Quarterly of ~Om&'S Studies ~Esodrces
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Addison Street Poetry Walk
THE ADDISON STREET ANTHOLOGY BERKELEY'S POETRY WALK EDITED BY ROBERT HASS AND JESSICA FISHER HEYDAY BOOKS BERKELEY, CALIFORNIA CONTENTS Acknowledgments xi Introduction I NORTH SIDE of ADDISON STREET, from SHATTUCK to MILVIA Untitled, Ohlone song 18 Untitled, Yana song 20 Untitied, anonymous Chinese immigrant 22 Copa de oro (The California Poppy), Ina Coolbrith 24 Triolet, Jack London 26 The Black Vulture, George Sterling 28 Carmel Point, Robinson Jeffers 30 Lovers, Witter Bynner 32 Drinking Alone with the Moon, Li Po, translated by Witter Bynner and Kiang Kang-hu 34 Time Out, Genevieve Taggard 36 Moment, Hildegarde Flanner 38 Andree Rexroth, Kenneth Rexroth 40 Summer, the Sacramento, Muriel Rukeyser 42 Reason, Josephine Miles 44 There Are Many Pathways to the Garden, Philip Lamantia 46 Winter Ploughing, William Everson 48 The Structure of Rime II, Robert Duncan 50 A Textbook of Poetry, 21, Jack Spicer 52 Cups #5, Robin Blaser 54 Pre-Teen Trot, Helen Adam , 56 A Strange New Cottage in Berkeley, Allen Ginsberg 58 The Plum Blossom Poem, Gary Snyder 60 Song, Michael McClure 62 Parachutes, My Love, Could Carry Us Higher, Barbara Guest 64 from Cold Mountain Poems, Han Shan, translated by Gary Snyder 66 Untitled, Larry Eigner 68 from Notebook, Denise Levertov 70 Untitied, Osip Mandelstam, translated by Robert Tracy 72 Dying In, Peter Dale Scott 74 The Night Piece, Thorn Gunn 76 from The Tempest, William Shakespeare 78 Prologue to Epicoene, Ben Jonson 80 from Our Town, Thornton Wilder 82 Epilogue to The Good Woman of Szechwan, Bertolt Brecht, translated by Eric Bentley 84 from For Colored Girls Who Have Considered Suicide I When the Rainbow Is Enuf, Ntozake Shange 86 from Hydriotaphia, Tony Kushner 88 Spring Harvest of Snow Peas, Maxine Hong Kingston 90 Untitled, Sappho, translated by Jim Powell 92 The Child on the Shore, Ursula K. -
Soapstone Celebrating Women Writers
Soapstone: Celebrating Women Writers Study Groups 2015 - 2021 ====================================================== Reading Claudia Rankine, led by Ashley Toliver Six Saturday Mornings, 10:00 to 12, April – May, 2021 via Zoom Few books of modern poetry have so handily met and captured the zeitgeist of our collective psyche as Claudia Rankine's 2004 book, Citizen. Published in the midst of the nation’s spreading awareness of police brutality, racism and the birth of the Black Lives Matter movement, Citizen became an instant classic for its everyday depictions of the micro-aggressions faced by Black Americans, for whom the personal is always political. www.poetryfoundation.org/poets/claudia- rankine What’s interested me about Rankine’s career is how her work has moved from the intimately personal— permitting us only mere glimpses of the surrounding world— to the largely collective in both voice and concern. When I first encountered Claudia’s work, I was a college sophomore. While browsing the poetry stacks of my college library, I discovered her first two books, Nothing In Nature is Private and The End of the Alphabet. Both books swept me off my feet with the intensity of their inward gaze. In this study group, I’m interested in exploring the transition in subjectivity and form that takes shape in the space between Rankine’s The End of the Alphabet and Citizen. We’ll also explore selected readings in the form of additional excerpts from her work, interviews, articles, and/or whatever else we discover along the way. It’s my hope that this class will be an open, easy-going space where we can discuss Rankine’s work with fluidity, ease, and good humor. -
Lesbian Jurisprudence?
City University of New York (CUNY) CUNY Academic Works Publications and Research CUNY School of Law 1990 Lesbian Jurisprudence? Ruthann Robson CUNY School of Law How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/cl_pubs/324 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Lesbian Jurisprudence? Ruthann Robson* 'The inquiry is lesbian jurisprudence. Does it exist? Can it exist? How is it different from recent "attempts" at feminist juris- prudence,' if at all? How is it different from jurisprudential at- tempts to ground homosexuality, 2 if at all? And if lesbian jurisprudence exists, what are its characteristics, its concerns, its methodologies? And if lesbian jurisprudence is being created, what should be its characteristics, its concerns, its methodologies? This article poses the question of lesbian jurisprudence. In order to understand the complexity of the question, this article first offers some preliminary definitions for lesbianism as well as a brief explication of jurisprudence. Combining lesbian and juris- prudence into a question, this article limits the question by re- jecting two possible answers: that lesbian jurisprudence is feminist jurisprudence and that lesbian jurisprudence is a paradigm capable of universal application. The article then seeks to give present im- aginative content to the question by drawing upon mythical meta- phors from our collective past and by surveying science fiction conceptions of the future. The mythical metaphors serve a pur- pose similar to that served by the common embodiment of justice as a woman blindfolded and holding a scale. -
Contemporary-Literature.Pdf
CONTEMPORARY LITERATURE English language literature since World War II This Reading List in Contemporary Literature in English is meant to provide students a greater role in shaping their own exams and preparing their own lists of material. Students who wish to take the exam should contact examiners 6-8 weeks in advance of the exam date in order to discuss the material to be covered in the examination. Ordinarily the students will be expected to deal with at least two of the following genres: fiction, poetry, drama, and nonfiction prose. Flannery O’Connor A Good Man is Hard to Find Evelyn Waugh Brideshead Revisited Jean Rhys The Wide Sargasso Sea D. M. Thomas The White Hotel Ralph Ellison Invisible Man Gwendolyn Brooks Maud Martha John Barth Lost in The Funhouse James Baldwin Go Tell it On the Mountain; Another Country J.M. Coetzee’s Foe Eudora Welty The Golden Apples Vladimir Nabokov Lolita F. Scott Momaday House Made of Dawn Leslie Marmon Silko Ceremony Toni Morrison The Bluest Eye; Beloved Ishmael Reed Mumbo Jumbo Maxine Hong Kingston The Woman Warrior Edna O’Brien The Country Girls Trilogy Chinua Achebe Things Fall Apart Doris Lessing The Golden Notebook Kurt Vonnegut Slaughterhouse Five Alice Walker The Color Purple Louise Erdrich Love Medicine Helena Maria Viramontes The Moths Tomas Riveras …And the Earth Did Not Devour Him Linda Hogan Solar Storms Don DeLillo White Noise Jeanette Winterson Oranges Are Not the Only Fruit; Sexing the Cherry Alice Munro The Love of a Woman Margaret Atwood Surfacing; The Handmaid’s Tale Salman Rushdie -
BENEFIT for MAMA BEARS Way, Here's Our Day to Socialize
GROWING NEWS PAINS & NOTES August 1st marks a year since some Aug-Sept 1984 VoM, No 3 •Mama Bears' decided to rent the space we are in. There was no wiring, no plumbing, no side windows, and the floors were mostly dirt. Alice being who she is, looked at it and saw a M A M A B E A R S wonderful space. I could only look at it one eye at a time because all I & s^aw was a lot of work - and ask where BEACON PRESS all the money and energy would come from, anyway. * Proudly Celebrate Publication of Then things started to. happen. ANOTHER MOTHER TONGUE: Some very wonderful women held a par ty for us at which they raised about GAY WORDS, GAY WORLDS S900 to help us pay on our attorney's fees. Then our lawyer said, "Go ahead by and open a new space, don't worry Judy Grahn about paying me right now." Mickey Phillips (Arlene Slaughter's son) W ith a Party at Mama Bears from Central Realty not only arranged the lease for us, but believed in the > Sunday, August 5, 1984 vision enough to arrange some loans 4 PM for us. The I Ching said, "It'fur thers one to cross the great water." uie invite you—our sisters & brothers—to join We-were on our way. w ith us and Ms. Grahn in marking this joyous Several other; loans and donations event came to us; ranging from $10'to-$1000 from wonderful women who believed in Preface us. -
American Book Awards 2004
BEFORE COLUMBUS FOUNDATION PRESENTS THE AMERICAN BOOK AWARDS 2004 America was intended to be a place where freedom from discrimination was the means by which equality was achieved. Today, American culture THE is the most diverse ever on the face of this earth. Recognizing literary excel- lence demands a panoramic perspective. A narrow view strictly to the mainstream ignores all the tributaries that feed it. American literature is AMERICAN not one tradition but all traditions. From those who have been here for thousands of years to the most recent immigrants, we are all contributing to American culture. We are all being translated into a new language. BOOK Everyone should know by now that Columbus did not “discover” America. Rather, we are all still discovering America—and we must continue to do AWARDS so. The Before Columbus Foundation was founded in 1976 as a nonprofit educational and service organization dedicated to the promotion and dissemination of contemporary American multicultural literature. The goals of BCF are to provide recognition and a wider audience for the wealth of cultural and ethnic diversity that constitutes American writing. BCF has always employed the term “multicultural” not as a description of an aspect of American literature, but as a definition of all American litera- ture. BCF believes that the ingredients of America’s so-called “melting pot” are not only distinct, but integral to the unique constitution of American Culture—the whole comprises the parts. In 1978, the Board of Directors of BCF (authors, editors, and publishers representing the multicultural diversity of American Literature) decided that one of its programs should be a book award that would, for the first time, respect and honor excellence in American literature without restric- tion or bias with regard to race, sex, creed, cultural origin, size of press or ad budget, or even genre. -
Teaching Lesbian Poetry
City University of New York (CUNY) CUNY Academic Works Women's Studies Quarterly Archives and Special Collections 1980 Teaching Lesbian Poetry Elly Bulkin How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/wsq/446 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] would value being in a class that did so, and that it would make presentation of role models of strong, self-actualizing women history much more interesting. I am encouraged by their can have a powerful , positive influence on both boys and girls. response and determined to integrate the history of women with the material presented in the traditional text. Students on the Sandra Hughes teaches sixth grade at Magnolia School in elementary school level are eager to learn about women, and the Upland, California. The list of women studied included : Jane Addams , Susan B. Anthony, Martha Berry , Elizabeth Blackwell, Mary Mcleod Bethune, Rachel Carson, Shirley Chisholm , Prudence Crandall , Marie Curie , Emily Dickinson , Emily Dunning , Amelia Earhart , Anne Hut chinson , Jenny Johnson , Helen Keller , Abby Kelley , Mary Lyon, Maria Mitchell, Deborah Moody, Lucretia Mott , Carry Nation , Annie Oakley, Eleanor Roosevelt, Sacajawea , Margaret Chase Smith, Elizabeth Cady Stanton , Harriet Beecher Stowe , Harriet Tubman, and Emma Willard . Teaching Lesbian Poetry * By Elly Bulkin In all that has been written about teaching women's literature, between nonlesbian students and lesbian material. Although I about classroom approaches and dynamics , there is almost no do think that a nonlesbian teacher should teach lesbian writing in discussion of ways to teach lesbian literature. -
Mount Holyoke College Spring 2020 English Courses
Mount Holyoke College Spring 2020 English Courses ENGL 201 Intro to Creative Writing (200+ English elective)(creative writing specialization) Section 1: Mon 1:30-4:20 Instructor: Elizabeth Young Section 2: Thurs 1:30-4:20 Instructor: Elizabeth Young This course offers practice in writing various kinds of narrative. Assignments emphasize clarity, concision, and creativity. Exercises lead to longer work: sketches or short stories. Students hone critical as well as writing skills. Student papers are duplicated and discussed in class, along with selected works by published authors. Permission is required for interchange registration during the add/drop period only. ENGL 211 Shakespeare (early British literature or 200+ English elective) TuTh 10:00-11:15 Instructor: Katherine Walker A study of some of Shakespeare's plays emphasizing the poetic and dramatic aspects of his art, with attention to the historical context and close, careful reading of the language. Eight or nine plays. Permission is required for interchange registration during the add/drop period only. ENGL 217GE Global English (Anglophone or 200+ English elective) MonWed 1:30-2:45 Instructor: Mark Shea What is the relationship between language and social and political power? This course is an interdisciplinary study of the global role of the English language. Migration, education, and identity are major themes of the course, and we look at how linguists, policy-makers, and individuals grapple with these complex topics. This course also focuses on students' development of their written and spoken communication skills and is open to students in all disciplines. Our approach to writing and speaking may be particularly effective for students who do not identify as native speakers of English. -
Biennial Report
Biennial RepoRt July 1, 2009 – June 30, 2011 TABle oF ContentS 3 Introduction 4 40th Anniversary Campaign 6 Poets & Writers Magazine 9 Pw.org 10 Information Services Founded in 1970, Poets & Writers believes writers make indispensable con- 11 Readings/Workshops tributions to our national culture. The organization’s mission is to foster the 23 California Office professional development of poets and writers, to promote communication 24 Awards for Writers throughout the literary community, and to help create an environment in which 28 In the Field literature can be appreciated by the widest possible public. 30 Friends of Poets & Writers 32 Institutional Donors 34 Board of Directors 35 Poets & Writers Staff 36 Treasurer’s Report 38 R/W Writers Supported 47 R/W Sponsors n 2010, POeTS & WRITeRS CelebrateD four decades of importance of our website as a means of providing informa- I service to creative writers. tion and as a platform for the community of creative writers, the longtime editor of the magazine, Mary Gannon, was promoted to Founded in 1970 by Galen Williams with the support of the new editorial director. In this capacity, she provides direction to both York State Council on the Arts, the organization’s first initiative the magazine and website. Under her leadership, we’ve added was a program now called Readings/Workshops, which paid fees a host of new features, enhanced functionality of the site, and to writers for leading workshops and giving readings. strengthened linkages between our print and digital publications. On the occasion of our 40th Anniversary, the Board of Directors The Readings/Workshop program, where it all began, continued wanted to honor Galen for her vision and tenacity. -
Published Occasionally by the Friends of the Bancroft Library University of California, Berkeley, California 94720
PUBLISHED OCCASIONALLY BY THE FRIENDS OF THE BANCROFT LIBRARY UNIVERSITY OF CALIFORNIA, BERKELEY, CALIFORNIA 94720 No. 76 October 1980 ^When Sara Comes, It's Always a Holiday!" In one of his all-too-few novels, Mark Schorer wrote: Memory selects, distorts, organizes, and by these, evaluates; then fixes! This is the artistic process, except for that final step beyond process which makes of the work an object capable of life and meaning out side ourselves, independent. The reader of Poet and Suffragist, Sara Bard Field's memoir recorded by the Bancroft's Regional Oral History Office during a four- year period from 1959 to 1963, is presented with just such an independent work; as her daughter, Katherine Caldwell, writes in an "Afterword," the interview is marked by "clarity and astonishingly remembered de tail." Left unfinished because of the memoirist's fragile health—she was ill during much of the time prior to her death in 1974—the tapes have now been transcribed and bound into a volume of six hundred and sixty-one pages. Sara Bard Field by W. E. Dassonville, c.iQ20.Sara Bard Field was born in Cincinnati on September 1st, 1882, and three years later moved with her family to Detroit. Eleven days follow ing her eighteenth birthday she was married to Albert Ehrgott, a Baptist minister more than twice her age, and accompanied him to a missionary post in Rangoon, Burma. In July, 1901 her son, Albert Field, was born under extremely painful conditions which soon made it evident that Sara would have to return to Detroit for crucial surgery. -
A Rhetorical Analysis of Judy Grahn's Poetry
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 1997 "They say she is veiled": A rhetorical analysis of Judy Grahn's poetry Damaris Hawkins Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Feminist, Gender, and Sexuality Studies Commons, and the Rhetoric Commons Recommended Citation Hawkins, Damaris, ""They say she is veiled": A rhetorical analysis of Judy Grahn's poetry" (1997). Theses Digitization Project. 2941. https://scholarworks.lib.csusb.edu/etd-project/2941 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. "THEY SAY SHE IS VEILED:" A RHETORICAL ANALYSIS OF JUDY GRAHN'S POETRY A Thesis Presented, to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English Composition by Damaris Hawkins September 1997 Cpisf. Stale University, San Bernardino uo •j "THEY SAY SHE IS VEILED:" A RHETORICAL ANALYSIS OF JUDY GRAHN'S POETRY A Thesis Presented to the Faculty of California State University, San Bernardino by Damaris Hawkins September 1997 Approved by: ft- Date Loralee MacPike Copyright 1997 Damaris Hawkins ABSTRACT Judy Grahn is a contemporary feminist American poet who utilizes myth in her poetry. Grahn's early work weaves in minimal references to Venus and Jason, she soon progresses to focusing on the myth of Helen of Troy--and all her incantations--to create a book of poems to instruct and unite womankind in the hope that her poetical work will lay the foundation for a spiritual and psychological transformation. -
Clarence Darrow's Letters
INTRODUCTION In 1928, H. L. Mencken published an essay in the American Mercury in which he asked, “How many American lawyers are remembered, as lawyers?”1 Thinking only of dead lawyers, Mencken offered three nominees: John Marshall, Daniel Webster, and Joseph Choate. In 1928, these three might have been the only suitable candidates. But anyone answering the same question today would have to include Clarence Darrow on the list (and remove Choate). Darrow, who died in 1938, is the most celebrated lawyer in American history, and he will likely remain so for a long time. The number of books and other writings about Darrow or about the cases in which he was involved is considerable, and steadily increasing. Many adult and juvenile biog- raphies have been written about him; the adult biographies began appearing several years before he died. Dissertations and other academic studies have also been written about him, his cases, and his writings. Most of Darrow’s own books and many of his speeches and other writings have been reprinted several times, and many are anthologized or otherwise in print today—more than seventy years after his death. Many fi ctional char- acters and plots have been based on Darrow or his cases, and Darrow has often been portrayed onstage and on television and in movies (which have played no small part in making him such a celebrated lawyer)—by Spencer Tracy, Orson Welles, Henry Fonda, Jack Lemmon, Christopher Plummer, and Kevin Spacey, among others. 1. H. L. Mencken, “Stewards of Nonsense,” American Mercury, January 1928, 35–37 (reprinted in H.