, but aesthetically appear small-scale, despite at times being the large-scale producer of certain genres, creates a dissonance in the way that cultural capital can be clearly created in this world. Bourdieu’s (1993/1996) cultural capital, specifically the social space aspect, along with Bruno Latour’s (1996) actor network theory is used to understand how music labels in the Dutch electronic music industry in Amsterdam and Rotterdam construct their identities in this network of influences and social space, what they distinctly value as authentic, and ultimately how they perceive authenticity in the current electronic music scene. -
Hertzflimmern 8 Presenta: Ostgut Ton Sábado 1 De Abril Foro
HERTZflimmern 8 presenta: Ostgut Ton Sábado 1 de abril Foro Normandie (Calle Lopez 15 Col. Centro, Cd. de México) 21hrs Cuando se trata de enumerar las piezas clave en la construcción de una sólida cultura del techno en Alemania, el club Berghain es fundamental. Este espacio ha sido consagrado en las palabras del especialista Phillip Sherbourne como “probablemente, la capital mundial del techno”; Berghain es el descendiente directo del club anteriormente conocido como Ostgut que cesó sus operaciones en 2003 pero dio lugar a la creación de Ostgut Ton, el actual sello discográfico de la casa. Ostgut Ton da cuenta del impresionante desarrollo de talento que sucede al interior de los muros del Berghain, entre los nombres que se han encontrado espacio en la disquera están residentes del club consolidados como importantes productores y Djs: Ben Klock, Cassy, Edit-Select, Luke Slater, Marcel Dettmann, Marcel Fengler, Nick Höppner, Prosumer, Tama Sumo, Tobias Freund, Answer Code Request y talentos más jóvenes que, sin embargo, ya han dejado una fuerte huella como Kobosil y Somewhen. Con 12 años de vida, Ostgut Ton - sinónimo del auténtico techno alemán y de releases con un altísimo control de calidad tanto en su sonido como en su dirección de arte gráfico- ha producido más de 100 lanzamientos entre EPs, LPs, mixes y recopilaciones. Para la octava noche de HERTZflimmern, el Goethe-Institut Mexiko, en colaboración con Rockets Musik, hospedarán algunos de los sonidos más representativos de este emblemático sello, como Answer Code Request, Dj productor y cazador de música que se ha especializado en crear territorios inéditos para el techno, y quien conmocionó a los fanáticos del género cuando -aún sin que se conociera su identidad- publicó en 2011 su primer EP, con un sonido tan logrado que causó el rumor de que se trataba de un nuevo alias de Marcel Dettmann o Shed. -
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson, -
Santiago Salazar Santonio Echols Sean Deason Seth
ANN SAUNDERSON GARY MARTIN QUENTIN HARRIS ANGIE LINDER GARY CHANDLER ALAN OLDHAM GERALD BRUNSON ROBERT HOOD AUX 88 GENERATION NEXT RICK WILHITE A NUMBER OF NAMES GARI ROMALIS RYAN CROSSON ANDY TOTH GREGORY COLLIER RAY 7 ANNIX RICK WADE ANDY GARCIA HEINRICH MÜLLER REGGIE HARRELL AMP FIDDLER RON COOK ALEXANDRES LUGO INNER CITY A BLAKTONY HORTON SUPERDRE ALTON MILLER JUAN ATKINS SCAN 7 ANTHONY SHAKE SHAKIR JAY DENHAM STACEY “HOTWAXX“ HALE ABDUL QADIM HAQQ JOHN E. COLLINS SCOTT GROOVES JTC SANTIAGO SALAZAR BLAKE BAXTER JOSH GREENWOOD SANTONIO ECHOLS BRUCE BAILEY J. GARCIA SEAN DEASON BUZZ GOREE JAY DANIEL SETH TROXLER BILL BEAVER JEFFREY WOODWARD SAM VALENTI BRIAN KAGE JESSICA CARE MOORE STRAND JOE BEEZY BIG STRICK SINISTARR BURDEN BROTHERS JEFFREY SFIRE BRENT SCUDDER JON DIXON SEAN TATE BRIAN GILLESPIE JENNY LAFEMME SOULFUL UNDERGROUND JOY SANTIAGO CLARK SHAUN REEVES CORNELIUS HARRIS SUGA SHONUFF & FLO REAL CLAUDE YOUNG JR. KENNY LARKIN CARL CRAIG KEITH TUCKER TONY FOSTER CAROL MARVIN KEVIN SAUNDERSON TIM BAKER CRAIG HUCKABY KEVIN REYNOLDS TOMMIE COOL CLIFF THOMAS KENT SPENCER TIMELINE CHUCK DANIELS KEITH WORTHY T.LINDER K-HAND CHEZ DAMIER THOMAS BARNETT CHARLES HICKS KEVIN DYSARD CHARIVARI GROUP KERO THERESA HILL KAI ALCE TODD JOHNSON D. RICHARDSON TOMMY HAMILTON DAVINA BUSSEY LEE CURTISS TONY NOVA DETROIT TECHNO MILITIA LUKE HESS T. CARLITA DANIEL BELL LINDA G TIM STEWARD DJ GODFATHER LOS HERMANOS DJ ROACH WINNETTRA SAWYER DJ MORESSE MONTY LUKE WALTER WASACZ DJ BONE MIKE HUCKABY MIKE HIMES DJ AL ESTER 4 HOUR OF LOVE DIMITRI HEGEMANN MARK TAYLOR DJ FINGERS MIKE ARCHER DJ ASSAULT MARCELLUS PITTMAN ZANA SMITH DEREK PLASLAIKO MIKEL SMITH DJ TAZ MODEL 500 DJ RAYBONE JONES MIKE BANKS DJ ART PAYNE MIKE AGENT X CLARK DJ PSYCHO MERACHKA DIVINITI MICHAEL FOTIAS DARKCUBE MILTON BALDWIN DJ SEOUL MOODYMANN DJ MINX MIKE GRANT DJ DI’JITAL MIKE SERVITO DJ CENT MARSHALL APPLEWHITE DEEPCHORD MARK FLASH DRU RUIZ MATTHEW DEAR DRAND D-WYNN NEIL V. -
Techno's Journey from Detroit to Berlin Advisor
The Day We Lost the Beat: Techno’s Journey From Detroit to Berlin Advisor: Professor Bryan McCann Honors Program Chair: Professor Amy Leonard James Constant Honors Thesis submitted to the Department of History Georgetown University 9 May 2016 2 Table of Contents Acknowledgements 3 Introduction 5 Glossary of terms and individuals 6 The techno sound 8 Listening suggestions for each chapter 11 Chapter One: Proto-Techno in Detroit: They Heard Europe on the Radio 12 The Electrifying Mojo 13 Cultural and economic environment of middle-class young black Detroit 15 Influences on early techno and differences between house and techno 22 The Belleville Three and proto-techno 26 Kraftwerk’s influence 28 Chapter Two: Frankfurt, Berlin, and Rave in the late 1980s 35 Frankfurt 37 Acid House and Rave in Chicago and Europe 43 Berlin, Ufo and the Love Parade 47 Chapter Three: Tresor, Underground Resistance, and the Berlin sound 55 Techno’s departure from the UK 57 A trip to Chicago 58 Underground Resistance 62 The New Geography of Berlin 67 Tresor Club 70 Hard Wax and Basic Channel 73 Chapter Four: Conclusion and techno today 77 Hip-hop and techno 79 Techno today 82 Bibliography 84 3 Acknowledgements Thank you, Mom, Dad, and Mary, for putting up with my incessant music (and me ruining last Christmas with this thesis), and to Professors Leonard and McCann, along with all of those in my thesis cohort. I would have never started this thesis if not for the transformative experiences I had at clubs and afterhours in New York and Washington, so to those at Good Room, Flash, U Street Music Hall, and Midnight Project, keep doing what you’re doing.