MONEY IS the ROOT of ALL EVIL? 1 Timothy 6:6-10 I Invite You To

Total Page:16

File Type:pdf, Size:1020Kb

MONEY IS the ROOT of ALL EVIL? 1 Timothy 6:6-10 I Invite You To MONEY IS THE ROOT OF ALL EVIL? 1 Timothy 6:6-10 I invite you to open your Bible to 1 Timothy 6:6-10. As we conclude our series, Is That Really in the Bible, we’re going to ask that question of the well- worn statement, “Money is the root of all evil.” Is it? Well, money’s a big deal. Money is an inanimate object, but you’d think it was an animate one. Nobody says, “BMW’s talk.” Nobody says, “Bass boats talk.” But a lot of folks say this: “Money talks.” No one says, “Time is a 5-carat diamond,” or “Time is a conference championship.” But people do say, “Time is money.” Money’s a big deal. Money drives the plot of well-known movies like Wall Street, Slumdog Millionaire, Fun with Dick and Jane, Casino, and Jerry Maguire. You remember Jerry Maguire? Jerry is a sports agent whose tag line is, “Show me the money.” Money drives a lot of movies. And money drives a lot of popular songs. The Beatles sang, “Money: that’s what I want.” The Steve Miller Band sang, “Come on, take the money and run.” Shania Twain sang, “Ka-ching!” Willie Nelson sang, “If you’ve got the money honey, I’ve got the time.” Pink Floyd sang, “Money, so they say, is the root of all evil today.” And then there are these lyrics from an O’Jays song: For the love of money People will steal from their mother For the love of money People will rob their own brother For the love of money People can't even walk the street Because they never know who in the world they're gonna beat For that lean, mean, mean green Almighty dollar, money I know money is the root of all evil Do funny things to some people Give me a nickel, brother, can you spare a dime Money can drive some people out of their minds Pink Floyd said it and the O’Jays said it too: “Money is the root of all evil.” They’re not the first ones to say it. It’s a common phrase in our culture. And many people believe it. But is this phrase in the Bible? Hear the word of the Lord … (read the text). I So does the Bible say, “Money is the root of all evil”? No. The Bible says this: “For the love of money is a root of all kinds of evil.” Money is not the root of all evil. Money is neutral. Money is simply the way society’s barter for goods and services. Money can be used for purposes good and bad. Money can send a missionary to the Czech Republic to share the good news, and money can be used to contract a murder. Money can be used to help a homeless person find shelter, and money can be used to enrich a local gambling institution. Money can be used to feed the hungry, and money can be used to bribe an official. Money can be used to help meet our basic needs, and money can be squandered in a relentless competition to keep up with the Joneses. Money is neutral. It has no moral value in and of itself. Having money is not a sin; being poor does not make one a saint. It’s not about the money. It’s about what we do with the money we have—be it a lot or a little or just enough. The Bible talks a lot about money because that’s where we live, and everybody’s got to have some just to get along in this world. You can read all about it in Proverbs and Ecclesiastes. And nobody says more about money than Jesus. Jesus doesn’t talk about it like so many TV preachers do. Jesus is not a fund-raiser. Just ahead of our text, Paul tells Timothy in v. 5 to beware of those false teachers, those religious hucksters, who think that “godliness is a means of gain.” Too many of God’s so called pastors and preachers are in it for the money. Maybe you’ve caught the furor that’s been in the news lately about 33-year-old Pastor Steven Furtick of the 12,000 member Elevation Church in Charlotte, North Carolina. He’s just built a 16,000 square foot house.1 Some folks, even in his own church, think that might be just a bit much for anybody, especially a pastor. I wonder if it’s stuff like that Paul is 1http://www.mediaite.com/tv/pastor-defends-controversial-16000-sq-foot-house-everything-we-have- comes-from-god/ talking about when he writes of those who believe “godliness is a means of gain.” That was true in Timothy’s day; it’s true in ours. But these charlatans didn’t get that idea from Jesus. That’s not the way Jesus talks about money. He doesn’t tell you that if you give Him your ten dollars, He’ll give you a hundred dollars. Jesus mostly talks about our attitude toward money and how we use our money. So while the Bible talks about money a lot, neither Old Testament nor New Testament, neither Jesus nor Paul, ever suggest that “money is the root of all evil.” This is what the Bible says, this is what Paul says right here in v. 10 of our text, “For the love of money is a root of all kinds of evils.” Now this general concept that it’s the love of money rather than just money that leads to evil is not completely original with Paul. This idea already had some traction in Greek culture—a culture Timothy’s church in Ephesus knew quite well. About 400 years before Paul wrote that line an eccentric Greek philosopher named Diogenes said this: “The love of money is the mother- city of all evils.”2 Perhaps Paul, no doubt familiar with Greek philosophy, was familiar with this quote. But even then, Paul doesn’t parrot Diogenes. Paul’s Greek here is precise. It’s clear that Paul, unlike Diogenes, doesn’t consider the love of money the root of all evil. There’s no definite article in the Greek text. Love of money is not the root of all evil, it’s a root. And it’s not a root of all evil either. Paul writes that it’s a root of all kinds of evil. Evil takes many forms and has many roots. The love of money is just one of those roots. But it is a root. As someone once put it, the love of money is not a stone but a root. Roots are living things. If left unchecked, roots grow and spread and deepen. I like to keep a good yard. And when I get weeds in it, I’ve got two choices. I can mow them down—which looks okay for about three days. Or I can spray them with stuff that kills not just what I see but also kills the underground root I can’t see. Cut the weed; it grows back. Kill the root; bye-bye weed. If we want to get rid of this love-of-money weed, we’ve got to get rid of the root. II 2http://www.hermitary.com/articles/diogenes.html This is serious stuff. “The love of money is a root of all kinds of evils.” It’s a root that bears some pretty foul-smelling and nasty-tasting fruit. We’re not talking apples and pears and oranges and bananas here. We’re talking fruit with names like these: stealing and lying and cheating and murder and stinginess and greed and coveting and envy and materialism and betrayal and even family strife when the lawyer reads the will. Some fruit, huh? Nobody’s buying that fruit at Kroger, nobody’s going to order it in a smoothie, and nobody’s going to put a bowl of that fruit on their dining room table. The love of money is not the root of all evil, but it most surely is a root of all kinds of evil. Oh, and I failed to mention the bitterest fruit of all that grows off this love-of-money weed: the love of money can destroy your life. Look at v. 9: “But those who desire to be rich fall into temptation, into a snare, into many senseless and harmful desires that plunge people into ruin and destruction.” And as if that’s not bad enough, Paul writes at the end of v. 10, “It is through this craving that some have wandered from the faith and pierced themselves with many pangs.” Ouch! And self-inflicted wounds at that. Money isn’t the culprit here, but our love of money is—“Money, money, money: want it, gotta have it, gonna get it, gonna keep it, gonna get more and more and more. I love it. I worship it. The pursuit and acquisition of it is the core of my life. I love money!” And it’s not just rich people who are rooted with a love of money. And this love-of-money root can put us in a place of grave spiritual peril. It could keep you out of the kingdom of God. And what Paul states in proposition, the gospels illustrate in a story. Matthew, Mark, and Luke provide the composite picture of a man who approaches Jesus with a question: he is young (Mt.
Recommended publications
  • Crncentury2} PRODUCTIONS INC
    , ® OPERATIONS MANUAL - PART TWO Here is your OPUS 74 Top 100 Special! This Billboard Magazine "Documentary of the Year" award-winning program is the culmination o f twelve months of research and interviewing, and over 500 production hours. We feel this year's "OPUS" is more special than ever. On the pages which follow you will find the OPUS 74 Music List/Time & Cue Sheets . These sheets provide full information to ensure a smooth-running and trouble-free presentation. Sheets are divided to correspond with the 8 separate OPUS program disks, representing each of the OPUS broad­ cast hours. Commercial avails and cutaway times may be precisely determined by referring to the segment lengths shown. The sheets also indicate out cues, disk changes, music content, local ID's, and jingle placement . Please refer to Part One of the OPUS Operations Manual for other operational r e lated details . • Season's Greetings and our best wishes for a Great 1975! crncentury2} PRODUCTIONS INC. 7263 Envoy Court I Dallas, Texas 75247 / 214-638-3222 @ 1974 OPUS PRQJ"'' -lONS,_ IJ-',. p. 2 This year's OPUS program is respectfully dedicated to the memory of John Gilbert, first host of the OPUS series, who lost his life this year in the crash of a station airplane at Houston, Texas. At the time of the accident he was doing what he loved most--broadcasting . Dick Starr Roy Nilson p. 3 FINAL CHECKOUT: 1. TECHNICAL Prior to broadcast we suggest a dry run of a few of the OPUS program segments to check out the technical end of reproduction.
    [Show full text]
  • Wilson Pickett, New York City, 1981; Swamp Dogg; Aretha Franklin, New York City, 1982; Fred Wesley, 2011; Dr
    HYTHM AND LUES From left top and clockwise: Wilson Pickett, New York City, 1981; Swamp Dogg; Aretha Franklin, New York City, 1982; Fred Wesley, 2011; Dr. Mable John. Photos: © Fredrich Cantor; Courtesy of Swamp Dogg; © Fredrich Cantor; Mark Puryear, Smithsonian Institution; Courtesy of Stax Museum of American Soul Music Right side: The Dixie Cups® began performing rhythm and blues music in 1963; the group now includes original members Barbara A. Hawkins (right) and Rosa L. Hawkins (left), joined by Athelgra Neville. Photo by Richard Strauss, Smithsonian Institution Rhythm and Blues 53 Tell It Like It Is by Mark Puryear In 1964 The Dixie Cups®, a female vocal trio from New Orleans, crooned out a cheerful version of “Chapel of Love” and knocked the Beatles from their number one spot on the pop charts. A year later, the trio released “Iko Iko,” a song first released in 1954 by James “Sugar Boy” Crawford as “Jock-A-Mo,” whose lyrics recount the meeting of two groups of Mardi Gras Indians. Since then, this song has been cov- ered by artists from the Grateful Dead to Cyndi Lauper, and continues to move new generations with its infectious New Orleans rhythms. The career of The Dixie Cups, and their direct and indirect roles in carrying rhythm and blues (R&B) into mainstream consciousness, speaks to the enduring pow- er of this music to transcend region and musical category and become a representative sound of the country. Musical Crossroads by Dwandalyn Reece The National Museum of African American History of musical genres, highlighting musical innovations, and Culture (NMAAHC) was established by an act of significant time periods and events along with Congress in 2003 making it the nineteenth museum historic performances to capture the music’s impact of the Smithsonian Institution.
    [Show full text]
  • The Nines Dance List
    Just a note from The Nines 1-2-3 MIAMI SOUND MACHINE AIN’T NO OTHER MAN CHRISTINA AGUILERA AIN’T NOBODY CHAKA KHAN ANOTHER NIGHT REAL MCCOY AT LAST CHRISTINA AGUILERA BAD GIRLS DONNA SUMMER BE MY LOVER LABOUCHE BELIEVE CHER BOOGIE OOGIE TASTE OF HONEY BRICKHOUSE COMMODORES CAN’T GET U KYLIE MINOGUE DEVIL WITH THE BLUE DRESS MITCH RYDER DISCO INFERNO THE TRAMPS DON’T CHA PUSSYCAT DOLLS DON’T LEAVE ME THELMA H DREAMS FLEETWOOD MAC DRIVE THE CARS ELECTRIC SLIDE MARCIA GRIFFITHS ENDLESS LOVE L. VANDROSS/MARIAH CAREY FUNKY MUSIC WILD CHERRY GET DOWN KC SUNSHINE HOT STUFF DONNA SUMMER I LUV THE NITE LIFE ALICIA BRIDGES I WILL SURVIVE GLORIA GAYNOR IN THE AIR PHIL COLLINS LADY MARMALADE PATTI LABELLE LAST DANCE DONNA SUMMER LE FREAK CHIC LIKE A STAR CORINNE BAILEY RAE LONG TRAIN DOOBIE BROS LOVE SHACK B 52’S MERCY DUFFY MUSIC MADONNA MUSIC IN ME KIKI DEE MUSTANG SALLY WILSON PICKETT NATURAL WOMAN ARETHA FRANKLIN OBSESSION ANIMOTION RESCUE ME ARETHA FRANKLIN RHYTHM IS GONNA GET YOU MIAMI SOUND MACHINE SANDSTORM DJ DARUDE SAVING ALL MY LOVE FOR YOU WHITNEY HOUSTON SEXUAL AMBER SMOOTH OPERATOR SADE SOME KIND OF WONDERFUL GRAND FUNK RAILROAD SWEET DREAMS EURYTHMICS SWEETEST TABOO SADE TAKIN’ IT TO THE STREETS DOOBIE BROTHERS THAT'S THE WAY KC SUNSHINE THRILLER MICHAEL JACKSON TOTAL ECLIPSE NIKKI FRENCH TURN ME LOOSE LOVER BOY UNCHAINED MELODY RIGHTEOUS BROTHERS VENUS BANANARAMA VOGUE MADONNA WALKING ON SUNSHINE KATRINA WE ARE FAMILY SISTER SLEDGE WHAT IS LOVE HADDAWAY PO Box 619 ● Neenah WI 54957-0619 ● (920) 722-2222 www.stjohn-artists.com Just
    [Show full text]
  • The Top 200 Greatest Funk Songs
    The top 200 greatest funk songs 1. Get Up (I Feel Like Being a Sex Machine) Part I - James Brown 2. Papa's Got a Brand New Bag - James Brown & The Famous Flames 3. Thank You (Falletinme Be Mice Elf Agin) - Sly & The Family Stone 4. Tear the Roof Off the Sucker/Give Up the Funk - Parliament 5. Theme from "Shaft" - Isaac Hayes 6. Superfly - Curtis Mayfield 7. Superstition - Stevie Wonder 8. Cissy Strut - The Meters 9. One Nation Under a Groove - Funkadelic 10. Think (About It) - Lyn Collins (The Female Preacher) 11. Papa Was a Rollin' Stone - The Temptations 12. War - Edwin Starr 13. I'll Take You There - The Staple Singers 14. More Bounce to the Ounce Part I - Zapp & Roger 15. It's Your Thing - The Isley Brothers 16. Chameleon - Herbie Hancock 17. Mr. Big Stuff - Jean Knight 18. When Doves Cry - Prince 19. Tell Me Something Good - Rufus (with vocals by Chaka Khan) 20. Family Affair - Sly & The Family Stone 21. Cold Sweat - James Brown & The Famous Flames 22. Out of Sight - James Brown & The Famous Flames 23. Backstabbers - The O'Jays 24. Fire - The Ohio Players 25. Rock Creek Park - The Blackbyrds 26. Give It to Me Baby - Rick James 27. Brick House - The Commodores 28. Jungle Boogie - Kool & The Gang 29. Shining Star - Earth, Wind, & Fire 30. Got To Give It Up Part I - Marvin Gaye 31. Keep on Truckin' Part I - Eddie Kendricks 32. Dazz - Brick 33. Pick Up the Pieces - Average White Band 34. Hollywood Singing - Kool & The Gang 35. Do It ('Til You're Satisfied) - B.T.
    [Show full text]
  • The Recording Academy® Announces 2016 Grammy Hall of Fame® Inductees
    ® The Recording Academy 3030 Olympic Blvd. Santa Monica, CA 90404 www.grammy.com For Immediate Release NEWS RELEASE THE RECORDING ACADEMY® ANNOUNCES 2016 GRAMMY HALL OF FAME® INDUCTEES 26 Recordings Added to the GRAMMY Hall Of Fame® Residing at the GRAMMY Museum® SANTA MONICA, Calif. (Nov. 18, 2015) — Continuing the tradition of preserving and celebrating timeless recordings, The Recording Academy® has announced the newest additions to its vaunted GRAMMY Hall Of Fame®. This latest round of inducted recordings continues to highlight diversity and recording excellence, and acknowledges both singles and album recordings of all genres at least 25 years old that exhibit qualitative or historical significance. Recordings are reviewed annually by a special member committee comprised of eminent and knowledgeable professionals from all branches of the recording arts, with final approval by The Recording Academy's National Board of Trustees. With 26 new titles, the list, now in its 43rd year, currently totals 1,013 recordings and is on display at the GRAMMY Museum® at L.A. LIVE. "The Recording Academy remains dedicated to celebrating a wide variety of great music through the decades," said Neil Portnow, President/CEO of The Recording Academy. "Spanning more than 50 years, the 2016 GRAMMY Hall Of Fame entries are an outstanding collection, marked by both historical and cultural significance. These works have influenced and inspired both music creators and fans for generations and we are proud to induct them into our catalog of distinguished recordings." Representing a great variety of tracks and albums, the 2016 GRAMMY Hall Of Fame inductees range from the Andrews Sisters' "Don't Sit Under The Apple Tree (With Anyone Else But Me)" to the Grateful Dead's American Beauty album.
    [Show full text]
  • Involve Audio Hi-Fi Forums Surround Master Review Compilation March
    Involve Audio Hi-Fi forums Surround Master Review Compilation March 2002 – July 2015 For more reviews please visit the Quadraphonic Quad Forum http://www.quadraphonicquad.com/forums/forumdisplay.php?23-Matrix-LP-CD- Formats-(SQ-QS-EV-RM) `Involve Audio Pty Ltd ph: +61 418 104 496 e: [email protected] w: www.involveaudio.com skindzier Member Join Date Oct 2012 Posts 150 Points 2,923 Level 33 Achievements: Post Thanks / Like Feedback Score 0 Re: Reality Technologies Surround Master - 2013 Owners Thread Listened to some complete albums this weekend. Source for all was the original stereo CDs. Fleetwood Mac- self-titled: Awesome. Just a tremendous experience. Lots of discrete moments, lots of details and just filled the room beautifully. Had this been a discrete release and I'd been reviewing it in the polls, I'd have given it a 9. The Cars - self-titled Also very, very good. Not quite up to the level of FM above, but there were still discrete moments and detail. Maybe not quite as full as the FM and maybe not quite as defined, but still very enjoyable. Though it is probably my least favorite song on the album, I'm in Touch with Your World is a demo-worthy track with sounds coming from all 4 corners. Green Day - 21st Century Breakdown Brickwalling strikes. I knew that would be the case, but wanted to see how it affected the SM experience. Unfortunately, you can't polish a turd. In essence, the harshness of the recording was all around now. Obviously that isn't something the SM can help.
    [Show full text]
  • Songs by Artist
    Andromeda II DJ Entertainment Songs by Artist www.adj2.com Title Title Title 10,000 Maniacs 50 Cent AC DC Because The Night Disco Inferno Stiff Upper Lip Trouble Me Just A Lil Bit You Shook Me All Night Long 10Cc P.I.M.P. Ace Of Base I'm Not In Love Straight To The Bank All That She Wants 112 50 Cent & Eminen Beautiful Life Dance With Me Patiently Waiting Cruel Summer 112 & Ludacris 50 Cent & The Game Don't Turn Around Hot & Wet Hate It Or Love It Living In Danger 112 & Supercat 50 Cent Feat. Eminem And Adam Levine Sign, The Na Na Na My Life (Clean) Adam Gregory 1975 50 Cent Feat. Snoop Dogg And Young Crazy Days City Jeezy Adam Lambert Love Me Major Distribution (Clean) Never Close Our Eyes Robbers 69 Boyz Adam Levine The Sound Tootsee Roll Lost Stars UGH 702 Adam Sandler 2 Pac Where My Girls At What The Hell Happened To Me California Love 8 Ball & MJG Adams Family 2 Unlimited You Don't Want Drama The Addams Family Theme Song No Limits 98 Degrees Addams Family 20 Fingers Because Of You The Addams Family Theme Short Dick Man Give Me Just One Night Adele 21 Savage Hardest Thing Chasing Pavements Bank Account I Do Cherish You Cold Shoulder 3 Degrees, The My Everything Hello Woman In Love A Chorus Line Make You Feel My Love 3 Doors Down What I Did For Love One And Only Here Without You a ha Promise This Its Not My Time Take On Me Rolling In The Deep Kryptonite A Taste Of Honey Rumour Has It Loser Boogie Oogie Oogie Set Fire To The Rain 30 Seconds To Mars Sukiyaki Skyfall Kill, The (Bury Me) Aah Someone Like You Kings & Queens Kho Meh Terri
    [Show full text]
  • Keeping the Recording Copyr't (Ed)
    Keeping The Recording Copyr't (Ed) Changing Trends: 10 Years: Then & Now ABC Singles Going $1.29 BM! Performance Awards Reno's Midland Via RCA Crossover; 'Boutique' - Feel www.americanradiohistory.com Produced by David Anderle Krîstofferson!s Smokin. He's written some of the outstanding songs of our time and he's just struck gold on his own with "Why M e" Now, Kris Kristofferson has a new single, "I May Smoke Too Much; ZS7 8618 a rousing ode to the hedonistic life. It's from his "Spooky Lady's Sideshow"a I bu m. On Monument Records o Distributed by Columbia/Epic Records Also available on tape www.americanradiohistory.com THE INTERNATIONAL MUSIC -RECORD WEEKLY BOX CASHXXXVI --NUMBER 5-June 15, 1974 VOLUME President and Publisher MARTY OSTROW Executive Vice President IRV LICHTMAN Vice President and Director of Editorial PHIL JAFFE alhboxeditorial Vice President and Director of Advertising West Coast ED ADLUM Managing Editor Keeping The Copyr't Editorial New York On Recordings ARTY GOODMAN DON DROSSELL MICHAEL DAVID Hollywood It is evident from a virtual weekly reading of Cash Box that tremendous strides RON BARON ELIOT SEKULER have been made over the past few years in the battle against unauthorized BEAU EURELL prosecution and continuous raids of pirate DAVID BUDGE duplication of recordings. Successful Research operations are largely the result of greater industry diligence - spurred on by MIKE MARTUCCI Research Manager various trade associations and unions - enactment of state -sponsored Art Director legislation (found last year to be constitutional through the U.S. Supreme Court) WOODY HARDING and, of course, the amendment to the Copyright Act that put recordings made Coin Machine ED ADLUM - Manager after Feb.
    [Show full text]
  • For the Love of Money Tax Day 2016
    For the Love of Money Tax Day 2016 LENGTH TITLE ARTIST bpm 2:50 Money (That's What I Want) - Remastered The Beatles 129 7:21 For the Love of Money The O'Jays 97 4:13 Money's Too Tight [To Mention] (2008 Remastered Album Version) Simply Red 113 6:34 Money Pink Floyd 124 5:05 Death & Taxes Daniel Caesar 114 4:41 What If We All Stopped Paying Taxes? Sharon Jones & The Dap-King 102 3:32 Just Got Paid Johnny Kemp 117 3:13 Money On My Mind Sam Smith 134 4:03 You Never Give Me Your Money - Remastered The Beatles 174 3:10 Moneygrabber Fitz and The Tantrums 113 2:53 Take The Money And Run Steve Miller Band 98 3:54 Money The Drums 102 7:19 For the Love of Money The O'Jays 97 3:09 Money, Money, Money ABBA 120 2:49 Taxes, Texas Hank Penny 120 3:02 Taxes Danny Griego 110 7:43 Damn Taxes (Original Mix) Luis Armando 125 7:05 Taxes Dirty - Original Mix Greyhead 127 6:34 Taxes Dirty - Mark Rogan Revamp Remix Mark Rogan 128 5:15 Taxes Dirty - Mato Mutante Remix Mato Mutante 128 3:09 Money - Death Before Taxes Mix KMFDM 178 2:28 Taxes, Troubles, and Heartaches Chris Warner 126 2:39 Taxman - Remastered The Beatles 134 3:33 Sunny Afternoon The Kinks 123 2:21 Fortunate Son Creedence Clearwater Revival 133 4:16 Taxman, Mr. Thief Cheap Trick 113 3:21 Success Story The Who 138 3:28 Movin' Out (Anthony's Song) Billy Joel 134 3:01 After Taxes Johnny Cash 160 8:21 Tax Free Jimi Hendrix 81 4:12 Mo Money Mo Problems (feat.
    [Show full text]
  • THE HONORABLE CAROL A. SCHAPIRA HEARING DATE: July
    FILED 12 JUL 09 AM 9:00 1 THE HONORABLE CAROL A. SCHAPIRA KING COUNTY SUPERIOR COURT CLERK 2 HEARING DATE: July 10, 2012 at 3:30 p.m. E-FILED CASE NUMBER: 12-2-21829-3 SEA 3 4 5 6 7 SUPERIOR COURT OF WASHINGTON FOR KING COUNTY 8 GEOFF TATE and SUSAN TATE , a No: 12-2-21829-3 SEA married couple 9 DECLARATION OF COUNSEL, 10 Plaintiffs, v. THOMAS T. OSINSKI JR. 11 EDDIE JACKSON and TERESA 12 GOLDEN-JACKSON , a married couple; SCOTT ROCKENFIELD and MISTY 13 ROCKENFIELD , a married couple; MICHAEL WILTON and KERRIE LYNN 14 WILTON , a married couple; TRI-RYCHE, CORPORATION , a Washington 15 corporation; QUEENSRYCHE MERCHANDISING, INC ., a Washington 16 corporation; and MELODISC LTD ., a 17 Washington corporation. 18 Defendants. 19 20 I, Thomas T. Osinski Jr., attorney for the above named Defendants, declare as 21 follows: 22 1. I am the counsel of record for the Defendants in this action. 23 2. Attached hereto as Exhibit 1 is a true and correct copy of the 1989 24 Queensryche Partnership Agreement. 25 DECLARATION OF COUNSEL, THOMAS T. Osinski Law Offices, P.L.L.C. OSINSKI JR. - 1 of 3 535 Dock St. Suite 108, Tacoma, Washington 98402 Tel (253) 383-4433 | Fax (253) 572-2223 | [email protected] 1 3. Attached hereto as Exhibit 2 are true and correct copies of the original 2 copyright registrations for all songs through the Empire album. 3 4. Attached hereto as Exhibit 3 are true and correct copies of the revenue 4 reports for Queensryche entities from 2006 to 2011.
    [Show full text]
  • A Conversation with the Architects of the Philly Sound, Kenny Gamble & Leon Huff Scott Paton
    Unedited version of Goldmine cover story, Issue #737, Oct. 28, 2008 A conversation with the architects of the Philly Sound, Kenny Gamble & Leon Huff Scott Paton A step into the lobby at 309 S. Broadway in Philadelphia is a step back into time. The gilded, gated doors close as the elevator operator punches the button for the second floor. Moments later, the pulleys and cable come to a stop, and the doors open on to a lobby and offices that seem frozen in time, some 30-odd years ago. To the casual observer, a professional makeover might be in order. But to a fan of early-‘60s pop or ‘70s soul music, the surroundings are resplendent in their untouched glory, a virtual shrine to two creative, indelible eras in recorded history. The home of Cameo-Parkway Records from 1956 to 1967, this building drew aspiring songwriters, from near and far, hoping to pitch their tunes to the likes of Chubby Checker, Bobby Rydell and the Orlons. Among those young hopefuls were poet/lyricist Kenneth Gamble and keyboardist extraordinaire Leon Huff, and while their early attempts to “storm the castle” were often thwarted, they ultimately ascended to become the preeminent writer/producers on the local scene, and the most important force in R&B/Soul music since the heyday of Motown Records. In 1972, they purchased the building for their own enterprise, Philadelphia International Records. As architects of “the Philly Sound”, Gamble & Huff crafted sophisticated funk classics for the O’Jays, Harold Melvin & the Blues, Teddy Pendergrass, the Intruders, Lou Rawls and others that ushered in the Disco Era, setting a standard for dance- friendly, yet lyrical songcraft, that remains unmatched.
    [Show full text]
  • Headhunting Jazz Drum Master Mike Clark
    Headhunting jazz drum master Mike Clark BY AL CARLOS HERNANDEZ ON FEBRUARY 20, 2013 HOLLYWOOD (Herald de Paris) – When two of the best musicians on the planet decide to combine their estimable talents to create a band without boundaries, the result is the Wolff & Clark Expedition. Dizzy Gillespie famously said that jazz must have, “One foot in the past and one in the future.” With the Wolff & Clark Expedition, the music embraces the past, ventures into the future, but remains rooted in the improvisational present. Drummer Mike Clark is a true percussion legend – Clark gained worldwide recognition as one of America’s foremost jazz and funk players while touring and recording with Herbie Hancock’s group in the early 1970’s. Mike became known as a major innovator through his incisive playing on Hancock’s ‘Thrust’ album which garnered him an international cult following. While often referred to as the “Tony Williams of funk,” Mike, a JAZZ musician, has, in fact, become one of the most vital to ever sit behind a set. He has performed with jazz greats Herbie Hancock, Wayne Shorter, Tony Bennett, Bobby Hutcherson, Christian McBride, Joe Henderson, Woody Shaw, Wallace Roney, Donald Harrison, Nicholas Payton, Fred Wesley, Vince Guaraldi, Chet Baker, Larry Coryell, Eddie Henderson, Geri Allen, Billy Childs, Chris Potter, Bobby McFerrin, Al Jarreau, Dave Liebman, Oscar Brown Jr., Lenny White (Mike has a two-drummer band with Lenny called “New Brew”), Mose Allison, Gil Evans and his Orchestra and many more luminaries. Mike is currently finishing his forthcoming solo CD ‘Indigo Blue’, which features Randy Brecker, Christian McBride, Donald Harrison, Rob Dixon and Antonio Farao.
    [Show full text]