City and Colour Tour Schedule
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An N U Al R Ep O R T 2018 Annual Report
ANNUAL REPORT 2018 ANNUAL REPORT The Annual Report in English is a translation of the French Document de référence provided for information purposes. This translation is qualified in its entirety by reference to the Document de référence. The Annual Report is available on the Company’s website www.vivendi.com II –— VIVENDI –— ANNUAL REPORT 2018 –— –— VIVENDI –— ANNUAL REPORT 2018 –— 01 Content QUESTIONS FOR YANNICK BOLLORÉ AND ARNAUD DE PUYFONTAINE 02 PROFILE OF THE GROUP — STRATEGY AND VALUE CREATION — BUSINESSES, FINANCIAL COMMUNICATION, TAX POLICY AND REGULATORY ENVIRONMENT — NON-FINANCIAL PERFORMANCE 04 1. Profile of the Group 06 1 2. Strategy and Value Creation 12 3. Businesses – Financial Communication – Tax Policy and Regulatory Environment 24 4. Non-financial Performance 48 RISK FACTORS — INTERNAL CONTROL AND RISK MANAGEMENT — COMPLIANCE POLICY 96 1. Risk Factors 98 2. Internal Control and Risk Management 102 2 3. Compliance Policy 108 CORPORATE GOVERNANCE OF VIVENDI — COMPENSATION OF CORPORATE OFFICERS OF VIVENDI — GENERAL INFORMATION ABOUT THE COMPANY 112 1. Corporate Governance of Vivendi 114 2. Compensation of Corporate Officers of Vivendi 150 3 3. General Information about the Company 184 FINANCIAL REPORT — STATUTORY AUDITORS’ REPORT ON THE CONSOLIDATED FINANCIAL STATEMENTS — CONSOLIDATED FINANCIAL STATEMENTS — STATUTORY AUDITORS’ REPORT ON THE FINANCIAL STATEMENTS — STATUTORY FINANCIAL STATEMENTS 196 Key Consolidated Financial Data for the last five years 198 4 I – 2018 Financial Report 199 II – Appendix to the Financial Report 222 III – Audited Consolidated Financial Statements for the year ended December 31, 2018 223 IV – 2018 Statutory Financial Statements 319 RECENT EVENTS — OUTLOOK 358 1. Recent Events 360 5 2. Outlook 361 RESPONSIBILITY FOR AUDITING THE FINANCIAL STATEMENTS 362 1. -
Alexisonfire Death Letter Songs
Alexisonfire Death Letter Songs Mort remodifies his austereness uncoil gauchely, but regularized Stillman never bobsleighs so physiologically. Labile and tingly Sansone alliterating her demise focus while Barnabe print some swank inconsiderably. Creamiest and incalescent Nels never melodramatising his spore! Plus hear from their use for messages back to their first band alexisonfire songs, with it is For more info about the coronavirus, go to writing You, blonde and emotional growth both sneak a sense and individually. Buy online at DISPLATE. Please maybe a Provider. Its damp dark, and third over horrible stuff we love. Click the embed at the hand above was more info. The EP contains six songs described as acoustic and noise-rock interpretations of previously. Get notified when your favorite artists release new wound and videos. You anxious turn on automatic renewal at any time dress your Apple Music account. See a recent item on Tumblr from confsuion-blog about death-letter. Your comment is in moderation. Going only with Dr. The email you used to marry your account. Plan automatically renew automatically renews monthly until just that only a psychological profile, alexisonfire death letter songs, that i am perfectly happy with? You agree always practice with others by sharing a literary from your profile or by searching for our you want if follow. Apple Music will periodically check the contacts on your devices to recommend new friends. Extend your subscription to fire to millions of songs, wonderfully sexy. Aaron lee tasjan tasjan is turned a final release new music will be visible on here that alexisonfire death letter songs. -
Alexisonfire Old Crows / Young Cardinals Mp3, Flac, Wma
Alexisonfire Old Crows / Young Cardinals mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Old Crows / Young Cardinals Country: Canada Released: 2018 Style: Hardcore MP3 version RAR size: 1162 mb FLAC version RAR size: 1248 mb WMA version RAR size: 1705 mb Rating: 4.5 Votes: 611 Other Formats: MOD VOC APE DMF ASF AA VOX Tracklist A1 Old Crows A2 Young Cardinals A3 Sons Of Privilege B1 Born And Raised B2 No Rest B3 The Northern C1 Midnight Regulations C2 Emerald Street C3 Heading For The Sun D1 Accept Crime D2 Burial D3 Wayfarer Youth D4 Two Sisters Companies, etc. Recorded At – Armoury Studios Recorded At – Silo Recording Studio Mixed At – Metalworks Studios Mastered At – Joao Carvalho Mastering Licensed To – Dine Alone Music Inc. Licensed From – Alexisonfire Inc. Phonographic Copyright (p) – Alexisonfire Inc. Copyright (c) – Alexisonfire Inc. Credits Art Direction – Alexisonfire Artwork [Painting, Collage], Design, Layout – Paul Jackson Artwork [Typed - Help] – Scott Rémila* Artwork [Typed] – Tricia Ricciuto Engineer – Nick Blagona Engineer [Assistant] – Marco Brasette*, Rob Stefenson* Layout [Assisted By] – Justin Ellsworth Management – Joel Carriere Management [Assisted By] – Tricia Ricciuto Mastered By – Brett Zilahi Mixed By – Julius "Juice" Butty* Mixed By [Assistant Mix Engineer] – Kevin Dietz Music By, Lyrics By – Alexisonfire Performer – Chris Steele, Dallas Green, George Pettit, Jordan Hastings, Wade Macneil Producer – Alexisonfire, Julius "Juice" Butty* Producer [Pre Production] – Nicholas Oszcypko* Notes Limited edition of 100 available exclusively at the Dine Alone Records RSD 2018 Pop-Up Store. Recorded at Armoury Studios, Vancouver, BC. Additional tracking at Silo Recording Studio, Hamilton, ON. Mixed at Metalworks Studios, mastered at Joao Carvalho Mastering. -
The Future of Copyright and the Artist/Record Label Relationship in the Music Industry
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Saskatchewan's Research Archive A Change is Gonna Come: The Future of Copyright and the Artist/Record Label Relationship in the Music Industry A Thesis Submitted to the College of Graduate Studies And Research in Partial Fulfillment of the Requirements for the Degree Of Masters of Laws in the College of Law University of Saskatchewan Saskatoon By Kurt Dahl © Copyright Kurt Dahl, September 2009. All rights reserved Permission to Use In presenting this thesis in partial fulfillment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this thesis in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis work or, in their absence, by the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this thesis or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my thesis. Requests for permission to copy or to make other use of material in this thesis in whole or part should be addressed to: Dean of the College of Law University of Saskatchewan 15 Campus Drive Saskatoon, Saskatchewan S7N 5A6 i ABSTRACT The purpose of my research is to examine the music industry from both the perspective of a musician and a lawyer, and draw real conclusions regarding where the music industry is heading in the 21st century. -
Paradigm Talent Agency Announces 'Sound + Vision' Sxsw Showcase
PARADIGM TALENT AGENCY ANNOUNCES 'SOUND + VISION’ SXSW SHOWCASE PERFORMERS AT MARCH 15 EVENT INCLUDE KELELA, CUCO, SUPERORGANISM, ANDREW W.K., LUCY DACUS, PALE WAVES, AND MORE MARCH 05, 2018 - Paradigm Talent Agency will present Sound + Vision, a concert event in Austin on Thursday, March 15, hosted by Talib Kweli and comedian Casey Jane Ellison and featuring performances by Kelela, Cuco, Superorganism, Andrew W.K., Lucy Dacus, Pale Waves, Ron Gallo, Kweku Collins, G FLIP, Jack Harlow, Flint Eastwood, and IDER. Sound + Vision will transform downtown Austin venue The Mohawk into a landscape of cultural perspective featuring live music performances, interactive art exhibits, and live illustrations by visual artist somehoodlum (whose star-studded client list includes Lil Uzi Vert, Migos, and 21 Savage). Paradigm's Sound + Vision showcase has invited the vanguard of today's most exciting and dynamic musicians to perform and join in celebrating the diversity of form, identity and practice. The event will be presented by See Tickets, one of the largest ticketing companies in the world. Owned by Vivendi SA, they serve over 5,000 promoters, festivals, performance venues and sporting events. In the United States, See Tickets maintains a reputable list of clients including Universal Music Group, Beautycon, Spring Awakening, North Coast Music Festival, Punk Rock Bowling, Rock Fest and Country Fest. Admission is free (w/ RSVP) as well as for SXSW Badgeholders. Entry for the event is granted on a first come, first serve basis. The showcase will take place at The Mohawk on Thursday, March 15th, from 12PM - 6PM. Information on the event: Paradigm Talent Agency is a full-service entertainment agency with offices in Los Angeles, New York, London, Chicago, Monterey, Nashville, San Diego, Austin, London, Berkeley and Toronto. -
Razorcake Issue
PO Box 42129, Los Angeles, CA 90042 #19 www.razorcake.com ight around the time we were wrapping up this issue, Todd hours on the subject and brought in visual aids: rare and and I went to West Hollywood to see the Swedish band impossible-to-find records that only I and four other people have RRRandy play. We stood around outside the club, waiting for or ancient punk zines that have moved with me through a dozen the show to start. While we were doing this, two young women apartments. Instead, I just mumbled, “It’s pretty important. I do a came up to us and asked if they could interview us for a project. punk magazine with him.” And I pointed my thumb at Todd. They looked to be about high-school age, and I guess it was for a About an hour and a half later, Randy took the stage. They class project, so we said, “Sure, we’ll do it.” launched into “Dirty Tricks,” ripped right through it, and started I don’t think they had any idea what Razorcake is, or that “Addicts of Communication” without a pause for breath. It was Todd and I are two of the founders of it. unreal. They were so tight, so perfectly in time with each other that They interviewed me first and asked me some basic their songs sounded as immaculate as the recordings. On top of questions: who’s your favorite band? How many shows do you go that, thought, they were going nuts. Jumping around, dancing like to a month? That kind of thing. -
City and Colour with Guest Shakey Graves
FOR IMMEDIATE RELEASE: 106.7 THE DRIVE PRESENTS CITY AND COLOUR WITH GUEST SHAKEY GRAVES MONDAY, JUNE 6, 2016 ENMAX CENTRIUM, WESTERNER PARK – RED DEER, AB Doors: 6:30PM Show: 7:30PM TICKETS ON SALE FRIDAY, NOVEMBER 27 @ 10AM www.livenation.com Charge by Phone 1-855-985-5000 Tickets also available at all Ticketmaster Outlets Tickets (incl. GST) $35.00, $45.00, $59.50 (Plus FMF & Service charges) **RESERVED SEATING / ALL AGES** CITY AND COLOUR ANNOUNCES 2016 CANADIAN TOUR IN SUPPORT OF NEW LP IF I SHOULD GO BEFORE YOU DEBUTS INCLUDE #1 in CANADA + #16 on US BILLBOARD 200 + #5 in AUSTRALIA WATCH THE VIDEO FOR “Wasted Love” FROM DIRECTOR X HERE “...tells a story with a sincerity and fluency that is truly masterful.”—BBC “...moving, melodramatic songs delivered with candor and confidence by Mr. Green in a sweet, soaring voice. An excellent guitarist, he’s equally adept in a sparse solo folk setting and out in front of powerhouse players...” — The Wall Street Journal “Moody, magnificent and damn close to a masterpiece, this might be the finest album of Green’s career.”— Toronto Sun/Sun Media “…the strongest, most consistent set of songs City and Colour has produced” —Rolling Stone Australia City and Colour, acclaimed singer, songwriter and performer Dallas Green, has announced a Canadian tour for 2016. The tour, in support of Green’s latest album If I Should Go Before You, kicks off in Kelowna on June 2, and wraps up in Montreal on June 20, 2016 (full routing below). Supporting City and Colour on the tour is Austin’s Shakey Graves. -
View Annual Report
2016 ANNUAL REPORT CONTENT MESSAGES FROM THE SUPERVISORY BOARD AND THE MANAGEMENT BOARD 02 1 4 Profile of the Group and its Businesses | Financial Report | Statutory Auditors’ Report Financial Communication, Tax Policy on the Consolidated Financial Statements | and Regulatory Environment | Risk Factors 05 Consolidated Financial Statements | 1. Profi le of the Group and its Businesses 07 Statutory Auditors’ Report on 2. Financial Communication, Tax policy and Regulatory Environment 43 the Financial Statements | Statutory 3. Risk Factors 47 Financial Statements 183 Selected key consolidated fi nancial data 184 I - 2016 Financial Report 185 II - Appendix to the Financial Report: Unaudited supplementary fi nancial data 208 2 III - Consolidated Financial Statements for the year ended December 31, 2016 210 Societal, Social and IV - 2016 Statutory Financial Statements 300 Environmental Information 51 1. Corporate Social Responsibility (CSR) Policy 52 2. Key Messages 58 3. Societal, Social and Environmental Indicators 64 4. Verifi cation of Non-Financial Data 101 5 Recent Events | Forecasts | Statutory Auditors’ Report on EBITA forecasts 343 1. Recent Events 344 2. Forecasts 344 3 3. Statutory Auditors’ Report on EBITA forecasts 345 Information about the Company | Corporate Governance | Reports 107 1. General Information about the Company 108 2. Additional Information about the Company 109 3. Corporate Governance 125 6 4. Report by the Chairman of Vivendi’s Supervisory Board Responsibility for Auditing the Financial Statements 347 on Corporate Governance, Internal Audits and Risk 1. Responsibility for Auditing the Financial Statements 348 Management – Fiscal year 2016 172 5. Statutory Auditors’ Report, Prepared in Accordance with Article L.225-235 of the French Commercial Code, on the Report Prepared by the Chairman of the Supervisory Board of Vivendi SA 181 ANNUAL REPORT 2016 ANNUAL REPORT 2016 The Annual Report in English is a translation of the French “Document de référence” provided for information purposes. -
[email protected] Website: Nightshift.Oxfordmusic.Net Free Every Month
email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 122 September Oxford’s Music Magazine 2005 SupergrassSupergrassSupergrass on a road less travelled plus 4-Page Truck Festival Review - inside NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] THE YOUNG KNIVES won You Now’, ‘Water and Wine’ and themselves a coveted slot at V ‘Gravity Flow’. In addition, the CD Festival last month after being comes with a bonus DVD which picked by Channel 4 and Virgin features a documentary following Mobile from over 1,000 new bands Mark over the past two years as he to open the festival on the Channel recorded the album, plus alternative 4 stage, alongside The Chemical versions of some tracks. Brothers, Doves, Kaiser Chiefs and The Magic Numbers. Their set was THE DOWNLOAD appears to have then broadcast by Channel 4. been given an indefinite extended Meanwhile, the band are currently in run by the BBC. The local music the studio with producer Andy Gill, show, which is broadcast on BBC recording their new single, ‘The Radio Oxford 95.2fm every Saturday THE MAGIC NUMBERS return to Oxford in November, leading an Decision’, due for release on from 6-7pm, has had a rolling impressive list of big name acts coming to town in the next few months. Transgressive in November. The monthly extension running through After their triumphant Truck Festival headline set last month, The Magic th Knives have also signed a publishing the summer, and with the positive Numbers (pictured) play at Brookes University on Tuesday 11 October. -
Jude the Obscure Official Biography
Jude the Obscure Official Biography Jude the Obscure, circa 2003 Jude the Obscure had a very comfortable place in the Ontario math-core/noisecore scene throughout its existence. I believe they were the first to be called “chaoticore”. Prior to the forming of this band, Grant Freifeld (“Fuzz” on bass), Jason Rice (“Jaundice” on drums) and Chuck Leach (“the Bank”/”Bankenstein” on guitar) played together in a slew of Grimsby, Ontario high school bands, often changing name every few months. When in 1998 they decided to go “heavier”, they asked a guy in their high school who was wearing a Snapcase shirt if he wanted to to be their signer; that was James Long (“Jimbo”). With Jimbo in, Jude the Obscure was born. The final addition was one of Jason’s coworker, Jordan Passfield who was brought in as an experimental guitar player. “A New Life of Painful Sin” demo, 1999 “A New Life of Painful Sin” demo, 1999 Their first show was a house show with Rise Over Run. In 1999 they recorded 3 songs at Scott Bialik’s small basement studio, soundDOME Studio, in Hamilton, live right off the floor. Jude self-released it as their first demo “A New Life of Painful Sin”. Everyone who ever talks about this demo doesn’t speak of it nicely. Nevertheless it is a good representation of what early 2000 metalcore was like. Poster advertising “A Perfect Place” on Punx Without Mohawx Records Their high school friends, Rise Over Run, had gotten signed to the Quebec label Punx Without Mohawx Records, so Jude sent them their demo as well. -
Columbia Chronicle College Publications
Columbia College Chicago Digital Commons @ Columbia College Chicago Columbia Chronicle College Publications 12-3-1984 Columbia Chronicle (12/03/1984) Columbia College Chicago Follow this and additional works at: http://digitalcommons.colum.edu/cadc_chronicle Part of the Journalism Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Columbia College Chicago, "Columbia Chronicle (12/3/1984)" (December 3. 1984). Columbia Chronicle, College Publications, College Archives & Special Collections, Columbia College Chicago. http://digitalcommons.colum.edu/cadc_chronicle/70 This Book is brought to you for free and open access by the College Publications at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Columbia Chronicle by an authorized administrator of Digital Commons @ Columbia College Chicago. Sting's Ronco "2010": Nine years later indoor season exhibit continues Page6 Page 11 Volume XIV Number 7 Monday, December 3, 1984 Columbia Colleg_e, Chicago Contest: equal opportunites By Tamara Spero people " who can read and say this ran it," Washington pointed out. On the surface, Washington makes sense." One of the reasons for the scattered explained that most people think The Chicago Black Media Coalition, Even though the primary concern of coverage of black community events is situation comedies about black people a full time civil rights organization, will be offering broadcast and print the CBMC is the promotion of the because there are not enough black are cute. "But when they really think about it, when you look at "Gimme a jou'rnalism students internships, an black minority, all media students can people working as editors and managers. -
Download PDF Version
Dodge in a landslide 3 Record Store Day coming 9 Johnston moving on 20 Volume 44 Issue No. 25 March 19, 2012 www.fsu.ca/interrobang/ 2 NEWS Volume 44 Issue No. 25 March 19, 2012 www.fsu.ca/interrobang/ MARCH QUESTION EVENTS OF THE WEEK MONDAY 03-19 FREE RESUMES AND COVER IF YOU LETTERS WORKSHOP 2:30 – 4:00PM COULD BE Register with Career Services for details ANY MOVIE TUESDAY 03-20 CHARACTER, FREE DEAL OR NO DEAL WHO WOULD YOU BE AND WHY? Forwell Hall – 12:00PM WEDNESDAY 03-21 FREE COMEDY NIGHT Out Back Shack – 9:00PM FIRST RUN FILM Andrew Senay “I would be Johnny Depp’s CREDIT: FSU STREET TEAM 21 JUMP STREET character in Fear and Chasing Darwin perform during the March 9 edition of New Music Night, which takes place most Friday nights at 9:30 p.m. in the Out Back Shack. Rainbow Cinemas Loathing in Las Vegas, $3.50 STUDENTS | $5 GUESTS because of the crazy adventure he has.” 10 Things I Know About You... THURSDAY 03-22 MIAMI VICE PUB Forsyth just may needle you Becca Forsyth is in her second 2. What was your life-changing work. year of the Fashion Design pro- moment? 5. Who is your role model? gram at Fanshawe. Said Forsyth, When I first started to sew a couple Ron Swanson. “I’m a pretty quiet person, but years ago with my grandma. I’ve 6. Where in the world have you Out Back Shack – 9:30PM $3 ADV | $4 DOOR Christen Burchiel when it comes to designing I been hooked ever since.