Girufehe the IUPHAR Compendium of Voltage
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Williams, Hipness, Hybridity, and Neo-Bohemian Hip-Hop
HIPNESS, HYBRIDITY, AND “NEO-BOHEMIAN” HIP-HOP: RETHINKING EXISTENCE IN THE AFRICAN DIASPORA A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Maxwell Lewis Williams August 2020 © 2020 Maxwell Lewis Williams HIPNESS, HYBRIDITY, AND “NEO-BOHEMIAN” HIP-HOP: RETHINKING EXISTENCE IN THE AFRICAN DIASPORA Maxwell Lewis Williams Cornell University 2020 This dissertation theorizes a contemporary hip-hop genre that I call “neo-bohemian,” typified by rapper Kendrick Lamar and his collective, Black Hippy. I argue that, by reclaiming the origins of hipness as a set of hybridizing Black cultural responses to the experience of modernity, neo- bohemian rappers imagine and live out liberating ways of being beyond the West’s objectification and dehumanization of Blackness. In turn, I situate neo-bohemian hip-hop within a history of Black musical expression in the United States, Senegal, Mali, and South Africa to locate an “aesthetics of existence” in the African diaspora. By centering this aesthetics as a unifying component of these musical practices, I challenge top-down models of essential diasporic interconnection. Instead, I present diaspora as emerging primarily through comparable responses to experiences of paradigmatic racial violence, through which to imagine radical alternatives to our anti-Black global society. Overall, by rethinking the heuristic value of hipness as a musical and lived Black aesthetic, the project develops an innovative method for connecting the aesthetic and the social in music studies and Black studies, while offering original historical and musicological insights into Black metaphysics and studies of the African diaspora. -
Corporate Registry Registrar's Periodical Template
Service Alberta ____________________ Corporate Registry ____________________ Registrar’s Periodical SERVICE ALBERTA Corporate Registrations, Incorporations, and Continuations (Business Corporations Act, Cemetery Companies Act, Companies Act, Cooperatives Act, Credit Union Act, Loan and Trust Corporations Act, Religious Societies’ Land Act, Rural Utilities Act, Societies Act, Partnership Act) 101225945 SASKATCHEWAN LTD. Other 10978477 CANADA LTD. Federal Corporation Prov/Territory Corps Registered 2018 SEP 06 Registered Registered 2018 SEP 06 Registered Address: 2865 Address: 5009 - 47 STREET PO BOX 20 STN MAIN MADLE WAY NORTH WEST, EDMONTON (27419-1 TRK), LLOYDMINSTER ALBERTA, T6T 0W8. No: 2121414144. SASKATCHEWAN, S9V 0X9. No: 2121414847. 1133703 B.C. LTD. Other Prov/Territory Corps 101259911 SASKATCHEWAN LTD. Other Registered 2018 SEP 05 Registered Address: 103, 201-2 Prov/Territory Corps Registered 2018 SEP 11 Registered STREET NE, SLAVE LAKE ALBERTA, T0G2A2. No: Address: 3315 11TH AVE NW, EDMONTON 2121411470. ALBERTA, T6T 2C5. No: 2121423640. 1178223 B.C. LTD. Other Prov/Territory Corps 101289693 SASKATCHEWAN LTD. Other Registered 2018 SEP 04 Registered Address: 114-35 Prov/Territory Corps Registered 2018 SEP 04 Registered INGLEWOOD PARK SE, CALGARY ALBERTA, Address: 410, 316 WINDERMERE ROAD NW, T2G1B5. No: 2121411033. EDMONTON ALBERTA, T6W 2Z8. No: 2121411199. 1178402 B.C. LTD. Other Prov/Territory Corps 102058691 SASKATCHEWAN LTD. Other Registered 2018 SEP 06 Registered Address: 1101-3961 Prov/Territory Corps Registered 2018 SEP 06 Registered 52ND AVENUE NE, CALGARY ALBERTA, T3J0J7. Address: 5016 LAC STE. ANNE TRAIL SOUTH PO No: 2121414698. BOX 885, ONOWAY ALBERTA, T0E 1V0. No: 2121414276. 1179276 B.C. LTD. Other Prov/Territory Corps Registered 2018 SEP 13 Registered Address: SUITE 102059279 SASKATCHEWAN LTD. -
The Life & Rhymes of Jay-Z, an Historical Biography
ABSTRACT Title of Dissertation: THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 Omékongo Dibinga, Doctor of Philosophy, 2015 Dissertation directed by: Dr. Barbara Finkelstein, Professor Emerita, University of Maryland College of Education. Department of Teaching and Learning, Policy and Leadership. The purpose of this dissertation is to explore the life and ideas of Jay-Z. It is an effort to illuminate the ways in which he managed the vicissitudes of life as they were inscribed in the political, economic cultural, social contexts and message systems of the worlds which he inhabited: the social ideas of class struggle, the fact of black youth disempowerment, educational disenfranchisement, entrepreneurial possibility, and the struggle of families to buffer their children from the horrors of life on the streets. Jay-Z was born into a society in flux in 1969. By the time Jay-Z reached his 20s, he saw the art form he came to love at the age of 9—hip hop— become a vehicle for upward mobility and the acquisition of great wealth through the sale of multiplatinum albums, massive record deal signings, and the omnipresence of hip-hop culture on radio and television. In short, Jay-Z lived at a time where, if he could survive his turbulent environment, he could take advantage of new terrains of possibility. This dissertation seeks to shed light on the life and development of Jay-Z during a time of great challenge and change in America and beyond. THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 An historical biography: 1969-2004 by Omékongo Dibinga Dissertation submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2015 Advisory Committee: Professor Barbara Finkelstein, Chair Professor Steve Klees Professor Robert Croninger Professor Derrick Alridge Professor Hoda Mahmoudi © Copyright by Omékongo Dibinga 2015 Acknowledgments I would first like to thank God for making life possible and bringing me to this point in my life. -
October 13 - 19, 2019
OCTOBER 13 - 19, 2019 staradvertiser.com HIP-HOP HISTORY Ahmir “Questlove” Thompson and Tariq “Black Thought” Trotter discuss the origins and impact of iconic hip-hop anthems in the new six-part docuseries Hip Hop: The Songs That Shook America. The series debut takes a look at Kanye West’s “Jesus Walks,” a Christian rap song that challenged religion. Premiering Sunday, Oct. 13, on AMC. Join host, Lyla Berg as she sits down with guests Meet the NEW EPISODE! who share their work on moving our community forward. people SPECIAL GUESTS INCLUDE: and places Rosalyn K.R.D. Concepcion, KiaҊi Loko AlakaҊi Pond Manager, Waikalua Loko IҊa that make 1st & 3rd Kevin P. Henry, Regional Communications Manager, Red Cross of HawaiҊi Hawai‘i Wednesday of the Month, Matt Claybaugh, PhD, President & CEO, Marimed Foundation 6:30 pm | Channel 53 olelo.org special. Greg Tjapkes, Executive Director, Coalition for a Drug-Free Hawaii ON THE COVER | HIP HOP: THE SONGS THAT SHOOK AMERICA Soundtrack of a revolution ‘Hip Hop: The Songs That “Hip-hop was seen as a low-level art form, or BlackLivesMatter movement. Rapper Pharrell Shook America’ airs on AMC not even seen as actual art,” Questlove said. Williams, the song’s co-producer, talked about “People now see there’s value in hip-hop, but I the importance of tracing hip-hop’s history in feel like that’s based on the millions of dollars a teaser for “Hip Hop: The Songs That Shook By Kyla Brewer it’s generated. Like its value is like that of junk America” posted on YouTube this past May. -
Neuhoff, Laura-Brynn.Pdf (929Kb)
“THE BIGGEST COLORED SHOW ON EARTH”: HOW MINSTRELSY HAS DEFINED PERFORMANCES OF AFRICAN AMERICAN IDENTITY FROM 19TH CENTURY THEATER TO HIP HOP A Senior Thesis submitted to the Faculty of the College of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Bachelor of Arts in American Studies By Laura-Brynn Neuhoff Washington, D.C. April 26, 2017 “THE BIGGEST COLORED SHOW ONE EARTH”: HOW MINSTRELSY HAS DEFINED PERFORMANCES OF AFRICAN AMERICAN IDENTITY FROM 19TH CENTURY THEATER TO HIP HOP Laura-Brynn Neuhoff Thesis Adviser: Marcia Chatelain, Ph.D. ABSTRACT This senior thesis seeks to answer the following question: how and why is the word “minstrel” and associated images still used in American rap and hip hop performances? The question was sparked by the title of a 2005 rap album by the group Little Brother: The Minstrel Show. The record is packaged as a television variety show, complete with characters, skits, and references to blackface. This album premiered in the heat of the Minstrel Show Debate when questions of authenticity and representation in rap and hip hop engaged community members. My research is first historical: I analyze images of minstrelsy and reviews of minstrel shows from the 1840s into the twentieth century to understand how the racist images persisted and to unpack the ambiguity of the legacy of black blackface performers. I then analyze the rap scene from the late 2000-2005, when the genre most poignantly faced the identity crisis spurred by those referred to as “minstrel” performers. Having conducted interviews with the two lyricists of Little Brother: Rapper Big Pooh and Phonte, I primarily use Little Brother as my center of research, analyzing their production in conjunction with their spatial position in the hip hop community. -
Star Channels, March 11-17
MARCH 11 - 17, 2018 staradvertiser.com TV MAGIC After a scandal ruins the career of renowned magician Cameron Black (Jack Cutmore-Scott), he goes to work with the FBI in Deception. Working alongside skeptical, no-nonsense FBI agent Kay Daniels (Ilfenesh Hadera), Black uses his knowledge of magic and illusions to help the government catch elusive criminals. Premiering Sunday, March 11, on ABC. WEEKLY NEWS UPDATE LIVE @ THE LEGISLATURE Join Senate and House leadership as they discuss upcoming legislation and issues of importance to the community. TOMORROW, 8:30AM | CHANNEL 49 | olelo.org/49 olelo.org ON THE COVER | DECEPTION The art of ‘Deception’ Magician solves crime in new in “Deception” ring true. Famed illusionist and he proves his worth to the FBI, thanks to a little crossword expert David Kwong has signed help from his team. ABC drama on to co-produce and also serves as a con- Black’s “magic” team includes makeup sultant on the series with fellow magician artist/producer Dina Clark (Lenora Crichlow, By Kyla Brewer Frances Menotti. Kwong, Menotti and other “Being Human”) and Jordan Kwon (Justin Chon, TV Media magic experts have worked extensively with “Twilight,” 2008). Gunter Gustafsen (Vinnie Cutmore-Scott to show him the ropes so he’ll Jones, “Escape Plan,” 2013) is widely regarded ike a magician cooking up a potion, con- look convincing. The magicians also design the as the world’s greatest illusion builder. They cocting a hit television show requires the complex illusions in the show, which, according may be new to law enforcement, but the rag- Lperfect brew of drama, intrigue and mys- to Fedak, are as true to life as possible. -
Foreign Airmail
NIEMAN REPORTS Nieman Reports THE NIEMAN FOUNDATION FOR JOURNALISM AT HARVARD UNIVERSITY VOL. 64 NO. 3 FALL 2010 VOL. 64 NO. 3 FALL 2010 REPORTING FROM FARAWAY PLACES THE NIEMAN FOUNDATION HARVARDAT UNIVERSITY Reporting From Faraway Places Who Does It and How? ‘to promote and elevate the standards of journalism’ Agnes Wahl Nieman the benefactor of the Nieman Foundation Vol. 64 No. 3 Fall 2010 Nieman Reports The Nieman Foundation for Journalism at Harvard University Bob Giles | Publisher Melissa Ludtke | Editor Jan Gardner | Assistant Editor Jonathan Seitz | Editorial Assistant Diane Novetsky | Design Editor Nieman Reports (USPS #430-650) is published Editorial in March, June, September and December Telephone: 617-496-6308 by the Nieman Foundation at Harvard University, E-Mail Address: One Francis Avenue, Cambridge, MA 02138-2098. [email protected] Subscriptions/Business Internet Address: Telephone: 617-496-6299 www.niemanreports.org E-Mail Address: [email protected] Copyright 2010 by the President and Fellows of Harvard College. Subscription $25 a year, $40 for two years; add $10 per year for foreign airmail. Single copies $7.50. Periodicals postage paid at Boston, Back copies are available from the Nieman office. Massachusetts and additional entries. Please address all subscription correspondence to POSTMASTER: One Francis Avenue, Cambridge, MA 02138-2098 Send address changes to and change of address information to Nieman Reports P.O. Box 4951, Manchester, NH 03108. P.O. Box 4951 ISSN Number 0028-9817 Manchester, NH 03108 Nieman -
See What's on ¶O – Lelo This Week, This Hour, This Second
AUGUST 27 - SEPTEMBER 2, 2017 staradvertiser.com GAME ON Michael Strahan (“Good Morning America”) hosts as celebrities team up with contestants to play word-association games in the hopes of winning cash in a new episode of The $100,000 Pyramid. This week’s celebrity guests include NASCAR champ Kyle Busch, Strahan’s “Good Morning America” colleague Lara Spencer, rapper-turned-actor Ice-T (“Law & Order: Special Victims Unit”) and actress Peri Gilpin (“Frasier”). New episode Sunday, Aug. 27, on ABC. – See what’s on ROlelo this week, this hour, this second. View our online TV schedule at olelo.org/tv 49 52 53 54 55 www.olelo.org ON THE COVER | THE $100,000 PYRAMID From talk to games Michael Strahan touches down as want to watch a kids show, and as a kid you one contestant take turns giving each other host of ‘The $100,000 Pyramid’ probably don’t want to watch a big, serious clues to items in a chosen category, with a adult show. Here is something you can watch point awarded for each right answer. After together.” three rounds of play, the team with the most By Kyla Brewer This is the second season of the revamped points advances to the Winner’s Circle to play TV Media game show, which debuted on CBS in 1973 as for the big prize. The new ABC series features “The $10,000 Pyramid” before jumping to ABC an hour-long format, which allows enough time rime time has gone retro once again. A in 1974, with television icon Dick Clark at the for two complete games. -
Sound, Objecthood, and Place in the Mixtapes of DJ Screw
City University of New York (CUNY) CUNY Academic Works Dissertations, Theses, and Capstone Projects CUNY Graduate Center 9-2020 All Day in the Trey-Fold: Sound, Objecthood, and Place in the Mixtapes of DJ Screw Matthew K. Carter The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/3982 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] All Day in the Trey-Fold: Sound, Objecthood, and Place in the Mixtapes of DJ Screw by Matthew K. Carter A dissertation submitted to the Graduate Faculty in Music in partial fulfillment of the requirements of the degree of Doctor of Philosophy 2020 © 2020 MATTHEW K. CARTER All Rights Reserved ii All Day in the Trey-Fold: Sound, Objecthood, and Place in the Mixtapes of DJ Screw by Matthew K. Carter This manuscript has been read and accepted for the Graduate Faculty in Music in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Shaugn O’Donnell Date Chair of Examining Committee Norman Carey Date Executive Officer Supervisory Committee: Chadwick Jenkins, Advisor Jeffrey Taylor, First Reader Shaugn O’Donnell, Second Reader Graham Harman, External Reader THE CITY UNIVERSITY OF NEW YORK iii Abstract All Day in the Treyfold: Sound, Objecthood, and Place in the Mixtapes of DJ Screw by Matthew K. Carter Advisor: Chadwick Jenkins This dissertation traces the impact of the mixtapes of DJ Screw on the emergence of Houston hip hop culture in the 1990s. -
Keeping It “Real”: Making a Career in Pittsburgh's Rap Music Scene
KEEPING IT “REAL”: MAKING A CAREER IN PITTSBURGH’S RAP MUSIC SCENE by Jeffrey M. Tienes B.A., DePauw University, 2008 M.A., The George Washington University, 2010 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2017 UNIVERSITY OF PITTSBURGH THE KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Jeffrey M. Tienes It was defended on April 21, 2017 and approved by Waverly Duck, Associate Professor, Department of Sociology Melanie M. Hughes, Associate Professor, Department of Sociology Ronald J. Zboray, Professor, Department of Communications Dissertation Advisor: Lisa D. Brush, Professor, Department of Sociology ii Copyright © by Jeffrey M. Tienes 2017 iii KEEPING IT “REAL”: MAKING A CAREER IN PITTSBURGH’S RAP MUSIC SCENE Jeffrey M. Tienes, PhD University of Pittsburgh, 2017 How do aspiring artists in the Pittsburgh rap music scene propel themselves onto the national stage? Through interactions with others in the local rap music scene, artists develop the skills, practices, and dispositions that allow them credibly to “do hip-hop”. Through ethnographic interviews of 25 aspiring artists and 2 years of observation of live performances, studio recording sessions, social media interactions, and other events, I trace the process of accountability through which artists demonstrate that they are in and of the culture of hip-hop: They assess themselves and others according to the rap music credo of “keeping it real,” and enforce adherence to this central criterion of artistic and personal integrity. -
NZ Music Stats | Q 3 201 4 Report F Or the NZ Music Industry Commission
NZ Music Stats | Q 3 201 4 Report f or the NZ Music Industry Commission 2014 – Third Quarter Summary This is the third statistical report of 2014 by RadioScope for the NZ Music Industry Commission, designed to track the health of the New Zealand music market. Where possible, we’ve backdated data to the same quarter in 2013 to provide context for the current quarter’s results and allow comparison with quarter just gone as well as the equivalent period 12 months earlier. At A Glance… vs Same Quarter Last Year Retail Sales (Physical and Digital): Sales of Singles by NZ artists were down -58.97% on the same period last year to 106,321 units. (There was -26.01% decline across the single market as a whole). Sales of Albums by NZ artists were down -14.00% on the same period last year to 65,828 units. (There was -7.03% decline across the album market as a whole). Sales of Compilations by NZ artists were down -1.12% on the same period last year to 3716 units. (There was -8.03% decline across the compilation market as a whole). Sales of DVDs by NZ artists were down -36.75% on the same period last year to 556 units. (There was -26.28% decline across the DVD market as a whole). Radio: Airplay of songs by NZ artists across all contemporary radio (RBA members and non-members) was down -2.82% on the same period last year to 18.05% (based on 299,563 spins ). Total Sales of ALBUMS by NZ Artists: Third quarter of 2014: 65,828 15.00% Second quarter of 2014: 56,005 Same quarter last year: 76,547 Top Sellers this quarter : We Rise / Devilskin (Devilskin/Rhythm/DRM)